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Home >> Camera Backpack Advice >> How to take Fireworks Photos with a DSLR Camera

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How to take Fireworks Photoswith a DSLR Camera

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Fireworks are beautiful things, lighting up the night sky with an array of stunning colors.

Everyone has the potential to capture beautiful images of �reworks as they explode with a

DSLR camera, but it is something that requires quite a large amount of practice. It is also

something that requires quite a bit of advance preparation. Fireworks are usually used to

celebrate special events, so they are predominant all over the world.

See Also: best camera backpack for photographers

What equipment do you need?

 The �rst thing that you have to consider and remember when it comes to any form of

photography is the camera that you use. Certain situations require certain cameras. Fireworks

are a little bit different, as the reality is that any DSLR camera will be capable of taking

photographs of �reworks, the most important thing is your own skill and the gear that you have

with you.

 While you can get away with any form of DSLR camera, you do need to ensure that you

remember to take a remote release with you. Long exposures are required when capturing

�reworks, so your camera will pick up on any additional motion. This means that the best

remote release would be a wireless one, to completely get rid of the risk of any additional

shaking that would distort your photograph.

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 Another option that you could consider if you do not have a remote release would be using a

self-timer, but this could result in missing your shot entirely. The lens that you use is down to

personal preference. Wide-angle lenses are perfect for capturing �reworks as they light up the

sky, but telephoto lenses can be utilized if the �reworks that you are shooting are quite far

away.

 You also have to make sure that you take a tripod with you, as there is no way to capture a

perfect �rework photo without one. The tripod offers you the necessary stability that you need

to ensure that your camera does not move while it captures the �reworks, something that

would blur a shot with a long exposure.

Is practice important?

 Before you even start to consider the settings that you should use, you need to ensure that you

have spent some time practicing your aim. Capturing �reworks can be dif�cult, as you never

can tell exactly where the �reworks will land in the night sky. This means that you have to get

used to aiming the camera before the �reworks actually go off.

 To make sure that this is as easy as it can be, you should try to get up to a high spot where you

know that you will have an unobstructed view of the �reworks being set off. If you are standing

in a park, then you are going to end up with numerous heads that bob in and out of your

photographs.

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 You could also try to work out exactly where the �reworks are being set up for the event, as

this can enable you to work out exactly where in the night sky the �reworks are going to

explode.

 You should also consider the lenses that you are going to use during the �rework display, and

try to stick to just one or two. Wasting time and panicking while trying to change your lenses

quickly in the middle of a �rework display can be incredibly stressful. You should also consider

what your lenses are capable of capturing, especially when it comes to the foreground and

background of the shot.

What settings should you use?

 There are a lot of different settings on a DSLR camera, so knowing exactly which ones are best

for capturing �reworks can be relatively dif�cult. Here is some key advice for you to follow:

ISO: You should always try to shoot at a low ISO, regardless of the condi�ons inwhich you are shoo�ng. This ensures that you will be le� with clean photographs thatcontain a minimal amount of noise. You should also make sure that you don’t shootwith a flash, as fireworks are really bright.

Shutter Speed: The speed at which your shu�er is set is one of the mostimportant things to take into considera�on, as it can really make or break aphotograph. Fireworks are moving objects, so you might ini�ally think that you need areally quick shu�er speed. In reality, the opposite is true. Capturing the sort ofmovement that occurs when a firework explodes requires a rela�vely long exposure,

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and that is one of the reasons why it is so important that your camera is completelys�ll for the dura�on of the shot.

Focal length: This is one of the hardest things to determine, as it all comes downto how hard it is to track where a firework will land in the night sky. Shoo�ng with alonger focal length can be quite prac�cal, but the focal length that you shoot at reallydoes come down to your aim and how easy it is to spot where the fireworks will land.

Aperture: Fireworks emit a source of natural light, so small range apertures tendto work really well.

 The rest all comes down to a little bit of trial and error, because everyone captures

photographs differently.

 One thing that you do have to do involves ensuring that you are shooting in manual mode. If

you are used to shooting in automatic, it would be advisable to get some practice in before the

�reworks display. Auto-focus can be disastrous at �rework displays, and it can cause you to

miss an array of shots that would otherwise have been perfect.

 If you do change your focal length during the display, then you will need to make sure that you

re-focus your camera. Luckily, you usually won’t have to spend too much time re-focusing your

camera once it has focused.

Your Photographs

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Related Posts

 Remember that the most important part of photography is experimentation. You have to learn

how to do things and practice them again and again, that way you can �nd a way that suits you.

Opposed to molding yourself to suit a speci�c method. Photographs of �reworks are known to

be beautiful, but you should also spend a lot of time thinking about what you would like to have

in the foreground and the background of your shot, as those are what really complete a

photograph.

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About the Author

My name is Stuart Taylor, I'm the founder of PROTON PACK, a place

where I review camera bags, backpacks and accessories. If you have a

topic that you would like me to explore, let me know and I will do my

best to provide the information. I welcome your feedback and

suggestions.

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