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Microsoft West Campus – Beijing
Completed in 2010 prior to working at Callison, the 101,000 SM Beijing research and development center required interior design services through DD phase. The scope included all individual work and collaboration areas for 5000 staff as well as main lobbies, conferencing centers, cafeteria and food service, and customer interface facilities.
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Microsoft West Campus - Beijing
Jim Brown [email protected] (206) 919-7718SKANSKA USA – Seattle, WA
Completed in 2007 prior to working at Callison, the business plan for
this commercial contracting company stresses an open management structure and
collaborative environment. The resulting design uses sliding doors
and full height glazing on private offices. The “boxcar” table, a major element at entry, uses
reclaimed wood to create a collaborative surface for meetings
and drawings. The table and reception desk reconfigures in
sections and tracks along a recessed floor guide.
This pro-bono project created an excusive VIP retreat during pre-performance and intermission. Accessible via a balcony level fire
escape, the velvet draped space has a “speakeasy” feel and recalls the 1950’s hot-jazz recordings of Seattle singer Ernestine
Anderson, whose voice was called “honey at dusk”.
Jim Brown [email protected] (206) 919-7718Paramount Theater Ernestine Andersen Room – Seattle, WA
This pro-bono project created an excusive VIP retreat during pre-
performance and intermission. Accessible via a balcony level fire
escape, the velvet draped space has a “speakeasy” feel and recalls the
1950’s hot-jazz recordings of Seattle singer Ernestine Anderson, whose voice was called “honey at dusk”.