Approaches to paint Aminta Henrich

By: Manuel Pantigoso

Steeped in multiple experiences, the paintings of Aminta Henrich concentrated in the receptacle of the canvas - or on the veranda of his window - feelings and memories , commuter and environment , daily life and transcendence, individual and social experiences , dreams and realities, ie teeming history and populated geography of subjectivity and a whole inner wealth that seeks its integrator channel in the plastic product characterized by configure atmospheres both diluted with gentle strokes that clothe the deserted drawing as condensed through strong fillings that are stony solidity or brightness of the subject.

From the darkness of the cave or symbolically standing water comes life. Recall that the artist is also a biologist , and therefore know that all creation comes from the roots or vestiges of humanity ( the plains of Nazca , for example ) to achieve that life energy configuration wrapped in mystery in the unknowns of the cosmos, as a way to find a synthesis between the roots and rootlessness , closeness and distance , the joy and melancholy , built by the alternation of cold and warm , defined and abstract from where colors are defined in light of the existence .

The dialectic of essence of life - full of harmonies and disharmonies , thus appears to be the leitmotif of the painting Aminta Henrich , their transcendental investigations, and their achievements , full of sun and shadows , silences , rumblings , of order and disorder . From the bottom of the box as a permanent chisel mystery suggestive art , namely , that emotion of being that talented plasma through reminiscences and revelations of the mind is to emerge .

Furrow, November 2013 .