1960’s Abstractionleft side

Sam Francis

Shining Back

1958

Oil on canvas

6’ 7-3⁄8” × 4’ 5-1⁄8”

Solomon R. Guggenheim Museum New York

[Fig. 20-01]

Helen Frankenthaler

Interior Landscape

1964

Acrylic on canvas

8’ 8-3⁄4” × 7’ 8-3⁄4”

San Francisco Museum of Modern Art

[Fig. 20-05]

Larry Poons

Nixes Mate

1964

Acrylic on canvas

5’ 10” × 9’ 4”

[Fig. 20-10]

Kenneth Noland

A Warm Sound in a Gray Field

1961

Acrylic on canvas

6’ 10-1⁄2” × 6’ 9”

Private collection New York

[Fig. 20-18]

Victor Vasarely

Sorata-T

1953

Triptych, engraved glass slabs

6’ 6” × 15’

Private collection

[Fig. 20-22]

Bridget Riley

Drift No. 2

1966

Emulsion on canvas

7’ 7-1⁄2” × 7’ 5-1⁄2”

Albright-Knox Art GalleryBuffalo, New York

[Fig. 20-24]

Anthony Caro

Riviera

1971–74

Rusted steel10’ 7” × 27’ ×

10’

[Fig. 20-34]

Frank Stella

Agbatana III

1968 Fluorescent acrylic on

canvas

9’ 11-7⁄8” × 14’ 11-7⁄8”

Allen Memorial Gallery, Oberlin College, Oberlin,

Ohio

[Fig. 20-37]

Tony Smith

Cigarette

1961–66

Plywood model to be made in steel

15 × 26 × 18’

[Fig. 20-38]

Tony Smith

Die

1962

Steel, edition of three

6 × 6 × 6’

Private collection

[Fig. 20-39]

Donald Judd Untitled 1977Concrete, outer ring diameter 49’ 3”, height 2’ 11”;

inner ring diameter 44’ 3”, height 2’ 11”–6’ 10”Münster, Germany

Sol LeWitt

Wall Drawing No. 652

Continuous Forms with Color Acrylic Washes Superimposed

1990Acrylic wash on

wall30 × 60’

[Fig. 20-45]

Agnes Martin

Night Sea

1963

Oil and gold leaf on canvas

6 × 6’

Private collection

[Fig. 20-50]

Richard Sierra