59
DESIGNING FOR PEOPLE WITH LIGHT Kelly Ennis, The Verve Partnership Patricia Bou, AIA, LEED AP Cannon Design Samantha LaFleur, LaFleur Associates

Designing For People With Light

Embed Size (px)

DESCRIPTION

Presentation delivered at DesignDC regarding the importance of lighting design.

Citation preview

Page 1: Designing For People With Light

DESIGNING FOR

PEOPLE WITH LIGHT

• Kelly Ennis, The Verve Partnership

• Patricia Bou, AIA, LEED AP Cannon Design

• Samantha LaFleur, LaFleur Associates

Page 2: Designing For People With Light
Page 3: Designing For People With Light

Understand how to use light

- to enforce a visual experience

- create visual and functional experiences for building occupants

- how light can be the tie that binds a space together

- how occupant-centric lighting design save energy

- how to communicate with your lighting practioner

LEARNING OBJECTIVES

Page 4: Designing For People With Light

[vurv] –noun

1.enthusiasm or vigor, as in literary or artistic work; spirit: Her latest novel lacks verve.

2. vivaciousness; liveliness; animation: I like a teacher with plenty of verve.

3. Archaic . talent.

Page 5: Designing For People With Light

LIGHT AS SHERPA

Page 6: Designing For People With Light
Page 7: Designing For People With Light
Page 8: Designing For People With Light
Page 9: Designing For People With Light

[sher-puh, shur-] –noun, plural –pas,

1.a member of a people of Tibetan stock living in the Nepalese Himalayas, who often serve as porters on mountain-climbing expeditions.

2. an expert chosen by a chief executive to assist in preparations for a gov’t/exec meeting.

3. guide

Page 10: Designing For People With Light
Page 11: Designing For People With Light
Page 12: Designing For People With Light
Page 13: Designing For People With Light
Page 14: Designing For People With Light
Page 15: Designing For People With Light
Page 16: Designing For People With Light
Page 17: Designing For People With Light
Page 18: Designing For People With Light
Page 19: Designing For People With Light
Page 20: Designing For People With Light
Page 21: Designing For People With Light
Page 22: Designing For People With Light
Page 23: Designing For People With Light
Page 24: Designing For People With Light
Page 25: Designing For People With Light
Page 26: Designing For People With Light
Page 27: Designing For People With Light
Page 28: Designing For People With Light
Page 29: Designing For People With Light

TRANSFORM THE BUILDING - DAY TO NIGHT

Page 30: Designing For People With Light

TRANSFORM THE BUILDING - DAY TO NIGHT

Page 31: Designing For People With Light

DEFINE ENTRY

Page 32: Designing For People With Light

TRANSITIONS

Page 33: Designing For People With Light

TRANSITIONS

Page 34: Designing For People With Light

DEFINE CIRCULATION

Page 35: Designing For People With Light

DEFINE CIRCULATION

Page 36: Designing For People With Light

DEFINE CIRCULATION

Page 37: Designing For People With Light

DEFINE ZONES

Page 38: Designing For People With Light

ENHANCE CIRCULATION

Page 39: Designing For People With Light

FUNCTIONAL LIGHTING

Page 40: Designing For People With Light

SUPPORT A BRAND

Page 41: Designing For People With Light

SUPPORT A BRAND

Page 42: Designing For People With Light

SUPPORT A BRAND

Page 43: Designing For People With Light

LARGE VOLUME SPACES

Page 44: Designing For People With Light

LARGE VOLUME SPACES

Page 45: Designing For People With Light

LARGE VOLUME SPACES

Page 46: Designing For People With Light

BACKGROUND

Page 47: Designing For People With Light

CREATING PLACE

Page 48: Designing For People With Light

THE POWER OF DESIGN

Page 49: Designing For People With Light

• Define visual extents &

occupant pathways

• Design 3 visual sequences

• Visual hierarchy: Choose one

big move

CREATE EXPERIENCES

Page 50: Designing For People With Light

DEFINE VISUAL EXTENTS

Page 51: Designing For People With Light

You control the progression of

geometries, textures, orientation

and brightness – which impacts

how quickly, loudly, happily your

occupants move through the

spaces.

CREATE EXPERIENCES

Page 52: Designing For People With Light

LIGHT LEVEL PROGRESSION

Page 53: Designing For People With Light

DESIGN SEQUENCE – DAYTIME SUNNY

Page 54: Designing For People With Light

DESIGN SEQUENCE – DAYTIME CLOUDY

Page 55: Designing For People With Light

DESIGN SEQUENCE – NIGHTTIME

Page 56: Designing For People With Light

VISUAL HIERARCHY

Page 57: Designing For People With Light

• What if there was no

electric light?

• Glazed apertures = light

fixture

• Use additive not

subtractive process

LAYER UP FROM ZERO

Page 58: Designing For People With Light

LIGHT WHERE ITS NEEDED

Page 59: Designing For People With Light

DESIGNING FOR

PEOPLE WITH LIGHT

• Kelly Ennis, The Verve Partnership

• Patricia Bou, AIA, LEED AP, Cannon Design

• Samantha LaFleur, LaFleur Associates