Upload
tracie-king
View
54
Download
1
Tags:
Embed Size (px)
Citation preview
Ch 3: Digital Imaging Fundamentals
Photoshop CS6 EssentialsBy Scott Onstott
Ch 3: Digital Imaging Fundamentals
Benefits of More Megapixels• Larger DSLR sensors capture millions
more pixels (megapixels) compared to point-and-shoot cameras
• More megapixels means you have more detail and less noise
• You can digitally zoom in to large images and the details remain crisp
• More megapixels also means more data, larger file sizes, and more RAM required
Ch 3: Digital Imaging Fundamentals
Pixel Aspect Ratio• Pixels can have non-square aspect
ratios• Use square pixels for print and for the
Web• Video clips often use non-square
pixels• You can change the pixel aspect ratio
using the View menu and in the File > New dialog box
Ch 3: Digital Imaging Fundamentals
Aliasing and Anti-Aliasing• Aliasing is the stair-stepping artifact
that occurs in grids of pixels• Lines are not aliased when you draw
them horizontally, vertically, or at 45 degree angles
• Off-angled lines exhibit aliasing which can be reduced by dithering the edge (blue line at right) with intermediate values
• Anti-aliased edges appear blurry compared to aliased edges but the stair-stepping is removed
Ch 3: Digital Imaging Fundamentals
Primary Colors• Red, Green, and Blue are the primary
additive colors• Cyan, Magenta, and Yellow are the
primaries of subtractive colors• CMY are secondary colors in the RGB
system• RGB are secondary colors in the CMY
system• Black (abbreviated as K) is added to the
subtractive system, making CMYK the 4-colors used in offset printing
Ch 3: Digital Imaging Fundamentals
Color Channels• Color is split into primary components such as Red, Green, and Blue• Primary color components are stored in grayscale image channels• Color is reconstituted by illuminating red, green, and blue sub-pixels in
your monitor with varying intensities according to the luminance values in the corresponding color channels
Photo courtesy of iStockphoto, ©Neustockimages, Image #7007990
Ch 3: Digital Imaging Fundamentals
Alpha Channels• Alphas are additional channels• Alpha 1 is used to store
transparency information • When the Alpha 1 channel is
displayed against the RGB channels a red rubylith overlay appears to indicate areas of transparency
• Not all formats support alpha channels
• TIF and TGA do support alphas
Photo courtesy of iStockphoto, ©Neustockimages, Image #7007990
Ch 3: Digital Imaging Fundamentals
Understanding Lab Color• L* a* b* stands for Lightness, a, and b
channels• Detail is carried in the Lightness
channel• Color is carried using a combination of
a and b channels• Lab color is a convenient mode that
isolates image detail (can be used for sharpening or grayscale conversion)
Photo courtesy of iStockphoto, ©Terry J Alcorn, Image #14990625
Ch 3: Digital Imaging Fundamentals
Grayscale vs. Bitmap Modes• Grayscale images have a range of
tonal values in a single channel (256 gradations in 8-bit)
• Bitmap images also employ a single channel
• Bitmap images are the most primitive images having only black and white pixels without any intermediate shades of gray
• Bitmap images can be dithered or processed with a halftone screen
Photo courtesy of iStockphoto, ©Terry J Alcorn, Image #14990625
Ch 3: Digital Imaging Fundamentals
Understanding Histograms• Histograms help you see how well the
dynamic range is being utilized• Histograms are made of black vertical bars
representing how many pixels are in the shadows, mid-tones, and highlights
• Blank areas at the edges of a histogram show there are values (blackest blacks or whitest whites) that aren’t being used
• Gaps or spikes in a histogram show that information has been “destroyed” by being pushed beyond certain mathematical limits