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topología de pablo Neruda
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- Nerudas poetry of existential crisis
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- Influence of the Spanish Civil War
2. Neruda: AfterVeinte poemas
- 1920s: Consul in Burma and other diplomatic roles in Far
East
- Relationship with Josie Bliss
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- Tentativa del hombre infinito(1926)
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- Poetry of existential crisis and hermeticism (de Costa 1979:
x)
3. Neruda:Residencia en la tierraI and II
- Shift from yo-loved one relationship to yo-mundo or
yo-Naturaleza
- Poetry of solitude and crisis
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- Unordered similes, unconnected elements, incomplete
images;
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- Free verse, lengthy sentences and enjambment;
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- Poetry of contradiction and alienation.
4. Neruda:Residencia en la tierraI and II
- Tango del viudo (1929/1933)
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- After relationship with Josie Bliss
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- Love as violence and jealousy
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- Striking images of desire and violence
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- Uncanny images from the everyday
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- Poeticising of the unpoetic?
5. Neruda: Surrealism
- Origins of the term and movement:
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- Apollinaire describing Cocteaus playParade(1917)
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- Sur-realism: The truth beyond realism
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- Tristan Tzara: Dada art as rebellion against established order
post WW I
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- Surrealism as avant-garde group
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- Expulsion of Desnos, Artaud, Bataille
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- Politics: links to French Communist Party.
6. Neruda: Surrealism
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- Free up the unconscious that is repressed and chained by the
modern world;
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- Investigation of dreams, the unconscious and desire;
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- Importance of sexual desire Influence of Freud;
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- group writing: exquisite corpse;
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- freeing up the unconscious.
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- Art that aims to reconnect with the praxis of everyday life:
scandal and provocation.
7. Neruda: Surrealism
- Picasso: Three Dancers (1925)
8. Neruda: Surrealism
- Dali: The Temptation of St Anthony
9. Neruda: Surrealism
- Surrealism in Latin America
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- Aldo Pellegrini in Buenos Aires: translations of French works;
publication of local surrealist works
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- Importance of Maria Luisa Bombal:La amortajada(1938)
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- Exploration of subconscious and dreams (life after death)
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- Presentation of female desire.
10. Neruda: Surrealism
- Roberto Matta (Chi): Untitled watercolour (1937)
11. Neruda: Surrealism
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- Residenciapuede considerarse un texto surrealista no porque sea
automatismo irracional o simple ejercicio creacionista*, sino
porque es la persecuci n de una articulaci n arraigada que busca
sus fundamentos en la estructura misma de lo que llamamos
inconsciente. (225)
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- * Nb: creacionismo: term coined by Vicente Huidobro to describe
his own poetry.
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- El poeta chileno ser , sin duda, uno de los primeros
cultivadores de lo que m s tarde la cr tica denomin surrealismo
hisp nico (231)
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- Presence within any surrealist groups?
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- Political role of his activities in late 1920s and early 30s in
contrast to surrealist groups?
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- Contrast between French and Lat Am surrealism:
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- literary and political surrealism?
12. Neruda: The avant-garde
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- Spains Generation of 1927
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- Rediscovery of Gongora by Lorca, Alberti, Hernandez and
others
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- Lorcas surrealist poetry ( Poeta en Nueva York )
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- Dominant contemporary styles:
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- Antonio Machado; Juan Ram n Jim nez
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- Gesamtkunstwerk (Wagner: all arts together)
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- Importance of French poets
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- Ruben Dario as keymodernista
13. Neruda: The avant-garde
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- Editor ofCaballo verde para la poesia
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- Title: suggests surrealist agenda
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- Publication of manifestos
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- Sobre una poes a sin pureza (1935); Los temas (1935)
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- Rebellion against pure poetry: poesia sin pureza; poesia
impura.
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- Basis for poetry with social themes
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- Possibility of poetic commitment
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- Vs. art for arts sake (arte por el arte; art pour lart)
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- Poetry associated with the world of work and technology
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- Poetry not strictly limited to the aesthetic (Salvador 2004:
235)
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- Manifesto attacked by Juan Ram n Jim nez
14. Neruda: 1936 and beyond
- Neruda as Picasso of poetry
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- Links with avant-garde groups
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- Constant changes and development
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- Importance of Spanish Civil War
- 1936: Franco and the Nationalist uprising
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- End of the Second Republic
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- Murder of poets and artists including Federico Garc a
Lorca
- Neruda resigns consular post: France and then Chile
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- Raises funds to help Republican cause
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- Organises boat, Winnipeg, to ship Republicans from danger
15. Neruda: 1936 and beyond 16. Neruda: 1936 and beyond
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- Los poetas del mundo defienden Espa a(1936)
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- Poetry to raise consciousness of Spanish situation
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- Poets involved in pro-Republican fundraising
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- Tercera residencia: Espa a en el corazn.
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- Poem announces change in aesthetic and theme
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- Breakdown of certain poetic models
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- Ruins as ruins of Spain and of certain poetic models
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- End of uncommitted poetry, pure artistic realms?
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- Existential solitudepoetic solidarity
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- Need for poetic communication
17. Neruda: 1936 and beyond
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- Surrealist techniques with communicative/political aims?
18. Neruda: 1936 and beyond
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- Sanjurjo en los infiernos
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- Attack on Spanish Nationalists and conservative
establishment
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- Violent and shocking imagery: portrayal of shock of war?
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- Risks of poetry as propaganda?
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- BenedettiLos poetas comunicantes
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- Poesia comprometida/committed poetry
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- Sacrifice of artistic concerns
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- Poetry to communicate needs of the worker
19. Neruda: 1936 and beyond
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- Work becomes hondamente americana (Rodriguez Monegal 1977:
25)
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- Comienza a adquirir una conciencia social radical y a cambiar
sustancialmente sus presupuestos esteticos
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- Commitment to Stalinism from 1940 (member of CP)
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- Role of Socialist Writers Conference
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- Commitment to progress, technology, and other communist
goals.
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- Poetry in support of defence of Stalingrad
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- Published as poster on the streets of Mexico
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- Poetry increasingly in support of Soviet system
20. Neruda: Lecture 2 Summary
- Nerudas poetry of existential crisis
- Influence of the Spanish Civil War