17
1 Abstract Art & Photography

Abstract photography[1]

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: Abstract photography[1]

1

Abstract Art & Photography

Page 2: Abstract photography[1]

2

Representational and Abstract art

Piet Mondrian, Composition in red yellow and blue, 1921

Caravaggio, Supper at Emmaus, 1601

Page 3: Abstract photography[1]

3

In the Caravaggio painting the composition consists of the arrangement of people and recogniseable objects.The painting clearly represents people sitting around a table – things that we could find in the ‘real’ world.Works like this are called representational or figurative.

The Mondrian painting also involves a composition process, but in this case it is a composition of shapes, lines and colours.The picture seems not to directly represent anything which we would find in the ‘real’ world.

Page 4: Abstract photography[1]

4

Film ‘stills’ from the film La Jetee.

Abstract or representational?

Page 5: Abstract photography[1]

5

PatternDo you want there to be a center of interest in your photograph or painting, or would you prefer the image itself to become a pattern?

Jackson Pollock, Painting, 1948

Page 6: Abstract photography[1]

6

Photogram by Lazolo Maholy-Nagy

Page 7: Abstract photography[1]

7

Whilst some works are clearly representational and others clearly abstract, many photographs or artworks seem to be representational (figurative), and yet also have an abstract quality

Photo by Paul Strand

Page 8: Abstract photography[1]

8

Photo by Andreas Gursky

This is a photograph of a motor race track in Bahrain.

The pattern created by the track produces an abstract quality to the image – do you agree or disagree – discuss.

Page 9: Abstract photography[1]

9

When you view a completely abstract image it is usually meaningless to ask “what is it of?”

Many people today still believe that to qualify as ‘Art’, an image or artwork must be representational – it must be of something found in the physical world.

In the second half of the 19th century some artists began to break free of this constraint, attempting to produce art which was less of and more about the subject.

Page 10: Abstract photography[1]

10

JMW Turner, Rain, steam and speed, 1844

Page 11: Abstract photography[1]

11

Claude Monet, Water Lillies, 1915-26

Page 12: Abstract photography[1]

12

Photographers in the 1920’s started experimenting with the camera’s ability to ‘see’ in new and exciting ways (using startling viewpoints, close-ups, radical framing and so on).

They allowed the photography to revel in those aspects of the medium which made it different to other atistic media, rather than trying to make their photographs appear like other forms of art, such as painting.

Extension work: ‘Medium Specificity’.

Photo by Steichen

Page 13: Abstract photography[1]

13

Photographs by Edward Weston

Page 14: Abstract photography[1]

14

Photo by John Baldessari

Abstract or representational or …. a bit of both?

Page 15: Abstract photography[1]

15

Photo by Tomatsu Shomei

How would you describe this image …

Is it ‘of’ anything?

Is it representational or abstract?

Page 16: Abstract photography[1]

16

Photographs by Wolfgang Tillmans

Page 17: Abstract photography[1]

17

What are the essential differences between representational and abstract art/photography?

What might abstract photographs be good for?