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The Bauhaus 1919-1933 and It’s importance in graphic design

Das Bauhaus

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Page 1: Das Bauhaus

The Bauhaus1919-1933

and It’s importance in graphic design

Page 2: Das Bauhaus

Walter Gropius

German architect born in Berlin

Founder of the Bauhaus School

May 18, 1883 – July 5, 1969

“Architects, painters, sculptors,

we must all return to crafts! For there is no such thing as “professional art”.

Page 3: Das Bauhaus

There is no essential difference between the artist and the craftsman.

The artist is an exalted craftsman.

By the grace of Heaven

and in rare moments of inspiration which transcend the will,

art may unconsciously blossom from the labour of his hand,

but a base in handicrafts is essential to every artist.

It is there that the original source of creativity lies”.

- Walter Gropius

Page 4: Das Bauhaus

‘an eagerness to experiment, openess,

creativity and a close link to industrial practice’

Page 5: Das Bauhaus

wei

mer

191

9-19

25 dessau 1925-1932

berlin 1932-1933

Page 6: Das Bauhaus

die masters auf dem bauhaus.

IMAGE

Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy, Herbert Bayer, Joost Schmidt, Walter Gropius

Walter Gropius, Marcel Breuer, Wassily Kandinsky, Paul Klee, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer.

Foto

: Bau

haus

-Arc

hiv

/ M

usée

Nati

onal

d'A

rt M

oder

ne /

Cen

tre

Pom

pido

u

From the left;

Page 7: Das Bauhaus

“I applied streaks and blobs of color onto the canvas with a palette knife and I made them sing with all the intensity I could...”

[wassily kandinsky]

Page 8: Das Bauhaus

“everything starts from a dot”

[kandinsky]

Page 9: Das Bauhaus

gelb rot blau [1925]

[kandinsky]

Page 10: Das Bauhaus

[paul klee]

“a line is a dot that went for a walk”

Page 11: Das Bauhaus

stac

hel d

er c

low

n [1

931]

paul klee

Page 12: Das Bauhaus
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shapefonttypesetlayout

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[Nejmensi Dum]

The

smal

lest

hou

se

constructivism

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hann

ah h

och

[191

9]ha

nnah

hoc

h [1

919]

Page 18: Das Bauhaus

“the design of any effective card or flyer or poster starts with a couple of basic questions: Who am I trying to reach, and what's the best way to reach them? The answer to the first question being "Germans”. In this case, Obama's savvy design team answered the second question by paying subtle but conscious tribute to the Bauhaus movement of the 1920s … By employing Bauhaus-inspired graphic cues, the Obama campaign was tapping in to the German cultural psyche -- speaking to Germans in a design language that is familiar to them. That was smart. After all, it's the Germans the campaign was trying to draw to the Tiergarten today”.

- [John lumea] the huffington post july 24, 2008

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[bauhaus hartwic advertisement]http://www.flickr.com/photos/35617001@N02/3297165580/in/set-72157614565413098/

[wassily kandinsky postcard]http://www.flickr.com/photos/73868488@N00/527960097

[chase the baloons poster]http://farm4.static.flickr.com/3262/3168007296_fc933def4e_o.jpg

[The huffington post, obama article]http://www.huffingtonpost.com/john-lumea/obamas-bizarre-bauhaus-fl_b_114784.html

[el lissitzky poster]http://histoforum.digischool.nl/ckv/images/lissitzky.jpg

[Bauhaus dessau photographs - Jason Koxvold]http://www.dailyicon.net/2010/11/icon-bauhaus-at-dessau-by-walter-gropius/