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We found the placement of the artist name to be awkward and brought aesthetic unbalanced to the cover since it sat in the top right whilst the rest of the text sat at the bottom centralised, leaving a lot of empty space on the left. The position of Psychic Psylla instantly brought attention to itself since it is placed in the busiest part of the poster. We did not want this because we wanted the main focus to be the our new album and not the artist. the choice of font colour was difficult to read against the image’s changing colour pallet. While it was legible against the black dress, it was incoherent against everything else. We found the font Monotype Corsiva to be quite romanticised which we felt was unsuitable for our genre and style. We wanted to use the same image on our magazine cover as we did on our digipak cover in order to stick to the conventions of magazine advertisements and to keep continuity between the two. We found the typography’s sizing to be too small and unreadable.

Magazine cover 1

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We found the placement of the artist name to be awkward and brought aesthetic unbalanced to the cover since it sat in the top right whilst the rest of the text sat at the bottom centralised, leaving a lot of empty space on the left.

The position of Psychic Psylla instantly brought attention to itself since it is placed in the busiest part of the poster. We did not want this because we wanted the main focus to be the our new album and not the artist.

the choice of font colour was difficult to read against the image’s changing colour pallet. While it was legible against the black dress, it was incoherent against everything else.

We found the font Monotype Corsiva to be quite romanticised which we felt was unsuitable for our genre and style.

We wanted to use the same image on our magazine cover as we did on our digipak cover in order to stick to the conventions of magazine advertisements and to keep continuity between the two.

We found the typography’s sizing to be too small and unreadable.