2. 1 - The BryAnton Ident will first come on the screen, then
fading into black, with punching noises playing whilst black. -
Will then go into a POV shot and close ups of two men punching the
agent, who is tied to a chair. - There will be 3 punches and with
every punch there is a question interrogating him. - The two men
will be wearing ski masks and dark coats, agent in chair will be
wearing shirt and tie or suit. - Will be very dim lighting and
little camera movements, use of POV, close ups and mid shots used
but not so you can see the agents face. - After the 3 punches there
will be a black out an then the title screen.
3. 2 -From the punch in the scene before, screen will go black
then go into the title sequence where we see a car driving down a
country road. -Will be a montage of shots showing car driving down
the road, with a variety of different shots and camera movements.
-Out door lighting and non diegetic fast pace music building.
4. 3 -From the punch in the scene before, screen will go black
then go into the title sequence where we see a car driving down a
country road. -Will be a montage of shots showing car driving down
the road, with a variety of different shots and camera movements.
--Out door lighting and non diegetic fast pace music building.
5. 4 -From the punch in the scene before, screen will go black
then go into the title sequence where we see a car driving down a
country road. The car then pulls up next to a field. -Will be a
montage of shots showing car driving down the road, with a variety
of different shots and camera movements. -Out door lighting and non
diegetic fast pace music building.
6. 5 -After the montage of the car and title sequence we see
the car pull up at the side of a road and then 5 masked men with
guns open the boot of the car which has a man tied up in there.
-Out door lighting and non diegetic fast pace music building.
-Close ups, extreme close ups, mid shots included here.
7. 6 -Then masked men then drag the man in the suit out of the
boot of the car and put him on his knees and hold a gun to his
head. -Out door lighting and non diegetic fast pace music building.
-Close ups, extreme close ups, mid shots included here.
8. 7 One of the masked men pulls a gun out after the agent not
talking and giving him answers. -Extreme close up and POV shot of
the gun. -Out door lighting and non diegetic fast pace music
building.
9. 8 -One of the masked men shouts stop and calls over the man
with the gun, leaving the agent on his own. The masked men all go
over to the car apart from one. -Out door lighting and non diegetic
fast pace music building. - Close ups, long shots, mid shots.
10. 9 -All the masked men over by the car, but one of the men
cuts the agents tied wrists, this is the undercover agent who does
this. - Out door lighting and non diegetic fast pace music
building. - Close ups, long shots, mid shots.
11. 10 -After the masked men spoke about killing the agent, one
with a gun stands over him pointing a gun at his head. -Over the
shoulder shot from both sides. Close ups, long shots, mid shots.
-Out door lighting and non diegetic fast pace music building.
12. 11 - Just about when the masked man with the gun is about
to pull the trigger, the agent stabs him in the leg with a knife
that the undercover agent gave him. - Out door lighting and non
diegetic fast pace music building. - Close ups, long shots, mid
shots. - -
13. 12 - After the agent has stabbed the man in the leg he
grabs a gun dropped by the masked man and runs, with a case
sequence begging with the other masked men chasing him, the
undercover agent also. - Out door lighting and non diegetic fast
pace music building. - Close ups, long shots, mid shots.
14. 13 - The chase sequence goes on for a bit and in the end
the agent loses the masked men, but ends up meeting the undercover
agent, they meet and smile at each other and also laugh. - Out door
lighting and non diegetic fast pace music building. - Close ups,
long shots, mid shots.