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What Have You Learned?
Paint Intermediate Fall 2016
Glenn Hirsch, Instructor
9/19 Color and “Light” – project 1 ltd palette underpainting project 2 monochromatic palette9/26 no class10/3 Color and “Light” – continue projects 1 and 210/10 Space – landscape – project #3 painting(s) emphasizing space 10/17 Space – architectural or abstract– continue project #310/23 SUNDAY 1pm-4pm studio visit to artist Travis Somerville San Francisco10/24 Style – investigating a master – project #4 master study and response10/31 Style – investigating a master – project #4 master study and response11/7 Series - exploring an original voice – project #5– series of paintings11/14 Portraits – drawing and painting the head – continue project #5 11/20 SUNDAY 11am-2pm studio visit to artist Zheng Chongbin San Rafael11/21 Zheng Chongbin / Portraits in a Dream11/28 What Have You Learned?12/5 Final crit – all assignments due
Work from thin to thick, allowing each layer to dry
Background defines the shape
Brush technique
Lucian Freud
Glazes Impasto
• GLAZING is the contrast of layers• Transparent layers over each other• Each layer is painted, and then dried, before proceeding to the next
Layering – contrasts between one layer and another
an eye for detail
an eye for texture
‘warm’ and ‘cool’ varieties of the
same color
Chromatic scale• Light to dark• Bright to dull• Warm to cool
Student study of Winslow Homer
1.Value2.Spotlight3.Reflected light from water4.Back light 5.Cast shadow 6.Glowing light7.Monochromatic color
dramatic light
“value’ = the black-and-white of the color
chiaroscuro light
a spotlight
Reflected light from water
Back lighting
creates a ‘halo’ behind the object
Cast shadow
Glowing Light
light is coming from the object, not reflected on it
monochromatic color
Space ‘aerial perspective’
color and ‘style’
Hiroshige
Manet
Rembrandt
Study and response
Study of Van Gogh and response
Discovering a voice in color by working in ‘series’
Peggy Millar
John Reamer
Maggie Engebretson
How can the illusion of near and far (“aerial perspective”) in a landscape be enhanced by manipulating the color?
Van Gogh
Theatrical chiaroscuro light (in which the subject emerges from the shadow) was first developed by which painters?
Rembrandt 1610
Caravaggio 1605
Why do painters work in layers?
Joan Mitchell
Richard Diebenkorn
What does “glazing” mean? Why do painters use it?
Morris Louis, 1959
12’ x 14’
What does “wet-in-wet” mean?
Monet detail
What does “working in series” mean? Why are reasons that artists do this?
Chuck Close – series of portraits in different media and technique
What do the terms “warm’ color and “cool” color mean?
What is the black-and-white quality of a painting called?
“Emotion in art only depends on the subject matter depicted.” True/false
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