A2 07122012 ho

Colour photography

A2 Level Photography

07/12/2011 and 14/12/2011

Colour photography

Aim: Understand colour photography techniques and artists.

Objective 1: understand colour theory and how it relates to photograph processing.

Objective 2: research at least one artist that uses the medium of colour photography.

Objective 3: Process colour negative film and understand the steps involved in producing colour film.

Objective 4: Produce colour images intentionally constructing a narrative based on the type of colour(s) used (mood and atmosphere) for 14/12/2001.

Colour PhotographyTask: 15 minutes

Define:

Colour saturation

Muted colour

Complimentary colour

Colour “gamut range” Adobe 1998sRGB

Colour PhotographyColour definitions.

Saturation: “the intensity of a colour”

Pure hues containing, theoretically, no white, black, grey or complementary colours.

Muted: “dull”

Hues containing more or less grey, or of their complementary colour.

http://www.paintcafe.com/en/couleur/langage/vocabulaire/

Colour Photography

Poppy Field, Claude Monet

Analysing colour in images.

Colour PhotographyColour and Emotion.

Analyse the following photographers:

• ANALYSE: describe the type of colours used in their compositions.• INFER: describe the mood and feel/emotions conveyed in the imagery.• SYNTHESISE suggest how you might reproduce their work• WHERE POSSIBLE REFLECT ON THE INTENDED PURPOSE OF THE IMAGES..(CONTEXTUAL STUDY)

Group 1: Nadav KanderGroup 2: David laChapelleGroup 3: Richard BillinghamGroup 4: Martin Parr


David La Chapelle


David La Chapelle


David La Chapelle


Nadav Kander


Nadav Kander


Nadav Kander


Nadav Kander


Richard Billingham


Richard Billingham


Richard Billingham


Martin Parr


Martin Parr


Martin Parr


Homework One (by 14/12/2011).

FILM PROCESSING. Plan to photograph using a film SLR camera and colour C41 film Bring in undeveloped film for processing on the 14/12/2011

Homework Two (by 14/12/2011).

COLOUR AND EMOTION. Record images based on landscape or portraiture using either a film a digital camera.

•Select a film type appropriate to the intended mood/emotion you wish to convey •Use Photoshop to create the intended mood of the final images.•CREATE AT LEAST 3 FINAL PRINTS IN COLOUR TO A MINIMUM A5 SIZE (24/11/2010).

Colour PhotographyErnst Haas

La Suerte De Capa, © Ernst Haas

Colour PhotographyErnst Haas

Red Tulips Japan, Dye Transfer Print, 1980 © Ernst Haas

Colour PhotographyWilliam Eggleston

Greenwood, Mississippi, 1973. William Eggleston.

Colour PhotographyWilliam Eggleston

From William Eggleston 5 x7, © William Eggleston.

Colour Photography

Webb, © William Eggleston.

William Eggleston

Colour PhotographyMert Alas & Marcus Piggot

It's a rave Dave, Pop Magazine 2007

Colour Photography

In 1666 Isaac Newton discovered that light comprised a spectrum of colours.

Theory

Colour Photography

RGB colour theory (addative colour theory).

1807 Young’s theory proposed that the eye was sensitive to only three forms of light.

The brain blends these three primary colours

All the colours we see are obtained from a blend of two or more primary colours.

Theory

Colour Photography

CMYK process colour.

All of the colors in the printable portion of the color spectrum can be achieved by overlapping "tints" of cyan, magenta, yellow and black inks.

http://ieng9.ucsd.edu/~jbwilson/CSE3/Lab2/ColorModels.htm

Theory

Colour Photography

Colour Negative filmTheory

Colour Photography

Colour negative filmYellow dye

magenta dye

cyan dye

Theory

Colour Photography

Colour negative film when printed produces a positive print…

Colour negative filmTheory

Art & Photos

A2 07122012 ho