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8th Design and Emotion Conference 12– 14 September 2012, London, UK Central Saint Martins College of Art & Design Contending Stigma in Product Design Using Insights from Social Psychology as a Stepping Stone for Design Strategies Kristof Vaes (Artesis Univ. College) Pieter Jan Stappers (TU-Delft) Achiel Standaert (Artesis Univ. College) Kristine Desager (Antwerp Univ.)

Framework-Design and Emotion, September 2012

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Presentation of the conceptual framework to contend product-related stigma. Presented at the 8th International Design and Emotion Conference 12– 14 September 2012, London, UK Central Saint Martins College of Art & Design

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Page 1: Framework-Design and Emotion, September 2012

8th Design and Emotion Conference12– 14 September 2012, London, UKCentral Saint Martins College of Art & Design

Contending Stigma in Product Design Using Insights from Social Psychology as a Stepping Stone for Design Strategies

Kristof Vaes (Artesis Univ. College)Pieter Jan Stappers (TU-Delft)Achiel Standaert (Artesis Univ. College)Kristine Desager (Antwerp Univ.)

Artesis University CollegeProduct Development Antwerp

Page 2: Framework-Design and Emotion, September 2012

Product-related stigma

FRAMEWORK Input:Literature research in social psychology & design research translated to the realm the realm of the designer

Aim:• deeper understanding of the

attribution of product related stigma & the relevant context variables.

• Expose sensitivities and pitfalls rarely revealed by existing methodology,

• Supply vital specifications for a stigma-free design approach.

• Starting point for the development of tactical and operational tools.

© artesis 2012 | 2D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 3: Framework-Design and Emotion, September 2012

Research Context

Potentially Stigmatizing Products?…such as assistive, protective or medical devices

Air Jordan ProstheticsDesigner: Colin Matsco

Bespoke Innovations™ custom crafted

© artesis 2012 | 3D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 4: Framework-Design and Emotion, September 2012

Google Glasses

© artesis 2012 | 4D&E 2012 | Kristof Vaes | Contending stigma in product design

Research Context

Potentially Stigmatizing Products?Technology approaching body….what are the limits of acceptability(in a specific time and societal context)

Page 5: Framework-Design and Emotion, September 2012

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

‘humans do not respond to physical properties of things i.e. their form, structure and function, but to their individual and cultural meanings’. (Krippendorff 2006, p. 196)

‘the significance of an object is the total of all contexts in which it can be found’ (Krippendorff 2006, p.185)

Dive into the CONTEXTThe attribution of a stigmatizing meaning to a product depends on its context.

© artesis 2012 | 5D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 6: Framework-Design and Emotion, September 2012

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

Human centered DesignUser Experience Design

ProductsPeopleUser

© artesis 2012 | 6D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 7: Framework-Design and Emotion, September 2012

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

ProductsPeopleUser

Issues of the product user/wearer:• the frustration of having to wear or use

a product that damages ones self-esteem

• the desire to be perceived as normal• the relief when a passer-by did not

notice his assistive or protective device.

© artesis 2012 | 7D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 8: Framework-Design and Emotion, September 2012

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

Society

Products

GroupsBystandersPassers-by

PeopleUser

© artesis 2012 | 8D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 9: Framework-Design and Emotion, September 2012

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

Products

Groups SocietyCollective representationsActive in the absence of people

Socio / Societal Context

PeopleUser

© artesis 2012 | 9D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 10: Framework-Design and Emotion, September 2012

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

Interpretation of the all quadrants all level model (Wilber 2000)

objectivesubjective

© artesis 2012 | 10D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 11: Framework-Design and Emotion, September 2012

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

Re-shaping thesocio-societal context

Re-shaping themeaning of the product

Empowering the product user

© artesis 2012 | 11D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 12: Framework-Design and Emotion, September 2012

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

© artesis 2012 | 12D&E 2012 | Kristof Vaes | Contending stigma in product design

• It’s a conceptual framework. Will be tailored into operational tools for designers.

• All three strategies intertwine

• Designers can direct efforts towards each of the strategies and to combine them accordingly.

Page 13: Framework-Design and Emotion, September 2012

21Re-shaping the

socio-societal context

Re-shaping themeaning of the product

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

3Empowering the product user

© artesis 2012 | 13D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 14: Framework-Design and Emotion, September 2012

• This is the context in which users are perceived and evaluated. (Corresponds with immediate situational cues in Major’s model.)

• Negative social appreciation for example! Negative reactions of bystanders, passers-by or people within the social interaction range of the product.

• In this context we situate aspects such as product stereotypes, or shared meanings or associations linked to a product.

1. Re-shaping the socio-societal contextMeanings attributed by social groupsMeanings attributed by social groups

© artesis 2012 | 14D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 15: Framework-Design and Emotion, September 2012

• Bystanders, passers-by or groups might in turn be influenced by a broader objective source of product stereotypes that is shaped by societal structures and values, and vice versa.

• Represented by the collective representations in Major’s model. (shared beliefs or shared systems of meaning.)

• Collective representations may create what Claude Steele (1997) calls “a threat in the air”. Because they are widely known and shared in the culture.

Meanings attributed by society1. Re-shaping the socio-societal context

Active in the absence of others…

© artesis 2012 | 15D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 16: Framework-Design and Emotion, September 2012

Possible interventions…

• increasing the visibility of a specific product (shear numbers)

1. Re-shaping the socio-societal context

© artesis 2012 | 16D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 17: Framework-Design and Emotion, September 2012

Possible interventions…

• increasing the visibility of a specific product (shear numbers)

• campaigns or interventions that educate or change public views

1. Re-shaping the socio-societal context

D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 18: Framework-Design and Emotion, September 2012

Possible interventions…

• increasing the visibility of a specific product (shear numbers)

• campaigns or interventions that educate or change public views

1. Re-shaping the socio-societal context

Integration of the ‘walker’The ‘Vivanti senior bench’ (Velopa) allows seniors to discretely ‘park’ their walker in the middle of the bench, allowing them to

participate in the conversation.

© artesis 2012 | 18D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 19: Framework-Design and Emotion, September 2012

• increasing the visibility of a specific product (shear numbers)

• campaigns or interventions that educate or change public views

• endorsement by influential political or media figures

© artesis 2012 | 19

Possible interventions…1. Re-shaping the socio-societal context

D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 20: Framework-Design and Emotion, September 2012

21Re-shaping the

socio-societal context

Re-shaping themeaning of the product

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

3Empowering the product user

© artesis 2012 | 20D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 21: Framework-Design and Emotion, September 2012

2. Re-shaping product meaning

The priority of design for disability, or that of protective devices, has traditionally been to enable (or protect), while attracting as little attention as possible. (Pullin, 2009)

Strategy 1 / De-identification

© artesis 2012 | 21D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 22: Framework-Design and Emotion, September 2012

Strategy 1 / De-identification2. Re-shaping product meaning

ConcealmentCamouflage Diversion of attention

• Is a reactive or flight strategy and involve defensive attempts to avoid or reduce the impact of stigma, without actively challenging it.

• The use of translucent or skin colored material to hide the obtrusiveness of certain design features.

© artesis 2012 | 22D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 23: Framework-Design and Emotion, September 2012

PersonalizationPride / StatusSense of belonging

• Adds extrinsic value to a product

• commonly used in product design through personalization or mass-customization.

• Through personalization, the consumer directs time, effort, and attention to the product…thus increasing product attachment.

Strategy 2 / Identification2. Re-shaping product meaning

© artesis 2012 | 23D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 24: Framework-Design and Emotion, September 2012

Protec helmet

Strategy 2 / Identification2. Re-shaping product meaning

• Individual identity

• Institutional identity

• Group identity (sub-culture)

•Brands expressing organizational identity

Tattoo whrist protector

D&E 2012 | Contending stigma in product design

Page 25: Framework-Design and Emotion, September 2012

Strategy 2 / Identification2. Re-shaping product meaning

• Individual identity

• Institutional identity

• Group identity (sub-culture)

•Brands expressing organizational identity

© artesis 2012 | 25D&E 2012 | Contending stigma in product design

A true biker…

Page 26: Framework-Design and Emotion, September 2012

Strategy 2 / Identification2. Re-shaping product meaning

• Individual identity

• Institutional identity

• Group identity (sub-culture)

•Brands expressing organizational identity

© artesis 2012 | 26D&E 2012 | Contending stigma in product design

A true biker…with a safety vest

Page 27: Framework-Design and Emotion, September 2012

Strategy 2 / Identification2. Re-shaping product meaning

• Individual identity

• Institutional identity

• Group identity (sub-culture)

•Brands expressing organizational identity

Masks designed by Gucci, Channel, and Versace

© artesis 2012 | 27D&E 2012 | Contending stigma in product design

Page 28: Framework-Design and Emotion, September 2012

Strategy 3 / Meaningfull interaction2. Re-shaping product meaning

© artesis 2012 | 28D&E 2012 | Kristof Vaes | Contending stigma in product design

• The three strategies we discussed so far are all connected through meaning and human involvement.

• Addresses how products relate to each other meaningfully.

• It deals with what products do to each other as a consequence of how humans conceive them

Page 29: Framework-Design and Emotion, September 2012

Strategy 3 / Meaningfull interaction2. Re-shaping product meaning

“Hats interacting with helmets”

© artesis 2012 | 29D&E 2012 | Kristof Vaes | Contending stigma in product design

Bern winter helmet

Yakkay Bike Helmet

Page 30: Framework-Design and Emotion, September 2012

Strategy 3 / Meaningfull interaction2. Re-shaping product meaning

“Hats interacting with helmets”

© artesis 2012 | 30D&E 2012 | Kristof Vaes | Contending stigma in product design

French looking helmet

Page 31: Framework-Design and Emotion, September 2012

Strategy 3 / Meaningfull interaction2. Re-shaping product meaning

“Lamps covering sex-toys”

© artesis 2012 | 31D&E 2012 | Kristof Vaes | Contending stigma in product design

“Hats interacting with helmets”

Page 32: Framework-Design and Emotion, September 2012

2.3 Meaningful Interaction

Strategy 3 / Meaningfull interaction2. Re-shaping product meaning

“Earlobe piercing hearing aid”

Designaffairs Studio

© artesis 2012 | 32D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 33: Framework-Design and Emotion, September 2012

Strategy 4 / technology-material2. Re-shaping product meaning

Replacing blind cane with sonar technology‘Supersonic Stick’ by Minhye Kim

© artesis 2012 | 33D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 34: Framework-Design and Emotion, September 2012

Strategy 5 / product use2. Re-shaping product meaning

“Eliminate cumbersome issues in use” ‘Supersonic Stick’ by Minhye Kim

meanings not only change over time, but also in their modalities of use.

© artesis 2012 | 34D&E 2012 | Kristof Vaes | Contending stigma in product design

Beetle Cycle Helmet Concept Paul Loury

Page 35: Framework-Design and Emotion, September 2012

21Re-shaping the

socio-societal context

Re-shaping themeaning of the product

Our conceptual framework encompasses four context modalities and suggests three strategies to contend product related stigma.

3Empowering the product user

© artesis 2012 | 35D&E 2012 | Kristof Vaes | Contending stigma in product design

Page 36: Framework-Design and Emotion, September 2012

© artesis 2012 | 36DRS 2012 | ID 235 - Masked Aversion

“Instrinsic Bucket empowerment ”3. Empowerment

Page 37: Framework-Design and Emotion, September 2012

© artesis 2012 | 37DRS 2012 | ID 235 - Masked Aversion

Empowering the user…3. Empowerment

• ‘Empowering products’ should make a product user feel more capable

• Empowerment delivers intrinsic

value and meaning for the user

• When properly integrated the outcomes of the empowerment strategy can turn the user from a passive victim into an active challenger of stigma.

Page 38: Framework-Design and Emotion, September 2012

© artesis 2012 | 38DRS 2012 | ID 235 - Masked Aversion

Empowering the user…3. Empowerment

Replacing training wheels with the ‘Gyrowheel’ Gyroscopic Training

‘Extra-ability’Instead of adding disabilities, we can increase ones abilities above those of abled users!

Page 39: Framework-Design and Emotion, September 2012

© artesis 2012 | 39DRS 2012 | ID 235 - Masked Aversion

Empowering the user…3. Empowerment

Aimee Mullin

‘Extra-ability’Instead of adding disabilities, we can increase ones abilities above those of abled users!

Page 40: Framework-Design and Emotion, September 2012

© artesis 2012 | 40DRS 2012 | ID 235 - Masked Aversion

Empowering the user…2. Empowerment

‘Extra-ability’Instead of adding disabilities, we can increase ones abilities above those of abled users!

Emphasis on goals & motives What are peoples’ motives to protect or enhance their self-esteem?

The ‘Hövding’ Helmet

Page 41: Framework-Design and Emotion, September 2012

© artesis 2012 | 41DRS 2012 | ID 235 - Masked Aversion

The way ahead…Conclusion / discussion

• Is this classification comprehensive and useful?

• Transform the theoretical framing into tactical and operational tools, for designers?