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SYNTHEATE AUGUST 2014

Syntheate ideation: Tools for infinite UX creativity

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Learning from neuroscience to improve creative abilities. Sarah describes how we can improve our creative abilities by using tools and techniques that will engage active and passive brain states. In the age of the cloud, where computers can be programmed to do iterative design, human brains have become bottlenecks for the type of information processing that leads to innovation. Rather than aiding the overall UX design process, our brains can actually slow us down. As designers we need to explore ways that maximise our ability to collect, filter and synthesise information. Neuroscience tells us that the brain oscillates between the task-positive and task-negative networks during synthesis and ideation every 10 seconds. The oscillation between a more action orientated state of mind, and one that is more restful, often including activities such as daydreaming and future gazing, plays an important role in creativity. Yet very little has been done to date to connect neuroscience with UX. Drawing on real-life industry practice and neuroscientific theory, this talk will demonstrate how to better create and synthesise ideas. It will also highlight how an understanding of the cyclical nature of our brain’s neural physics can enhance UX design. Employing a deliberate narrative structure and adapting existing design methods with activities that work constructively within these two brain states, we invite you to experience a new approach to creativity.

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Page 1: Syntheate ideation: Tools for infinite UX creativity

SYNTHEATEAUGUST 2014

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SYNTHEATE IDEATION: TOOLS FOR INFINITE UX CREATIVITY

LEARNING FROM NEUROSCIENCE TO IMPROVE CREATIVE ABILITIES

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SYSTEM 1

Loigic and Reasoning

Task Focused

HOW OUR BRAIN WORKS

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Mental Simulations

Involuntary

SYSTEM 2SYSTEM 1

Loigic and Reasoning

Task Focused

HOW OUR BRAIN WORKS

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Mental Simulations

Involuntary

SYSTEM 2SYSTEM 1

Loigic and Reasoning

Task Focused

Fluid Reasoning

Switching between 1 and 2

SYSTEM 3

HOW OUR BRAIN WORKS

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01

ACCUMULATE & SPECULATE

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HOW MIGHT WE...

...CAPTURE AND RECALL RELEVANT INFORMATION IN

A MORE EFFECTIVE WAY?

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HOW OUR BRAIN WORKS

INFORMATION RETENTION (%)

LEARNING METHOD

Reading

Lecture

Audiovisual

10%

20%

5%

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HOW OUR BRAIN WORKS

10% Reading

Lecture

20% Audiovisual

30% Demonstration

50% Discussion

5%INFORMATION

RETENTION (%)LEARNING METHOD

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HOW OUR BRAIN WORKS

10% Reading

Lecture

20% Audiovisual

30% Demonstration

50% Discussion

75% Practice Doing

90% Teach Others

5%INFORMATION

RETENTION (%)LEARNING METHOD

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HOW OUR BRAIN WORKS

8-10 Seconds

Minimum Concentration

Medium Concentration

MaximumConcentration

5-20 Minutes

40

Minutes

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TECHNIQUES

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02

FILTER

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HOW MIGHT WE...

...BETTER FRAME OUR CHALLENGES TO HELP US TO FIND AND CREATE WHAT WE

ARE LOOKING FOR ?

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HOW OUR BRAIN WORKS

THE GOLDEN CIRCLES

WHAT

HOW

WHY

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WHAT HOW

SYSTEM 1

WHAT

HOW

WHY

UNIVERSAL DESIGN OF LEARNING

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WHYWHAT HOW

SYSTEM 1SYSTEM 2

WHAT

HOW

WHY

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TECHNIQUES

FRAMING STATEMENT

HOW MIGHT WE...create ............................for ...................................to .....................................by ....................................to improve ....................

a persondo something

taking action

X

X

WHAT

HOW

WHY

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03

SYNTHESIS

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HOW MIGHT WE...

...FORM MORE ORIGINAL ASSOCIATIONS AND

CONNECTIONS?

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HOW OUR BRAIN WORKS

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TECHNIQUES

SUPRISING EXPERIENCE

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TECHNIQUES

CREATIVE PAUSE

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CREATIVE PAUSE

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04

CREATIVE INSIGHT

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HOW MIGHT WE...

...PREPARE OURSELVES TO HAVE MOMENTS OF CREATIVE INSIGHT?

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HOW OUR BRAIN WORKS

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TECHNIQUES

DOPAMINE

SEROTONIN

ANXIETY & FEAR CALM CONTENTMENT

BOREDOM APATHY EXCITEMENT / ENGAGEMENT

NEURO TRANSMITTERS CREATIVITY

MENTAL & EMOTIONAL STATE

IN THE ZONE

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05

COMBINE & REFINE

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HOW MIGHT WE...

...BETTER SHAPE TO OUR INITIAL IDEAS INTO USER EXPERIENCES ?

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HOW OUR BRAIN WORKS

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TECHNIQUES

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SYSTEM 1.

SYNTHESIS

SYSTEM 2.

IDEATION

0504030201

Accumulate + Speculate

Filter Synthesis Creative Insight Combine + Refine

SYNTHEATESYNTHEATE

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... CAPTURE AND RECALL MORE EFFECTIVELY

... FRAME OUR CHALLENGES TO MOTIVATE  ... USE CREATIVE PAUSES TO PROCESS ... NEUROCHECMICALLY PREPARE FOR IDEATION  ... SHAPE IDEAS VISUALISING FUTURE SCENARIOS

01

02

03

04

05

WE NEED TO...

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REFERENCES...Daniel kahneman, 2011, thinking fast and slow

Ned herrmann, 1991, the creative brain

Simone m. Ritter, 2012, diversifying experiences enhance cognitive flexibilityHttp://psychology.Ucdavis.Edu/labs/pwt/image/experimetrix/file/2012diversifyingexperiencescognitiveflexibility.Pdf

Charles limb, 2010, your brain on improvHttp://www.Ted.Com/talks/charles_limb_your_brain_on_improv

Simon sinek, 2009, how great leaders inspire actionHttp://www.Ted.Com/talks/simon_sinek_how_great_leaders_inspire_action

John kounios, 2012, the neuroscience behind epiphanies 2012Http://talentsearch.Ted.Com/video/john-kounios-the-neuroscience-behind-ep

Mark Beeman, 2012, The Creative Brain – Where Do Ideas Come From?http://vimeo.com/39864868

Rex Jung, 2011, Creativity and the Brainhttps://www.youtube.com/watch?v=SWIXfNEDy3g

Andreas Fink, 2010, Enhancing creativity by means of cognitive stimulation: Evidence from an fMRI studyhttp://www.sciencedirect.com/science/article/pii/S1053811910008244

The Meditating Brain, 2011https://www.youtube.com/watch?v=TJLdNRebeWE#t=188%00

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THANK YOU