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The writing on the wall…
Projections of place and memory Dr. Sarah Barns
Research FellowUniversity of Western Sydney
A digital-urban phantasmagoria
Electric Canvas, Vivid Sydney, June 2015
Lexus CT 3D Art Projection, Earth Night, 2013
A digital-urban phantasmagoria
A digital-urban phantasmagoria
Lexus CT 3D Art Projection, Earth Night, 2013
Designing for informational landscapes
Networked Cities, MIT SENSEable Cities Lab
POST DIGITA
L?
Unguarded Moments– Girl Eating a Sandwich, Walsh Bay, Esem Projects 2011
Unguarded Moments– Views – Millers Point 2011
PlaceWhat is the meaning or contribution of a particular place – to a city, to a person, to an idea?
ArchivesArchives as landscapes of noisy events?The archive as an active, experiential platform.Film, TV, sound, image
Public spaceSite-specific installations The ‘street museum’The right to the city
DigitalRelationship between informational and physical placesSound, spatial media, responsive environments
Shimon Attie – Berlin’s Jewish Quarter, 1991
Nino Viejo – Almas Latentes 2011
ABC Living on the Fringe / Surry Hills Crown St Festival 2014
Eyes on the street – City Evolutions, Newcastle, 2013. Cityevolutions.com
Wild Fire Wild Lives, Directors Residence, ANU Mt Stromlo, Canberra 2014
Wild Fire Wild Lives, Directors Residence, ANU Mt Stromlo, Canberra 2014
He who seeks to approach his own buried past must conduct himself like a man digging…Fruitless searching is as much a part of this as succeeding, and consequently, remembrance must not proceed in the manner of a narrative or still less that of a report, but must, in the strictest epic and rhapsodic manner, assay its spade in ever new places, and in the old ones delve to ever deeper levels (1997b: 214).
Walter Benjamin, One-Way Street
Archival image source: Theatre in Australia 1952 sourced from the Film Australia Collection, National Film and Sound Archive
Dr. Sarah BarnsWebsite: sitesandsounds.net.auEsem Projects: esemprojects.comContact: [email protected]: _sarahbarns