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Evaluation for Unit 9
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Photos Evaluation
My topic for the photo styles was abstract because I think there is a lot more subtext you
can take from abstract than from any other. The abstract photos also looked more interesting
because they are characteristically colourful and contrasting, they often involve a great deal of
guessing as to what they are and can very easily be
accidents (similar to the effect of a fly going past the
camera at the moment of flash in the Circumvention
photo). I particularly liked the photo that involved paint on
a speaker, creating a rainbow effect with the paints being
thrown up from the speaker and the photo which seemed to capture the side
of a glass or the surface of a wet window where light is
shining through the droplets and the condensation,
making it look like a trippy illustration or hallucination.
Again, my having to guess if this is precisely what is happening in the photo
is part of the reason that I chose abstract as my topic.
Most of the inspiration for the theme of the flash being the only
artificial light in all of the pictures came from the cover art for PJ Harvey’s
Rid of Me, which used only the light created by the flash at the moment of
the picture being taken. It creates an effect that means every part of the photo is clearer and the
shadows behind her on the wall are eerie and jagged. I also liked the way that the black and white
complemented the method of taking the picture. I don’t think that any of the photos had a slightly
scary undertone but I think that a couple, particularly the Driveway picture, were eerie in their
execution. It was taken by Maria Mochnacz, a friend of Harvey’s and a photographer.
The equipment was mainly limited to a camera and an SD card, since none of the photos use
a tripod. In the case of the bass photo, the only other equipment
was the obvious bass guitar needed for the picture. All of the
photos were turned black and white in post-production, as well as
the Driveway photo having the cat’s eyes colour separated and the
most edited photo of the bunch, the bass photo. In the bass photo,
originally, it was to be one photo that had my movement warped
at the moment of the jump. However, the photos all came out
clearer than expected, giving me the idea to layer them on top of
each other. An improvement which was noted when the photos
were being shown initially was that in the bass photo there was a
washing line in the background. Using
the spot healing brush tool on Photoshop
(which was where I edited all the other
photos as well), I went over the washing
line and merged it with the rest of the
background. Using the opacity tool and layering in a different way to how
they had been used before (mainly as a utility to help with editing, instead
of as a piece of the editing).
I think that one of the strengths of the photos is the way that most
of them work on the same level as the PJ Harvey photo i.e. capturing the
moment that the flash happens to achieve more detail. While this was an
initial problem with the bass photo (since I wanted it to be blurry to achieve
the desired effect) it was actually more interesting when the clear photos were layered on top of
each other. I quite like the way that the Circumvention photo (pictured left) adheres to one of my
favourite features of abstract photography: accidents. Admittedly the shot would have been quite
boring otherwise but the accidental fly in front of the flash made it so much more interesting and
mysterious. That was part of the reason it was called Circumvention: because it does just that. It
circumvents the expectation of a normal photo by accident in having something normal juxtaposed
with something completely unexpected. That’s one of the reasons that I also quite like the Driveway
photo, because it took me a long time to have my cat look at
the camera, and I had no idea what shot I would get when he
did.
One drawback for the Loss of Focus picture is that it
was originally supposed to be framed so that there was a
noticeable object behind the subject’s body so as to illustrate
the theme of the photo i.e. the problem that people face of not
focusing on the important things. While the photo does explore
this to a point, I don’t think it was framed correctly and is
almost certainly the weakest of all of my photos. It was also
commented on in the feedback as someone’s least favourite
photo because they wanted to have shown the subject in the
photo. Though this was the point of the photo, I think this is
indicative of how badly it gets across that point of subtext.
In terms of improvement, I think that the Loss of Focus
and Circumvention photos could have been retaken so as to frame them properly; however strange
the Circumvention photo is, it was still an accident. As I said before, the framing for Loss of Focus still
bothers me, since it isn’t quite the shot I wanted when I planned it. This was probably due to the
type of lens I used: if I had used a telephoto lens, which could have focused on only the thing right in
the centre of the frame, it would have made the shot closer to the original plan. Similarly, the
Circumvention photo was originally supposed to be from a further
distance but I didn’t facilitate the problem of there being no light
to see where the shot was being framed and whether it was in
focus. We had to improvise and put a noticeable light on the floor
immediately in front of the subject to focus on before I stepped
back and took the photo. But, what with the inability to see
properly how far away I was from the subject, the picture also
came out slightly different to the original design.
One consistently mentioned point on the feedback was for
the Tangled Up photo, and it was to use editing to make the wires
stand out more from the background. If I were to try and do this I
would separate the wires onto a separate layer from the
background and turn down the brightness but turn up the
vibrance to make them darker on the face of the dull grey
background.
I think that my considerations as a photographer in terms of framing and prior design has
improved greatly, since I now have some idea of the finer points of using photography as an art
form, such as how the flash functions and how to use it, how the point of focus can change a picture
and the importance of being in the right place at the right time.