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TAIK EDITING SOUND GRAPHICS MASTER ARCHIVE
TAIK EDITING SOUND GRAPHICS MASTER ARCHIVE
TAIK
FILM POST PRODUCTION MANUAL
DIGITAL
1. POST PRODUCTION MEETINGcheckpoint: bring technical factsheet
2. FILM TO DIGITAL CONVERSION^ Digibeta without timecode^ BetaSP or DVCam with timecode
3. TAIK UPLOAD^ Edit^ Edit^ ProTools^ VCube^ Material^ DVD^ Online/Symphony
4. NLE^ Syncing nonsync audio^ Syncing nonsync audio
5. PARALLEL SEPARATE PROCESSES^ Shake, After FX, Color Correction^ Audio Mix
6. GRAPHICS TITLES^ 72 dpi resolution^ RGB color space^ ^ 16 px minimum font size; Avoid serif typefaces^ Safe no-text zone: up 28px, down 30px, sides 49px^ Blurred version^ File formats
7. MASTERS AND SUBTITLES^ DigiBeta master^ HD master^ Subtitles^ Subtitles^ Sound
8. RELEASE COPIES: DVD, VHS, Printing to Film^ Dialog Translations^ Dub Tapes^ Stickers^ YLE guidelines
9. TECHNI9. TECHNICAL AUDITcheckpoints: check titles, subtitles, noise, image, sound quality^ Festival Material^ Archiving
EDITING SOUND GRAPHICS MASTER ARCHIVE
TAIK
FILM POST PRODUCTION MANUAL
DIGITAL
1. POST PRODUCTION MEETINGcheckpoint: bring technical factsheet
2. FILM TO DIGITAL CONVERSION^ Digibeta without timecode^ BetaSP or DVCam with timecode
3. TAIK UPLOAD^ Edit^ Edit^ ProTools^ VCube^ Material^ DVD^ Online/Symphony
4. NLE^ Syncing nonsync audio^ Syncing nonsync audio
5. PARALLEL SEPARATE PROCESSES^ Shake, After FX, Color Correction^ Audio Mix
6. GRAPHICS TITLES^ 72 dpi resolution^ RGB color space^ ^ 16 px minimum font size; Avoid serif typefaces^ Safe no-text zone: up 28px, down 30px, sides 49px^ Blurred version^ File formats
7. MASTERS AND SUBTITLES^ DigiBeta master^ HD master^ Subtitles^ Subtitles^ Sound
8. RELEASE COPIES: DVD, VHS, Printing to Film^ Dialog Translations^ Dub Tapes^ Stickers^ YLE guidelines
9. TECHNI9. TECHNICAL AUDITcheckpoints: check titles, subtitles, noise, image, sound quality^ Festival Material^ Archiving
1. POST PRODUCTION MEETING
This meeting is a check point for all parties that are involved in the post production process. The aim is to ensure a smooth workflow and make sure that all the formats used match each other and if not what has to be done.
The presence of the Producer, DOP (and/or camera assistant) Director, Sound Recorder, Sound DesigneSound Designer, Post Production house representative, Sound Mixer, Kuvaussihteeri.
All these people need to bring with them a technical factsheet to make sure everybody is on the same page.
2. FILM TO DIGITAL CONVERSION
Aim to create copies in 2 formats:
1. Digibeta material without timecode and footnotes in the image.
2. BetaSP or DVCam copy with same digital timecode than digibeta plus timecodeand and footnotes visible in the image. This is used e.g. for dialog list.
If jammed timecode is used in camera and sound recorder, ask for Flex file or ATN file for digital conversion
Return all film material to recycling. If you want to keep the originals you need to pay for the expense of the film material.
Film negatives are archived in ELO laboratory or in department. Tele-cine files are archived by ELO or by a post production partner.
3. 3. TAIK UPLOAD
Network volumes:Edit Reserved for picture post production.ProTools Reserved for Äänimaa, export sound data here.VCube Reserved for Äänimaa, export video sequences here in AAF format.Material Reserved for graphic files and project backups.DVD - reserved for scratch disk for DVD projectsONLINE/
EDITING SOUND GRAPHICS MASTER ARCHIVE
TAIK
FILM POST PRODUCTION MANUAL
DIGITAL
1. POST PRODUCTION MEETINGcheckpoint: bring technical factsheet
2. FILM TO DIGITAL CONVERSION^ Digibeta without timecode^ BetaSP or DVCam with timecode
3. TAIK UPLOAD^ Edit^ Edit^ ProTools^ VCube^ Material^ DVD^ Online/Symphony
4. NLE^ Syncing nonsync audio^ Syncing nonsync audio
5. PARALLEL SEPARATE PROCESSES^ Shake, After FX, Color Correction^ Audio Mix
6. GRAPHICS TITLES^ 72 dpi resolution^ RGB color space^ ^ 16 px minimum font size; Avoid serif typefaces^ Safe no-text zone: up 28px, down 30px, sides 49px^ Blurred version^ File formats
7. MASTERS AND SUBTITLES^ DigiBeta master^ HD master^ Subtitles^ Subtitles^ Sound
8. RELEASE COPIES: DVD, VHS, Printing to Film^ Dialog Translations^ Dub Tapes^ Stickers^ YLE guidelines
9. TECHNI9. TECHNICAL AUDITcheckpoints: check titles, subtitles, noise, image, sound quality^ Festival Material^ Archiving
1. POST PRODUCTION MEETING
This meeting is a check point for all parties that are involved in the post production process. The aim is to ensure a smooth workflow and make sure that all the formats used match each other and if not what has to be done.
The presence of the Producer, DOP (and/or camera assistant) Director, Sound Recorder, Sound DesigneSound Designer, Post Production house representative, Sound Mixer, Kuvaussihteeri.
All these people need to bring with them a technical factsheet to make sure everybody is on the same page.
2. FILM TO DIGITAL CONVERSION
Aim to create copies in 2 formats:
1. Digibeta material without timecode and footnotes in the image.
2. BetaSP or DVCam copy with same digital timecode than digibeta plus timecodeand and footnotes visible in the image. This is used e.g. for dialog list.
If jammed timecode is used in camera and sound recorder, ask for Flex file or ATN file for digital conversion
Return all film material to recycling. If you want to keep the originals you need to pay for the expense of the film material.
Film negatives are archived in ELO laboratory or in department. Tele-cine files are archived by ELO or by a post production partner.
3. 3. TAIK UPLOAD
Network volumes:Edit Reserved for picture post production.ProTools Reserved for Äänimaa, export sound data here.VCube Reserved for Äänimaa, export video sequences here in AAF format.Material Reserved for graphic files and project backups.DVD - reserved for scratch disk for DVD projectsONLINE/
EDITING SOUND GRAPHICS MASTER ARCHIVE
