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WHY IS THERE NO AUDIENCE FOR WHAT WE MAKE?

Soap operaswerentaboutsoap3

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Page 1: Soap operaswerentaboutsoap3

WHY IS THERE

NO AUDIENCEFOR WHAT WE MAKE?

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AT THE GOLDEN DRUM FESTIVAL, MARTIN WEIGEL

GAVE AN

INSPIRING PRESENTATIONABOUT

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OVERCOMINGINDIFFERENCE

http://martinweigel.org/2012/10/03/if-you-want-to-fail-assume-there-is-an-audience/

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IT’S A

GREATSTART

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BUT, WHERE DO WE

GOFROM HERE?

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MARTIN’S POINT WAS

CORRECT

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NO ONE CARESABOUT YOUR WEBSITE

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OR YOUR

FACEBOOK APP

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TWITTER, YOUTUBE,PINTEREST

ARE ALL JUST

NOISE

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THERE IS SO MUCH INSTANTLY AVAILABLE, PUBLISHING ISN’T ENOUGH

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PEOPLE DON’T CAREABOUT THEIR

SOAP’S TWITTER FEED

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HOWEVER,

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PEOPLE ARE SPENDING

MORE TIME ON THEIR

PHONES AND TABLETS

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MORE TIMEONLINE

AND IN

APPS

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MORE TIME ACROSS ALL

MEDIA

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TV and Video Radio Newspapers Other

Internet Mobile Magazines

Note: time spent with each medium includes time spent with that medium, regardless of multitalsking; for example, 1 hour of multitasking on the internet and watching TV is counted as 1 hour for TV and 1 hour for internet

635 mins

2008

40.0%

21.5%

16.0%

5.0%6.0%

4.0%

7.5%2.6%

630 mins

41.0%

22.5%

15.0%

6.0%

5.1%

7.0%

2009

660 mins

40.0%

23.5%

14.5%

7.5%

4.5%

7.0%

2010

693 mins

39.6%

24.1%

13.0%

9.4%

3.8%

6.9%

2011

3.4% 4.0%

AND IT’S INCREASING

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THE OPPORTUNITY

IS

OUT THERE

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HOW DO WE

CREATE SOMETHINGTHAT

PEOPLE WANT?

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THINGSPEOPLE

LIKE

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WHY DID THESE

WORK?

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THEY WERE PLATFORMS THAT

ADDED VALUE

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THEY DIDN’T JUST

INTERRUPT,THEY

INTEGRATED

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INTEGRATEDINTO WHAT WE ALREADY

WANTED TO DO

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SO WHY THE

DISCONNECT?

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WE HAVE

FIVE BASIC NEEDSIN

LIFEADAPTED FROM: FIRST THINGS FIRST, ROGER & REBECCA MERRILL AND STEPHEN COVEY

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FIVE THINGS WE

CONSTANTLY SEEKIN ORDER TO BE

FULFILLED

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WITHOUT THEMWE FEEL EMPTY,

INCOMPLETE

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THEY ARE

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1. SURVIVAL

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WE STRIVE UNTIL OUR

BASIC PHYSICAL NEEDS

ARE MET

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FOOD, CLOTHING,

SHELTER,ECONOMIC AND PHYSICAL

HEALTH

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2. LAUGHTER

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LIFENEEDS TO BE MORE THAN

EATING AND SLEEPING.

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WE NEED ENTERTAINMENT,SMILES, HAPPINESS,

LAUGHTER

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3. RELATIONSHIPS

PHOTO CREDIT: Nasos Z.

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WE ALL HAVE

SOCIAL NEEDSTO BE MET

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FAMILY, FRIENDSHIPS,

TEAM, COMMUNITY

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TO

LOVEAND TO BE

LOVED

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4. GROWTH

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OUR

MENTAL NEEDSHAVE TO BE MET

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LEARNING NEW THINGS

GROWINGPERSONALLY AND PROFESSIONALLY

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AND LASTLY...

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5. TO BE PART OF SOMETHING

BIGGERTHAN OURSELVES

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A SENSE OF MEANING

PURPOSE CONTRIBUTION TO THE WORLD

GIVING BACK

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TO BUILD SOMETHING THAT

LASTS LONGER

THAN WE DO

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IT’S WHEN WE CREATE CONTENT THAT

TOUCHESTHESE

CORE NEEDS

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THAT WE IGNITE

PASSION

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IDEAS THATFOCUS ON THESE NEEDS

GO BEYOND CAMPAIGNS

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THEY

STARTMOVEMENTS

ADAPTED FROM: BRAINS ON FIRE: IGNITING POWERFUL, SUSTAINABLE, WORD OF MOUTH MOVEMENTS

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MOVEMENTS ARE

NOTABOUT PRODUCTS

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MOVEMENTS ARE ABOUT

PASSION

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MOVEMENTS

INSPIRE BEHAVIOR

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THE PRODUCTBECOMES

THE CONDUITTO PASSION

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THE PRODUCT IS THE

ENABLER

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WE’RE

NOT IN THE BUSINESSOF

IMPRESSIONS

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WE ARE IN THEBUSINESS OF

INTEGRATING

CONTENT

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CONTENT THAT

ADDS VALUE

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CONTENT THAT MEETS

CORE NEEDS

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INTEGRATEDINTO PEOPLE’S LIVES

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ONE AGENCYIN ORDER TO REACH

WOMEN 18-49

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A

KEY DEMOGRAPHICFOR

HOUSEHOLD PRODUCTS

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CREATED A

DAILY, SERIALIZED

STORY

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ABOUT THE

DRAMATIZEDLIVES OF FAMILIES

ALSO KNOWN AS

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THE SOAP OPERA

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SOAP OPERAS WERENOT

ABOUT SOAP

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SOAP OPERAS WERESTARTED BY

ADVERTISING AGENCIES

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AND

OWNEDBY

THE CLIENT

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PROCTOR AND GAMBLE

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GENERAL FOODS

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IN 1948, THE TEN

HIGHEST-RATED DAYTIME PROGRAMS

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WERE

ALLSOAP OPERAS

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BY THE 1970s, NETWORKS WERE AIRING

10 HOURSOF SOAPS

EVERY DAY

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THIS LED TO

MORE CONTENT

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MAGAZINES,DIGESTS,

EVENTS,CONTESTS,

AWARD SHOWS

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EVEN A

DEDICATED NETWORK

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ADVERTISING AGENCIES

BUILT THIS

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AND PEOPLE

INTEGRATEDIT INTO THEIR

LIVES

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BECAUSE IT

ADDED VALUE

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BECAUSE PEOPLE

FELT THAT THEY WERE PART OF

SOMETHING

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AGENCIESALSO

CREATED

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THE ANDYGRIFFITH SHOWTV GUIDE’S 9TH BEST TV SHOW IN HISTORY

http://www.cbsnews.com/2100-207_162-507388.html

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THE DICK VANDYKE SHOW

http://www.emmytvlegends.org/blog/?p=6110

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THE $64,000 QUESTION

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THE $64,000 QUESTION WAS

WRITTEN, PRODUCEDAND

BROADCAST

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COMPLETELY WITH

AGENCY FUNDS

http://adage.com/article/adage-encyclopedia/norman-craig-kummel/98801/

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REVLON SOON PICKED IT UP

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WITHIN FOUR WEEKS,

IT BECAME #1

http://adage.com/article/adage-encyclopedia/norman-craig-kummel/98801/

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REVLON BECAME #1, TOO.

http://adage.com/article/adage-encyclopedia/norman-craig-kummel/98801/

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AND THE GAME SHOW GENRE

WAS BORN

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PINTEREST, INSTAGRAM, AND

SPOTIFY

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ARE JUST LIKE SOAP OPERAS

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PLATFORMS THAT ADD VALUABLE CONTENT

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AND INTEGRATE INTO PEOPLE’S

LIVES

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IMAGINE IF YOU PITCHED

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THE IDEA OF

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INSTAGRAM

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OR

THE IDEA OF

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PAYPAL

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OR

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OR MICROFINANCERS

OR

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THE IDEA OF

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OR

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OR

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HOW DO WE

START?

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1. FIND THE

PASSIONCONVERSATION

ADAPTED FROM: BRAINS ON FIRE: IGNITING POWERFUL, SUSTAINABLE, WORD OF MOUTH MOVEMENTS

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WHAT ARE YOUR CUSTOMERS

PASSIONATE ABOUT?

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HOW CAN

YOUFIT INTO

THEIRLIVES INSTEAD OF

THE OTHER WAY AROUND?

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2. REFRAME THE PRODUCT

CONVERSATION AROUND THE PASSION

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IT’S

NOTABOUT

YOU AND YOUR PRODUCT

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IT’S ABOUT

THEIR PASSION

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“PEOPLE DON’T BUY WHAT YOU DO, THEY BUY

WHY YOU DO IT”SIMON SINEK

SOURCE: http://www.ted.com/talks/simon_sinek_how_great_leaders_inspire_action.html

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3. CREATE CONTENT PLATFORMS AS

CONDUITSTO

THIS PASSION

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HOW CAN YOUR PRODUCT

HELP THEM

DO MOREOF WHAT THEY

REALLYWANT TO DO?

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NIKE+ HELPED RUNNERS GET

MOREOUT OF RUNNING

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4. NURTURETHE PLATFORM

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MOVEMENTS TAKE

TIME

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IT TOOK PINTEREST

3 YEARSTO BECOME AN

OVERNIGHT SUCCESS

http://en.wikipedia.org/wiki/Pinterest

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PANDORA NOW HAS

56 MILLION USERSBUT TOOK

12 YEARS TO GET THERE

http://en.wikipedia.org/wiki/Pinterest

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PEOPLEWON’T GIVE AWAY

THEIR

ATTENTION

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BUT THEY WILLTRADE IT

FOR

SOMETHING VALUABLE