Tuesday March 5, 2013

Preview:

DESCRIPTION

M100: Music Appreciation Discussion Group Ben Tibbetts, T.A. benjamintibbetts@yahoo.com Welcome! Please sign the attendance at the front of the room. Tuesday March 5, 2013. Today’s Agenda. Pages 187-206. Concert Reports –some clarification. Head’s Up!. Listening Log Collection #1 next class. - PowerPoint PPT Presentation

Citation preview

M100: Music Appreciation Discussion Group

Ben Tibbetts, T.A.benjamintibbetts@yahoo.com

Welcome! Please sign the attendance at the front of the room.

Tuesday March 5, 2013

Today’s Agenda

• Pages 187-206

Concert Reports –some clarification

Head’s Up!

Listening Log Collection #1 next class

Franz Joseph Haydn

1732-1809Austrian composer

Listening today to

Haydn’s Symphony No. 20

Four movements

Pick one for listening log

The Classical Symphony(and other large works)

Three or four movements, usually like this:

Form: Tempo:

1. Sonata-allegro form moderate

2. (Theme & Variations) slow

3. Minuet & Trio moderato

4. (Rondo) fast

The Classical Symphony(and other large works)

Three or four movements, usually like this:

Form: Tempo:

1. Sonata-allegro form moderate2. (Theme & Variations) slow

3. Minuet & Trio moderato

4. (Rondo) fast

Sonata-allegro form

• Large, complex form in three basic parts:

Exposition DevelopmentRecapitulation

Sonata-allegro form

Exposition – Stable. Introduces themes. Repeated.Development – Unstable. “Develops” (fragments, modulates,

generally messes with) themes.Recapitulation – Stable. Repeat of the exposition. Musical

material is transposed to home key.

==============================================

• In some pieces, development/recapitulation pair is repeated.

• Some pieces end with a coda after the recapitulation.

Haydn’s Symphony No. 20 movement 1

Exposition

Exposition (repeated)

Development

Recapitulation

The Classical Symphony(and other large works)

Three or four movements, usually like this:

Form: Tempo:

1. Sonata-allegro form moderate

2. (Theme & Variations)slow3. Minuet & Trio moderato

4. (Rondo) fast

Second movements aren’t always theme and variations, but they are almost always played at a slow tempo

Haydn’s Symphony No. 20 movement 2

(form: AABABA or rounded binary)

AABA

The Classical Symphony(and other large works)

Three or four movements, usually like this:

Form: Tempo:

1. Sonata-allegro form moderate

2. (Theme & Variations) slow

3. Minuet & Trio moderato4. (Rondo) fast

Minuet and Trio

Dance, French origin.

Always in ¾ time.

Large ABA.

A The minuet properB The TrioA The return of the minuet proper

Minuet and Trio

A The minuet proper• In binary form – two sections, each repeated

B The Trio• Also in binary form – two sections, each repeated• Contrasting mood

A Minuet proper (again)• This time, sections aren’t repeated

Haydn’s Symphony No. 20 movement 3

Minuet proper (sections each repeated)

Trio

Minuet proper (sections not repeated)

The Classical Symphony(and other large works)

Three or four movements, usually like this:

Form: Tempo:

1. Sonata-allegro form moderate

2. (Theme & Variations) slow

3. Minuet & Trio moderato

4. (Rondo) fast

Rondo form

• In Italian, rondo means “round dance”• Usually in duple meter

A B A C A D A etc.

(or A B A C A B A or similar)

Fourth movements aren’t always rondos, but they are almost always played at a fast tempo

Haydn’s Symphony No. 20 movement 4ABACABA

Final Reminders / Homework

• Thursday: Listening Log Collection #1• Read pages 215-223• Mozart assignment on Moodle• Questions? Email: benjamintibbetts@yahoo.com

Recommended