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LANDSCAPE INSTITUTE SCOTLAND ‘Little Threads of Civilisation’ 23 July 2014 BEGIN

Lis landscape institutescotland 23jul2014final redux

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Presentation by Dan Marriott on the history of pleasure drives for the Landscape Institute Scotland presentation

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LANDSCAPE INSTITUTE SCOTLAND ‘Little Threads of Civilisation’ 23 July 2014 BEGIN

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Library of Congress

Little Threads of Civilisation

A Brief History of Driving for Pleasure With an Introduction to the U.S. National Scenic Byways Program

Landscape Institute Scotland

Edinburgh, 23 July 2014

Dan Marriott, Paul Daniel Marriott + Associates, Washington, DC

Peter Graham, Wandering Shadows, Scottish National Gallery

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Alexander Nasmyth, Loch Awe, Argyllshire, 1785

Yale Center for British Art

Little Threads of Civilisation

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National Library of Scotland

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National Library of Scotland

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U.S. Route 99

Near Tracy, California

1937

Dorothea Lange, Photographer

Library of Congress

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“That Sunday Pleasure Trip”

Hy Rosen, Cartoonist

Albany Times Union

Library of Congress

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Cartoon, 1949

Oregonian

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Columbia River Highway, Oregon. Constructed 1913 – 1922.

Oregon Department of Transportation

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Axenstrasse, Switzerland

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Beach Drive, Rock Creek Park, Washington, DC

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Driving for Pleasure is defined as vehicular

travel that has no purpose other than the

enjoyment of the journey—a destination is not

required as the experience of the journey is

the destination.

Pleasurable Driving is defined as a conscious

decision to select a route for its aesthetic

considerations or landscape setting for destination

travel.

Roads Designed for Pleasure are defined as roads

specifically constructed to provide a route or circuit

through the landscape designed to showcase or access

interesting natural or artificial features and scenery.

Roads Adapted for Pleasure are defined as roads

constructed for non-pleasure purposes but, due to

topography, setting and scenery were adapted (through

discovery and promotion) as pleasure roads.

Definitions

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Roads Designed for Pleasure are defined as roads

specifically constructed to provide a route or circuit

through the landscape designed to showcase or access

interesting natural or artificial features and scenery.

Roads Adapted for Pleasure are defined as roads

constructed for non-pleasure purposes but, due to

topography, setting and scenery were adapted (through

discovery and promotion) as pleasure roads.

Definitions

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Roads Designed for Pleasure are defined as roads

specifically constructed to provide a route or circuit

through the landscape designed to showcase or access

interesting natural or artificial features and scenery.

Definitions

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Roads Designed for Pleasure

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Bronx River Parkway, Westchester County, New York, 1906-1927

Gilmore Clarke, Landscape Architect

Westchester County Archives

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“This parkway was not designed as an important arterial way….

Rather, it was planned as a pleasant recreational drive connecting the system of parks

in the Borough of the Bronx with the highways surrounding certain reservoirs

of the New York City water supply system in Westchester County.

This 15-mile-long, four-lane drive is protected on both sides for its entire length

by broad bands of park lands, thus eliminating the right of access to the drive from bordering

private properties.

Since it is a valley parkway, the intersecting roads and streets are carried over it by means of

reinforced concrete bridges with stone facing. Most of these structures are of the rigid-frame

type developed by Arthur G. Hayden, the structural engineer for the commission, in

collaboration with architects and landscape architects.

--Gilmore Clarke, The Highway and the Landscape, 1959

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PDM Photo

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Willowdell Arch, 1862

Calvert Vaux F.L. Olmsted

w

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Central Park Plan, 1867

79th Street Transverse Road

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“The Drive,” Thomas Hogan, 1869. New York Public Library

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Map of Birkenhead Park for Improvement Commissioners of the Borough near Liverpool

225 acres total, 125 for public recreation, 100 acres for speculative residential development

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“Five minutes of admiration,

and a few more spent in studying

the manner in which art had been

employed to obtain from nature

so much beauty, and I was ready

to admit that in democratic

America there was nothing to be

thought of as comparable to this

People’s Garden.”

--Frederick Law Olmsted

Walks and Talks of an American

Farmer in England

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“Every American who is in the

habit of traveling, which is almost

equivalent to saying every

American…

…roads should wind in graceful,

easy curves, and be laid out in

accordance with the formation of

the ground and the natural

features of interest.”

--Calvert Vaux, Villas and Cottages

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“[Humphry Repton] one of the

most celebrated English practical

landscape gardeners.”

--Andrew Jackson Downing

Treatise on the Theory and Practice of

Landscape Gardening Adapted to

North America

“In such a park, the citizens who

would take excursions in

carriages, or on horseback,

could have the substantial

delights of country roads and

country scenery, and forget for a

time the rattle of the pavements

and the glare of brick walls.”

--Andrew Jackson Downing

The Horticulturist, 1851.

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John Claudius Loudon, 1783-1843

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Humphry Repton, 1752 - 1818

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Sherringham, from Fragments on the Theory and Practice of Landscape Gardening

National Library of Scotland

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National Library of Scotland

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Sherringham, from Fragments, detail. National Library of Scotland.

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PDM+A Photo

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Blaise Castle Red Book, detail

Courtesy Bristol City Museums

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It may perhaps be urged that I have

made a road where nature never

intended the foot of man to tread,

much less that he should be conveyed

in vehicles of modern luxury, but

where Man resides, Nature must be

conquered by Art … I cannot

describe those numberless beauties

which may be brought before the

eye in succession by the windings

of a road, or the contrast of ascending

and descending thro’ a deep ravine of

rich hanging woods.

--Humphry Repton, Red Book for Blaise Castle, Bristol

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PDM+A Photo

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From Fragments

National Library of Scotland

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Woburn Abbey, Before and Altered from Fragments.

National Library of Scotland

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From Fragments.

National Library of Scotland

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I have obtained a frame to my Landscape; the frame is

composed of … the cheerful village, the high road, and

that constant moving scene, which I would not exchange

for any of the lonely parks, that I have improved for

others… Others prefer still life, I delight in movement….

--Humphry Repton

Fragments

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Convergence, 1800

-Landscape Theory

-Road Engineering

-Vehicle Design

-The Picturesque Movement

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Thomas Telford

1757 - 1834

Road Engineering

John Loudon McAdam

1756-1836

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Carl Rakeman, U.S. Bureau of Public Roads

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“The Drive,” Thomas Hogan, 1869. New York Public Library

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“The Drive,” Thomas Hogan, 1869. New York Public Library

“On the broad carriage-road, whose surface was

like polished steel, was a long line of carriages

filled with gay, laughing people. ….In fact, there is

no place in the country, or as far as we have seen

in any other, where driving can be so perfectly

enjoyed as on the avenues and broad roads of

the Central Park….”

“A Day in the Central Park,” New York Times, April 15, 1860.

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“The Art of Coach-Making has been in

a gradual state of improvement for half

a century past, and has now attained

to a very high degree of perfection,

with respect both to the beauty,

strength and elegance of the machine:

the consequence has been, an

increasing demand for that

comfortable conveyance, which,

besides its common utility, has now, in

the higher circles of life, become a

distinguishing mark of the taste and

rank of the proprietor.”

--William Felton, London

Vehicle Design

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Barouche

“From 1810 to 1900 carriage ownership in the

upper and middle classes in Britain increased

from 15,000 to 320,000 vehicles.”

--Max Lay, Ways of the World

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“The Speedway,” New York, 1901. Library of Congress

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Light Park Phaeton

ClipArtETC, University of South Florida

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Packard Six “Phaeton” c. 1912. Library of Congress

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Alexander Nasmyth, Highland Loch

The Picturesque Movement

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William Gilpin, 1724 - 1804

By Henry Walton

National Portrait Gallery, London

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Remarks on Forest Scenery, William Gilpin

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William Gilpin, Victoria and Albert Museum

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William Gilpin

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Roads Adapted for Pleasure

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Sir Walter Scott, 1771-1832

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Landscape with Tourists at Loch Katrine, John Knox, National Galleries of Scotland

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Charles Cooper Henderson, 1803-1877

“I had seen the vehicle thunder down the hill that leads to the bridge with

more than its usual impetuosity, glittering all the while by flashes from a

cloudy tabernacle of the dust which it had raised, and leaving a

train behind it on the road resembling a wreath of summer mist.”

--Sir Walter Scott, The Heart of Midlothian

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Alexander Nasmyth, Loch Awe, Argyllshire, 1785

Yale Center for British Art

Little Threads of Civilisation

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Robert Southey, 1774-1843

Poet Laureate, 1813-1843

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“The remainder of the road (we were on the … northern side) is

always within sight of the water, but considerably above it; and

therefore for the sake of a shorter line, it goes up and down many

hills, all which might have been avoided by keeping the shore:

thus more is lost in time and labour than is gained in distance,

and in this instance the lower line would have been the more

beautiful, or at least no beauty would have been lost by it.”

--Robert Southey

22 August 1819, Loch tay:

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Falls of Kilmorack by William Bartlett or Thomas Allom for Scotland Illustrated, by William Beattie, 1835-1838.

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“Here we turned aside, and went four miles up the river, along

the Strath-Glas road—one of the new works, and one of the

most remarkable of them, for the difficulty of constructing it,

and for the scenery which it commands upon the Varrar.

Three points deserve particular notice. The First is the Falls

of Kilmorack … The shores are high, the stream wide and

rapid (for it is a considerable river), and the weres and falls

form a scene singularly wild and complicated. On the one

side, a lad was angling, knee deep in the water; on the other

a woman was beating linen in the river—a practice which

makes washing a cleanly and picturesque operation.”

--Robert Southey, Saturday 4 September, 1819

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www.electricscotland.com

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www.electricscotland.com

“…The road itself is an object which adds greatly to the beauty

and interest of these scenes. It is carried along the side of the

cliff, in many places it is cut in the cliff, and in many supported

by a high wall—a work of great labour, difficulty and expence.

We just went far enough to get one view into Strath Glas, a

cultivated country which by means of this road is enabled to

communicate with Inverness, and the civilized world.”

--Robert Southey, Journal of a Tour in Scotland in 1819

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Lovat Bridge

www.scotlandplaces.gov.uk

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“A double line over the arches, which marks the

road-line, gives a finish to the bridge, and

perhaps looks as well, or almost as well,

as balustrades—for not a sixpence has

been allowed for ornament in these public works.”

--Robert Southey, Saturday, 4 September 1819

www.scotlandplaces.gov.uk

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“We came upon Craig-Elachie Bridge, one of Telford’s works,

and a noble work it is.

The bridge is of iron, beautifully light, in a situation where the utility of

lightness is instantly perceived…. The only defect, and a sad one it is,

is that the railing for the sake of paltry economy is of the meanest possible

form, and therefore altogether out of character with the rest of the iron work,

that being beautiful from its complexity and lightness. But this

farthing-wisdom must now appear in everything that Government

undertakes; and thus the appearance of this fine bridge has been

sacrificed for the sake of a saving, quite pityful in such a work.”

--Robert Southey, Wednesday, 1 September 1819

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The First Steamship on the Clyde, John Knox, 1820. Glasgow Museums

“The road itself is an object which adds greatly

to the beauty and interest

of these scenes.” --Robert Southey

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Edinburgh from Cannonmills, John Knox. National Galleries of Scotland

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Childe Hassam, National Gallery of Art, Washington

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The America’s Byways® Collection

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United States

National Scenic Byways Program

US Department of Transportation, Federal Highway Administration Established, 1991 Designations: All-American Road and National Scenic Byway. America’s Byways® Collection: 31 All-American Roads and 120 National Scenic Byways in 46 states and 12 Indian Nations. Approximately 35,000 miles of routes, ranging from less than 10 miles to over 3,000 miles. Requirements for Designation: -Must be designated as a state or tribal byway -Must complete a Corridor Management Plan (CMP) -Must demonstrate national (for All-American Road) or regional (for National Scenic Byway) significance of nominated Intrinsic Qualities. Funding: Over $300 million for approximately 1,700 projects. Program de-funded, 2012.

Colonial Parkway, All-American Road, Virginia

Historic Route 66, National Scenic Byway, New Mexico

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Merritt Parkway National Scenic Byway, Connecticut

37 miles

*

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Chesapeake Country Scenic Byway National Scenic Byway, Maryland

85.5 miles

*

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Selma to Montgomery March Route All-American Road, Alabama

57 miles

*

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Flint Hills Byway National Scenic Byway, Kansas

48 miles

*

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Native American Scenic Byway National Scenic Byway, Lakota-Sioux Nation

(South Dakota) 350 miles

*

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* Las Vegas Strip All-American Road, Nevada

4.5 miles

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Route 1, Big Sur Coast Highway All-American Road, California

72 miles

*

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*

* * *

Alaska Marine Highway All-American Road, Alaska

3,500 miles

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Archaeological Cultural Historic

Natural Recreational Scenic

Six Intrinsic Qualities

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Archaeological Cultural Historic

Natural Recreational Scenic

Six Intrinsic Qualities

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Corridor

Management

Plan

(CMP)

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14-Points for a Corridor Management Plan Federal Highway Administration, National Scenic Byways Program 1.A map defining the route and corridor.

2.An assessment of the byway’s intrinsic qualities.

3.A strategy for maintaining and enhancing the byway’s intrinsic qualities (10-15 year plan).

4.A list of partnering organizations and responsibilities.

5.A strategy for how new development may be accommodated.

6.A plan for ongoing public participation.

7.A summary of the road’s safety record and identification of possible byway conflicts.

8.A plan to accommodate multi-modal uses (recreational and commercial vehicles; bicycle and pedestrian).

9.A plan to minimize visual intrusions to the byway.

10.Documentation demonstrating compliance with outdoor advertising requirements.

11.A signage plan.

12.A marketing plan.

13.A plan for visitor infrastructure (pull-offs, parking, visitor centers, restrooms).

14.An interpretation plan

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Designated a National Historic Landmark, 2000 National Scenic Byways Program – All-American Road, 1999

*

Historic Columbia River Highway

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PDM Photo

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PDM Photo

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PDM Photo

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Oregon Department of Transportation

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Oregon Department of Transportation

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PDM Photo

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ADA – Americans with Disabilities Act

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1. 2. 3. 4.

Vista House, Oregon Department of Transportation

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“The Legislative Assembly declares that it is the public policy of the State of Oregon to preserve and restore… the Historic Columbia River Highway for public use and

enjoyment and…to rehabilitate, restore, maintain and preserve all original roadway and highway-related structures….” --1987

Historic Columbia River Highway, Oregon

PDM Photo

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PDM Photo

www.historicroads.org [email protected]

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Scottish Scenic Routes

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Library of Congress

Little Threads of Civilisation

A Brief History of Driving for Pleasure With an Introduction to the U.S. National Scenic Byways Program

Landscape Institute Scotland

Edinburgh, 23 July 2014

Dan Marriott, Paul Daniel Marriott + Associates, Washington, DC

Peter Graham, Wandering Shadows, Scottish National Gallery

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Library of Congress

Thank You.

A Brief History of Driving for Pleasure With an Introduction to the U.S. National Scenic Byways Program

Landscape Institute Scotland

Edinburgh, 23 July 2014

Dan Marriott, Paul Daniel Marriott + Associates, Washington, DC

Peter Graham, Wandering Shadows, Scottish National Gallery

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LANDSCAPE INSTITUTE SCOTLAND ‘Little Threads of Civilisation’ 23 July 2014 END

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“The Grand Drive, Central Park, N.Y.,” Currier and Ives, c.1869

Library of Congress

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c. 1890 – 1910. Library of Congress

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Sir Uvedale Price, 1747 – 1829

Essay on the Picturesque

Richard Payne Knight, 1750 – 1824

Analytical Inquiry Into the Principles of Taste

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Valleyfield House in Fife, from a painting by Alexander Nasmyth, detail. Private Collection.

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Valleyfield Red Book. Private Collection.

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Valleyfield bridge, by Alexander Nasmyth. Private Collection.

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Horsemen on Valley Road, William Sawrey Gilpin

Indiana University Art Museum

The Picturesque Movement

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From Buildings at Risk Register for Scotland

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Glasgow Necropolis, Opened 1833

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“The Grand Drive, Central Park, N.Y.,” Currier and Ives, c.1869

Library of Congress

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Commonwealth Avenue, Boston. 1903

Library of Congress

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Library of Congress

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PDM Photo

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Library of Congress

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PDM Photo

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“Life in the Country,” Currier and Ives, 1859. Library of Congress

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Plan for Pennsylvania Avenue, Washington, DC (never implemented)

New York Public Library

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PDM Photo

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PDM Photo

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Surface

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“The pleasure and instruction received in traveling

through a well cultivated country, the hedges of which

are clipped by the highway side (as is the case in some

parts of England), is such that should induce the land

proprietor to grant some favours to the tenant whose

industrious exertions produce such comfort…

It is the land-owner that can give this taste to the

country around his dwelling; and if he is a lover of good

roads and clean traveling, he will give up, for the good

of the community, all those little precarious advantages

that may be derived from the produce of hedges that

grow by the road side.”

--William Lester, “Memorial on Public Roads” 1822

National Library of Scotland