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JAISIMPRESENTED BY
M.R.TEJASVI (10091AA059)
RIYAZ UDDIN (10091AA061)
ABDUL REHMAN (10091AA062)
M.SWATHI (10091AA064)
KRISHNARAO JAISIM
Eco friendly Arhcitect
Past chairman of Indian Institute of Architects(IIA), Karnataka chapter
One of India's Leading Architect.
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Jaisim attended Madras Christian college
school (1960 batch).
He completed his university education in
architecture in 1966, from Madras
University.
Worked as Asst. Architect from 1966 to
1970 with L.M.Chitale & son-Chartered
Architects.
He started JAISIM FOUNDATIONHEAD
inspired by the writings of AYN RAND in
1970.
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From 1970-75 he did some prestigious
works including
•TAJ fisherman’s cove
•National competition for cochin stadia
•Presidents nomination for small industries
pavilion
From 1975-80 practice in MUSCAT OMAN
exciting work including running a STONE
CRUSHER and a fabrication shop and
material commercial company for
architectural materials.
In 1980 he returned to India and settled in
Bangalore.
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Buckminister
fuller
Koenigsberger
Geoffrey
Bawa.
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J K Award– Architect of the Year 1992
Outstanding Contribution to the Interior Architecture – Durian Society
Interiors Design Award 2004
International Gold Star Millennium Award –2007 – International conference
on Indo – Nepal Friendship & Economic Co-operation at Kathmandu
Life Time Achievement Award 2007 for Outstanding Performance in the
field of Architecture awarded by PAA
Convener the Indian Institute of Architects – National Convention in
Bangalore
Convener – Workshop on Innovative, Cost & Energy Effective Construction
Methods and Systems
Chairman - Indian Institute of Architects – Karnataka chapter
Fellow - United Writer's Association
Fellow - Indian society of lighting engineers
Fellow – The Indian Institution of Valuers, India
Registered - Council of Architecture
Charter President – Rotary Club – Cubbon Park
Past President – Practicing Architects Association
Member (Treasurer) - Board of Governors –INSTRUCT
Professor (Design chair) – BMS College – Dept. of Architecture
Visiting Professor to Colleges of Architecture
Adjunct Professor – M.I.T
&
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Eco friendly architecture
Fluidity in forms
Simple forms
Honesty to material
Honesty to space
Understanding today without forgetting
yesterday for a better tomorrow
YESTERDAY……TODAY……TOMORROW
Integration
Waste is wealth. so don’t waste
Always recycle the materials
Imagination to innovation
STONES SING IS ALL ABOUT LIFE AND MUSIC. AS FAR AS THE MIND IS CONCERNED BOTH HAVE ALWAYS BEEN THERE. EONS HAVE COME AND GONE, MANY MORE WILL COME, YET EACH STONE IS AN INDIVIDUAL. NOT ONE BEFORE OR AFTER SHALL BE THE SAME. THERE HAS NEVER BEEN AND NEVER SHALL BE TWO STONES THAT ARE THE SAME.
PHILOSOPHY IN STONE
In the romance with stone, ever since its cognition by the Human spirit as a partner for his greater life, stone has shown Myriad faces. The properties of Stone and it's Qualities have fired a riot in the Minds of many a creator.
The More one discovers, the less one comprehends, and the depth and potential of this material is limited only by imagination. Matter has to exist for it to be exploited by the Mind. The Matter in stone is immense.
The Romance with stone starts from the first glimpse of its existence as a life form. Indian Mythology revels in Narasimha striding out in rage as a metamorphous change from a stone pillar.
IT IS ALWAYS AROUND US IN ONE FORM OR ANOTHER. IN THE FORM OF A MOUNTAIN OR A RANGE OF MOUNTAINS IT FIRES THE HUMAN IMAGINATION. , STONE’S FIRST IMMENSE IMPRESSION IS IN THE MANNER OF A CLIFF.
The sheer drop thrills. You step back in awe and fear, respect follows. You hear a rumbling and there is a landslide, the rocks roll down crashing like thunder, if you can, you step back open mouthed at this power. You then come to the mountain springs, rivulets, streams and the water fall. It may be the sound of water that fascinates at first, but that sound is the result of the romance of stone with water. It is Stone that gives meaning to the flow of water from the soft pebble created rustles to the crashing of symbols at the falls.
A monolith standing in the midst of nothingness evokes the mystic in a child to the aged. The Stone Henge is and will always be a standing example of such an experience. It is these experiences and more that have made architects from time immemorial to use stone as a living part of built environment.
Just walk up to any stone pillar and knock on it and it will tell many a story in ringing tones.
STONE AS AN AGGREGATE IN CONCRETE IS LIKE RICE IN A VEGETARIAN DIET. POLISHED OR FLAMED, CUT OR HEWED STONE AS FACING AND DECOR, IS LIKE GOLD AND DIAMONDS ON A LIVING SPIRIT. STONE IS A GARMENT AS ALSO THE BODY IT IS WITHIN AND WITHOUT.
The philosopher’s stone is not just a story. Poetry is what makes Architecture sensuous. Stone makes this possible by its presence in its various manifestations in the building spaces.
It has today caught the imagination of the landscape architect in its many manifestations, such that it can create spaces in the most micro or macro of spaces with limitless approaches. An Obelisk standing in the middle a square is a beauty to behold. No sculptor can add to it. The only enhancement that is possible is by the meticulous positioning of its presence.
TODAY TECHNOLOGY HAS TAKEN STONE TO ANOTHER WORLD. IT HAS CROSSED BOUNDARIES. THERE ARE NO PHYSICAL LIMITATIONS IN ALL ITS CHARACTERISTICS.`
EVERY YEAR A WHOLE NEW RESERVOIR OF STONE IN VARIOUS COLORS AND FORMS ARE UNLEASHED ON THE PROFESSIONAL FIELD. LITERALLY IT IS A FLOOD.
THIS NOBLE MATERIAL HAS FINALLY ARRIVED.
Color, texture, size form, you imagine it and it is possible. STONEMART is a living example of this.
THE ATTEMPT OF THE WRITER IS TO MAKE THE READER LOOK INTO DIRECTIONS THAT ARE NOT EASILY PERCEIVED. STONE TO BE MASTERED MUST BE UNDERSTOOD. IT MUST BE COMPREHENDED IN ALL ITS MANIFESTATIONS.
COLOR, TEXTURE, STRENGTH, SIZE, FORM, WEIGHT, MASS, YOU ASK FOR IT STONE HAS IT. FROM GRAINS OF SAND TO MOUNTAINS ALL WITHIN THE PALM OF MAN.
HUMAN IMAGINATION HAS THE POTENTIAL TO MAKE STONE NOT JUST SING BUT START TELLING STORIES. AND THESE STORIES HAVE A DEEPER THE PHILOSOPHY. THERE IS A MIND WITHIN EVERY STONE.
W
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S
Residences
Corporates
Institutions
Leisure and wellness
Landscape and arboriculture
Urban planning
RESIDENCES CORPORATES
Sankalp
I DO
ChidanandaRajghatta
Cottage no.126, SUVIDHA
C R Simha’s“Guhe”
Machani etc.,
Mphasis
ITC Infotech
Office 1
INSTITUTIONS LEISURE AREAS
• Art of living –library
• Siddaganga institute of technology, Tumkur
• Indian Institute of plantation management
• Light and life academy
• Presto – a restaurant
• Sankalp - spa
“Sincerity to the space with content
and context”- jaisim
MY DESIGN PROJECT Starts like this…jaisim
• The site is respected and materials are talked to, then pave way for yet another piece of music in stone
Construction process of a residence for a small family of 4…
This
project is
done for a
small
family on
the hilly
slopes of
Tirupathi, A
ndhra
pradesh
A little less than 4’, gradually sloping from one end to another- site
Honesty to material…
• The house shows a strict geometric view from outside.
• As one moves inward the structure becomes fluid.
• The spaces dances with freedom
• At the very centre of the home is a confluence of the panchabhutas:
• a court the water body encircling
• the earth below ground level, from which rises the temple tree spreading upward and outward,
• basking in the sunshine (fire) from the void above,
• open to the skies (air) and beyond.
Climatic
design
• varying ceiling heights,
• insulated roofs,
• orientation of openings are some of the techniques employed along with a combination of interior and exterior water bodies in cyclic harmony ensuring passive cooling.
Climatic
design
Techniques
varying ceiling heights, insulated roofs, orientation of openings
Designedto withstand the heat and high speed winds characteristic of the area,
With materials like a
variety of stones, clay
blocks, country
brick, solid
bricks, spaces are
chiseled with a play of
solids and
voids, holistically
complemented by
natural elements as the
structure flirts with the
sunlight.
COTTAGE 126, SUVIDHA
workspace,
study, lounge
from lower to upper
Allows maximum sunlight into workspace
playing with the sun's rays... stairs from upper to lower level
I DO (JAISIM RESIDENCE AND JAISIM FOUNTAIN HEAD OFFICE)
View from road
Officeentrance
The waiting/
meeting
area
situated in
the
basement .
SEMI
OPEN TO
SKY
Steps
leading
to first
floor
View from
the first
floor
mezzanine
of the
ground
floor sitting
room
View of
first floor
living
room
The first
floor living
room with
stair
leading
up to two
more
levels
Use of
wire mesh
as railing
design –
waste is
wealth
Work
space
Cavities in
walls
used as
storage
place
Jaisim’s
den
INDIAN INSTITUTE OF PLANTATION MANAGEMENT (IIPM)
Red and
green –two
colors that
were
extensively
used to
signify
Earth and
Nature
The
cafeteria, an
important
integrating
aspect that
binds the
student
community
was located
hugging lawn
and terraces
facilitating
camaraderie
and
relaxation.
Use of
natural
light
through
openings,
roof tops
Overall, the
spaces look
inwardly into a
linear garden
surrounded by
a verandah;
and outwardly
the floors leap
away from the
slopes, for a
profound
visual treat
with a
panoramic
view around.
REFERENCES
http://www.jaisimfountainhead.in/residences.html
http://www.theurbanvision.com/blogs/?author=14
http://www.indiaartndesign.com/2012/08/soul-searching.html
www.google.com
www.wikipedia.com