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Painting

Report in FA 28 (Painting)

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Page 1: Report in FA 28 (Painting)

Painting

Page 2: Report in FA 28 (Painting)

Painting

● a two-dimensional art form

● done on a flat surface and with suitable

instrument

Page 3: Report in FA 28 (Painting)

Historical Overview

of

Painting

Page 4: Report in FA 28 (Painting)

Spanish Colonial Period

Page 5: Report in FA 28 (Painting)

Spanish Colonial Period

● opening of Suez Canal in 1869 brought so

many opportunities

● Ilustrados- term for an educated Filipino

- commissioned portraits celebrating

their social ascendance

Page 6: Report in FA 28 (Painting)

Miniaturismo

● style in painting

which pays

attention to the

embroidery and

textures of the

costumes

Page 7: Report in FA 28 (Painting)

First Non-Religious Art

The Basi Revolt - series of painting by

Esteban Villanueva

- depicted the revolt of the

Ilocanos against the

Spaniards because of

the wine called “basi”

Page 8: Report in FA 28 (Painting)

Academia de Dibujo y Pintura

● established in 1821

● headed by Damian Domingo

Page 9: Report in FA 28 (Painting)

Damian Domingo

● known for his

watercolor albums

of tipos del pais

Page 10: Report in FA 28 (Painting)

Tipos del Pais

● Inhabitants of the

archipelago dressed

in the typical

costumes of their

occupation and

social class

Page 11: Report in FA 28 (Painting)

American and

Contemporary Tradition

Page 12: Report in FA 28 (Painting)

Highlights

Classism:

- Fabian de la Rosa

- Fernando Amorsolo

*creating a myth of a

rural paradise(smiling

girls while harvesting)

Modernism:

- Introduced by

Victorio Edades

*making more room

for the terrible and

ugly

Page 13: Report in FA 28 (Painting)

Classism vs. Modernism

Planting Rice, Amorsolo

The Builders, Edades

Page 14: Report in FA 28 (Painting)

Themes

Page 15: Report in FA 28 (Painting)

Religious Paintings

• Depicts a lone

image

Ex: Via Crusis

Page 16: Report in FA 28 (Painting)

Historical Paintings

• Compositions of

human figure

depicting a scene

from history

Example: The First

Mass by Fernando

Amorsolo

Page 17: Report in FA 28 (Painting)

Portraits

• Subject is one or

more particular

individual

Ex: Romana Carillo

Page 18: Report in FA 28 (Painting)

Nude

• Subject is the

naked human

figure

Ex: Odalisque by Juan

Luna

Page 19: Report in FA 28 (Painting)

Genres

• Depicts people in

everyday activities

Ex: Boxer Codex

(Pintados)

Page 20: Report in FA 28 (Painting)

Interiors

• Shows the

disposition of space

inside a house

Ex: Tampuhan by

Juan Luna

Page 21: Report in FA 28 (Painting)

Landscapes

• Depicts natural

scenery and

countryside

Ex: Hidalgo’s painting

done in the Academia

de Dibujo y Pintura

Page 22: Report in FA 28 (Painting)

Seascapes

• A body of water is

the subject

Ex: Felix Hidalgo’s

Marina con Rocas

Page 23: Report in FA 28 (Painting)

Still Lifes

• An artwork by

painting the

inanimate objects

Ex: Still Life by Paz

Paterno

Page 24: Report in FA 28 (Painting)

Materials for Painting

Page 25: Report in FA 28 (Painting)

Tempera

● consists of

pigments ground

with egg yolk,

producing a great

intensity of hue

Page 26: Report in FA 28 (Painting)

Fresco

● water-based

pigments which

are absorbed by

the wall

Page 27: Report in FA 28 (Painting)

Watercolor

also called aquarelle,

-the paints are made of

pigments suspended in a

water-soluble vehicle.

Page 28: Report in FA 28 (Painting)

Ink

• a liquid or paste that contains

pigments or dyes

Page 29: Report in FA 28 (Painting)

Crayons

a stick of colored wax, charcoal, chalk or other

material.

Page 31: Report in FA 28 (Painting)

Pastels

• consisting of pure

powdered pigment and a

binder

Page 32: Report in FA 28 (Painting)

Charcoal

• made of finely grounded

organic materials that are

held together by a gum or

wax binder

Page 33: Report in FA 28 (Painting)

Acrylic

● a fast-drying paint containing pigment suspension in acrylic polymer

emulsion.

● is water soluble, but becomes water-resistant when dry.

Page 34: Report in FA 28 (Painting)

Common Painting Surfaces

Page 35: Report in FA 28 (Painting)

Wood or Panel

• flat panel made of

wood

Page 37: Report in FA 28 (Painting)

Masonite

● a thin, medium-brown made from

steamed wood chips,stretched

into fibers and pressed together

with enough pressure

Page 38: Report in FA 28 (Painting)

Paper

● a thin material produced by

pressing together moist

fibers, typically cellulose pulp

derived from wood, rags or

grasses, and drying them into

flexible sheets

Page 39: Report in FA 28 (Painting)

Cardboard

● a generic term for a heavy-duty paper of

various strengths

Page 40: Report in FA 28 (Painting)

Techniques/Processes

Page 41: Report in FA 28 (Painting)

Direct Method

- paint is directly applied

onto the surface with a

brush

Page 42: Report in FA 28 (Painting)

Indirect Method

- Paint is applied in thin layers of transparent

colors

* Stumbling -an opaque layer of oil paint is worked over another layer so that small

areas of color beneath show through in uneven, broken manner

Page 43: Report in FA 28 (Painting)

Watercolor

- Paper is first soaked

then stretched to

avoid wrinkling during

the process

Page 44: Report in FA 28 (Painting)

Wet-on-Wet

- Creates

atmospheric effects

Page 45: Report in FA 28 (Painting)

Tempera Painting

Page 46: Report in FA 28 (Painting)

Forms

Page 47: Report in FA 28 (Painting)

Easel Painting

- Executed on a portable

support such as panel or

canvas

Page 48: Report in FA 28 (Painting)

Murals - from the Latin word

“muros” which means wall

- classified as any

large, wall-sized painting.

Page 49: Report in FA 28 (Painting)

Telon Painting

- as stage backdrop for komedya, sarswela and

sinakulo

Page 50: Report in FA 28 (Painting)

Calesa painting

-the calesa is painted in

a single color and its

borders decorated with

thin lines, geometric

patterns, or repetitive

designs.

Page 51: Report in FA 28 (Painting)

Jeepney painting

- grew from the calesa

tradition

- hood and the sides of the

jeepney are areas of

decoration.

Ex: Sarao Jeepney in Las

Piñas

Page 52: Report in FA 28 (Painting)

Collage

• a scissor-and-

paste method of

combining ready-

made images

Page 53: Report in FA 28 (Painting)

Semiotic Reading

Page 54: Report in FA 28 (Painting)

Art and Power

Page 55: Report in FA 28 (Painting)

España y Filipinas

• meaning “Spain and the Philippines”

• Both are wearing traje de mestiza or

"dress of the mestiza“

• representation of the benevolent image

of colonialism

Page 56: Report in FA 28 (Painting)

Spoliarium

• Interpreted as an allegory of

imperial Rome corresponding

to imperial Spain

Page 57: Report in FA 28 (Painting)

La Tragedia Del Gobernador Fernando Bustamante y

Bustillo

-Catholic revolution to Gobernador

Fernando Bustamante

-Consists of Dominicans,

Augustinians and Franciscans.

-To overthrow the tyrant, they united

and produced immense power.

Page 58: Report in FA 28 (Painting)

Art and Gender

Page 59: Report in FA 28 (Painting)

Las Virgenes Cristianas Expuestas al Populacho

(Christian Virgins Exposed to the Populace)

• Showed a group of

captive Christian

maidens persecuted and

offered as slaves to

leering men

Page 60: Report in FA 28 (Painting)

Fernanda de Jesus

• Aim to represent and

celebrate an ideal

example of Filipino

womanhood

Page 61: Report in FA 28 (Painting)

La Bulaqueña( The Lass from Bulacan)

• A serene portrait of

a Filipina in a Maria

Clara outfit

Page 62: Report in FA 28 (Painting)

ART AND FAITH

Page 63: Report in FA 28 (Painting)

Art and Faith

Langit, Lupa at Impierno by Josef

Luciano Dans, 1850

-the painting can be found in the wall of

San Cristobal Church in Paete, Laguna.

when the Spaniards colonized the

Philippines, Catholicism emerged in our

religion and since then, Heaven and

Hell has been an ideology of the

Filipinos.

Page 64: Report in FA 28 (Painting)

Art and Faith

The Late 16th-century Frescoes in

the Monastery of San Agustin in

Intramuros

Page 65: Report in FA 28 (Painting)

Thank you for Listening!