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New media, interactivity, and 21st century aesthetics - UX Australia 2013

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New Media Art,Interactivity,21st Century Aesthetics#newmedia #uxaustralia

Matt Nish-Lapidus / @emenelUX Australia 2013

Matt / @emenelCanadianDesign, Art, Music, British Comedy

http://www.flickr.com/photos/87106931@N00/1432715400/László Moholy-Nagy, Composition A.XX (1924)

Max Bill, Junghans Clocks (1924) http://www.flickr.com/photos/renespitz/4391184667/

http://translab.burundi.sk/code/vzx/

A. Michael Noll, Four Computer-Generated Random Patterns Based on the Composition Criteria Of Mondrian's Composition With Lines, 1964

What is New Media?

“Old Media”

Nam Jun Paik, Exposition of Music-Electronic Television (1963)

Nam Jun Paik, Exposition of Music-Electronic Television (1963)

Cage vs. Duchamp: Toronto Musical Chess Match (1968) http://fluxlist.blogspot.com.au/2011/12/cage-vs-duchamp-toronto-musical-chess.html

Five Principles:Lev Manovich, The Language of New Media (2001)

1. Numerical Representation2. Modularity3. Automation4. Variability5. Cultural Transcoding

“If culture, in the context of interactive media, becomes something we ‘do,’ it’s the interface that defines how we do it and how the ‘doing’ feels.”

David Rokeby, The Construction of Experience: Interface as Content (1998)

David Rokeby, Reflexions (1983)

VIDEO - Reflexions

https://vimeo.com/17230919

David Rokeby, Very Nervous System (1986 - 1990)

VIDEO - Very Nervous System

https://vimeo.com/8120954

“The active ingredient of the work is its interface. The interface is unusual because it is invisible and very diffuse, occupying a large volume of space, whereas most interfaces are focussed and definite. Though diffuse, the interface is vital and strongly textured through time and space. The interface becomes a zone of experience, of multi-dimensional encounter. The language of encounter is initially unclear, but evolves as one explores and experiences.”

David Rokeby on Very Nervous System

David Rokeby, International Language (2011)

Steve Mann, Wearable Computers (1980’s - 1990’s)

Steve Mann, SeatSale: License to Sit (2001)

Steve Mann, SeatSale: License to Sit (2001)

VIDEO - SeatSale

https://vimeo.com/14379416

Steve Mann, SightLicense: License to Look (1998)

David Rokeby, The Giver of Names (1990 - Present)

David Rokeby, The Giver of Names (1990 - Present)

VIDEO - The Giver of Names

https://vimeo.com/17187792

David Rokeby, The Giver of Names (1990 - Present)

http://www.elfanzine.tv/wp-content/uploads/2011/09/04-1024x666.jpgStelarc, Third Hand (1980 - 1998)

http://90.146.8.18/bilderclient/PR_2009_enigma_001_p.jpgEduardo Kac, Natural History of the Enigma (2003 - 2009)

Try this at home!

Pure-Data (PD)ProcessingMax/MSPJavaScriptArduino

Try this at home!

http://www.kenleung.ca/portfolio/screenplay-holland-bloorview/Ken Leung, Screenplay (2012)

VIDEO - Screenplay

https://vimeo.com/49522133

Think about the voice of your product.

What does it say about our relationship to culture and technology?

http://www.hangthebankers.com/wp-content/uploads/2012/11/google-surveillance.jpg

How does the design embody your idea of beauty?

http://www.creativeapplications.net/wp-content/uploads/2010/06/jared10.jpg

Does your design begin to build the future you want to see?

http://dungeonsandcaverns.blogspot.com.au/2013/02/looking-for-good-cyberpunk-game.html

“All new media objects, whether created from scratch on computers or converted from analog media sources, are composed of digital code...”

http://solidwork.tistory.com/entry/Rosso-Restaurant-SO-Architecture-%EB%86%8D%EC%8B%AC-%EC%8C%80%EB%AC%B8%ED%99%94%EA%B4%80-%EC%B0%B8%EC%A1%B0

“... media becomes programmable.”Lev Manovich, The Language of New Media (2001)

http://bobbyrice.blogspot.ca/2009/11/in-game-scene-art-lotr-silent-hill-5.html

Media is everywhere

Everything is programmable

http://www.moma.org/interactives/exhibitions/2011/talktome/objects/146358/

Everything is New Mediahttp://www.flickr.com/photos/stuckincustoms/2786154526/

Questions?

Matt Nish-Lapidus / @emenelUX Australia 2013

New Media Art,Interactivity,21st Century Aesthetics