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Camera shots, angles, motion and composition. By Marisha Inoke.

Camera shots, angles, motion and composition

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Assignment 4: Camera shots, angles, movement/motion and composition.

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Page 1: Camera shots, angles, motion and composition

Camera shots, angles, motion and composition.

By Marisha Inoke.

Page 2: Camera shots, angles, motion and composition

Camera shots

• Establishing • Wide shot• Long shot• Close-up shot• Extreme close-up shot• Over the shoulder shot• Overhead shot• Two shot• Mid/medium shot• Point of View (POV).

Page 3: Camera shots, angles, motion and composition

Establishing shot

• This establishes the setting which often gives the viewer information about where the scene is set.

• E.g. Eastenders.

Page 4: Camera shots, angles, motion and composition

Wide shot

• With ‘wide shots’ you can show a large variety of information similarly to a panoramic photo. Furthermore, Wide shot’s are mainly used as establishing shots.

Page 5: Camera shots, angles, motion and composition

Long shot

• This is the framing of a characters body.• This shot is normally used in action movies as

it shows the characters running.

Page 6: Camera shots, angles, motion and composition

Close-up shot

• ‘Close-up shot’ of a body part or an object. Top of head to shoulder.

Page 7: Camera shots, angles, motion and composition

Extreme close-up shot• This shot shows the extreme detail.• An extreme version of the close up, generally magnifying beyond what the human eye would

experience in reality. An extreme close up of a face showing the eyes or mouth.

Page 8: Camera shots, angles, motion and composition

Over the shoulder shot

• The camera is placed behind the characters shoulder enough to frame the two character’s.

• The character facing the other person takes up 1/3 of the frame, whereas the other character takes up 2/3 showing that their inferior as opposed to the person with its back turned.

Page 9: Camera shots, angles, motion and composition

Overhead shot

• The camera directed downwards.

Page 10: Camera shots, angles, motion and composition

Two shot

• It is basically two people in a shot which shows the relationship between the two characters.

Page 11: Camera shots, angles, motion and composition

Mid/medium shot

• This is from the torso and upwards to show the body language, gesture and facial expression.

Page 12: Camera shots, angles, motion and composition

Camera Angles

• High• Low• Canted/oblique

Page 13: Camera shots, angles, motion and composition

High

• In a high angle shot the camera is positioned above the eye level, with the camera shooting down on the subject.

Page 14: Camera shots, angles, motion and composition

Low

• Image shot from a low angle directed upwards.

Page 15: Camera shots, angles, motion and composition

Canted/oblique

• In a canted angle the camera is tilted on its horizontal plane to produce a slightly unstable picture.

Page 16: Camera shots, angles, motion and composition

Camera movement

• Tilt• Pan• Track• Dolly• Zoom• Reverse zoom

Page 17: Camera shots, angles, motion and composition

Tilt

• A ‘tilt’ is a vertical camera movement in which the camera points up and down from the stationary location (similar to ‘Pan’).

Page 18: Camera shots, angles, motion and composition

Pan

• A pan is a horizontal camera movement in which the camera moves left and right about a central axis.

Page 19: Camera shots, angles, motion and composition

Track

• Tracking shot is widely considered as a camera mounted on a cart which travels along tracks.

Page 20: Camera shots, angles, motion and composition

Zoom

• A ‘Zoom’ is technically not a camera move as it does not require the camera itself to move at all. Zooming means altering the focal length of the lens to give the illusion of moving closer to an action.

Page 21: Camera shots, angles, motion and composition

Reverse Zoom

• This is the opposite of ‘Zoom’ which moves further away from an action.

Page 22: Camera shots, angles, motion and composition

Camera composition

• Balance• Symmetry (linked to balance).• Asymmetry (linked to balance).• Shallow focus• Deep focus• Depth of field• Rules of Third• Focus pulls

Page 23: Camera shots, angles, motion and composition

Balance

• Balance, this can refer to balance in colour, shapes and sizes.

Page 24: Camera shots, angles, motion and composition

Symmetry

• ‘Symmetry’ is when the shot is equally balanced on both sides, opposite of Asymmetrical.

• This is linked to Balance.

Page 25: Camera shots, angles, motion and composition

Asymmetry

• ‘Asymmetry’ • This also is linked to balance because of the

imbalance.

Page 26: Camera shots, angles, motion and composition

Shallow focus• ‘Shallow focus’ is Incorporating a small depth

of field (Out of focus and focus).• This was achieved by using ‘auto-macro’ on

my bridge camera.

Page 27: Camera shots, angles, motion and composition

Deep focus

• This is when everything in the shot is in focus (foreground, middle ground and background as a whole).

Page 28: Camera shots, angles, motion and composition

Depth of Field

• Depth of field refers to the range of distances from the camera at which acceptably sharp focus can be obtained.

Page 29: Camera shots, angles, motion and composition

Rule of Thirds

• Create 3x3 grid on your shot, and align the main subject along the intersection of the lines. (2 horizontal lines, 2 vertical lines).

• Images below is 2/3 of sky and 1/3 of ground.

Page 30: Camera shots, angles, motion and composition

Focus pulls.

• ‘Focus pulls’ happens when adjusting the camera lenses the shot goes from out of focus into deep focus.