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867-5309 Jenny Tommy Tutone 5 After Midnight Eric Clapton 159 Ain't No Other Man Chiristina Aguilera 6 Ain't Too Proud To Beg Temptations 7 All Right Now Free 169 Amazed Lone Star 8 Anniversary Waltz Connie Francis 9 At Last Etta James 10 Auld Lang Syne 11 Back In Love Again LTD 12 Bad Case of Loving You Robert Palmer 13 Bad Girls Donna Summer 14 Best of My Love Emotions 15 Best Thing That Ever Happened to Me Gladys Knight & the Pips 16 Birthday Beatles 17 Bitch Rolling Stones 18 Blister in the Sun Violent Femmes 19 Blue Suede Shoes Elvis Presley 20 Boogie Oogiie Oogie Taste of Honey 21 Boogie Shoes KC & the Sunshine Band 22 Boogie-Woogie Bugle Boy Bette Midler 170 Brickhouse Commodores 23 Brown Eyed Girl Van Morrison 24 Brown Sugar Rolling Stones 25 Burnin' Love Elvis Presley 26 California Gurls Katy Perry 199 Can't Help Falling in Love Elvis Presley 27 Chain of Fools Aretha Franklin 28 China Grove Doobie Brothers 171 Cold Sweat The Boneshakers 172 Could I Have this Dance Anne Murray 29 Crazy Gnarls Barkley 31 Crazy Patsy Cline 30 Crazy Aerosmith 173 Crazy in Love Beyonce/Jay Z 174 Dancing in the Streets Martha & Vandellas 32 Disco Inferno Tramps 33 Domino Van Morrison 34 Don't Know Why Norah Jones 35 Don't Stop Believing Journey 175 Down to the Bone Cold Blood 36 Drive By Train 200 Evelybody's Everything Santana 38 Every Have Fun Tonight Wang Chung 37 Evil Ways Santana 39 Feel Like Making Love Roberta Flack 41 Feelin Alright Joe Cocker 40 Fly Suger Ray 42 Fly Me to the Moon Frank Sinatra 43 Forget You Cee Lo Green 176 Game of Love Santana 44 Get Down Tonight KC & Sunshine Band 45 Girl From Ipanema Latin Jazz Standard 46 Give It To Me Baby Rick James 47 Give Me One Reason Tracy Chapman 48 Givin' It Up For Your Love Delbert McClinton 177 Good Times Chic 49 Got To Be Real Cheryl Lynn 50 Great Balls of Fire Jerry Lee Lewis 51 Groove is in the Heart Dee-Lite 156 Guitars & Cadillacs Dwight Yokum 52 Hard to Handle Black Crowes 53 Heart of Rock n' Roll Huey Lewis 54 Heaven Los Lonely Boys 55 Here For the Party Gretchen Wilson 56 Hit Me With Your Best Shot Pat Benetar 57 Holiday Madonna 58 Honky Tonk Woman Rolling Stones 59 Hot Hot Hot Buster Poiexter 60 How Sweet It Is Michael Buble 160 Hurts So Good John Mellencamp 61

I Could Not Ask For More Sara Evans 201 I Cross My Heart George Strait 62 I Heard it Through the Grepepevine Gladys Knight & the Pips 63 I Hope You Dance Tonight Lee Ann Womack 64 I Love Rock n' Roll Joan Jett 65 I Loved Her First Heartland 178 I Need to Know Marc Anthony 66 I Saw Her Standing There Beatles 67 I Want You Back Jackson 5 179 I Want You to Want Me Cheap Trick 68 I Will Survive Gloria Gaynor 69 I Wish Stevie Wonder 70 If I Ain't Got You Alicia Keys 72 I'm a Believer Monkees 71 In the Mood Glenn Miller 73 In the Mood Standerd / Brian Seltzer 74 Isn't She Lovely Stevie Wonder 75 It's Not Unusual Tom Jones 76 It's Your Thing Isley Brothers 77 Johnny B. Goode Chuck Berry 161 Jump, Jive & Wail Brian Setzer 78 Just Dance Lady GaGa 180 Kansas City Wilbur Harrison 79 Keep Your Hands Georgia Sattellites 80 Kiss Prince 81 Knock On Wood Seal 181 Ladies Night Kool & the Gang 82 Lady Marmalade Patti LaBelle 83 Last Friday Night Katy Perry 182 Le Freak Chic 84 Let's Get It On Marvin Gaye 183 Let's Get It Started Black Eyed Peas 85 Let's Get Loud Jennifer Lopez 86 Let's Stay Together Al Green 87 Lights Jorney 88 Livin' La Vida Loca Ricky Martin 89 Livin' On a Prayer Bon Jovi 184 Long Train Runnin' Doobie Brothers 90 L-O-V-E Natalie Cole 91 Love Rollercoaster Ohio Players 92 Love Shack B 52's 93 Love Train O'Jays 94 Love Will Keep Us Together Captain & Tennille 162/163 Love You Madly Ella Fitzgerald 96 Magic Carpet Ride Steppenwolf 97 Makes Me Wonder Maroon 5 98 Margaritaville Jimmy Buffet 99 Mercy Duffy 185 Michelle Wayne Newton 186 Midnight Hour Wilson Pickett 100 Moves Like Jagger Maroon 5 187 Mustang Sally Wilson Pickett 101 My Girl Temptations 102 My Old School Steely Dan 103 Natural Woman Aretha Franklin 104 Need You Tonight INXS 105 Night Train Blues Standard 106 Old Time Rock n' Roll Bob Seger 107 Oye Como Va Santana 108 Pick Up the Pieces Average White Band 109 Play That Funky Music Wild Cherry 110 Poker Face Lady Gaga 188 Proud Mary Tina Turner 189 Rehab Amy Winehouse 111 Respect Aretha Franklin 112 Rock Steady Aretha Franklin 113 Rock This Town Stray Cats 114 Roll With It Steve Winwood 115 Route 66 Jazz Standard 116/190 Runaway Baby Bruno Mars 191

Satisfaction Rolling Stones 157 Secret Agent Man Johnny Rivers 117 September Earth, Wind & Fire 118 Sex Machine James Brown 119 Shake Shake Shake KC & Sunshine 120 Shake Your Body Michael Jaskon 121 Shaky Ground Etta James 122 Should I Stay or Should I Go Clash 123 Shout Otis Day & the Knights 124 Signed, Sealed, Delivered Stevie Wonder 125 Sing a Song Earth, Wind & Fire 192 Smooth Santana 126 Smooth Operator Sade 127 Soul Man Sam & Dave/Blues Brothers 128 Stand By Me Ben E. King 129 Stayin' Alive Bee Gees 130 Still Got the Blues Gary Moore 193 Superstition Stevie Wonder 131 Sweet Caroline Neil Diamond 132 Sweet Escape Gwen Stefani 133 Sweet Home Alabama Lynyrd Skynyrd 134 Sweet Thing Chaka Khan 135 Tell Mama Mic Gillette 194 Tell Me 'Bout It Joss Stone 158 Tequilla The Champs 136 Tequilla Sunrise Eagles 137 The Joker / Beverly Hills Steve Miller 138 The Rose Bette Midler 195 The Way We Were Barbara Streisand 139 This Love Maroon 5 140 This Will Be (An Everlasting Love) Natlie Cole 141 Tik Tok Ke$ha 180 True Love Ways B. Holly. (Mavericks) 142 Twist & Shout Beatles 164 Unchained Melody Righteous Brothers 143 Vehicle Ides of March 144 Waiting on the World to Change John Mayer 145 Walking on Sunshine Katrina & the Waves 146 Watermelon Man Mongo Santamaria 147 We Are Family Sister Sledge 148 What a Wonderful World Louis Armstrong 149 What I Like About You Romantics 150 When a Man Loves a Woman Percey Sledge 152 When I Fall In Love Nat King Cole 151 When I Say I Do Matthew West 196 When the Saints Traditional 197 When You Say Nothing At All Allison Krauss 165/166 Wipe Out Sufaris 202 Wonderful Tonight Eric Clapton 153 Word Up Cameo 154 You Got the Love Chaka Khan 168 You Shook Me All Night Long AC/DC 198 Your Mama Don't Dance Loggins & Messina 155

867-5309/Jenny – Tommy Tutone(Key of F#, 138 BPM) – revised (end) 7/3/04

Intro gtr: [(F#m7 Dsus2) (A B4)]-2XAll: [(F#5 D5) (A5 B5)]-2X

V1 [(F#5 D5) (A5 B5)]-8X

Pre-C (E) (D5 A-D5-A) (E) (A D5)(E) (D5 A-D5-A)

C [like verse]-4X

V2, Pre-C, C: same

Bridge [(C#m) (E) (F#m) (A B)]-2X

Interlude [(like guitar intro)]-4X

Solo [like verse]-4X

Pre-C, C (same)

Outro/C (same as chorus)

Solo-Gtr [like verse]-to end cue

End [(F# D) (A B)]-3X(F# D) ritard:(A B) (F#)

Ain’t No Other Man – Chritina Aguilera (Key of F#m, 128 BPM) – Revised (intro, coda) 9/11/06

I (F#m/A Am6/C) (F#/C# Bm/D)

(C#13)-2X, (vocal ad lib)-2X, w/ drum cue

(1-F#m,2,F#m-F#m,4-F#m) (kick)

V1 “I could feel it from the start...”

[(F#m) (1,2, B)]-3X (F#m) (1,2, D) (C#) (1,2, B) (F#m) (1,2, B)

Pre-C “Tell your mother, your brother, your sister...” [(F#m) (1,2, B)]-3X

(1-F#m,2,F#m-F#m,4-F#m) (kick)

C “Ain’t no other man...” [(F#m) (1,2, B)]-3X (F#m) (1,2, D)

(C#) (1,2, B) (1-F#m,2,F#m-F#m,4-F#m) (kick)

V2 (same) “Never thought I’d be alright...”

Pre-C (same)

C (same)

Bridge “Ain’t no other, ain’t, ain’t no other, other...” [(F#m) (1,2, B)]-3X (F#m) (1,2, D)

[(C#) (1,2, D)]-3X (C#) (1,2, B) (F#m) (kick)

C (same)

C (same)

Coda Gtr: (F#m)-8X Sax: (F#m)-15X (1-F#m,2,F#m-F#m,4-F#m)

Ain’t Too Proud to Beg – Temptations (Key of C, 120 BPM) – Revised (1st verse instrumentation) 2/25/08

I (1,2, Drums)

V1 “I know you want to leave me...”

All: [(C) (C F)]-3X (C) (C G) Hit beat 1 of 1st bar, then hit beat 2 like rest of song

C1 “Ain’t too proud to beg...”

All: [(C F C) (C F/A)]-4X

V2 “Now I heard a cryin’ man...”

[(C) (C F)]-3X (C) (G-G,2-G,G-&,G-&)

C2 (same as C1)

V3 “If I have to sleep on your door step...”

(same as V2)

C3 [(C F C) (C F/A)]-3X (C F) (G-G,2-G,G-&,G-&)

Solo Sax: (like C3)-1X

V4 “Now I got a love so deep...”

(same as V2)

End [(like C3, i.e with “G” tag)]-3X

Hints:

� V1: only verse NOT to have the tag in “G” in the last measure. � C3: (leading into sax solo & outro) only chorus to HAVE the tag in “G” in the last measure.

Amazed – Lone Star (Key of G#, 70 BPM) – Revised (End) 7/4/04

I Keys/Guitar/Bass: (G#)-2X

V1 “Every time our eyes meet...”

[(G#) (D#) (Fm) (C#)]-2X(B) (F#) (G#m) (E)

C “I don’t know how you do what you do...”

[(C#) (G#) (A#m) (F#)]-2X

“And every little thing that you do, baby I’m amazed by you”

(E) (F#)-break on 1st beat

Fill (G#)-2X

V2 (same) “The smell of your skin...”

C (same)-except no break on last bar

Solo (G#) (B C#) (G#) (B(1,2), F#(3,4), C#(&))

Outro (C#(&), C#(2), -, F#)“Every little thing that you do...”

(G#) (A#m) (F#)(C#) (G#) (A#m) (F#)(E) (F#) (E/G#) (A#-G#,F#, -, -)

“Baby I’m amazed by you”

Like intro: (G#)-2X All: (G#)

Anniversary Waltz – Connie Francis(Key of Ab, 95 BPM) – Revised (Verse 2) 11/11/02

Jazz Standard: A,A,B,A,Solo(A,A),B,A/End.

I (Bbm7) (Eb7) (Ab) (Eb7)

V1 “Tell me I may always dance...”

(Ab) (AbM7) (Ab6) (Ab)(Ab) (Adim) (Bbm9) (Eb13)

V2 ”Tell me this is really romance...”(Bbm/Eb) (Bbm7) (Eb7) (Eb7)(Bbm7) (Eb13) (Ab) (Eb)

Bridge “Let this be the anthem to our future...”(Ebm7) (Ab9) (Db6) (Db6)(F7) (F7+5) (Bb9) (Eb7+5)

V3 “May I always listen...”

(Ab) (AbM7) (Cm7) (F7+5)(Bb9) (Eb7) (Ab) (E)

Solo (like verse, transposed up _ step):(A) (AM7) (A6) (A6)(A) (A#dim Bm9) (E13) (E7/B)(Bm/E) (Bm7) (E7) (E7)(Bm7) (E13) (A) (A)

Bridge “Let this be the anthem to our future...”(Em7) (A9) (D6) (D6)(F#7) (F#7+5) (B9) (E7+5)

V3/End “May I always listen...”(A) (AM7) (C#m7) (F#7+5)[(B7) (E7)]-2X (B7) (E7) (A)

At Last – Etta James (Key of F, 60 BPM) – Revised (intro) 1/25/05

Jazz Standard: A-A-B; A-A(sax)-B-A

I All: [(F Dm) (Gm7 C7)]-2X

V1 “At last, my love has come along...”

All: [(F Dm) (Gm7 C7)]-3X (F D7) (Db7 C7)

V2 ”At last, the skies above are blue...”

[(F Dm) (Gm7 C7)]-3X (F Bb7) (F)

Bridge “I found a dream that I could speak to...”

(Gm7 C7) (FM7) (E7 F7 E7) (Am) (Dm7 G7) (CM7 C#dim) (Dm7 G7) (C7)

V3 “You smiled, you smiled...” (Like V1)

Solo-sax [(F Dm) (Gm7 C7)]-4X [(F Dm) (Gm7 C7)]-3X (F Bb7) (F)

Bridge (same)

V3 “You smiled, you smiled...”

[(F Dm) (Gm7 C7)]-2X (F Dm) (Gm7) (C7)

End (like intro): (F F7/Eb) (Bb Bdim) (F/C D7) (Db7 C7) (F)

Auld Lang Syne Capital Letters = Beat 1

Verse 1: A E A D should Auld acquaintance Be forgot, and Never brought to Mind?

A E D A should Auld acquaintance Be forgot, and Days of auld lang Syne?

A E A D and Days of auld lang Syne, my dear, and Days of auld lang Syne.

A E D A should Auld acquaintance Be forgot, and Days of auld lang Syne? Verse 2: A E A D and Ther's a hand, my Trusty friend, and Gie's a hand o' Thine;

A E D A we'll Tak' a cup o' Kindness yet, for Auld lang Syne.

A E A D for Auld lang Syne, my dear, for Auld lang Syne,

A E D A we'll Tak' a cup o' Kindness yet, for Auld lang Syne. Chords/Melody: Starting Note: E A:(A G#-A C#) E:(B A-B C#-B) A:(A A C# E) D:(F# F#) A: (E C#-C# A) E:(B A-B C#-B) D:(A F# F# E) A:(A F#) A:(E C#-C# A) E:(B A-B F#) A:(E C# C# E) D:(F# F#) A:(E C#-C# A) E:(B A-B C#-B) D:(A F# F# E) A:(A E)

Back in Love Again – LTD (Key of Eb, 110 BPM) – Revised (end) 8/15/06

I (Eb)-7X (Eb9)

C1 “Every time I move I lose…” [(Ab Eb/G)-3X (Db/Ab Ab )]-1X

V1 (Eb)-7X (Eb9) “I get mixed emotions....”

C2 [(Ab Eb/G)-3X (Db/Ab Ab )]-2X

V2 (same) “When you put your arms around me....”

C3 [(Ab Eb/G)-3X (Db/Ab Ab )]-2X

Bridge [(Eb)-3X (Eb Eb9)]-4X w/ horn licks-4x

V3 (same) “I wish a lover....”

C4 [(Ab Eb/G)-3X (Db/Ab Ab)]-3X

Bridge [(Eb)-3X (Eb Eb9)]-4X w/ horn licks-4x 2nd and 4thx have same lick

Bad Case of Loving You – Robert Palmer (Key of E, 146 BPM) – Revised (changed intro & fill licks) 8/9/06

I (Drums) [(E)-4X]-2X (lick: B-D-E-G-[E-D]-B-G)-2x

V1 “Hot summer nights...”

[(E)-4X (A) (B) (E)-2X]-2X

C “Doctor, doctor, gimme the news...” (E, kick) (kick) (E, kick) (kick)

(A)-2X (E) (B)

Fill (E)-4X (lick: B-D-E-G-[E-D]-B-G)-1x

V2 (same) “A pretty face...”

C (same)

Bridge (E)-4X (lick: B-D-E-G-[E-D]-B-G) (E)-4X (A)-2X (B) (B B A#) “I know you like it, you like it on top...”

(A)-2X (lick: A-C#-E-G-F#-E-C#)-1x (E)-2X (lick: E-G#-B-D-C#-B-G#)-2x

(A) (A/C#) (B)-3X

Fill (E)-4X (lick: B-D-E-G-[E-D]-B-G)-1x

V3 (same) “You had me down...”

C (same)

End (E) (E-D,B-E)-let ring

Bad Girls – Donna Summer (Key of Dm, 122 BPM) –Revised (format) 10/16/05

I Drums & Gtr: (Dm7 Am) (Gm7 Am) Add bass: (2-bar pattern)-1X Add horns: [(2-bar pattern)]-4X

[Toot-toot, hey, beep-beep]-3X & - 1 3 & - 1

C1 [(2-bar pattern)]-4X “Bad Girls, Talking ‘bout the sad girls...”

V1 [(2-bar pattern)]-4X “See them out on the street at night...” Back-up: (Walkin’), (If the price is right),

(If the pockets nice), (But you want a good time)

Pre-C1 (BbM7-BbM7 Am-Am) (BbM7) “You ask yourself” (BbM7-BbM7 Am-Am) (Gm7) “Who they are”

(BbM7-BbM7 Am-Am) (BbM7) “Like everybody else” (Asus2) (1-A,A-A,A,4) [(2-bar pattern)]-2X

C2 (same) Back-up: (Bad girls), (Sad girls), (Sad girls), ---

V2 (same) “Friday night and the strip is hot...” Back-up: (Hot), (Out trottin’), (---), (Do you wanna get down)

Pre-C (same)

C3 (same) [Bad Girl sad girl, you’re such a dirty bad girl, beep-beep, uh-huh]-2X

V3 (same) “Now you and me, we’re both the same...” Back-up: (Both the same), (Different name), (Finds out), (---)

Solo-Gtr (like pre-chorus)

Outro Drums: (2-bar pattern)-2X [Toot-toot, hey, beep-beep]-2X Add Gtr: (2-bar pattern)-2X [Toot-toot, hey, beep-beep]-2X Add bass: (2-bar pattern)-8X

FV: “Hey Mister...” B/U: (Toot-toot, beep-beep)-8X All: (2-bar pattern)-8X, w/ Horn lick-4X

[Bad Girl sad girl, you’re such a dirty bad girl, beep-beep, uh-huh]-4X Pre-chorus w/ gtr solo, w/ last bar of (1-A,A-A,D)

Best of My Love – Emotions (Key of C, 114 BPM) – Revised (end) 3/5/07

I (G9sus)-2X

[(F C/E) (Dm7 C-Dm7-C/E)

(F C/E) (Dm7-C/E-F C-Dm7-C/E)]

V1 “Doesn’t take much to make me happy…”

(4-bar pattern)-2X

V2 (same) “Demonstrating love and affecttion …”

C “Whoa whoa you got the best of my love…”

(4-bar pattern)-2X

V3 (same) “Goin’ in and out of changes…”

Pre-C1 (F) (Em7) (Dm7) (C) (F) (Em7) (E/G#) (Am)

(Dm7 D7) (G9sus)

C (same) “Whoa whoa you got the best of my love…”

V4 (same) “Demonstrating sweet love and affection…”

Pre-C2 (F) (Em7) (Dm7) (C)

(F) (Em7) (E/G#) (Am)

(Dm7 D7) (G9sus)-2X

C (same) “Whoa whoa you got the best of my love…”

C (same) “Whoa whoa you got the best of my love…”

End/Pre-C2 (F) (Em7) (Dm7) (C)

(F) (Em7) (E/G#) (Am) (Dm7 D7) (G9sus)-2X

(You’re the) Best Thing That Ever Happened to Me –Gladys Knight & the Pips(Key of A, 88/95 BPM) –Revised (intro) 6/11/01

Intro (A A/G#) (A/G A/F#-A/E) (Dmaj7 A/E) (A)

V1 (A)-2X (Bm7)-2X (Esus4) (E) (A) (A7)(D) (E) (A)-2X(F#m7 F#m7/F) (F#m7/E B7) (Esus4) (E)

C1 (A) (A7) (D)-2X (Bm7) (E7) (A) (A7)(Dmaj7) (E7) (Amaj7) (Dmaj7)(Bm7) (E7) (Amaj7) (Dmaj7) (Bm7) (E7)

Fill (A) (D/A) (A) (F#7)

V2 (same, but 1 whole step up)(B)-2X (C#m7)-2X (F#sus4) (F#) (B) (B7)(E) (F#) (B)-2X(G#m7 G#m7/G) (G#m7/F# C#7) (F#sus4 F#7)

C2 (same, except 1 whole step up & extra4ea bars at end)(B) (B7) (E)-2X (C#m7) (F#7) (B) (B7)(Emaj7) (F#7) (Bmaj7) (Emaj7)(C#m7) (F#7) (Bmaj7) (Emaj7) (C#m7) (F#7)(B) (E) (C#m) (F#7)

End (same as intro, except 1 whole step up)(B B/A#) (B/A B/G#-B/F#) (Emaj7 B/G) (Bmaj7)

Birthday – Beatles (Key of A, 140 BPM) – Revised (intro) 2/10/05

Intro (1,2, Drums) (A)-4X (D)-2X (A)-2X (E)-2X (A)-2X. Riff (in A): A-A-C#-E-G-F#-E-A C (same) You say it’s your birthday, well it’s my birthday too yeah You say it’s your birthday, we’re gonna have a good time I’m glad it’s your birthday, Happy Birthday to you Break (Drums)-8X all: (E)-8X (Yes we’re going to a party, party)-3X Bridge [(C) (G)]-4X (E/B) (E) I would like you to dance (Birthday) Take a cha-cha-cha-chance (Birthday) I would like you to dance (Birthday) Intro (same) Fill (A-E-G-A-G) (E-D-C-A-G)

(A-E-G-A-C) (E-D-C-A-G)

Bridge (Same) C/End (A)-4X (D)-2X (A)-2X (E)-2X

(A)-3X (A)

Bitch – Rolling Stones (Key of A, 136 BPM) – Revised (solo, end) 7/2/06

I (1-2-3, E-G) (4 bar verse pattern in A)-2X

V1 (4 bar pattern)-2X “Feelin’ so tight...”

V2 (4 bar pattern)-2X “I’m feelin’ drunk...”

C (D)-2X (G) (A) (D)-2X (B) (E) “Yeah when you call my name...”

Fill (4-bar pattern)-1X, w/ horn lick

V3 (4 bar pattern)-2X “Yeah you got the mix Charlie...”

Fill (4-bar pattern)-2X, w/ horn lick

V4 (4 bar pattern)-2X “So I’m sexy...”

Fill (4-bar pattern)-1X, w/ horn lick

C (D)-2X (G) (A) (D)-2X (B) (E) “Yeah when you call my name...”

Solo-Gtr (4-bar pattern)-4X w/ horn lick

C (D)-2X (G) (A) (D)-2X (B) (E) “Yeah when you call my name...”

End (4-bar pattern)-4X, w/ horn lick (A)-let ring

Blister in the Sun – Violent Femmes (Key of G, 200 BPM) – revised (added lyrics, format) 1/29/06

Intro (gtr): [(G,B,C,B) (G,B-B,C,B) (G,B,C-B,A-G)(Drums)]-2X

(all): [(4-bar pattern)]-2X

V1 [(4-bar pattern)]-2X “When I’m a walkin’…”

C “Let me go on, like a Blister in the Sun…” (Em)-2X (C) (D) (Em)-2X (C) (D, drums)

V2 Same “Body beats I stained my sheets…”

C Same

Solos [(4-bar pattern)]-4X Drums 1st & 3rd; Bass 2nd & 4th

V1, V1, V2, V1 Same (Softly)

C Same

End (4-bar pattern)-2X

Blue Suede Shoes – Elvis Presley (Key of A, 188 BPM) – 8/27/05

V1 “Well it’s one for money...” (A)-4X (D)-2X (A)-2X (E)-2X (A)-2X

V2 “Well you can knock me down...”

(A)-8X (D)-2X (A)-2X (E)-2X (A)-2X

Solo Gtr: (A)-4X (D)-2X (A)-2X (E)-2X (A)-2X

V3 (same a V2) “Well you can burn my house...”

Solo Sax: (same)

V1 (same)

Outro (same as solo) (A)

Boogie Oogie Oogie – Taste of Honey (Key of Dm7, 125 BPM) – Revised (End) 7/28/08

I Bass/drums: (4-bar verse pattern)-2X Add gtrs/keys: (4-bar verse pattern)-2X

V1 FV: “If you’re thinkin’ you’re too cool to boogie…”

[(Dm7)-2X (C7sus4)-2X]-4X

C [(Am7 Dm7) (Gm9 C7)]-2X Both: “Get on up on the floor, cause we’re gonna Boogie oogie oogie till you just can’t boogie”

(4-bar verse pattern)-2X B/U: (“No more boogie”) FV: “Boogie no more”

(“No more boogie”) “You can’t boogie” (“No more boogie”) “Boogie no more”

(“No more boogie”) “Listen to the music”

Solo Gtr: (4-bar verse pattern)-2X

V2 (same) “There’s no time to waste…”

C (same), except last line is “Listen to my bass play”

Bass/Drum Break: (4-bar verse pattern)-2X

Bridge [(Am7 Dm7) (Gm9 C7)]-2X

(Am7 Dm7) (Gm9 C7) (Am7 Dm7) (Gm9 C7) 1st, 2nd, 3rd x - All: “Get Down, Boogie Oogie Oogie”

4th x - All: “Get Down”

Trpt & Sax: (4-bar verse pattern)-8X (Trade 8’s, 4’s, 2’s then 4 together = 32 bars)

Bridge (same) “Get Down, Boogie Oogie Oogie…”

V3 (same) “Boogie”-4x

Bridge (same) “Get Down, Boogie Oogie Oogie…”

Boogie Shoes – KC & the Sunshine Band (Key of B, key of Bb on CD, 116 BPM) – Revised (Waling Dog V3) 1/21/08

I (B)-4X

V1 “Girl to be with you is my favorite thing...”

(B)-4X (E)-2X (B)-2X

C (“I wanna put on…”)-2X [(F#) (E) (B)-2X]-2X

V2 (same) “I wanna do it till the sun comes up...”

C (same)

Switch to Walking the Dog:

Solo-Gtr (B)-4X (E)-2X (B)-2X (F#) (E) (B)-2X

V1 “Baby’s back, dressed in black…”

(B)-8X (F#) (E) (B) (E)

C “Walkin’ the dog, just a-walkin’ her dog…”

(B)-4X (E)-2X (B)-2X (F#) (E) (B) (E)

Solo-Sax (same)

V2 (same) V2: “Asked the fellow for fifteen cents…”

C (same)

Solo-Keys (same)

V3 (same) V3: “Mary Mack all dressed in black…”

C (same)

Back to Boogie Shoes:

V2 (same) “I wanna do it till the sun comes up...”

C/end [(F#) (E) (B)-2X]-5X w/ last bar: (B,-B)-2nd stab of B is on the “&” of 2)

Brickhouse - Commodores (Key of Am, 106 BPM) – Revised (added solos back in) 12/10/09

I Drums & Bass: (2-bar chorus pattern)-2X All: (2-bar chorus pattern)-2X

C [(Am Bm Am) (Am Bm Am)]-6X Both: “She’s a Brickhouse...”-3X

V1 (Am7,6 Am7 Am7,6 Am7)-8X “She knows she’s got ev’rything...”

C (same) Both: “She’s a Brickhouse...”-3X

V2 (same) “The clothes she wears, her sexy ways...”

C (same) Both: “She’s a Brickhouse...”-3X

Bridge1 (Am11)-8X Both: “Shake it down, shake it down now”-8X

C (same) Both: “She’s a Brickhouse...”-3X

Bridge 2 (2-bar chorus pattern)-4x Both: “Shake it down, shake it down now”-8X

Interlude Elec. piano: (2-bar chorus pattern)-2X

C (same) Both: “She’s a Brickhouse...”-3X

Solos Gtr, Sax, Keys: (like chorus)-to cue

C (same) Both: “She’s a Brickhouse...”-3X

End (2-bar chorus pattern)-4X

w/ hard stop on “&” of 4th beat of 7th bar

Brown Eyed Girl – Van Morrison (Key of G, 146 BPM) – Revised (renamed fill) 10/16/05

Intro Bass/Gtr: (1,2,3, E-F#) [(G) (C) (G) (D)]-2X

V1 “Hey where did we go …” [(G) (C) (G) (D)]-4X

(C) (D7) (G) (Em) (C) (D7) (G) (D)

V2 (same) “What ever happened…”

Pre-C (D)-2X “Do you remember when, we used to sing”

C [Sha-la-la, la-la-la-la, la-la-la-la-ti-da]-2X”

[(G) (C) (G) (D7)]-2X

B/D (G)-2X Bass/Drums: (G)-2X (G) (C) (G) (D)

V3 (same) “So hard to find my way…”

Pre-C (same) “Do you remember when, we used to sing”

C (same) [Sha-la-la, la-la-la-la, la-la-la-la-ti-da]-2X”

C (same) [Sha-la-la, la-la-la-la, la-la-la-la-ti-da]-2X”

End (G) (C) (G) (D7) (G) (C) (G) Ritard: (D-D-C-B-A-G)

Brown Sugar – Rolling Stones (Key of C, 126 BPM) – Revised (Outro) 6/27/05

Intro [(C/G G C) (C F/C C)]-4X [(Eb) (C) (Ab Bb) (C)]-2X

V1 “Gold coast slave ship bound for cotton fields...” (C)-2X (F7)-2X (C)-2X (Bb) (C)

C “Brown Sugar, how comes you taste so good...” [(G)-2X (C)-2X]-2X

Fill [(Eb) (C) (Ab Bb) (C)]-1X

V2 (same) “Drums beating cold English blood runs…”

C (same)

Solo Sax: [(Eb) (C) (Ab Bb) (C)]-4X

C (same)

V3 (same) “I bet your mama was a tent show queen..”

C (same)

Outro [(G)-2X (C)-2X]-1X, w/ instruments

[(G)-2X (C)-2X]-3X w/ “Yeah, yeah, yeah, woo…..”

[(G)-2X (C)-2X]-3X, w/ instruments

Burnin’ Love – Elvis Presley(Key of D, 142 BPM) – Revised (end) 5/19/03

Intro Gtr: (D)-4X Keys: (D)-4X

V1 All: [(D) (G A) (D)-2X]-4X“Lord almighty feel my temperature risin’; Higher, Higher....”

C [(Bm A) (G)]-2X (Bm A) (G A) (D)-2X“Your kisses leave me higher...”

V2 , C (same)V2: “Oo, oo, oo I feel my temperature risin’; Help me I’m flamin’...”

Solo-Keys (same as chorus)-with choir voice on keys

V3, C (same)V3: “It’s comin’ closer, the flames are now lickin my body...”

Solo-Gtr (same as verse)

C (same)

Outro [(D,D,D,D) (G)]-8X “Hunka-Hunka Burnin’ Love”

(with accents beats 1 & 2 of “D” to go with “Hunka-Hunka”)

Instrumental: [(D) (G)]-4X, ritard 4thx (G)-to cue, (A)-to cue, (D)-to cue (D)

Can’t Help Falling in Love – Elvis Presley (Key of D, 90 BPM. Note: CD is 67 BPM) – Revised (sax solo-2x) 7/28/08

Jazz Standard: A-A-B-A; A-A(sax)-B-A

I [(D A) (D D/A)]-to cue

V1 “Wise men say...” (D F#m) (Bm Bm/A) (G D/F#) (A/E A)

(G A) (Bm G) (D/A A) (D) (....Fallin in) (love with) (you)

V2 (same) “Shall I stay...” (background same)

Bridge “Like a river flows...” (F#m C#7)-3X (F#m B7) (Em A7) (Oohh oohh ooh) (oohh) (oohh oohh)

V3 “Take my hand...” (Take my hand)

(D F#m) (Bm Bm/A) (G D/F#) (A/E A) (G A) (Bm G) (D/A A) (D) (Oohh oohh)(oohh Fallin in)(love with) (you)

Solo-Sax (over verse)-2X

Bridge (same) (background same)

V3/End (same), w/ 2X tag; (background same)

(D F#m) (Bm Bm/A) (G D/F#) (A/E A)

(G A) (Bm G) (D/A A) (D) “I can’t help falling in love with you” (G A) (Bm, Bm, G-G-G) (D/A) (A) (D) “I can’t hel-p fall-ing in love with you”

(G Gm-Gm) (D) big vocal finish

Chain of Fools – Aretha Franklin (Key of C, 113 BPM) – Revised (key) 10/12/09

Intro (Gtr): (C7) - “Chain-Chain-Chaaaaain” (the 3rd “chain” is the downbeat of first chorus)

C1 (C7)-8X [FV: Chain-chain-chaaaain B/U: (chain-chain-chaaaain)]-2X

Chain-chain-chaaaain (chain,..chain,....chaaaain)

Both: Chain of Fools

V1 (C7)-16X “For five long years...”

C2 (C7)-4X Chain-chain-chaaaain (chain-chain-chaaaain) Chain of Fools

V2 (C7)-8X “Every chain, has got a weak link...”

Bridge (C7)-8X B/U: (“P” in “whop” on 1 & 3; kick drum on 2 & 4).

FV: “You told me to leave you alone...” (C7) (C7)-2 beats Last 6 beats: (“Strong”,2,3,4) (Chain-Chain)-a 2-beat measure.

C1 (same, including same background vocals)

Solo Gtr (C7)-16X

Solo Sax (C7)-16X

Solo Keys (C7)-16X

V3 (C7)-8X “One of these mornings...”

Outro [(C7)-8x]-3X, w/ chorus 3x 1st x (Same as C1)

2nd x: Both: Chain-chain chaeaeaeaeain, Chain-chain-chain Chain-chain chaeaeaeaeain, Chain of Fools

3rd x: Chain-chain chaeaeaeaeain, Chain-chain-chain

Chain-chain chaeaeaeae-ain, Accapella: Chain of Fools

(1&2&3&4&)1

Could I Have This Dance – Anne Murray(Key of A, Waltz – _ Time) – Revised (Chorus) 7/1/03

I (A) (A) (D) (E)

V1 “I’ll always remember the song they were playing...”

[(A) (A) (D) (E) (D) (E) (A) (E)]-2X

C “Could I have this dance...”

(A) (A) (D) (D) (E) (E) (D) (E)(A) (A) (D) (Dm) (A) (A) (E) (A) (E)

V2 (Same) V2: “I’ll always remember that magic moment...”

C (Same) “Could I have this dance...”

C/End “Could I have this dance...”

(A) (A) (D) (D) (E) (E) (D) (E)(A) (A) (D) (D) (A) (A) (E) (E)

(A) (A) (D) (E) (A)

Crazy – Patsy Cline(Key of Bb, 73 BPM) – Revised (end cue) 6/11/04

Jazz Standard: A, A, B, A, Solos (A, A), B, A, A/End

I (Bb) (Eb) (Eb Dm) (Cm F)

V1 “Crazy, I’m crazy for feelin so lonely...”

(Bb Bb-Ab) (G) (Cm)-2X(F)-2X (Bb Bdim) (Cm F)

V2 ”I knew, you’d love me as long as you wanted...”

(Bb Bb-Ab) (G) (Cm)-2X(F)-2X (Bb Cm) (C#dim Bb7/D)

Bridge “Worry, why do I let myself worry...”

(Eb) (Eb Edim) (Bb) (Bb-A-Bb-B)(C)-2X (F F7) (F7/F-Eb-D-C)

V3 “Crazy, for thinking that my love would hold you...”

(Bb Bb-Ab) (G) (Cm)-2X(Eb Dm) (Cm Bm7-5) (Cm F) (Bb F)

Solo-Keys (like V1 & V2)

Bridge (same) “Worry, why do I let myself worry...”

V3 “Crazy, for thinking that my love would hold you...”

(same)-except last chord of is F#

V3/End1 “Crazy, for thinking that my love would hold you...”

(B B-A) (G#) (C#m)-2X(E D#m) (C#m Cm7-5)(C#m-”Crazy”, “For” F#-“Lovin”, “You”)(“You”,2,3, drums: tri-ple-let) (B) (E) (B)

Crazy – Gnarls Barkley (Key of Cm, 112 BPM) – Revised (Intro, #/b, Ebm7, bridge) 4/16/07

I (C-C-C-C)

V1 “I remember when, I remember,...”

[(Cm)-2X (EbM7)-2X (Ab)-2X (Gsus4) (G)]-2X

C1 “Does that make me crazy?…”

(Cm)-2X (EbM7)-2X (Ab)-2X (G sus4) (G)

B1 “And I hope you’re having the time of your life…” (C)-2X (Ab)-2X (EbM7)-2X (G sus4) (G)

V2 (same as V1)-1X “Come on now, who do you…”

C2 (same) “I think you’re crazy…”

B2 (same) “My heroes had the heart to lose…”

V3 (same as V1)-1X “Ever since I was little…”

C3 (same) “Maybe I’m crazy…”

B3 (same)-No vocals

End (Cm)

Dancing in the Street – Martha & Vandellas (Key of E7, 125 BPM) – Revised (solo) 5/19/06

I (1,2,3, Drums: &-a,4) All: [(D/E) (E7)]-2X

V1 “Calling out around the world...”

[(D/E) (E7)]-4X [(D/E) (E7)]-3X w/ B/U: “Dancing in the streets”-3x

Pre-C “All we need is music, sweet music...”

(A)-4X [(D/E) (E7)]-2X

C “It doesn’t matter what you wear...” (G#7)-2X (C#m)-2X (F#m)-2X

(B7sus4) (B7)

Fill “There’ll be dancing, there’s dancing in the streets”

[(D/E) (E7)]-2X w/ B/U: “Dancing in the streets”-2x

V2 (same) “This is an invitation...”

Pre-C (same) “All we need is music, sweet music...”

C (same) “It doesn’t matter what you wear...”

Solo Gtr: [(D/E) (E7) (D/E) (E7)]-4X

C “It doesn’t matter what you wear...” (G#7)-2X (C#m)-2X (F#m)-2X

(B7sus4) (B7)

Outro [(D/E) (E7)]-8X FV: “There’ll be dancing, there’s dancing in the streets”-4x

B/U: “Dancing in the streets”-8x [(D/E) (E7)]-4X w/ horn lick-4x

Disco Inferno – Tramps (Key of C, 130 BPM) – Revised (end) 12/3/09

I (Eb-Eb, Db-Db, B-B, Ab-Ab) (F-F, Eb-Eb, Db-Db, Db)

(4 bar verse pattern in Cm)-4X [(F) (Bb) (C)-2X]-2X Both: “Burn baby burn”-4x

V1 (4-bar Cm)-4X “What you must do, 100 stories high...”

C [(F) (Bb) (C)-2X]-2X B/U: [(“Burn baby burn”) FV: “Disco Inferno”

B/U: (“Burn baby burn”) FV: “Burn that mother down”]-2x

V2 (same) “Satisfaction came in a chain reaction...”

C (same)

B Both: “Up above my head I hear music in the air,

that makes me know there’s a party somewhere” (Bb)-2X (C)-2X (Bb)-2X (C) (G)-2X

V2 (same)

C (same)

C (same)

Intro-C (same 4-bar chorus pattern)-2X Both: “Burn baby burn”-4x (no “Disco Inferno”)

(C)

Domino – Van Morrison (Key of A, 132 BPM) – 4/29/06

Intro Gtr: (A D)-2X Add Drums: (A D)-2X

V1 (A D)-16X “Don’t want to discuss it…”

C1 (A D)-12X “Oh Domino...” (Bm) (E) (A D)-2X (Bm) (E) (A D)-2X

Fill (A)-8X

V2 (same) “There’s no need for argument…”

C (same)

Outro (A D)-8X (A)-8X

Don’t Know Why – Norah Jones (Key of Bb, 88 BPM) – Revised (Intro) 12/2/04

Jazz Standard: A, A, B, A, B, Solo Sax (A,B), Solo Keys (A), A

I (BbM7 Bb7) (EbM7 D+5) (Gm7 C7) (F7sus Bb) (BbM7 Bb7) (EbM7 D+5) (Gm7 C7) (F7sus)

V1 “Waited till I saw the sun....”

[(BbM7 Bb7) (EbM7 D+5) (Gm7 C7) (F7sus Bb)]-2X

Tag2 (Gm7 C7) (F7sus Bb F7sus) “...Don’t know why I didn’t come”-2X

V2 (4-bar verse pattern)-2X “When I saw the break of day....”

Bridge (Gm7) (C7) (F7)-2X (Gm7) (C7) (F7 F7/Eb) (Bb/D F/C) “My heart is drenched in wine....”

V3 (4-bar verse pattern)-2X “Out across the endless sea....”

Bridge (same)

Solo-Sax (like verse, bridge)

Solo-Keys (like verse), but 2ndX last bar is (F7sus)

V4 (4-bar pattern)-2X “Something has to make you run....”

Tag2 (Gm7 C7) (F7sus Bb) Tag3 (Gm7 C7) (F7sus Bb) “...Don’t know why I didn’t come”-3X

Down to the Bone – Cold Blood (Key of Gm7, 124 BPM) – Revised (intro) 11/6/06

I Piano: (Gm7)-2X Gtr: (Gm7)-4X

All: (Gm7)-4X

V1 “Some aren’t the type....”

(Gm7)-10X “You know where it’s at, it’s down to the bone” (Gm7) (Tacet)

C “Getting down, down, down to the bone”-3X [(Bb C) (Gm7)]-3X

“When you get there, will you be alone” (Dm7) (Dm7)

V2 (same) “Smooth as the feel of a baby’s soft skin....”

C (same)

Solo-Gtr (Gm7)-16X

V3 (same) “??? is the sound that you make....”

C (same)

Coda (Drums)-8X

(C-D) (D) (C-D) (D) (F-G) (G) (F-G) (G)

(F-G) (F-G) (F-G F-G) (F-G F-G) (Gm7)-to cue

Everybody Have Fun Tonight – Wang Chung (Key of E, 128 BPM) – Revised (end) 4/16/07

Intro (Drums) (E) (notes: D A C# A) (E) (Gtr gliss/Drums) [(E) (D2 A2)]-3X (E D) (E)

V1 “I’d drive a million miles...”

[(A2)-2X (Eno 3)-2X (D2) (A2/C# D2) (Eno 3)-2X]-2X

Pre-C1 “Rip it up”-4x “...don’t hang me on the borderline”

[(D/E) (E)]-4X

C1 “Everybody have fun tonight”-2X “Everybody Wang Chung tonight” (C#m) (A) (E)-2X (C#m) (A) “Everybody have fun tonight, Everybody Wang Chung tonight,

Everybody have fun”

[(E) (D2 A2)]-2X (E) (Eno 3/D) (D2)

V2 (same as V1)-1X “Deep in the world tonight…”

Pre-C2 (same) “Rip it up”-4x “…Get out what’s inside of you”

C2 (C#m) (A) (E)-2X (C#m) (A) [(E) (D2 A2)]-3X (E) (D2) “Everybody have fun tonight”-2X “Everybody Wang Chung tonight” “Everybody have fun tonight, Everybody Wang Chung tonight,

“Everybody have fun tonight, Everybody have fun”

Br “On the edge of oblivion...”

(Dm7/C) (CM7) (G9/C) (C9)

(Am/C) (Fm/C) (C7) (Fm/C) “Everybody, Everybody have fun tonight”-2X

[(E) (D2 A2)]-4X “Across the nation, around the world, everybody have fun tonight...”

(C#m) (A) (E)-2X (C#m) (A) “Everybody, everyone”-3X

(Drums)-8X Add Gtr: (E) (notes: D A C# A) (E) (drums)

With Horns: (Gm)-7X (G + Gtr riff)

C3 (same pattern & lyrics as C2) but last bar = (D2 A2)

Outro [(E) (D2 A2)]-6X w/ “Everybody, everyone”-3x

(E) (D2 A2) (E) (D E E) w/ “Everybody, everybody have fun!” w/ “fun” coming on the D then the E E hits w/ no vocals.

Everybody’s Everything – Santana (Key of F, 138 BPM) – Revised (revised last note) 1/8/07

I Keys/Bass: (F7)-2X Add Drums: (F7)-2X Add Percussion: (F7)-4X Add Horns: (F7)-4X

V1 “Seems like everybody’s waiting...”

(F7)-4X (Bb7)-2X (F7)-2X “Sing it now, time for you to all get down”

(C) (Bb, drums) (-F-F, Eb-Eb-E) (F,-, C7#9)

V2 “You can understand...”

(F7)-8X “Sing it now, time for you to all get down”

(C) (Bb, drums) (-F-F, Eb-Eb-E) (F,-, C7#9)

V3 (same): “I could call you baby...”

Solo Keys: [(F7) (Bb7)]-8X “Sing it now, time for you to all get down”

(C) (Bb, drums) (-F-F, Eb-Eb-E) (F,-, C7#9)

V2 (same) “You can understand...”

Solo Gtr: [(F7) (Bb7)]-12X “Sing it now, time for you to all get down”

(C) (Bb, drums) (-F-F, Eb-Eb-E) (F,-, C7#9)

Coda (Drums)-8x

[(F7) (Bb7)]-4X [(F7) (Bb7)]-4X

(C) (Bb, drums) (-F-F, Eb-Eb-E)

(F,-, C7#9) (C7#9)-to cue (F)-let ring full ¼ note

Evil Ways – Santana (Key of Gm, 118 BPM) – Revised (Gtr solo cue) 1/15/07

Intro (Drums) [(Gm7 C7)-2X]-4X

V1 “You’ve got to change your Evil Ways…”

[(Gm7 C7)-2X]-6X (D) (D)

Fill [(Gm7 C7)-2X]-2X

V2 (same) “When I come home…”

Solo Organ: [(Gm7 C7)-2X]-11X [(Gm7 C7)-2X]-2X (4-bar cue)

[(Gm C7) (C7)]-2X C7 bar lick = (1-G, Bb-C, C-Bb, C-Bb)

V2 (repeat V2) “When I come home…”

Solo Guitar: (Gm7 C7)-to 1 bar cue of (Gm C7)

End Soul Sacrifice: (Gm7 C7)-3X (Gm7) (Gm7) lick = (1-G, Bb-G, C=C-Bb, C-Bb)

Feelin Alright – Joe Cocker (Key of C, 88 BPM) – Revised (solos, end) 1/8/07

I Keys/Conga: [(C) (F)]-2X

V1 “Seems I got to have a change of scene...”

[(C) (F)]-6X

C “Feelin alright, I’m not feelin too good myslef...”

All: [(C) (F)]-4X

V2 (same) “Boy you sure took me for one big ride...”

C (same) “Feelin alright...”

Solo Piano: [(C) (F)]-4X Break Down – Keys/Conga: [(C) (F)]-2X

V3 (same) “Don’t you get too lost in all I say...”

C (same) “Feelin alright...”

Solo Sax: [(C) (F)]-4X

C (same) “Feelin alright...”

C (same) “Feelin alright...”, w/ Hard Stop last time

Feel Like Making Love – Roberta Flack (Key of Fm, 94 BPM)– Revised (solos) 9/28/05

I (same as verse & chorus)

V1 “Strollin’ in the park........” (Fm9) (Cm7/Bb) (Ebmaj7 Db7) (Db7 C7)

(Fm9) (Cm7/Bb) (Ebmaj7) (A7-5)

C “That’s the time I feel like makin’ love...” (Abmaj7) (Gm7) (Fm7) (Cm7) (Abmaj7) (Gm7) (Db7) (Cm7,2,3-Eb7,E7-F7) (F7)

V2 (same) “When you talk to me...”

C (same)

V3 (same) “In a restaurant...”

C (same)

Solo (same as verse & chorus): trumpet, keys

V1 (same)

C/end [(Abmaj7) (Gm7) (Fm7) (Cm7) (Abmaj7) (Gm7) (Db7) (Cm7,2,C-D, Eb-F-G)]-2X

Last time: (Abmaj7) (Gm7) (Fm7) (Cm7) (Abmaj7) (Gm7) (Db7) (Cm7,2,3-Eb7,E7-F7)

Fly – Sugar Ray (Key of A {Ab on CD}, 100 BPM) – Revised (end) 9/29/08

Intro (Drums)-2X Add Bass/Gtr: (A D/F#)-2X Add Lead Gtr Hook: [(A D/F#)-4X]-2X

V1 (A D/F#)-8X “All around the world…”

Pre-C (A D)-8X “I just want to fly...”

Hook (A D/F#)-4X

V2 (same) “Dance a little longer…”

Pre-C (same)

C [(E) (D) (A D)-2X]-2X “I just want to fly...”

Bridge [(A- A,A-A,-,C#) (A- A, A-A,-,C)]-3X

(A- A,A-A,-,C#) (A- A,A-A, “I, guess it would be…”)

Faith “I guess it would be nice…” [(A)-2X (D) (A)]-2X [(D) (A)]-2X

(D) (A G F#) (B) (E-E-E) (A)-3X (A-A-A)

V1 (same), except just Drums/Gtr 1st 4 bars

Pre-C (same) “I just want to fly...”

C (same) “I just want to fly...”

End Lead Gtr Hook: [(A D/F#)-4X]-2X

with 8th bar (A-A-A=A)

Fly Me to the Moon – Frank Sinatra (Key of C, 120 BPM) – Revised (6th verse chord) 9/10/08

I (Dm) (G7) (CM7) (E7) V1 “Fly me to the moon let me play among the stars...”

(Am7) (Dm7) (G7) (CM7)

(FM7) (Bm7b5) (E7) (Am7) (Dm) (G7) (CM7) (C#dim7)

(Dm) (G7) (CM7) (E7)

V2 “Fill my heart with song...”

(Am7) (Dm7) (G7) (CM7) (FM7) (Bm7b5) (E7) (Am7)

(Dm) (G7) (Gm) (A7) (Dm) (G7) (CM7) (E7)

Solo (same as Verse 1)

V2/End (Am7) (Dm7) (G7) (CM7) (FM7) (Bm7b5) (E7) (Am7)

(Dm) (G7) (Gm) (A7)

(Dm) (Dm) (AbM7) (AbM7) (Dm/G) (G7) (CM7)

Game of Love – Santana (Key of Em, 120 BPM) – Revised (Intro) 10/12/09

I (Strings) [(Em9) (DM7,9)]-3X (GM7,9) (Asus2)

V1 “Tell me just what you want me to be...”

All: [(Em9) (DM7,9)]-4X

Pre-C1 ”So please tell me why...” (Em9) (DM7,9) (GM7,9) (Asus2)

(Em9) (F#m7) (GM7,9) (Asus2)

C “It just takes a little bit of this...” [(Em9) (DM7,9)]-3X (Em9) (Asus2)

V2 (Same) “This, whatever you make it to be...”

Pre-C2 (Same) “So please baby try...”

C (same) “It just takes a little bit of this...”

Pre-Bridge ”It’s all in this game of love...” (Em9) (DM7,9) (GM7,9) (Asus2)

Bridge “You roll me, control me...” (Bm7) (F#m7) (GM7,9) (Asus2)

(Em9) (F#m7) (GM7,9) (Asus2)

Solo (8-bar intro pattern)-2X

Pre-C3 (same) “So please baby try...”

C/Break (same) “It just takes a little bit of this...”

Outro (8-bar intro pattern)-4X (Em9) (w/ chorus lyrics)-4X

Get Down Tonight – KC & Sunshine Band (Key of F, 112 BPM) – Revised (took out repeated 2nd verse, solo 1x) 10/22/05

Intro [(F7sus4 Fm) (F7)]-4X

V1 “Baby, Baby, Let’s Get together...” [(F7sus4) (F7)]-4X

C [(Cm7) (Bb7) (F7sus4)-2X]-2X Both: (“Do a little dance, Make a little love,

Get down tonight, Get down tonight”)-2X

V2 (same) “Baby, Baby, I’ll meet you...”

C (same)

Solo Horns: (like verse)-1X (i.e. 8 bars)

C (same)

Solo Sax: (like verse)-1X (i.e. 8 bars)

Outro [(F7sus4) (F7) (F7sus4) (F7)]-3X Both: “(Get down)-4X Get down tonight baby”-3x

(Accapella)-1X Both: “(Get down)-4X Get down tonight baby”

Girl From Ipanema – Latin Jazz Standard (Key of F, 130 BPM. Note: Key of Db on CD) – Revised (intro) 9/28/05

Jazz Standard: A, A, B, A, Solos (A, A, B, A; A, A), B, A, End

I [(Fmaj7) (Gb7)]-2X

V1 “Tall and tan and young and lovely...”

(Fmaj7)-2X (G7)-2X (Gm7) (Gb7) (Fmaj7) (Gb7)

V2 “When she walks she’s like a samba...”

(same as V1), except last chord is (Fmaj7)

Bridge “Oohhh, but he watches so sadly...”

(Gbmaj7)-2X (B9)-2X (F#m9)-2X (D9)-2X

(Gm7)-2X (Eb9)-2X (Am7) (D7-9) (Gm7) (C7-9)

V3 (same as V1) “Tall and tan and young and lovely...”

Solos sax: (A, A, B, A), keys: (A, A)

Bridge, V3 (same) B: “Oohhh, but he watches so sadly...”

V3: “Tall and tan and young and lovely...”

End [(Fmaj7) (Gb7)]-3X (Fmaj7)

Give It To Me Baby – Rick James (Key of C#m, 122 BPM) – Revised (Intro, End) 2/25/08

I Bass/Drums: (C#m)-2X (F#7)-2X Add all: [(C#m)-2X (F#7)-2X]-2X

V1 “When I came home last night...”

[(C#m)-2X (F#7)-2X]-4X

Pre-C “Give it to me baby..”

[(C#m)-2X (F#7)-2X]-4X

C “Give it to me...”

n/c [ (F#-F#-F#-E , ,) (tacet)]

n/c [(F#-F#-F#-G# , ,) (tacet)]

(F#-F#-F#-E F#-F#-F#-E ,)

(F#-F#-F#-E F#-F#-F#-E E-E-E) (F#, E-F#, E-E) (F# , , ,)

Horn Fill [(C#m)-2X (F#7)-2X]-2X

V2 (same) “When I was high as the sky...”

Pre-C (same) “Give it to me baby..”

C (same) “Give it to me...”

Horn Fill (same)

V3 (same) “Give it to me what you say...”-4x

Solo-Sax (2-bar pattern)-4X

Pre-C (same) “Give it to me baby..”

C (same) “Give it to me...”

Give Me One Reason – Tracy Chapman (Key of F#, 100 BPM) – Revised (all female vocals) 8/17/05

I Gtr: (1,2,3-E,E-E) (F#) (B C#) (F#)

C “Give me one reason.......” (F#) (B C#) (F#)-2X (B) (B C#)

(F#)-2X (C#) (B) (F#)-2X

V1 “Baby I got your number......”

band enters: (same as chorus)

C (same)

V2 “I don’t want no one to squeeze me..” (same)

Solo gtr: (same as verse)

V3 “This youthful heart can love you.....” (same) except 1st measure is (F#)

C (same)

V4 “Baby, just give me one reason...” (F#) (B C#) (F#)-2X (B) (B C#) (F#)-2X (C#) (B) (“And there ain’t no reason why”)-free form

(Guitar lick)-free form (G) (F#)

Good Times – Chic (Key of Em7, 110 RPM) – Revised (2nd & 4th chords) 11/9/09

I [(Em7) (Em7add4) (G/A) (A13)]-2X

C “Good times, these are the good times…”

[(4-bar pattern)]-4X

V1 “Happy days are here again...” [(4-bar pattern)]-4X

C (same)

V2 (same) “A rumor has it that it’s getting late...”

C (same)

Solo Sax: [(4-bar pattern)]-4X Trumpet: [(4-bar pattern)]-4X

C (same)

End Instruments: [(4-bar pattern)]-2X

Got to Be Real – Cheryl Lynn (Key of Eb, 114 BPM) – Revised (bridge 2) 9/25/05

I (A-C-D-F) (A-C-D-F) (A-C-D-F) (D7#9-D7#9) [ (1 – e - & - a), 2 (& - a - 3 – e), 4] [(1– e - & -a), 2 ( & - a) 3, 4]

[(EbM9 D7) (Gm7)]-2X

C [(EbM9 D7) (Gm7)]-4X “What you think-ah, what you feel now…”

C2 (same as C1) but w/ backup vocals

B1 “Ooh your love’s for real...” (Cm7)-2X (Cm7b5)-2X (Bb/D) (EbM7) (Cm7) (D-D, D-D-D, - , -)

1 - & 2 - & - a 3 4

C2 (same), including same backup vocals

B2 “Ooh your love’s for real...” (Cm7)-2X (Cm7b5)-2X (Bb/D) (EbM7) (Cm7) (D D-D-D) (D-D, -, -, -)

1-2-3 & - 4 - & 1 – e 2 3 4

Coda [(FM9 E7) (Am7)]-to cue 8 bars: “What you think-ah,…” 8 bars: “What you think-ah,…” 6 bars: “It’s got to be real,…” 8 bars: “So-hoo, so-hoo, so-hoo, I’ve got to have it baby”-4x 8 bars: “I’ve got to have it baby, I’ve got to have it baby”-4x 8 bars: “What you think-ah,…” 8 bars: “S’got to be real, s’got to be real”-4x 1 bar: “Ahhhhhhhh” 2 bars: cue of “Real, real, real, real”-2X

End (E-G-A-C) (E-G-A-C) (E-G-A-C) (A7#9-A7#9) [ (1 – e - & - a), 2 (& - a - 3 – e), 4] [(1– e - & -a), 2 ( & - a) ]

Great Balls of Fire – Jerry Lee Lewis (Key of A {Key of Bb on CD}, 160 BPM) – Revised (End) 5/10/07

V1 (1,2,3-E,F#-G#) (A) (“You shake my nerves and you rattle my brain...”

(1,2,3-A,B-C#) (D)

(1,2,3-C#,D-D#) (E,2,3-E,E-E)

(D,2,3-E,F#-G#) (A) (1,2,3-A,A-A)

V2 “I want love you wanted money...”

(A)-2X (D)-2X (E) (D) (A) (1,2,3-A,A-A)

C “Kiss me baby...”

(D)-2X (A)-2X (D)-2X (E)

(1,2,3-E,E-E) (E,2,3-E,E-E)

(E,2,3-E,E-E) (E,2,3,4) (1-E,2-E,3-E,4-E) 1 &, 2 &, 3 &, 4 &

V3 “I chewed my nails and I twiddled my thumbs...”

(same as V2)

Solo-Piano (same as V2 but no breaks)-2X

C (Same) “Kiss me baby...”

V3 (same) w/ end of (1,2,3-A,A-A)-(A)

Solo-Gtr (same as V2 but no breaks)-2X

C (Same) “Kiss me baby...”

V3 (same) w/ end of (1,2,3-A,A-A)-(A)

Guitars & Cadillacs – Dwight Yokum (Key of A, 176 BPM) – Revised (added lyrics & pick-up cues) 8/8/06

Intro Gtr: (E)-3X All: (A)-2X

V1 “Girl you taught me how to hurt real bad…”

(A)-2X (E)-4X (A)-2X (A)-2X (E)-4X (A) (A, E-C#-A pick-up)

C “Now it’s Guitars & Cadillacs, Hillbilly music…”

(A)-2X (E)-4X (A) (A, E-C#-A pick-up)

(A)-2X (E)-4X (A)-2X

Solo Gtr: (A)-2X (E)-4X (A)-2X Keys/Fiddle: (A)-2X (E)-4X (A)-2X

V2 (same) “Ain’t no glamour in this tinsel land…”

C (same) “Now it’s Guitars & Cadillacs, Hillbilly music…”

Solo Slide Gtr: (A)-2X (E)-4X (A)-2X

Keys/Fiddle: (A)-2X (E)-4X (A) (A, E-C#-A pick-up)

C/End “Now it’s Guitars & Cadillacs, Hillbilly music…”

(A)-2X (E)-4X (A) (A, E-C#-A pick-up) (A)-2X (E)-4X (A) (A, A-G#-F# walk down)

“It’s the only thing that keeps me hanging on”

(E)-2X (A) (A, A-G#-F# walk down) “It’s the only thing that keeps me hanging on”

(E)-2X (A)-3X (A E A)

Hard to Handle – Black Crowes (Key of B, 102 BPM) – Revised (Coda) 1/8/07

I (Drums) (Drums,2,3 B-B, D#-E-F#)

(F# E-D-E-D-B) (B B-B, D#-E-F#) (F# E-D-E-D)

V1 “Baby here I am...” (B)-8X

C1 “Boys and the things that come by the dozen...”

(F#5)-2X “Hey little thing...” (B) (tacet) (D E) (A E B)

V2 (same) “Action speaks louder than words...”

C2 “Boys come along a dime by the dozen...”

(F#5)-2X “Hey little thing...” (B) (tacet) (A E B)-4X

V3 (same as V1) “Baby here I am...”

C3 “Boys and the things that come by the dozen...”

(F#5)-2X “Hey little thing...” (B) (tacet) (A E B)-4X

Solo Gtr: (B)-8X

C4 (same as C2)

Coda (B)-8X w/ vocal & sax ad lib

(A E B)-4X

Heart of Rock n’ Roll – Huey Lewis (Key of C, 148 BPM) – Revised (Outro) 1/21/08

I (C5)-8X (C) (Fm/C Cdim) (C7)-8X

V1 “New York, New York is everything they say…”

(C7)-8X (C7)-2 beats (Bb)-4X (F)-2X (Bb F) (C, drums)

C “They say the heart of rock n’ roll is still beating…”

(Bb) (F) (Bb) (F) (Eb)-2X (D) (G)

Fill Keys/kick: (C Bb C G Bb Eb Bb) (C Bb C G Bb Eb F) (C Bb C G Bb Eb Bb) All: (1-C,Bb-C,F-G,Bb)

V2 (same) “LA, Hollywood and the Sunset Strip…”

C (same) “They say the heart of rock n’ roll is still…”

Fill Keys/kick: (C Bb C G Bb Eb Bb) (C Bb C G Bb Eb F) (C Bb C G Bb Eb Bb) All: (C C C)

Solo-Sax [(F)-2X (Bb)-2X]-3X

(F)-2X (Bb) (D G)

V3 (same) “DC, San Antone and the Liberty Town…”

(last meas no drums - vocals only: “dit, dit, dit, dit”)

C (same) “They say the heart of rock n’ roll is still…”

Outro (C7)-8X Organ solo: (C7)-8X

[(C) (Fm/C Cdim)] Organ solo: (C7)-8X [(C) (Fm/C Cdim)] (C) Ritard: A Eb-D-C-C-Bb C…

Heaven – Los Lonely Boys(Key of Gb, 92 BPM) – 6/11/04

Intro Gtr: [(Gb) (Abm)]-2XAll: [(Gb) (Abm)]-3X (Gb) (Abm,Abm, Abm,-)

V1 ”Save me from this prison...”

[(Gb) (Abm)]-3X (Gb) (Abm,Abm, Abm,-)

V2 ”I’ve been lost in my own place...”

(same as V1)

Solo-Gtr (Gb) (Abm) (Gb) (Abm,Abm, Abm,-)

V3 ”I’ve been locked up way too long...”

[(Gb) (Abm)]-4X

C ”Lord won’t you tell me (How far is heaven)...”

[(Gb) (Abm)]-2X

Solo-Gtr [(Gb) (Abm)]-4X

Bridge ”To que esta en alto cielo...”

(Abm Am) (Bbm) (E B) (Db) (Db)

V4 ”Cause I know there’s a better place...”

(same as V3)

C, C (same)

Outro Solo-Gtr: [(Gb) (Abm)]-to cue, (Gb)

Here For The Party – Gretchen Wilson (Key of D, 124 BPM) – Revised (chorus, bridge, end) 2/25/08

I Gtr, kick: [(D C) (D C)]-2X All: [(D C) (D C)]-2X over bass line: (D C) (B , Bb A)

V1 “Well I’m an eight ball shooting double fisted drinking...”

[(D) (-) (D C) (D C)]-2X

(G)-2X (A) (A,A,A,-)

C “You know I’m here for the party...”

[(D C) (G/B D)]-3X (D,2,C,4-G/B) (-)

Fill [(D C) (D C)]-2X bass: (D C) (B , Bb A)

V2 “I may not be a ten but the boys say I clean up real good...”

[(D) (-) (D C) (D C)]-2X

(G)-2X (A)-2X

C “You know I’m here for the party...” [(D C) (G/B D)]-3X (D C) (G/B G/Bb)

Solo-Gtr [(D)-3X (G F)]-2X

Bridge “Don’t want no purple hoot shooter just Jack on the...”

(G)-2X (A)-2X (A,A,A,-)

[(D C) (D C)]-3X (D,2,C,4-G) (-) (-)

C “You know I’m here for the party...” [(D C) (G/B D)]-3X (D C) (G/B G/Bb)

Coda [(D C) (G/B D)]-8X bass: (D C) (B , Bb A)

(D)-let ring

Hit Me With Your Best Shot – Pat Benetar (Key of E, 124 BPM) – Revised (end) 2/10/05

Intro (Chorus pattern)-2X

V1 “Well you’re the real tough cookie...”

[(E5 B/D# C#m) (A B) (B) (B)]-2X

C “Hit me with your best shot...”

[(E5 A C#m) (B) (E5 A C#m) (B A B)]-2X

V2, C (same) V2: “You come on with a come on...”

Solo (like verse & chorus)

V3 (Same lyrics as V1) “Well you’re the real tough cookie...”

[(E5 Emaj7/D#) (C#m C#5) (B5)-2X]-2X

C/Break Gtr1: (same chorus pattern) Gtr2: (E)-8X

Bass/drums: (1,E,3,4) (tacet) (E)-2X (1-E,E-E,E-E,E-E) (E-E,E-E,E-E,E-E)-3X

C (same)

End [(E5 A C#m) (B A B)]-4X (E) (E7)

Holiday – Madonna (Key of G, 120 BPM) –Revised (added backup vocals) 10/22/05

I Add Gtr/Keys: [(G A) (A Bm) (G A) (F#m G)]-1X Add Strings: [(G A) (A Bm) (G A) (F#m G)]-1X All: (4-bar pattern)-2X (2x Matches horn line)

Holiday (4-bar pattern)-2X, w/ Both: “Holiday, Celebrate”-2X

C (4-bar pattern)-2X “If we took a Holiday...”

V1 (4-bar pattern)-4X “If everybody spreads the word...”

C (same) “If we took a Holiday...” B/U: “…---,…come on let’s celebrate,…Holiday,…it would be so nice”

Solo1 (4-bar pattern)-2X

V2 (same) “You can turn this world around...”

C (same) “If we took a Holiday...” B/U: “…Holiday,...celebrate,...just one day,…it would be so nice”

Solo2 (Same)

Holiday Break (4-bar pattern)-2X, Drums & Vocals: w/ Both: “Holiday, Celebrate”-2X

End (4-bar pattern)-4X, w/ Both:“Holiday, Celebrate” & horn lick-4X

Honky Tonk Woman – Rolling Stones (Key of G, 114 BPM) – revised (structure) 10/22/05

Intro (drums)-4X (Guitar)-4X

V1 “I met a gin soaked bar room queen in Memphis…”

(G)-2X (C)-2X (G) (A) (D)-2X (G)-2X (C)-2X (G) (D) (G)-2X

C “She’s a Honky Tonk Woman…”

[(G) (D) (G)-2X (G) (D) (G)-2X]-1X

V2 (same) “Laid a divorcee in New York City…”

C (same)-2X

Solo Gtr: (same as verse)

C (same)-2X

V3 (same) “I cruised around the boulevards…”

C (same)-2X

Solo Sax: (same as verse)

C (same)-2X

Hot-Hot-Hot – Buster Poiexter (Key of F, 124 BPM) – Revised (intro & end) 8/3/04

Intro (drums) (Gtr fade in F chord) (1,2,3,4) [(“ole, ole”) (“ole, ole”)]-4X “Yes sir”

[(F) (C)]-2X [(F Bb) (C Bb)]-4X

V1 [(F Bb) (C Bb)]-8X “Me mine not fire...”

C [(F Bb) (C Bb)]-4X (“Um bum bum bum”)-2X (“Feelin hot-hot-hot”)-2X “Oh Lord”

Fill [(F Bb) (C Bb)]-2X

V2, C, Fill (same); V2: “See people rockin’...”

Ole [(“ole, ole”) (“ole, ole”)]-4X

Solo-Gtr: [(F) (C)]-8X

Outro [(F) (C)]-4X w/ (“How you feelin? Hot-hot-hot”)-8X [(F) (C)]-2X w/ just instruments [(F) (C)]-4X w/ (“Feelin’ hot-hot-hot”)-4X

“Oh Lord” (C-Bb-F-F-F-F)

Hurts So Good – John Mellencamp(Key of A, 124 BPM) – Revised 5/7/01

Intro (Drums)-2XGtr: [(A) (E)]-2Xall: (A)-8X: (motif 4X)

V1 [(A) (E) (F#m) (D)]-2X[(A) (E)]-2X (F#m) (D) (E)-2X

C [(A) (E)]-2X (D F#m) (D) (E)

Fill (A)-4X: (motif 2X)

V2, C same

Fill (A)-2X: (motif 1X)

Bridge (D) (A) (D) (F#m A)(D) (A) (E)-4X (E)-6X

C same

Fill (A)-1X: (1/2 motif)

C same

End (A)-8X: (motif 4X)

I Cross My Heart – George Strait G Dr’s Version: No 2nd verse, 2nd chorus or bridge

Key of Eb (Gtr: D/capo 1), 64 BPM – (Full song) Rev 8/28/07

I (D D/F#) (G D/F# Em7 A) (D)

V1 “Our love is unconditional...”

(Bm Bm/A) (G A D) (Bm F#m) (G A)

(Em7 D/F#) (G A) (Em7 D/F#) (C) (G/A A7)

C “I Cross My Heart and promise to”

(D D/F#) (G A D) “Give all I’ve got to make all your dreams come true”

(D/F# G) (A D) “In all the world, you’ll never find”

(D G) (A A/G D/F#) “A love as true as mine”

(G D/F# Em7 A) (D)

Fill: (G D/F# Em7 A) (D)

V2 (same) “You will always be the miracle...”

C (same) “I cross my heart and promise to…”

Br “And if along the way, we find a way”

(G D/F#) (Em7 A D)

(F C/E) (2 beats: Dm) (F/G G/A)

Instr: (D D/F#) (G A D)

(D G) (Asus A D)

Coda “In all the world, you’ll never find”

(D G) (A A/G D/F#) “A love as true as mine”

(G D/F# Em7 A) (D D/F#) “A love as true as mine”

(G D/F# Em7 A) (D D/F#) Ritard: “A love as true as mine”

Ritard: (G D/F# Em7 A) (D)

I Heard it Through the Grapevine – Gladys Knight & the Pips

(Key of C, 112 BPM) – revised (added pre-chorus) 10/16/05

I/Motif [(C no 3rd)-2X]-2X (play the 2-bar motif twice)

V1 “Bet you’re wonderin’ how I knew...”

[(C7)-2X (G7) (F7)]-2X

Pre-C1 “It took me by surprise I must say...”

(Am) (F7) (C7) (F7)

C1 “Don’t you know that I heard it through the grapevine…”

[(C7) (F7)]-4X

Motif (2 bar motif)-2X

V2, Pre-C2, C2, Motif (same) V2: “Take a good look at these tears of mine...” Pre-C2: “You could have told me yourself...” C2: “Instead I heard it through the grapevine…”

Solo Sax: (F7)-6X

Bridge (over 8-bar chorus) “Say I heard of what you see...”

Pre-C3, C2, Motif (same) Pre-C3: “Do you plan to let me go...” C2: “Instead I heard it through the grapevine…”

Solo Keys: (over 8-bar verse)

Pre-C3, C2, Motif (same)

I Hope You Dance – Lee Ann Womack (Key of Gm, 76 BPM)– Revised (End) 7/28/08

I Bass: (-,-,F-G-F-D,C-Bb)

All: [(Gm7 Eb) (Bb F) (Gm7 Eb) (F)]-2X

V1 “I hope you never lose your sense of wonder...”

(Bb)-2X (Gm)-2X (Eb)-2X (F)-2X

Pre-C1 “I hope you still feel small when you stand...”

[(Eb F) (Bb)]-2X (Cm Dm) (Eb)-2X (F)

C1 [(Gm7 Eb) (Bb F) (Gm7 Eb) (F)]-1X Lead: (I hope you dance, I hope you dance).

V2 (same) “I hope you never fear those mountains...”

Pre-C2 (same) “Don’t let some helpin’ heart leave you bitter...”

C2 (4-bar chorus pattern)-2X Lead: (I hope you dance, I hope you dance)-2X.

Backup: “Time, is a wheel in constant motion, always rolling us along; Tell me who, wants to look back on their youth and wonder, where

those years have gone”

Pre-C3 “I hope you still feel small when you stand...”

Gtr: [(Eb F) (Bb)]-2X (Cm Dm) (Eb)-2X (F)

C3 All: (4-bar chorus pattern)-1X Lead: (Dance, I hope you dance). No backup.

C4 (4-bar chorus pattern)-2X

Lead & Backup: (same as chorus 2)

C5 (4-bar chorus pattern)-1X Backup: “Tell me who, wants to look back on their youth and wonder,

where those years have gone”

End Instrumental: (Gm,2,3,F/A) (Bb)

I Love Rock n’ Roll – Joan Jett(Key of E, 95 BPM) Cut time – Revised (beg) 7/4/03

I (Drums) (E5) (E5 G) (A5) (B5 G)(E5) (E5 G) (A5) (B5-1 beat)(E5) (Drums) (E5) (Lick: E-D-B-A-G)

V1 (E5) (Drums) (E5) (Lick)(E5) (Drums) (B5) (Lick)(A5) (B5) (E5)(A5)-2X (Drums)-6X (B5)-2X

(Yeah me, yeah me)

C (E5) (E5 G) (A5) (B5)(E5) (E5 G) (A5) (B5-1 beat)(E5) (Drums) (E5) (Lick)

I love rock n’ roll, so put another dime in the juke box babyI love rock n’ roll, so come and take your time and dance with me

V2, C (Same)

Solo (same)

V3 (same), except no (B5)-2X at end of V3, andchorus lyrics are: (Yeah me, yeah with me)

C-Break (Drums)-8X

End [(E5) (E5 G) (A5) (B5)(E5) (E5 G) (A5) (B5-1 beat)]-4X (E5)[I love rock n’ roll, so put another dime in the juke box babyI love rock n’ roll, so come and take your time and dance with]-4x

Last time: “...dance with me”

I Need to Know – Marc Anthony (Key of Bbm, 115 BPM) – Revised (layout) 9/25/05

I Keys/strings: (Bbm) (F7)-2X Add drums: (Bbm) Add bass/horns/percussion: (4-bar pattern)-1X

V1 (4-bar pattern)-2X (Strings & horns out) “They say around the way you've asked for me...”

Pre-C (4-bar pattern)-2X (Add strings) “If it's true don't leave me all alone out here Wonderin’ if you're ever gonna take me there Tell me what you're feeling cause I need to know Girl you gotta let me know which way to go”

C (4-bar pattern)-2X (Add horns) “Cause I need to know, I need to know Tell me baby girl cause I need to know I need to know, I need to know Tell me baby girl cause I need to know”

V2 (4-bar pattern)-2X (All out except Keys/strings)

“My every thought is of this being true...”

Pre-C (same) (Add all except horns)

C (same) (Add horns)

Pre-C, C, Pre-C (same)

C (same) whole band acapella

I Saw Her Standing There – Beatles (Key of E, 162 BPM) – Revised (verse/chorus/coda) 10/17/05

I (“One-two-three-four”) (E7)-4X

V1 “Well she was just seventeen...”

(E7)-2X (A7) (E7)-3X (B7)-2X

C “She wouldn’t dance with another...”

(E) (E7) (A) (C) (E7) (B7) (E7)-2X

V2 (same) “Well she looked at me...”

C (same) “She wouldn’t dance with another...”

Bridge “Well my heart went boom...”

(A7)-6X (B7)-2X (A7)-2X

V3 (same) “We danced through the night...”

C (same) “She wouldn’t dance with another...”

Solo (E7)-6X (B7)-2X (E7)-2X (A7)-2X (E7) (B7) (E7)-2X

Bridge (same) “Well my heart went boom...”

V3 (same) V3: “We danced through the night...”

C/End “She wouldn’t dance with another” (E) (E7) (A) (C) “I saw her standing there” (E7) (B7) (E7)-2X “I saw her standing there” (E7) (B7) (E7)-2X “I saw her standing there” (E7) (B7) (A7-8th notes) (E7-E7, E7-E7, tacet, E7)

I Want You to Want Me – Cheap Trick (Key of A, 108 BPM) – Revised (Choruses) 5/21/07

I (Vocals) (Drums)-4X (A)-2X (G5 D) (A)

C1 “I want you to want me...”

(A) (A A/G#) (F#m) (F#m E) (D) (D D/C#)

(A) (A A/G#) (F#m) (F#m E) (D) (D D/C#)

(A) (A A/G#) (F#m7 B7) (G5 A)

(F#m7 B7) (G5) (F#m G5 G#5)

Pre-C1 “Didn’t I, didn’t I, didn’t I see you cryin?...”

[(A) (E) (F#m) (D)]-2X

C2 “I want you to want me...”

(A) (A A/G#) (F#m) (F#m E) (D) (D D/C#)

(A) (A A/G#) (F#m7 B7) (G5 A)

(F#m7 B7) (G5) (F#m G5 G#5)

Pre-C2 (same)

Solo 1-Gtr (A) (E) (F#m) (D)

Pre-C3 (A) (E) (F#m) (D)

Solo 2-Gtr (A) (E) (F#m) (D)

C3 “I want you to want me...”

(A) (A A/G#) (F#m) (F#m E) (D) (D D/C#)

(A) (A A/G#)

Break/C “I want you to want me”-4x

(A) (tacet)-6X (tacet D)

Outro (A)-2X (G5 D) (A5)

I Will Survive – Gloria Gaynor (Key of Am, 117 BPM) –Revised (break) 10/16/05

I Keys: (E)-free form

V1 [(Am) (Dm) (G7) (Cmaj7) (Fmaj7) (Bm7b5) (Esus4) (E)]-2X

1st x: “At first I was afraid...” (1……..) 2nd x: (4ea kick drum intro) “And so you’re back......” ( & 4 & ) ( 1…..)

C [(8-bar verse pattern)]-2X 1st x: “Go on now go...” 2nd x: “Oh no, not I...”

Solo Strings: [(8-bar pattern)]-1X

V2: (same) 1st x: “It took all the strength I had...” 2nd x: “And you’ll see me...”

C (same) 1st x: “Go on now go...” 2x: “Oh no, not I...” Prominent strings; Hold on last bar (E)

Break (Tacet) (4ea kick drum intro) “Go on now go...” ( & 4 & )( 1…..)

C (same)

End (8-bar verse pattern)-2X: w/ ad lib vocals, (Am)

I Wish – Stevie Wonder (Key of Ebm, 106 BPM) – Revised (end) 2/11/08

I Bass/Keys: [(Ebm7 Ab7) (Ebm7 Ab7)]-2X

All: (2-bar riff)-2X

V1 (2-bar)-4X “Looking back on when I...”

Pre-C1 “Even though we sometimes, would not get a thing...”

(Bb7 C7) (Fm7 Abm7) (Bb7 C7) (Fm7 Bb-aug)

V2 (same): “Sneaking out the back door...”

Pre-C 2 (same) “Tryin’ your best to bring the water...”

C (2-bar)-4X “I wish those days, could,...”

Break [(Ebm7) (Ebm7)]-2X, w/ 2-bar break lick-2x

V3 (same) “Brother said he’s telling...”

Pre-C 3 (same) “Momma gives you money for…”

V4 (same) “Smoking cigarettes...”

Pre-C 4 (same) “You go up and learn that…”

C (same) “I wish those days, could,...”

Fill (2-bar)-2X

Horns [(2-bar) (2-bar)]-4X, w/ 4-bar horn lick-4x

C (same) “I wish those days, could,...”

End [(Ebm7) (Ebm7)]-2X, w/ 2-bar break lick-2x End lick w/ drum hits: Bb-Ab-Gb-Ab-Eb

I’m a Believer – Monkees (Key of G, 160 BPM) – Revised (removed extra verses-choruses-solos) 10/22/05

I keys: (G-G C-C) gtr: (D)-2X

V1 [(G) (D) (G)-2X]-2X [(C) (G)]-3X (D) (D) “I thought love was only true in fairy tales And then for someone else but not for me Love was out to get me (da-da-da-da-da-da) That’s the way it seems (da-da-da-da-da-da) Disappointment hardly on my dreams”

C [(G C)]-8X (G)-Ohh (C)-Ohh (G)-Ahh (F)-Ahh (D)-2X “Then I saw her face Now I’m a Believer Not a Trace Hooked out in my mind I’m in love (Ohhh Ohhh), I’m a Believer-(ahh) I couldn’t leave-(ahh) her if I tried”

V2 (same) “I thought love was more or less a givin’ thing Seems the more I gave the less I got What’s the use in trying (da-da-da-da-da-da) All you get is pain (da-da-da-da-da-da) When I needed sunshine I got rain”

C (same)

1st ½ of V1 (Solo-Gtr): [(G) (D) (G)]-2X

2nd ½ V1 (same vocals): [(C) (G)]-3X (D) (D) “Love was out to get me...”

C (same)-to cue

End [(G C)-7X (G)]-7X, w/ (“I’m a Believer”)-4X

If I Ain't Got You - Alicia Keys (Key of G, 120 BPM – 6/8/ time) – Revised (added tags) 5/16/06

I Piano: (CMaj7)-2X (Bm7)-2X (Am7)-2X

(GMaj7) add bass: (GMaj7 Am7 Bm7)

(CMaj7)-2X (Bm7) (Bm7 Bbm7) (Am7)-2X

(GMaj7) (Tacet)

V1 “Some people live for the fortune…”

(GMaj7)-2X (Em)-2X (Am7)-2X (D)-2X

(GMaj7)-2X (G#dim)-2X (Am7)-2X (D)-2X

Pre-C “Some people think that the physical things…”

(GMaj7) (Am7) (Bm7) (Am7)

(GMaj7) (Am7) (Bm7) (CM7 Bm7 Am7)

(GMaj7) (Am7) (Bm7) (Am7)

(GMaj7) (Am7) (Bm7)-2X

C “Some people want it all but I don't want nothing…”

(CMaj7)-2X (Bm7)-2X (Am7)-2X

(GMaj7) (GMaj7 Am7 * Bm7)

(CMaj7)-2X (Bm7) (Bm7 Bbm7) (Am7)-2X

(GMaj7) (G-G, G-G, -)

V2 (same), with (D-D, D-D,-) tag in last bar “Some people search for a fountain...”

Pre-C (same) “Hand me the world on a silver platter…”

C, C (same), except no pause 8th bar 2nd chorus & (G-G, G-G, -) tag in last bar

Outro (like intro)-But with rhythm section “If I ain't got you with me baby...”

In The Mood – Glenn Miller (Key of Ab, 168 BPM) – Revised (endings & bridge) 01/26/07

I Sax: (Ab)-4X Add All: (Bb7)-2X (Eb7)-2X

V1 (Ab)-4X (Db6)-2X (Ab)-2X

(Eb7)-2X (Ab Bbm/Ab) (E7 Eb7) ( 1,2 3,4 ) (1,2 3-& & )

V2 (Ab)-4X (Db6)-2X (Ab)-2X

(Eb7)-2X (Ab Bbm/Ab) (E7 Eb7 Ab) ( 1,2 3,4 ) ( 1 & 2 &-3 )

B {[(Ab/C Bdim) (Bbm Eb7)]-3X

(Eb7 Ebdim7) (Eb7)}-2X Bass 1st 6 bars: [(C Ab B Ab) (Bb Bb Eb Eb)]-3X

Solo-Sax (Bridge)-2X Bass 1st 6 bars: [(Ab Ab B Ab) (Bb Bb Eb Eb)]-3X

Fill (Ab) (….E7-Eb7) ( E7-Eb7) (E7 Eb7-Ab) 1 4 & (1,2 3 & ) ( 1 2 &-3 )

Solo-Trumpet (Ab)-16X

Fill (Eb7 E7-Eb7 Ab6) (… Eb7) ( 1,2 3 & 4 & ) ( 3,4 )

Outro (Ab)-4X (Db6)-2X (Ab)-2X (Eb7)-2X (Ab)-2X Soft: (Ab)-4X (Db6)-2X (Ab)-2X (Eb7)-2X (Ab)-2X Soft: (Ab)-4X (Db6)-2X (Ab)-2X (Eb7)-2X (Ab)-2X Loud: (Ab)-4X (Db6)-2X (Ab)-2X (Eb7)-2X (Ab)-8X

In the Mood– Standard/Brian Setzer (Key of C, 180 BPM) – revised (bridge) 9/16/04

I Horns: (C)-4X all: (Dm)-2X (G)-2X

V1 “Going to my rocket because I’m ready to blast...”

(C)-4X (F)-2X (C)-2X (G)-2X (C Dm) (G C)

V2 (same) “Got the jitter fingers and they’re ready to pop...”

C [(C Ebdim) (Dm G)]-3X (G)-2X Backups: (In the mood) (In the groove) (In the mood) (Swingin’ and a swayin’ and a rock n’ rollin’)

[(C Ebdim) (Dm G)]-3X (G)-2X Backups: (Come on now) (I know how) (In the mood) (---)

Solo [(C Ebdim) (Dm G)]-3X (G)-2X

V3 (same) “And when the party’s over I just know where...”

C (Same)

B “I got all my best threads and favorite shoes...”

(C) (C, C, C/G, C/G) (C) (C, C, C/G, C) [(C)-3X (C/G)]-4X (C) (C C/G)

V3 (C)-4X (F)-2X (C)-2X (G)-2X (C) (C)

C (Same)

End (C)-10X

Isn’t She Lovely – Stevie Wonder (Key of C#m, 120 BPM) – Revised (Intro) 10/1/07

I [(C#m7) (F#9) (A6/B) (E)]-2X

V1 “Isn’t she lovely, isn’t she wonderful…”

[(C#m7) (F#9) (A6/B) (E)]-2X

(AM7) (G#7 -9) (C#m7) (F#9) (A6/B)-2x

(E, line: 2-B-C#-, E-F#-G#-(8va), B -C#-E)

(E, E , -, G#7-G#7)

V2 (same) “Isn’t she pretty,…”

Solo-Sax (over verse)

V3 (same) “Isn’t she lovely, life and love…”

Solo-Sax (over verse)-1X

End: (E, line: 2-B-C#-, E-F#-G#-(8va), B -C#-E) (E, E)

It’s Not Unusual – Tom Jones (Key of C, 92 BPM) – Revised (V2, B, Coda) 3/31/08

Intro (CM7) (Dm7) (CM7) (Dm7)

V1 “It’s not unusual to be loved by anyone…”

(CM7) (Dm7 G7) (CM7) (Dm7)

(Em) (Dm) (G7) (C) (Dm7 G7)

V2 “It’s not unusual to go out at any time…”

(CM7) (Dm7 G7) (CM7) (Dm7)

(Em) (Dm) (G7) (CM7) (Dm7)

B “You find it happens all the time…” (G7) (CM7 C6) (CM7) (Dm7)

(G Dm7) (Em Eb7) (Dm7 G)

Solo (CM7) (Dm7 F/G) (CM7) (Dm7 F/G)

V3 “It’s not unusual to be mad with anyone…”

(CM7) (Dm7 G7) (CM7) (Dm7) (Em) (Dm) (G7) (CM7 Dm7)

Coda (Em7 Dm7)-3X w/ vocal ad lib

(CM7) (Dm7) (CM7) (Dm7 G) (CM9)

It’s Your Thing – Isley Brothers (Key of F, 92 BPM) – Revised (Added Bass in Intro) 10/27/08

Intro Gtr/Drums/Bass: (2-bar chorus pattern)-2X

C [(F F7 Bb) (F F7 Bb)]-4X [“It’s your thing, do what you wanna do

I can’t tell you, who to sock it to”]-2X

V1 (F7)-8X “If you want me to love ya’, maybe I will...” (Backup: “Sha-doo-wa”)

C2 (same) [“It’s your thing (Backup: It’s your thing), do what you wanna do

I can’t tell you, who to sock it to”]-2X

Solo-Horns (F7)-8X, w/ horn lick-2X

C3 (same) “It’s your thing, do what you wanna do.

I can’t tell you, who to sock it to”

“It’s your thing (Backup: It’s your thing), do what you wanna do. I can’t tell you, who to sock it to”

V2 (same) V2: “I’m not tryin’, to run your life...”

C2 (same) [“It’s your thing (Backup: It’s your thing), do what you wanna do.

I can’t tell you, who to sock it to”]-2X

End Gtr/Drums: [(F F7 Bb) (F F7 Bb)]-2X

Jump Jive & Wail – Brian Setzer (Key of Bb, 200 BPM) – Revised (Gtr solo length, last chord) 11/3/08

Intro (Bb)-4X

V1 “Baby, bay it looks like it’s gonna hail...”

(Bb7)-4X (Eb7)-2X (Bb7)-2X (Cm7) (F7) (Bb7)-2X

C “Jump, jive and then you wail...” (Bb7)-4X (Eb7)-2X (Bb7)-2X

(Cm7) (F7) (Bb7)-2X

Solo-Sax (over Verse 1 pattern)-1X

V2 “Poppa’s in the icebox lookin’ for a can of ale...” (Bb7)-4X (Eb7)-2X (Bb7)-2X

(Cm7) (F7) (Bb7 Db7) (C7 B7)

C (same) “Jump, jive and then you wail...”

Solo-Gtr (over Verse 1 pattern)-2X

V3 “A woman is a woman and a man ain’t nothin’ but a man...”

(Bb7)-4X (Eb7)-2X (Bb7)-2X (Cm7) (F7) (Db7 C7) (B7 Bb7)

V4 “Jack and Jill went up the hill to get a pail...”

(B7)-4X (E7)-2X (B7)-2X (F#7) (F#7)

(B7, 2-D7, 3, Db7) (1-Db7, 2, C7, C7) ( 1 & 4 ) ( & 3 4 )

C (drum break) “Jump, jive and then you wail...”

C/End (same)-2X (B7)-ring

Kansas City – Wilbur Harrison (Key of F, 116 BPM) – Revised (solos) 12/31/04

Shuffle Blues: A,A,B,A; Solos (A, A), B, A/End

I (C) (Bb) (F) (C)

V1 (F) (Bb) (F)-2X (Bb)-2X (F)-2X

(C) (Bb) (F) (C)

V2 (same)

Bridge (same) w/ breaks “Might take a train...”

(F) (Bb) (F) (F) (Bb)-2X (F)-2X (C) (Bb) (F) (C)

V3 (same) “Going to Kansas City...”

Solos Sax, Trumpet, Gtr, Keys: (like verses)

Bridge (same) w/ breaks “Might take a train...”

V3/End (same) w/ 3X tag ending: “Going to Kansas City...” (F) (Bb) (F)-2X (Bb)-2X (F)-2X

[(C) (Bb) (F)-2X]-2X

(C) (Bb) (F) (F)

Keep Your Hands – Georgia Sattellites (Key of A, 115 BPM) – Revised (added lyrics) 8/8/06

Intro Gtr: (A)-4X

V1 “I got a little change in my pocket…”

Gtr: (A)-4X (D)-2X (A)-2X (E)-2X (A)-2X

Fill All: (A)-4X

V2 (same) “Ooh baby, baby, baby…”

Solo-Gtr [(A)-4X (D)-2X (A)-2X (E)

(D) (A) (E)]-2X

V3 (same) “You see I wanted her real bad…”

Solo-Sax (same)-2X

Kiss – Prince (Key of A, 112 BPM) – Revised (end) 8/27/05

Intro Gtr: (E9) all: (A)-3X (A) V1 “You don’t have to be beautiful…”

(A7)-8X (D9)-4X (A7)-4X (E9)-2X (D9)-2X (E9)-2X (D9) (E) Fill (A)-3X (A) V2 (same) “You got not to talk dirty…” Fill (same) Solo Gtr: (A7)-8X (D9)-4X (A7)-3X (A) V3 “Women not girls rule my world…” (Am7)-8X (D9)-4X (Am7)-4X (E9)-2X (D9)-2X (E9)-2X (D9) (E) End Gtr: (A)-8X

Ladies Night – Kool & the Gang (Key of Cm, 110 BPM) – Revised (Intro) 10/27/08

I Keys: [(Cm7) (F7)]-2X Add Bass Slides: [(Cm7) (F7)]-2X

Add Bass 2-bar pattern: [(Cm7) (F7)]-2X Add Horn Licks: [(Cm7) (F7)]-2X

C [(2-bar pattern)]-4X (“Oh yes it’s ladies night and the feelin’s right

Oh yes it’s ladies night, oh what a night”)-2X

V1 [(2-bar pattern)]-4X “Girl you got one...”

C (same) “Oh yes it’s ladies night…”

V2 [(2-bar pattern)]-4X “Romantic lady...”

V3 [(2-bar pattern)]-4X “If you hear any noise...”

C (same) “Oh yes it’s ladies night…”

Bridge “On disco lights your name will be seen...”

[(Abm7) (Bbm7 Ebm7)]-4X

[(Bm7) (C#m7 F#m7)]-8X (Bbsus)-2X: [(8th notes) (triplet, triplet, Bbsus, 4)]

Fill (2-bar pattern)-4X

C (same) “Oh yes it’s ladies night…”

V2 (same) “Romantic lady...”

V3 (same) “If you hear any noise...”

C (same) “Oh yes it’s ladies night…”

Bridge (same) “On disco lights your name will be...”

Lady Marmalade – Patti LaBelle (Key of Gm, 114 BPM) – Revised (intro) 10/16/05

I [(Gm7 C) (C C13)]-2X [(Gm7 C) (C C13)]-2X w/ “Hey Sister…”-2x

V1 [(Gm7) (C)]-2X (Cm7) (Dm7) (“He met Marmalade down in old New Orleans...”)

Pre-C [(Gm7) (C)]-3X (Cm7) (Gm walk-down)-2X (“Get cha, get cha..”) Gm walk-down: (G-F-D-C) (Bb-C-Bb-G/D)

C [(Gm7) (C)]-2X (“Voulez vous choucher avec moi, ce soir?...”)

V2, Pre-C, C (same) (“Stayed in her boudoir while she freshened up...”)

Bridge (G5 F Gm/D F/C) (Gm/Bb) (EbM7)-2X (G)-2X (EbM7)-2X (D)-2X

V3 [(Gm7) (C)]-2X (Cm7) (Dm7) (D)-2X (“Seein’ her skin felling silky smooth...”)

V4 [(Gm7) (C)]-2X (Cm7) (Dm7) (D)-2X (“Now he’s at home doing nine-to-five...”)

Pre-C (same) (“Git gee, git gee...”)

Chorus Break [(Gm7,2,3,4-C) (tacet)]-4X (Voulez vous choucher avec moi, ce soir?...)

Pre-C/End (same) ritard on walk-down and let ring on final “G”

Le Freak – Chic (Key of Am, 120 BPM) – Revised (format) 10/16/05

C (1,-,2,-) (1,2, “ahhh Freak-out”) [(Am) (D C)]-4X

[“Ahhh Freak-out, Le Freak, Says Chic, Freak out”]-2X

V1 “Have you heard about the new dance craze...”

[(2-bar pattern)]-8X

C (2-bar pattern)-2X [“Ahhh Freak-out, Le Freak, Says Chic, Freak out”]-1X

V2 (same) “All that pressure got you down....”

C (2-bar pattern)-2X [“Ahhh Freak-out, Le Freak, Says Chic, Freak out”]-1X

Bridge [(Am7)-2X (D)-2X (Am7)-2X (D)-2X]-4X 1x: “Now freak” Bass = busy pattern 2x: No lyrics Bass = simple pattern 3x: “I said freak” Bass = busy pattern 4x: “Now freak” Bass = simple pattern

V2 (same) “All that pressure got you down....”

C/End (2-bar pattern)-8X [“Ahhh Freak-out, Le Freak, Says Chic, Freak-out”]-4X

Let’s Get It Started – Black Eyed Peas (Key of Bm, 104 BPM) – Revised (Interlude) 11/9/09

I “Let’s get it started in here” All: (Bm Bm Bm)-3X

(Drums)-“And the bass keeps…” “Runnin, runnin…” Bass: [(Bm D) (G F#)]-2X

V1 “In this context...”

[(Bm D) (G F#)]-4X (Bm D) (Drums)

Pre-C1 “Everybody, everybody...”

(Bm D) (G F#) (Bm-Bm D-D) (G-G F#)

C “Let’s get it started, ha; let’s get it started in here”-4x

[(Bm D) (G F#)]-4X

V2 “Lose control, of body & soul...”

(Bm D) (G-G F#) (Bm-Bm D) (G-G F#)

[(Bm D) (G F#)]-3X

Pre-C2 (same) “Everybody, everybody...”

C (same) “Let’s get it started, ha; let’s get it started in here”-4x

Bridge “Runnin’ runnin’, and runnin’ runnin’...” (Bm tacet) (Drums)

[(Bm G) (D F#)]-3X w/ “woohoo”-6x (G) (A F#) w/ “ya,ya,ya,ya”-4x

Interlude “Let’s get ill, that’s the deal…”

(Bm Bm-Bm)-6X (Bm Bm-D D)

(G G-F# F#)(Bm Bm-D D)(G G-F# F#)

Pre-C3 (same) “Everybody, everybody...”

C (same) “Let’s get it started, ha; let’s get it started in here”-4x

Outro [(Bm G) (D F#)]-3X w/“woohoo”-6x (G) (A F#) w/ “ya,ya,ya,ya”-4x (Bm)

Let’s Get Loud – Jennifer Lopez (Key of Cm, 130 BPM) – Revised (last chord) 11/6/06

Intro Drums/Horns: [(Cm Fm6) (G7 Fm7)]-4X w/ horn line-2X

(1,2, “Let’s, Get”) [(Cm Fm6) (G7 Fm7)]-6X Drums/Horns: “(Let’s get loud)-2X, Turn the music up let’s do it come on people” Add Sax: “(Let’s get loud)-2X, Turn the music up to hear that sound”

Add Bass: “(Let’s get loud)-2X, Ain’t nobody gotta tell you what ya gotta do”

V1 (2-bar pattern)-4X “If you wanna live your...”

Pre-C (2-bar pattern)-4X (“You gotta do it, you gotta do it your way, You gotta prove it, you

gotta mean what you say”)-2X

V2 “Life’s a party make it...”

(2-bar pattern)-3X (Cm, drums) (drums)

Pre-C (same)

C (2-bar pattern)-4X, last 2 beats 3/2 tag: (G-Bb-B/G) (“Let’s get loud”)-2X, “Turn the music up to hear that sound”

(“Let’s get loud”)-2X, “Ain’t nobody gotta tell you what ya gotta do”

Break #1 Drums/Keys/Bass: [(Cm Fm6) (G7 Fm7)]-4X

Add Horns: [(Cm Fm6) (G7 Fm7)]-2X Just Drums: (Drums)-4X

Drums/Horns: [(Cm Fm6) (G7 Fm7)]-2X

V3 (same) “Life is meant to be big fun...”

Pre-C (same) “You gotta do it…”

C (same) “Let’s Get Loud…”

Break #2 Just Drums: (Drums)-4X

Drums/Keys: [(Cm Fm6) (G7 Fm7)]-2X “Let’s Get Loud”/Drums/Keys/Horns: [(Cm Fm6) (G7 Fm7)]-4X

C [(Cm Fm6) (G7 Fm7)]-2X (“Let’s get loud”)-2X, “Turn the music up to hear that sound”

(Cm Fm6) (G7 Fm7) (Cm, Cm, Fm6-Fm6, -) (“Let’s get loud”)-2X, “Ain’t nobody gotta tell-you”

“What ya gotta” “Do” (3/2: G-Bb-B/G, Cm6)

Let’s Stay Together – Al Green (Key of F, 100 BPM) – Revised (C2, end) 11/6/06

I (Gm9 Am7) (Gm7 Am7)

(Gm9 Am7) (Gm7 C7)

V1 “I’m, I’m so in love with you...” (F)-2X (Dm9)-2X (Bb)-2X (DbM7)-2X

(Am7 Gm7) (F Em) (Dm9)-2X

(Am7 Gm7) (F Am) (Dm9)-2X

V2 “Let me say since, baby, since we’ve been together...”

(same)

C1 “Let’s, let’s stay together...” (Gm9)-2X (Am7)-2X (Gm7)-2X “Good or bad, happy or sad”

(BbM7 Am7) (Dm C)

B (Gm9)-2X (AbM7) (Gm9) (AbM7)-2X, vocal ad lib “Good or bad, happy or sad”

(BbM7 Am7) (Dm C)

V3 (same) “Why, why people break up...”

C2 “Let’s, let’s stay together...” (Gm9)-2X (Am7)-2X (Gm7)-2X “Good or bad, happy or sad”

(BbM7 Am7) (Gm7 C)

Coda “Let’s, let’s stay together…”

(Gm9)-2X (Am7)-2X (Gm7)-2X “Good or bad, happy or sad,

If you’re out with me you can’t set me free”

[(Gm7 Am7) (Gm7 C)]-2X “Let’s, let’s stay together…”

(Gm9)-2X (Am7)-2X (Gm7)-2X “Good or bad, happy or sad, If you’re out with me you can’t

set me free” “Times are good or bad, happy or sad”

[(Gm7 Am7) (Gm7 C)]-3X-ritard 3rd X (FM7)

Lights – Journey (Key of D, 68 BPM) – 10/31/06

I Gtr: (D Bm) (D A) (Bm C) Add drums: (D)

C “When the lights go down in the city...”

All: [(D Bm) (C)]-3X (Bm C) (D)

V1 “So you think you’re lonely...”

[(D Bm) (C)]-3X (Bm C) (D)

B “It’s sad, oh there’s been mornings...”

(Bm G) (D) (Bm G) (D A)

(Bm G) (D) (Bm C) (D)

C (same)

Solo-Gtr (Bm G) (D) (Bm G) (D A)

(Bm G) (D) (Bm C) (D)

C (same)

End (Bm C) (D)

Livin’ La Vida Loca – Ricky Martin (Key of C#m, 90 BPM) – Revised (added lyrics) 8/8/06

Intro (C#m)-4X, w (2-bar horn lick)-2x

V1 (C#m)-4X “She’s in to superstition…”

Fill (C#m)-2X, w 2-bar guitar lick

V2 (same) “She’s in to new sensations…”

Pre-C1 “She’ll make you take your clothes off…”

(F#m) (G#m) (A) (B) (G#)

C1 [(C#m) (B C#m)]-4X (B C#m)-2X BU: Upside inside out MV: She’s Livin La Viva Loca BU: She’ll push & pull you down MV: Livin La Viva Loca

BU: Her lips are devil red MV: And her skin’s the color moca

BU: She will wear you out MV: Livin La Viva Loca (BU: Come on)

MV: Livin La Viva Loca (BU: Come on), She’s Livin La Viva Loca

Fill (C#m)-4X, w (2-bar horn lick)-2x

V3 (C#m) “Woke up in New York City…” (C#m)-3X

Pre-C2 (same) “She never drinks the water makes you…”

C2 (same)

Solo Gtr: [(C#m) (B C#m)]-2X

Pre-C3 (same as Pre-C1) “She’ll make you take your…”

C3 [(C#m) (B C#m)]-4X (same 1st 4 lines BU & MV)

C4 [(C#m) (B C#m)]-4X (same 1st 4 lines BU & MV) (B C#m)-2X (same last line BU & MV)

Outro [(C#m) (B C#m)]-4X (B C#m) (B C#m)

Long Train Running – Doobie Brothers (Key of Gm, 120 BPM) – Revised (End) 10/17/08

I Gtr:(Gm7)-3X Bass:(Gm7) All:(Gm7)-4X

V1 “Down around the corner...” (Gm7)-4X (Cm7) (Cm6) (Gm7)-2X

(Eb) (Gm/D D) (Gm7)-2X

V2 (same) “You know I saw Miss Lucy...”

B1 “Well the Illinois Central...”

(Gm7 F#m7)-3X (Gm7) (Cm7) (Cm6) (Gm7)-2X (Eb) (Gm/D D) (Gm7) (Gm7)

Solo Sax: (over verse)-2X

B1 (same) “Well the Illinois Central...”

B2 “Where pistons keep on turning...”

(Gm7 F#m7)-3X (Gm7) (Cm7) (Cm6)

(Gm7)-2X (Eb) (Gm/D D) (Cm7)

Coda Gtr:(Gm7)-3X Bass:(Gm7) All: [(Gm7)-4X]-2X w/ horn lick

[(Gm7)-4X]-2X w/ horn hits

Gtr solo: [(Eb) (Gm/D D) (Gm7)-2X]-2X

(Eb) (Gm/D D) (Drums)-2X

Add Gtr: (Gm7)-4X Add Bass: (Gm7)-4X Horn/Gtr call & answer: [(Gm7)-4X]-3X

(Gm7)-2X (F-G-G-F-D-F-G G-)(G-F-D-F-G G-G-F-D)

(Eb) (Gm/D D) (F-G-G-F-D-F-G G-)(G-F-D-F-G G-G-F-D)

(Eb) (Gm/D D) (G)

L-O-V-E – Natalie Cole (Key of G, 156 BPM) – Revised (V4: F7 to Fm7) 11/24/04

I [(G G6) (GM7 G6)]-2X

V1 “L is for the way you look at me...” (G) (GM7) (Am7) (D7) (Am7) (D7) (GM7) (G6) (G7) (G7) (C) (C) (A) (A7) (D7) (----)

V2 “Love it’s all that I can give to you...” (G) (GM7) (Am7) (D7) (Am7) (D7) (GM7) (G6) (G7) (G7) (C) (C#dim) (G) (D7) (G) (Am7 D7)

Solo (like V2), except last bar is (Eb13)

V3 (like V1 but up ½ step), i.e. starts in Ab “Yeah L is for the way you look, you’re lookin’ at me...”

V4/End (like V2 but up ½ step & 3X tag at end) “Love it’s all that I’m gonna give to you...”

(Ab) (AbM7) (Bbm7) (Eb7) (Bbm7) (Eb7) (AbM7) (Ab6) (Ab7) (Ab7) (Db) (Ddim) (Ab) (Eb7) (Ab) (Fm7) (Bbm7) (Eb7) (Ab) (Fm7) (Bbm7) (Eb7) (Ab) (Ab) (Ab) (Ab) (Ab)

Love Rollercoaster – Ohio Players (Key of C, 112 BPM) – Revised (intro) 8/27/05

I Gtr & Drums: [(C Bb A) (A Bb C)]-4X

V1 All: [(2-bar pattern)]-8X, w/ “Rollercoaster...”-8X

C1 “Your love is like a rollercoaster baby, baby...” [(G)-4X]-2X, w/ last bar = {-G,-G#,A,A}

Horn Fill (2-bar pattern)-2X

Intro Break Gtr & Drums: (2-bar pattern)]-4X

V2 (same), w/ “Rollercoaster...”-8X

C2 [(G)-4X]-6X, w/ last bar = {-G,-G#,A,A} let “A” ring

Love Shack – B 52’s (Key of C, 134 BPM) – Revised (intro) 9/25/05

I (Drums)-8X (5th bar)M: “If you see a faded sign…”

V1 All: [(C) (G Bb)]-10X F: “I’m heading down the Atlanta Highway…” M: “I got me a car…”

C1 (C) (Eb) (F) (Ab) F: “The Love Shack is a little…”

(2-bar pattern)-6X F: “Love Shack Baby” M: “A Love Shack Baby” F: (Love Shack, Baby Love Shack)-4X w/ M: (Love baby, that’s where it’s at) 3rd & 4th x

V2 (2-bar)-2X M: “Sign says, stay away fools…”

Break: (Bb-C)-4X F: “We’ll sit way back…” (2-bar)-4X F: “Glitter on the mattress…”

C2 (C) (Eb) (F) (Ab) F: “The Love Shack is a little…”

(2-bar pattern)-4X F: “Love Shack Baby” M: “Love Shack Baby” F: (“Love Shack, That’s where it’s at”)-2X

V3 (2-bar)-5X M: “Huggin’ and a kissin’…” (Drum Break)-2X M: “Around & around &…”

(2-bar)-4X F: “Everybody’s moving…”

Solo Gtr: (2-bar)-4X

V4 (2-bar)-4X M: “Hop in my Chrysler…”

C1 same

B/D Bass/drums: (2-bar pattern)-4X

V5 (2-bar)-14X F: “Bang, bang, bang…”

(Break): F: “Tin Roof, Rusted”

End (2-bar)-4X, retard 4th x F: (Love Shack, Baby Love Shack)-4X w/ M: (Love baby, that’s where it’s at) 2ndx & 3rdx

(Huggin’ & a kissin’ dancin’ & a lovin’ at the love shack) 4thx

Love Train – O’Jays (Key of C, 122 BPM) – Revised (Cm to C in Bridge) 10/27/08

I [(C) (D) (F) (G)]-2X

C [(C) (D) (F) (G)]-2X “People of the world, join hands, start a love train, love train”-2X

V1 “The next stop that we make will be...”

[(G)-2X (F)-2X]-2X (G)-2X (Am)-2X (Dm)-2X (G G/F) (G/E G/D)

C (same)

V2 (same) “All of you brothers over in Africa...”

C (same)

Bridge “Ahh, let it ride, Let it ride, let it ride”

(Eb)-2X (C)-2X (Eb)-2X (G)-2X

C (same)

B/D (same)

C (same)

C (same)

End (C)- let ring, w/ acapella “People of the world”

Love Will Keep Us Together – Captain & Tennille (Key of B, 128 BPM) – Revised (Outro) 6/18/07

I (B)-4X Line: B F-F# A#-B D#-E-F-F#

B A-A G#-F# F F#-F-F#

V1 “Love, love will keep us together, think of me babe whenever...”

(B)-2X (A6)-2X (G#7)-2X (E)-2X (Em)-2X

C1 “Stop, cause I really love you, stop I’ll be thinking of you…”

(B) (B+5) (B6) (B7) (E D#m) (C#m, F#,-,-) (B)-4X-w/ 4-bar intro line

V2 (same) “You, you belong to me now...”

C2 (same as C1) “Stop, cause I really love you, stop I’ll be…”

Br “Young and beautiful, someday your looks will be gone…”

(D) (A E) (G) (B) (D) (A E) (G)

(F#sus-F#sus, -, F#sus-F#sus, -)-2X w/ “I will”-4X

V3 (same) “(I) will be there to share forever...”

C3 “Stop, cause I really love you, stop I’ll be thinking…”

(B) (B+5) (B6) (B7) (E D#m) (C#m, F#,-,-) (B)-2X (B, D#-E-F-F#)

(F#sus-F#sus, -, F#sus-F#sus, -)-2X w/ “I will”-4X

Solo-Keys (over verse)

C (same as C3)-except transpose up to “Gsus” on last note

(B) (B+5) (B6) (B7) (E D#m) (C#m, F#,-,-)

(B)-2X (B, D#-E-F-F#) (F#sus-F#sus,-, F#sus-F#sus,-) (F#sus-F#sus, -, Gsus-Gsus, -) w/ “I will”-4X

Outro [(C)-2X (Bb6)-2X]-4X

(G-G, -, G-G, -) (G-G, -, G-G, -) (C)-let ring

Love You Madly – Ella Fitzgerald (Key of C, 60 BPM cut time) – Revised (intro, Db6/Bb in outro) 7/6/06

I Piano: [(Fdim C6/G Fdim C6/G) (Fdim C6/G C6 Fdim/G)]-2X

V1 “Love you madly right or wrong…”

(C Am7) (Dm7 Fdim/G) (E13 A7) (D7 G13)

(C9 C7/E) (F F#dim) (C/G Fdim/G) (C6 Fdim/G)-bass walk C-E-F-G

V2 (same) “Better fish are in the sea…”

Bridge (Walking Bass) “If you could see the …”

(C9) (C9) (F) (F) (Am7) (D7) (G7) (Fdim/G)

V3 (same) “Good things come to those who wait…”

A-A-B-A (same)-But piano solo & no lyrics 1st 4 bars of verses

A-A-B-A (same)-Sax solo

A-A-B (same) But modulate up ½ step end of bridge:(G Ab)

V3 (same) But up ½ step “Good things come to those…” (Db Bbm7) (Ebm7 F#dim/Ab)

(F13 Bb7) (Ebm7 Ab13)

(Db9 Db7/F) (Gb Gdim)

(Db/Ab Db6/Bb) (Ab Db E) (G-Gb-E Db) (- Db E) (G-Gb-E Db)

(-, -Em9) (Ebm9 “I, love you) (mad, ly” F/Ab) (Db6,9)

Magic Carpet Ride – Steppenwolf (Key of D, 109 BPM) – Revised (solo, end) 8/22/06

Intro Gtr: [(D-D C G-G) (D-D C G-G)]-2X All: [(D-D C G-G) (D-D C G-G)]-2X

V1 “I like to beam…”

[(D-D C G-G) (D-D C G-G)]-4X

C “You don’t know…” [(D-D C G-G) (D-D C G-G)]-4X

“Love your eyes girl…” (G) (Bb) (C) (G)–4X

V2 (same) “Last night I held Aladin’s lamp…”

C (same) “You don’t know…”

Solo (E)–until 4-bar organ cue then 4-bar organ/bass cue of: Organ cue: 4 bars of slides

Organ/Bass cue: (3/2: E-E-E,3-E,D-B)-3X (E-E,E-E,E-E,E-E)

C/End Chorus vocals 2X [(D-D C G-G) (D-D C G-G)]-4X

[(D-D C G-G) (D-D C G-G)]-4X “Love your eyes girl…”

Ritard: (G) (Bb) (C) (G)

Makes Me Wonder – Maroon 5 (Key of Bm, 114 BPM) – Revised (B bass line # 2) 7/30/07

I [(Bm) (Bm/A) (Bm/G#) (Bm/A Bm/A#)]-2X

V1 “I wake up with blood-shot eyes…” [(Bm) (Bm/A) (Bm/G#) (Bm/A Bm/A#)]-2X

(Bm) (Bm/A) (Bm/G#) (Bm/A , Bm-A)

Pre-C “I still don’t have a reason…” (G) (A) (G) (A Bm-A) (G) (A F#/A#)

C1 “Give me something to believe in…”

(Bm) (Bm/A) (Em7) (F# F#/A#) (Bm) (Bm/A) (Bm/G) (F#7)

V2 (same) “Can’t stop my head spinning…”

Pre-C2 (same) “I still don’t have a reason…”

C2 “Give me something to believe in…” (same 8 bars)-2X

B “I’ve been here before…”

(G) (F#m) (F#/A#) (Bm-A/C#-Bm/D-D/F#) (G) (F#m) (F#/A#) (B-A-F#-E) “I still don’t have a reason…”

(G) (A) (G) (A, Bm-A) (G) (A) (F7)-2X

C3 (same as C2) “Give me something to…”

Outro “So this is goodbye”-4X

(Bm) (Bm/A) (Bm/G#) (F#/A#) (Bm) (Bm/A) (Bm/G#) (F#/A#) !

Margaritaville – Jimmy Buffet (Key of D, 124 BPM) – Revised (end, added lyrics) 8/27/05

I (D) (G) (A) (D)-2X

V1 “Livin’ on sponge cake…” (D)-6X (A)-8X (D)-2X

C “Wastin’ away again in Margaritaville…”

[(G) (A) (D)-2X]-2X (G) (A) (D A/C#) (G/B) (A)-2X (D)-2X

V2 (same) “Don’t know the reason…”

C (same)

Solo (D)-6X (A)-2X (G) (A) (D A/C#) (G/B) (A)-2X (D)-2X

V3 (same) “I blew out my flipflop…”

C/End [(G) (A) (D)-2X]-2X (G) (A) (D A/C#) (G/B) (A)-2X (D)-2X

(G) (A) (D A/C#) (G/B) (A)-2X (D) (G) (A) (D A D)

Midnight Hour – Wilson Pickett (Key of E, 112 BPM) –Revised (solo length, firmed up outro) 10/22/05

Intro (D) (B) (A) (G) (E A)-2X

V1 “I’m gonna wait until the Midnight Hour...”

(E A)-8X [(B) (A)]-2X (E A)-3X (D) (B)

V2 (same) “I’m gonna wait until the stars come out...”

Solo (E A)-2X (E D) (B) (E A)-3X (B)

V1 “I’m gonna wait until the Midnight Hour...”

(E A)-8X [(B) (A)]-2X (E A)-3X (D) (B)

V2 (same) “I’m gonna wait until the stars come out...”

Solo (E A)-2X (E D) (B) (E A)-3X (B)

Outro [(E A)-4X]-4X w/ horn lick-4X FV: I’m gonna wait until the Midnight Hour”-4x B/U: “In the Midnight Hour”-4x

End (D) (B) (A) (G,2, G-G-G) (E)-Fat

Mustang Sally – Wilson Pickett (Key of C, 110 BPM) – Revised (intro, end) 10/22/05

I (C)-3X (C,-, “Mustang..”)

V1 “Mustang Sally, Guess you better slow your...”

(C)-8X (F)-4X (C)-4X (G)-2X (F)-2X (C) (Bb) (G) (G-G,-A,-Bb,-B)

C “All you want to do is ride around Sally...”

(same 24 bars as verse)

Solo-Gtr (same as verse)

V2 (same) “I bought you a brand new Mustang...”

C (same)

Solo-Sax (same)

V2 (same)

C (same)

Solo-Keys (same)

End/C (same) (C, Drums) (C)

My Girl – Temptations (Key of C, 104 BPM) – Revised (end) 1/21/08

I Bass: (C5)-2X add gtr: (C5)-2X

V1 “I got sunshine on a cloudy day…”

[(C5) (F)]-4X

C “I guess you say, what can make me feel this way…”

[(C5 Dm) (F G)]-2X

(Cmaj7)-2X (Dm7) (G7 Dm7 G7)

V2 (same) “I got so much honey the bees envy me…”

C (same)

Fill (like intro)-4 bars

Bridge [(C5) (F)]-2X (Dm) (G) (Em) (A)

V3 “I don’t need no money fortune or fame…”

[(D5) (G)]-4X

C/end [(D5 Em) (G A)]-2X

[(DM7)-2X (Em) (A G F#m Em)]-to cue w/ “My Girl, My Girl, My Girl, Talkin’ ‘bout My Girl” to cue

Ritard last x

My Old School – Steely Dan (Key of C, 122 BPM) – rev (piano intro chord) 7/2/06

I Piano:(Em)-2X Band:(C) Horns:(C) (G)-4X*

V1 “I remember the thirty-five sweet goodbyes…”

[(G)-3X (Em) (C) (D) (G)-2X]-2X

Pre-C1 (C)-2X (D)-2X (G Em)-2X (C)-2X “I was smoking with the boys upstairs…”-(2-part harmony)

C1 (D) (Am Bm) (Em)-2X

(D) (Am Bm) (G)-2X “Well I did not think the girl could be so cruel…”-(3-part harmony)

Solo 1 Gtr: [(D Em) (Am AmBmBm Bm)

(Em Em/D Em) (Em)]-2X

V2 (same) “Oleanders growing outside her door...” (2-part harmony)

Pre-C2 (same) “Well, I hear the whistle but I can’t go…”

C2 (same), but last chord is (G)-4X

Solo 2 Gtr: [(same 4-bar)]-3X

Piano: (C) (C#dim) (D)-2X (drum fill)

Horns: *(G)-4X (Am) (Bm) (Em) (D)

(Am) (Bm) (Em) (D)-2X Gtr: (G)-4X

V3 (same) “California tumbles into the sea...”

Pre-C3 (same) “Well, I hear the whistle but I can’t go…”

C3 (same), but last chord is (G)-8X

Solo 3 Gtr: [(same 4-bar)]-to cue

Natural Woman – Aretha Franklin (Key of C, 112 BPM; 12/8 time) – Revised (intro, added lyrics) 9/30/08

I Keys: (F/C–Gm-F/A) All: (8-bar verse pattern)-1X

V1 “Lookin out on the morning rain...”

(Gospel feel) [(C)-2X (G/B)-2X (Bb)-2X (F) (F-C/E...C/E)]-2X

Pre-C “Before the day I met you...”

(Swing) [(Dm7) (Em7)]-3X (Dm7) (F/G)

C “You make me feel...”

[(C) (F)]-2X (C)-2X (Dm7) (F/G)

V2 (same) “When my soul was in the lost & found..”

Pre-C2 (same) “Now I’m no longer doubtful...”

C (same) “You make me feel...”

Bridge “Oh baby what you’ve done to me...”

[(C)-2X (Gm)-2X]-2X

(F)-2X (Cm)-2X (F) (C/E) (Dm7) (F/G)

C (Same) “You make me feel...”

Solo Trumpet: (like 8-bar verse pattern)-2X

Solo Gtr: (like 8-bar verse pattern)-2X

Pre-C3 (Same) “Oh baby what you’ve done to me...”

Outro (chorus)-3X, ritard 3rd X, “You make me feel...”-3x

hold on last 3 chords: (Dm7) (F/G) (C)

Need You Tonight – INXS (Key of C, 108 BPM) – Revised (added lyrics to Outro) 9/24/07

Intro (Drums)-4X [(C, C, C, -) (C/Eb-C/Eb-C/Eb, C/D-C/D-C/D, C, -)]-2X

V1 “All you’ve got is this moment…”

[(C7) (F)]-5X

C “So slide over here and give me a moment…” [(C, C, C, -) (C/Eb-C/Eb-C/Eb, C/D-C/D-C/D, C, -)]-4X

V2 (same) “I Need you tonight, because I’m not…”

[(C7) (F)]-5X

Pre-C1 “How do you feel? (I’m lonely…)” [(C7) (F)]-3X

C (same) “So slide over here…”

V2 “I Need you tonight, because I’m not…”

[(C7) (F)]-5X

Pre-C2 “How do you feel? (I’m lonely…)” [(C7) (F)]-3X (C) (F)–“I’m lonely…”

Outro “Can’t think at all…”

[(C7) (F)]-2X “So slide over here…”

[(C7) (F)]-2X “…got to let you know” “Got to let you know” (C/Eb-C/Eb-C/Eb, C/D-C/D-C/D, C, -) (C7) (F) (C)

(F)–“I’ve got to let you know, you’re one of my kind”

Night Train – Blues Standard (Key of G, 104 BPM)– Revised (solos) 9/25/05

V1 (G)-4X (C9)-2X (G)-2X (D+5) (C9) (G)-2X V2 (G6) (C9) (G-G,2,G,4) (G,2,G,4)

(C9)-2X (G-G,2,G,4) (G,2,G,4) (D+5) (C9) (G-G,2,G,4) (G,2,G,4) Solos Sax, trumpet, guitar, keys: (same as V1) End/V2 (same as V2)

Old Time Rock n’ Roll – Bob Seger (Key of C, 124 BPM; Key of F# on the CD) – Revised (key, solos) 10/29/07

Intro: Piano: (C-C, C-C,C-Bb,A-G) (tacet)

(C-C, C-C,C-Bb,A-G) (“Just take those old records)

V1 “Just take those old records off the shelf…”

[(C)-2X (F)-2X (G)-2X (C) (G)]-2X

C1 (same 8-bar verse pattern) [Still like that old time rock n’ roll, That kind of music just smoothes my soul,

I reminisce about the days of old, With that old time rock n’ roll]

Solo Gtr: (same 8-bar verse pattern)

V2 (same) “Won’t go to hear them play a tango…”

C (same)

Solo Keys: (same)

C (same)

C/Drum Break

C (same)

Solo Sax: (same), w/ walkdown at end

Oye Como Va – Santana (Key of Am, 128 BPM) – Revised (walk-up, 2nd guitar solo) 9/18/06

Intro Organ: [(Am) (D9)]-2X

All: [(Am) (D9)]-2X Guitar Solo: [(Am) (D9)]-4X

(Am) (Am, Am, D9-D9, D9) (Am) (D9-D9, D9, -, D9)

C [(Am) (D9)]-4X (“Oye como va, mi ritmo, bueno pagosa, mulata”)-2X

Fill (Am) (Am, Am, D9-D9, D9)

Solo Gtr: [(Am) (D9)]-10X

[(Am) (D9 F#-G-G#-A)]-3X

Fill [(Am) (D9)]-2X

Quietly: [(Am) (D9)]-3X Crescendo: (Am) (Am, Am, last 2 beats 3/2: Am-Am-Am)

Solo Organ: [(Am) (D9)]-11X

Fill [(Am) (D9)]-2X

(Am) (Am, Am, D9-D9,D9)

C (same)(“Oye como va, mi ritmo, bueno pagosa, mulata”)-2X

Fill (D9)-3X (D9, D9, 3/2: D9-D9-D9)

Solo Gtr: [(Am) (D9)]-to cue

End (Am) (Am, Am, D9-D9, D9)

(Am) (D9-D9, D9, Drums, D9 w/ “Huh”)

Pick Up the Pieces – Average White Band (Key of F, 108 BPM) – Revised (layout V2) 9/25/05

I (C7,#9)-4X

V1 {(F7,#9)-4X}-2X (Bb7)-2X (F7,#9)-4X {(F7,#9)-4X}-2X (Bb7)-2X (F7,#9)-4X

(Bb7)-3X (Bb7-Bb7-Bb7-C7,#9) (C7,#9)

Fill (F7,#9)-2X

V2 {(F7,#9)-4X}-2X (Bb7)-2X (F7,#9)-2X (Bb7)-3X (Bb7-Bb7-Bb7-C7,#9) (C7,#9)-4X

W/ “Pick Up the Pieces”-4X

Solo-Sax (Bb7)-12X (F7,#9)-4X

V3 {(F7,#9)-4X}-2X (Bb7)-2X (F7,#9)-2X (Bb7)-7X (Bb7-Bb7-Bb7-C7,#9) (C7,#9)

Outro (F7,#9)-8X, W/ “Pick Up the Pieces”-4X

(F7,#9)-2X, W/ Horn Lick

Play That Funky Music – Wild Cherry Medley with Fire & We Got the Funk (Key of E, 108 BPM) – Revised (structure) 10/22/05

Intro gtr: (E9)-4X all: (E9)-4X

V1 (E9)-16X “Once I was a boogie singer...”

Pre-C (Drums)-4X “Yeah they were dancing, and singing...”

C (G9)-4X (G9) (Bb9) (CM7) (B7#9) “Play that funky music...”

Fill (E9)-4X

V2, Pre-C, C, Fill

V2: “I tried to understand...”

Solo-Gtr (8 bars)

V3, Pre-C, C, Fill

V3: “At first it wasn’t easy...”

Solo-Sax (8 bars)

Medley – Fire:

C: 8 bars (“Fire”)-4x V: 16 bars (“The way you walk and talk...”)

C: 8 bars (“Fire”)-4x

Medley – WGTF:

C: 8 bars (“We want the funk, give up the funk, we need the

funk, we gotta have the funk”)-2x

Horns: 8 bars (“Da da da da dot…”)-2x C: 8 bars (“We want the funk, give up the funk, we need the

funk, we gotta have the funk”)-2x

Fill (E9)-4X

Pre-C “Yeah they were dancing, and singing...”

C “Play that funky music...”

Fill (E9)-4X

C/End “Play that funky music...”

Rehab – Amy Winehouse (Key of C, 146 BPM) – Revised (end) 2/25/08

C1 (Intro) Vocal, keyboard, drums only – rest add claps “They try to make me go to rehab I say no, no, no...”

(C7)-8X (G7)-2X (F7)-2X (C7) (F7) (C7)-2X

V1 (all in) “I’d rather be at home with Ray...”

[(Em)-2X (Am)-2X (F)-2X (Ab)-2X]-2X

Pre-C1 “I didn’t get a lot in class…”

(G7)-4X (F7)-4X

C2 “They try to make me go to rehab...” (singers clap)

(C7)-8X (G7)-2X (F7)-2X (C7) (F7) (C7)-2X

V2 “The man said why do you think you here?...”

[(Em)-2X (Am)-2X (F)-2X (Ab)-2X]-2X

Pre-C2 “He said ‘I just think you’re depressed’…” (G7)-4X (F7)-4X

C3 “They try to make me go to rehab...” (singers clap)

(C7)-8X

V3 “I don’t ever want to drink again...”

[(Em)-2X (Am)-2X (F)-2X (Ab)-2X]-2X

Pre-C3 “It’s not just my pride…” (G7)-4X (F7)-4X

C4 “They try to make me go to rehab...” (singers clap)

(C7)-8X (G7)-2X

(F7)-2X (C7) (F7) (C7)-end upbeat of 4

Respect – Aretha Franklin(Key of C, 114 BPM) – revised (ending) 6/8/01

I [(C7) (F7)]-2X

V1 “What you want, baby I got it...”

[(G7) (F7)]-3X: (who)-6X

C “Want a little respect when you come home...”

[(C7) (F7)]-2X: (Just a little bit)-4X

V2 (same) “I ain’t gonna do you wrong...”

C (same) (Just a little bit)-4X

V3 (same) “I’m about to give you all my money...”

C same: (just a)-8X, (just a little bit)-2X

Solo (F#m)-2X (B7)-2X (F#m)-2X (G7)-2X

V4 (same) “Oh your kisses, are sweeter than honey...”

C same: (Re)-7X, Respect, (just a little bit)-2X

Break C “R-e-s-p-e-c-t, tell me what it means to me...”

[(C C) (F F)]-2X

Outro [(C7) (F7)]- 1X: (sock it to me)-8X

[(C7) (F7)]- 3X: (just a little bit)-6X

[(C7) (F7)]- 1X: (re)-7X, respect

[(C7) (F7)]- 3X: (just a little bit)-6X

Instruments w/ ad lib vocal: [(C7) (F7)]-to cue

End [(C7) (F7)]- 3X: (just a little bit)-6X[(C7) (F7)]- 1X (C): (re)-7X, respect

Rock Steady – Aretha Franklin (Key of A, 104 BPM) – Revised (sax solo) 10/31/07

I Drums/Keys: (A)-4X All: (A9)-4X

V1 (A9)-12X “Rock Steady baby, that’s what I feel...”

Pre-C (A9)-4X “It's a funky and lowdown feeling...”

C (A9)-4X BV: “Put your hands up in the air...”

Refrain (A9)-4X “Rock Steady, Rock Steady baby…”

Horns (D7)-4X

V2 (A9)-8X “Jump and move your hips...”

Pre-C (same)

C (same) Refrain (same)

Horns (D7)-4X (A9)-4X

Interlude (Drums)-4X BV: “Rock, Steady”-2X

Sax/Band-Softer: (A9)-8X

Sax/Drums: (A9)-8X

Sax/Band-Louder: (A9)-8X

Pre-C (same)

C (same) Refrain (same)

Horns (D7)-4X (A9)-4X

Interlude (Drums)-4X BV: “Rock, Steady”-2X

Rock This Town – Stray Cats (Key of D, 200 BPM) – revised (combine chorus & fill) 11/6/05

Intro gtr: (D)-4X all: (D)-8X

V1 “Well my baby and me went out late Saturday night...”

(D)-6X (A)-2X (D)-2X (G)-2X (D) (A)

Fill (D)-8X

V2 (same) “Found a little place that really didn’t look that...”

Fill (D)-2X

C (D)-6X (A)-2X (D)-2X (G) (G) (D) (A) (D)-2X

Solo sax: (like verse)

Fill (D)-8X

V3 “Been having a ball.......like 1974........”

(D)-6X (A)-2X (D) (D) (G) (G) (D) (A)

Fill (D)-2X

C (same)

Solo keys: (like verse)

C/End (D)-6X (A)-2X (D)-2X (G) (G) [(D) (A) (D)-2X]-3X (D)

Roll With It – Steve Winwood (Key of G, 118 BPM) – Revised (Coda) 9/24/07

I (1,2, Drums) All: (D)-2X (Em) (F C/G)

(G7)-4X

V1 “When life is too much, roll with it baby” (G7)-8X (C7)-4X (G7)-4X

Pre-C “Luck will come and then slip away…”

(D)-2X (Em) (F C/G)

C “Roll with it baby, come on just…” [(G7, , C) (G7)]-4X

V2 (same) “The way that you love, is good as...”

Pre-C (same) “When this world turns its back on you”

C (same) “Roll with it baby, come on just…”

Solo-Sax (Em)-2X (Bb)-2X (Dm)-2X (Ab) (F)

C (same) “Roll with it baby, come on just…”

V3 (same) “Now there’ll be a day you’ll get there...”

Pre-C (same) “Then you’ll see life will be so nice…”

C (same) “Roll with it baby, come on just…”

Coda Keys Solo: (G7)-8X (C7)-4X (G7)-4X

(D)-2X (Em) (F) Ritard: (Bb-Am-G)

Route 66 –Jazz Standard (Key of F, 152 BPM)– Revised (end walk-up) 5/14/07

Jazz Standard: A, A, B, A, Solos (A, A), B, A-3X tag end

Jazz Blues chords: I, IV, I, I, IV, IV, I, I, iim, V, I-vi, iim-V

I (F6) (Bb9) (F6)-2X (Bb9)-2X (F6)-2X (Gm7) (C13) (F6 D9) (Gm7 C13)

V1 (same as intro) “If you ever plan to motor west...”

V2 (same) “It winds from Chicago to LA...”

Bridge With breaks: “Now you go through St. Louis...”

(F6) (Bb9) (F6) (F6) (Bb9)-2X (F6)-2X

(Gm7) (C13) (F6 D9) (Gm7 C13)

V3 (Same) “Won’t you get hip to this timely tip...”

Solos Sax, Trumpet, Gtr, Keys: (same as verse)

Bridge (same) With breaks: “Now you go through St. Louis...”

V3/End “Won’t you get hip to this timely tip...”

(F6) (Bb9) (F6)-2X (Bb9)-2X (F6)-2X “Get Your Kicks” G7-G7, “On Route” C13, “Sixty Six” (F6 D9) (Gm7 C13)

“Get Your Kicks” G7-G7, “On Route” C13,

“Sixty Six” (F6 D9) (Gm7 C13)

“Get Your Kicks” G7-G7, “On Route” C13, “Sixty Six”

A-Bb-B-C-D-E-F, F

Secret Agent Man – Johnny Rivers (Key of Em, 162 BPM) – Revised (chorus, last chord) 9/10/07

I Guitar: (Em)-2X All: [(Em)-2X]-2X

V1 “There’s a man who leads a life of danger…”

(Em) (Am) (Em)-2X (Em)-2X (B7)-2X (Em)-2X (Am)-2X

(Em) (Am) (Em) (Em-Em)

C “Secret Agent Man, Secret Agent Man”

(Bm) (Em) (Bm) (Em) “They’ve given you a number and taken way your name”

(C7) (B7)-2X

Fill [(Em)-2X]-2X

V2 (same) “Beware of pretty faces that you find…”

C (same) “Secret agent man…”

Fill [(Em)-2X]-2X

Solo-Guitar (over verse)

C (same) “Secret agent man…”

V3 (same) “Swinging on the Riviera one day…”

C (same) “Secret agent man…”

Outro [(Em)-2X]-3X (Em)–“Secret agent man”

September – Earth, Wind & Fire (Key of D, 124 BPM) – Revised (end) 7/30/07

Intro [(DM7 C#m7 Bm7) (C#m7 F#m7)]-3X

[(GM7/A)]-4X, One accent last bar: beat 3.

V1 “Do you remember the twenty-first night...”

[(DM7 C#m7 Bm7) (C#m7 F#m7)]-2X (DM7 C#m7 Bm7) (C#7 F#m7)

[(GM7/A)]-2X, Two accents last bar: beats 3-4.

V2 (same) “Our hearts were ringing…”

C1 “Ba-de-ya, say do you remember...” [(Bm7 E7) (C#m7 F#m7)]-3X

(GM7/A)-2X, Three accents last bar: beats 3-&-4.

Bridge (same as verse) “Ba do oo, ba do oo…”

V3 (same) “My thoughts are with you...”

V4 (same) “Now December found the love...”

C2 (same), Two accents last bar: beats 3-4.

C (same as C2)

V5 (same as C2) “The bells were ringing…”

C (same as C2)

C (same as C2)

C No vocals: (same), Three accents last bar: beats 3-&-4.

Sex Machine – James Brown (Key of Eb, 108 BPM) – Revised (length bridge) 3/31/08

Intro “…1,2,3,4” (Ab)-8 hits

V1 (Eb) “Get up…”

“Get up…”

“Get up…”

“Shake your arm…” “Get up…”

Solo-Keys (Eb)

V2 (Eb) “Get up…”

“You said…” “Get up…”

“Should I take them to the bridge …”

B (Ab)-8 (Ab)-8 hits “Stay on the scene…”

V3 (Eb) “Get up…”

Solo-Keys (Eb)

V4 (Eb) “Get up…”

“Shake your money maker…”

“Get up…” “Hit and quit…”

End (Ab)-5 hits

Shake-Shake-Shake - KC & Sunshine (Key of Cm, 112 BPM) – Revised (format) 10/16/05

Intro [(Cm7)-2X (F7)-2X]-2X

V1 [(Cm7)-2X (F7)-2X]-2X “Everybody, get on the floor, let’s dance…”

C [(Ab7) (Bb7) (Cm7)-2X]-2X [Shake-Shake-Shake, Shake-Shake-Shake, Shake your booty, Shake Your booty]-2X

V2 (same) “You can, you can do it, very well…”

C (same)

Horns [(Cm7)-2X (F7)-2X]-2X (4-bar lick)-2X [Shake-Shake, Shake-Shake]-2x

C (same)

Horns [(Cm7)-2X (F7)-2X]-2X (4-bar lick)-2X [Shake-Shake, Shake-Shake]-2x

C/End [(Ab7) (Bb7) (Cm7)]-3X [Shake-Shake-Shake, Shake-Shake-Shake, Shake your booty, Shake Your booty]-3X Acapella [Shake-Shake-Shake, Shake-Shake-Shake,

Shake your booty, Shake Your booty]-1X

Shake Your Body – Michael Jaskon (Key of G, 118 BPM) – Revised (End) 9/24/07

Intro Drums/Keys: (G7)-4X Add bass: (G7)-4X

V1 “I don’t know what’s going to happen to you baby…”

[(G7)-4X]-2X

C “Let’s dance let’s shout, shake your body…”

[(G7)-4X]-2X

Fill [(G7)-4X]-1X

V2 (same) “You tease me with your lovin’…”

C (same) “Let’s dance, let’s shout…”

Fill [(G7)-4X]-2X w/ strings/horns

V3 (same) “Just the spark that lit the fire inside of me…”

C (same) “Let’s dance, let’s shout…”

Fill [(G7)-4X]-2X, w/ horn licks-1x

V2 (same) “You tease me with your lovin’…”

C (same) “Let’s dance, let’s shout…”

Fill [(G7)-4X]-2X,w/ horn licks-2x

C (same) ,w/ vocal ad lib & horn hits

End [(G7)-4X]-2X – w/ horn licks-2x

Shaky Ground – Etta James (Key of E, 94 BPM) – Revised (removed chorus) 11/7/05

Intro Gtr: (2-bar pattern in “E”)-2X All: (2-bar pattern)-2X

V1 “Lady luck and 4-leaf clovers...” (2-bar pattern)-4X, w/ last bar = (E-E, E-C#, E-D, E-D#)

( 1 &, &-a , &-a , &-a )

C1 “Standing on shaky ground...” (2-bar pattern)-4X, w/ last bar = (1, 2, D-D-D-D, D-E)

( 1, 2, 3 – e -& -a , 4 -&)

V2 (same) “My car was reposed this morning…”

C2 (same as V1) i.e. last bar: (E-E, E-C#, E-D, E-D#)

Solo Keys: (same as V1)

Bridge Sax: (A)-3X (B-B, B-B, B, B-slide down)

C2 (same)

Solo Sax: (same as V1)

C1 (same)

Should I Stay or Should I Go– Clash (Key of D, 114 BPM) – Revised (choruses) 5/14/07

I Gtr: [(D G) (D)]-2X All: [(D G) (D)]-2X Line (DD GG CC# D)

V1 “Darling you got to let me know...”

(D G) (D) (D G) (D) (G F) (G) (D G) (D)

(A) (A) (D G) (D)

V2 (same) “It’s always tease, tease, tease...”

C1 Double Time: “Should I stay or should I go now...” (D G) (D) (D G) (D) (G F) (G)

(D G) (D) (A) (A A-A-C-A-C#-A) (D)

V3 (same) “This indecisions bugging me...”

V4 (same) Ad lib vocals

C (D G) (D) (D G) (D) (G F) (G)

(D G) (D) (A)-2X (D)-2X

C (D G) (D) (D G) (D) (G F) (G)

(D G) (D) (A) (A A-A-C-A-C#-A) (D)

Shout – Otis Day & the Knights (Key of Eb, 146) – Revised (Chorus 3) 5/12/08

I “Do you wanna dance? Yeah!” (Ab)

C1 “Well, you know you make me want to shout....” [(Eb) (Cm)]-10X “Come on now, come one now, come one now, Cm”

(Eb) (Cm) (Eb) (Cm)

V1 “I still remember....” [(Eb)-2X (Cm)-2X]-3X

“You want to leave me, you want to let me, go-2-3-4, Cm”

(Eb)-2X (Cm) (Cm) “I want you to...”

Bridge 1 “I want you to know...”

Slower: (Eb)-16X Line: Eb-G-Ab-A-Bb-Ab-G-F

C2 “You know you make me want to shout....” Regular Tempo: [(Eb) (Cm)]-4X “Come on now, yeah” (Eb) (Cm)

“Come on now, yeah” (Eb) (Cm)

“Alright, yeah, Eb” (Eb) (Cm) (Eb)

Bridge 2 “Now wait a minute” Free Form: (Eb) (Ab) (Eb)

C3 “You know you make me want to shout....”

w/ “Softer-Louder” & “Hey-eh-eh-eh” call & answer

[(Eb) (Cm)]-to 4-bar cue of (“Shout and, shout and, shout and, shout and”)-4X

End (Eb)-“Shout” (Ab)-(Eb)

Signed, Sealed, Delivered – Stevie Wonder(Key of F, 108 BPM) – Revised (format) 6/7/03

Intro Gtr/Drums: (F7)-2X with walkdown-1X

All: (F7)-2X with walkdown-1X

V1 “Like a fool I went and stayed too long....”[(F Dm7) (Dm7) (F Dm7) (Dm7 Cm/FBb7) (Bb7) (Gm7/C) (F7)-2X]-2X

C [(F7 Eb/G Bb) (Bb Bb/C Bb/F)]-4XWith “Here I am baby...”-2X

Fill (F7)-4X, with Walkdown-2X

V2 (same) “Seen a lot of things in this old world...”

C (same)

Fill (F7)-4X, with Walkdown-2X

Solo-keys (8-bar verse pattern)-2X

Solo-sax (same)

C, C (Same) With “Here I am baby...”-4X

End (F7)-4X, w/ walk-down 2X (ritard 2ndX)

Smooth – Santana (Key of Am, 118 BPM) – Revised (added lyrics to Coda) 10/16/05

Intro (drums/gtr) all: [(Am F E) (E7)]-4X

V1 “And it’s a hot one...”

{[(Am F E) (E7)]-2X (Dm7 F/C Bm7b5) (E7/G#) (Am F E) (E7)}-2X

Pre-C “And if you say this life ain’t good enough...”

[(Am F E) (E7)]-3X (Dm7 F/C Bm7b5) (G) (F#sus2 B5) (E7b9)

C “And it’s just like the ocean under the moon...”

[(Am F E) (E7)]-3X (Dm7,2,3,Dm7) (E7b9)

Fill [(Am F E) (E7)]-2X

V2 (same) “Well I’ll tell you one thing…”

Pre-C (same)

C (same) (drums/horns)

Solo [(Am F E) (E7)]-4X [(Am F E) (E7)]-3X (Dm7 F/C Bm7b5) (G) (F#sus2 B5) (E7b9)

C (same)

Coda [(Am F E) (E7)]-8X “Or else forget about it”-8x Gtr solo: [(Am F E) (E7)]-8X Gtr motif: [(Am F E) (E7) (Am F E) (E7)]-3X

(Am F E) (E7) (Dm7,2,3,Dm7) (E7b9)

“Give me your heart, make it real, or else forget about it”

Smooth Operator – Sade (Key of Dm, 120 BPM) – Revised (Sax solo, End) 12/8/08

I (Drums)-4X

[(Dm Dm/Db) (Dm/C Em/B)]-4X

V1 “Diamond life, lover boy....”

[(Dm Am7) (Gm7 Am7)]-8X

Pre-C1 “No place for beginners....”

(Gm7) (Am7) (Dm Dm/Db) (Dm/C Em/B)

(Gm7) (Am7) (Dm)-2X (Gm7) (Am7) (Dm) (N.C.)-“No need to ask”

C (2-bar verse pattern)-4X “He’s a smooth operator...”

V2 (2-bar pattern)-4X “Coast to coast LA to Chicago....”

Solo-Bass [(Dm)-2X (Gm7) (Am7)]-2X

Solo-Sax (2-bar verse pattern)-8X

V3 (2-bar pattern)-4X “Face to face each classic case....”

Pre-C2 (same) “A license to love, insurance to hold....”

C (same)

V2 (same) “Coast to coast LA to Chicago....”

Outro C (same) “He’s a smooth operator...” C/Sax (same) “He’s a smooth operator...”

C/Sax (same) “He’s a smooth operator...”

w/ ritard last 2 bars

Soul Man – Sam & Dave/Blues Brothers (Key of E, 116 BPM) –Revised (outro) 9/25/05

I (E) (D) (G) (A B) (E A)-4X

V1 (E A)-8X “Comin to ya, on a dusty road...”

C (E) (D) (E)-2X (E) (D) (E) (A B) “I’m a soul man”-4X

V2 (same) “Got what I got, the hard way...”

C (same)

V3 (same) “I was brought up, on a side street...”

C (same)

Bridge (C) (G) (A) (A/B) (C9) “Well grab a rope...” (F) (Eb) (Ab) (Bb C) (F) (Eb) (Ab) (Bb C7)

Outro [(F Bb)-4X]-4X, w/ “I’m a soul man”-8x

(F,2,F)

Stand By Me – Ben E. King (Key of A, 116 BPM) – Revised (end) 10/22/05

I (8-bar verse pattern)-1X

V1 “When the night has come…” [(AM7)-2X (F#m7)-2X (D) (E) (AM7)-2X]-2X

C “Stand by me…” (8-bar pattern)-1X

V2 (same) “If the sky…”

C (same)

Solo Strings: (8-bar pattern)-2X

C (same)

C (same)

End (8-bar)-1X, W/ Last 2 bars = E-G#(A-A,E-G#) (A-A,E-G#) (A)

Stayin’ Alive – Bee Gees (Key of F, 104 BPM) – Revised (end) 10/29/07

I (Fm7)-2X (Bb7)-2X (Fm7)-2X

V1 “Well you can tell by the way I use my walk...”

[(Fm7) (Eb Fm)]-2X (Bb7)-4X

C “Whether you’re a brother or whether you’re a mother…” (Fm7)-7X (Fm) (Eb/F) (Fm) (Cm7) (Fm)-2X

V2 (same) “Well now I get low and I get high...”

C (same) “Whether you’re a brother or whether…”

Br “Life goin’ nowhere, somebody help me…”

[(Bb7)-3X (Fm7)-2X]-2X

V1 (same) “Well you can tell by the way I use my walk...”

C (same) “Whether you’re a brother or whether…”

Outro “Life goin’ nowhere, somebody help me, somebody help me yeah”

(Bb7)-3X (Fm7)-2X (“Life goin’ nowhere, somebody help me yeah)….(“I’m stayin’ alive”)

(Bb7)-2X [(Fm7)-2X]-2X “Life goin’ nowhere, somebody help me, somebody help me yeah”

(Bb7)-3X (Fm7)-2X (“Life goin’ nowhere, somebody help me yeah)….(“I’m stayin’ alive”)

(Bb7)-2X [(Fm7)-2X]-4X, w/ -2-bar Gtr Riff-4X

End last bar on downbeat of 4th beat

Superstition – Stevie Wonder (Key of Em, 100 BPM. Note: Key of Ebm on CD) –

Revised (intro) 12/3/05

I (Drums)-2X Keys: (2-bar in Em)-2X All: (2-bar in Em)-2X

V1 (2-bar)-4X “Very superstitious, writings on the wall...”

Pre-C1 (2-bar)-4X ”Thirteen month old baby...”

C “When you believe in things...” (B7 C7b5) (B7 Bb7b5) (A7) (B7+5) (Em)-4x

V2 (Same) “Very superstitious, wash your face & hands...”

Pre-C2 (same) “Keep me in a daydream...”

C (same) “When you believe in things...”

C (same)- no lyrics

V3 (same) “Very superstitious, nothing more to say...”

Pre-C1 (same) ”Thirteen month old baby...”

C (same) “When you believe in things...”

Outro (2-bar in Em)-4X “Very superstitious”-4X (B7 C7b5) (B7 Bb7b5) (A7) (B7+5) (Em)

Sweet Caroline – Neil Diamond (Key of B, 124 BPM) – Revised (Outro) 5/24/05

Intro (F#)-2X (B/F#)-2X (E/F#)

(E/F# F#) (D#m/F# C#m/F#)

V1 “Where it began, I can’t begin to know...”

(B)-2X (E)-2X (B)-2X (F#)-2X (B)-2X (E)-2X (B)-2X (F#7)-2X

Pre-C1 “Hands, touching hands...”

(B)-2X (B6)-2X (F#7)-2X (E)-2X (F#7) (F#7 E/G# F#/A#)

C “Sweet Caroline, good times never seem so good...”

(B) (E)-3X (F#7) (F#7 E/G# F#/A#)

(B) (E)-3X (F#7 E) (D#m C#m)

V2 (same) “Look at the night, and it don’t seem so…”

Pre-C2 (same) “Warm, touching warm...”

C (same)

Intro (same)

Outro [(B) (E)-3X (F#7) (F#7 E/G# F#/A#)]-3X

(B) (E)-3X (F#7 E) (D#m C#m) (B) w/ “Sweet Caroline, good times never seem so good”-4x

Sweet Escape – Gwen Stefani (Key of Bbm, 120 BPM) – Revised (End) 6/16/08

Intro Keys: [(Bbm Db) (Eb9 GbM7)]-2X

Add gtrr/horns: [(Bbm Db) (Eb9 GbM7)]-2X

Hook “Woohoo, yeehoo”-4x

All: [(Bbm Db) (Eb9 GbM7)]-4X

V1 “If I could escape, I would, but first of all let me say…”

[(Bbm Db) (Eb9 GbM7)]-4X

C “If I could escape, and recreate a place that’s my own...” (Db) (Ab/C) (Bbm) (Fm)

(Ebm7) (Ebm7) (Absus4) (Ab7)

(Db) (Ab/C) (Bbm) (Fm)

(Ebm7) (Ebm7) (Absus4) (F7)

Hook (same) “Woohoo, yeehoo…”-4x & “I wanna get away(get…) to our Sweet Escape(Sweet…) I wanna…”

V2 “You melt me down, I’m at my lowest boiling point…”

Keys-Gtr/Drums: [(Bbm Db) (Eb9 GbM7)]-4X

All: [(Bbm Db) (Eb9 GbM7)]-4X

C (same)

Hook Keys-Gtr/Drums: (same)- 4thx = (Bbm Db) (Eb9) “Woohoo, yeehoo…”-4x “If I could escape”-3rd & 4thx

V3 “Cause I’ve been acting like sour milk fell on the floor…”

All: [(Bbm Db) (Eb9 GbM7)]-2X

C (same)

Hook Keys-Gtr/Drums: (same)-2X Bass: (Slide on Bb)-2X “Woohoo, yeehoo”-4x & “I wanna get away”-4x

Outro [(Bbm Db) (Eb9 GbM7)]-3X

(Bbm Db) (Eb9-Eb9)-“Yeehoo” acapella

Sweet Home Alabama – Lynyrd Skynyrd (Key of D, 98 BPM) – Revised (format) 8/19/08

Intro [(D C) (G)]-4X (Gtr-1X, Gtr & Drums-1X, All-2X)

V1 [(D C) (G)]-4X “Big wheels keep on turnin’...”

Fill [(D C) (G)]-2X

V2 (same) “Well I heard Mr. Young sing about her...”

C [(D C) (G)]-3X (D C) (G FC) “Sweet home Alabama, where the skies are so blue”

“Sweet home Alabama, lord I’m coming home to you”

Fill (same)

V3 “In Birmingham they love the governor, Ooh-Ooh-Hoo...”

(D C) (G FC) [(D C) (G)]-3X

C [(D C) (G)]-4X

Solo-Gtr [(D C) (G)]-8X

Fill (same)

V4 (same) “Now Muscle Shoals has got the Swampers...”

C [(D C) (G)]-3X (D C) (G FC)

C [(D C) (G)]-4X

Solo Keys [(D C) (G)]-to cue

Solo Gtr [(D C) (G)]-to cue

End [(D C) (G)]-8X (the solo pattern) F-C-D

Sweet Thing – Chaka Khan (Key of A, 82 BPM) – Revised (outro) 10/29/07

I (AM9 DM9)-4X

V1 (AM9 DM9)-4X “I will love you anyway...”

V2 (same) “I just want to satisfy you...”

C “Oh Sweet Thing...”

[(AM9)-2 beats (AM9)-4 beats]-3X (AM9)

Fill (AM9 DM9)-4X

V3 (same) “I wish you were my lover...”

V4 (same) “I’m only what you make me baby...”

C (same)

Fill (AM9 DM9)-4X

Fill (BbM9 EbM9)-4X

V5 (BbM9 EbM9)-4X “You are my heat, you are my fire..”

V2 “I just want to satisfy you...” (BbM9 EbM9)-3X (Dm7 Db9 Cm9 B7b5)

Outro [(BbM9 EbM9)-3X (Dm7 Db9 Cm9 B7b5)]-2X BU vocals: “You are my heat, you are my fire…”-2X FV: ad lib

Solo Trumpet: (same as outro)-3X

Outro (same)-4X: ritard 4thx on walkdown, (BbM9) BU vocals on 1,2,3x: “You are my heat, you are my fire…” FV: ad lib

Instrumental on 4th x

Tequila – The Champs (Key of F, 90 BPM) – Revised (BPM cut time, added keys solo, format) 10/16/05

(Notes: cut time, i.e. 2 beats/measure; key of E on CD)

I Rhythm Guitar & claps 4 Bars: (F-F,Eb) (F-F -F,Eb-Eb-Eb) (F-F,Eb) (F-Eb -Eb,Eb-Eb-Eb)

Add Bass: (4-bar pattern)-1X Add Drums: (4-bar pattern)-1X Add Lead Guitar: (4-bar pattern)-1X

Sax Lick (4-bar pattern)-4X

C [(Bb Bdim) (F/C F7)]-3X (G) (C, “Tequila”)

Sax Lick (4-bar pattern)-2X

Solo Sax: (4-bar pattern)-4X

C (same)

Sax lick-2X, solo-Trumpet, C (same)

Sax lick-2X, solo-Gtr, C (same)

Sax lick-2X, solo-Keys, C (same)

End Sax lick: (4-bar pattern)-4X Last 2 bars: (F-F,Eb-F), “Tequila”

Tequila Sunrise - Eagles(Key of G, 112 BPM) – 5/8/00

Intro (G G6)-4X (Acoustic Guitar)(Am) (D) (G G6) (Gmaj7 G6)

V1 [(G)-2X (D)-2X (Am) (D7) (G)-2X]-2X

Bridge 1 [(Em) (C)]-2X (Em) (Am) (D7)-2X

V2 [(G)-2X (D)-2X (Am) (D7) (G)-2X]-2X

Solo [(G)-2X (D)-2X (Am) (D7) (G)-2X]

Bridge 2 (Am) (D) (Bm) (E)(Am) (B) (Em7) (A)

V3 [(G)-2X (D)-2X (Am) (D7) (G)-2X]

End (G G6)-4x (Am) (D) (G,2-C-C) (G)

The Joker – Steve Miller (Key of F, 82 BPM) – Revised (format) 5/14/07

I (Drums)

V1 “Some people call me the space cowboy...” [(F Bb) (C Bb)]-4X

V2 “Some people talk about me baby...” [(F Bb) (C Bb)]-4X

C “Cause I’m a picker…” “I’m a Joker…” (F Bb)-3X (C Bb) (F Bb)-3X (C)-2X

Solo-Gtr [(F Bb) (C Bb)]-4X

V3 “You’re the cutest thing I ever did see...” [(F Bb) (C Bb)]-4X

C (same) “Cause I’m a picker…”

Beverly Hills:

I [(F Bb)-3X (C E)]-1X

V1 “Where I come from…”

[(F Bb)-3X (C E)]-2X

C “Beverly Hills…” [(F Bb) (C Bb) (F Bb) (C E)]-2X

V2 (same) “Look at all those movie stars…”

C (same)

Solo-Gtr (same as verse)

C (same)

End (F Bb) (C Bb) (F Bb) (C E)

(F Bb) (C Bb) (F Bb) (C Bb) (F) w/ “Beverly Hills”-4X

The Way We Were – Barbara Streisand(Key of A, 65 BPM) – Revised (Slash chords) 11/11/02

Jazz Standard: A, A, B, A.

I Keys: (A)Add vocals: (A AM7) (DM7) (F#m F#m/E)Add Bass: (DM7 C#m7 C#7) (F#m F#m/E) (DM7 E7)Add Strings: (AM7 F#m7/A) (Bm7 E7)

V1 “Mem’ries light the color of my mind...”All: (AM7 A/C#) (DM7) (F#m F#m/E) (DM7 C#m7 C#7)(F#m F#m/E) (DM7 E7sus4 E7) (AM7 F#m7/A) (Bm7 E7)

V2 ”Scattered pictures of the smiles we left behind...”(AM7 A/C#) (DM7) (F#m F#m/E) (DM7 C#m7 C#7)(F#m F#m/E) (DM7 E7sus4 E7) (AM7) (A7)

Bridge “Can it be that it was so simple then...”(DM7 C#m) (Bm7) (C#m7) (F#7sus4 F#7)(Bm7 Bm7) (Bm7/E E7) (AM7) (D/E)

V3 “Mem’ries may be beautiful and yet...”Keys/Strings: (AM7 A/C#) (DM7) All: (F#m F#m/E)

(DM7 C#m7 C#7) (F#m F#m/E)(DM7 C#7sus4 C#7) (F#m7 F#m/E) (DM7) [(C#m7) (DM7)]-2X (C#m7 F#m7/C#) (Bm7 Bm7/E7)(AM7 DM7) (D/E)

End Keys: (A) All: (A AM7) (DM7) (F#m F#m/E) (DM7 E7sus4 E7) (AM7)

This Love – Maroon 5 (Key of Cm, 96 BPM) – Revised (Coda) 4/21/08

I [(G) (Cm) (Fm7) (Ddim7

)]-2X (Line for V, I: (B,,B D) (C,,G Gb)(F,,F Eb) (D,,Ab Bb*)

V1 “I was so high I didn’t recognize the fire burning in her…”

(G) (Cm) (Fm7) (Ddim7

)

(G) (Cm) (Fm7) (Ddim7

)

C “This love has taken its toll on me...”

[(Cm Fm) (Bb Eb)]-3X

(Cm F7) (Ab,,G G/F)

I “…Whoa, whoa, whoa-oh…”

(G) (Cm) (Fm7) (Ddim7

) …w/ intro line

V2 “I tried my best to feed her appetite…”

Drums: (G) All: (Cm) (Fm7) (Ddim7

)

(G) (Cm) (Fm7) (Ddim7

)

C (same) “This love has taken its toll on me…”

I (G) (Cm) (Fm7) (Ddim7

) …w/ intro line & “Whoa…”

B “I’ll fix these broken things, repair your broken wings...”

(Fm) (EbM7) (Bdim7) (Cm) “It’s all right...”

(Fm) (EbM7) (G7) (G7)

C (same) “This love has taken its toll on me…”

C (same) “This love has taken its toll on me…”

Coda [(G) (Cm) (Fm7) (Ddim7

)]-2X

(Ab-Bb-G7/B)

* Do not play Ab-Bb at end of verses or leading into Bridge

This Will Be (An Everlasting Love) – Natlie Cole(Key of Bb, 130 BPM) – Revised (chords) 5/30/04

Jazz Progression: I-vim-iim-V. (Bb-Gm-Cm-F & Db-Bbm-Ebm-Ab)

I [(Bb Gm) (Cm Cm7/F)]-3X[(EbM7 Dm7) (Cm Dm]-2X(EbM7 Dm7) (Cm Cm7/F)[(Bb Gm) (Cm Cm7/F)]-2X

V1 “This will be an everlasting love...”

[(Bb Gm) (Cm Cm7/F)]-3X(Dm7 DbM7) (GbM7 Eb/F)

V2 “I’m so glad he found me in time...”

[(Bb Gm) (Cm Cm7/F)]-3X(Dm7 DbM7) (GbM7 Eb/F)

V3 “Loving you is some kind of wonderful...”

[(Db Bbm) (Ebm7 Ebm7/Ab)]-3X(Ebm7) (Ebm7/Ab)

V4 “This will be an everlasting love...”

[(Db Bbm) (Ebm Ebm7/Ab)]-3X[(Ebm) (Fm7)]-3X (Ebm) (Ebm7/Ab)

V5 “This will be yes siree eternally...”

[(Db Bbm) (Ebm Ebm7/Ab)]-2X[(Db Bbm) (Ebm Ebm7/Ab)(Db Bbm) (Ebm Ebm7/Ab)]-2X

Outro “Hey you’re so deserving...”

[(Db Bbm) (Ebm Ebm7/Ab)]-to cue

True Love Ways – B. Holly (Mavericks) (Key of Bb, 78 BPM) – Revised (added 2nd ½ of 2nd Bridge) 11/22/06

V1 “Just you know why...”

[(Bb Dm) (Eb F7)]-2X (Bb Gm) (Gm C7) (Cm7) (F7)

C “Sometimes we’ll sigh...”

[(Bb Dm) (Eb F7)]-2X (Bb Gm) (Cm7 F7) (Bb Eb) (Bb)

Bridge “Throughout the days...” (Ebm7) (Ebm7 Ab7) (Bb) (Bb)

(Db) (F/C C7) (F) (F)

C [(Bb Dm) (Eb F7)]-2X (Bb Gm) (Cm7 F7) (Bb) (Bb)

Solo [(Bb Dm) (Eb F7)]-2X

(Bb Gm) (Cm7 F7) (Bb Eb) (Bb)

Bridge “Throughout the days...”

(Ebm7) (Ebm7 Ab7) (Bb) (Bb) March triplets (Db) (F/C C7) (F) (F F7)

C/End [(Bb Dm) (Eb F7)]-2X

(Bb Gm) (Cm7 F7) (Bb) (Ebm7) (Bb) (Bb)

Unchained Melody – Righteous Brothers(Key of C, 66 BPM) – Revised (ending) 1/7/02

V1 [(C) (Am) (F) (G)(C) (Am) (G) (G)]-2X1st x: “All my love...”; 2nd x: “Time goes by...”

C “I need your love...”

(C) (G) (Am) (Em) (F) (G) (C) (C7)

Bridge “Lonely rivers flow...”

[(F G) (F Eb) (F G) (C)]-2X

V1 (same)

C/end (C) (G) (Am) (Em) (F) (G)(C) (Am) (F Fm) (C)

Vehicle – Ides of March (Key of Ebm, 100 BPM) – Rev (added lyrics to outro) 3/31/08

I (Horns: Ebm All: Bbm) [(Ebm) (Bbm)]-3X

V1 “Hey, well, I’m the friendly stranger...” [(Ebm) (Bbm)]-2X

C “I’m your vehicle baby...”

(Abm7) (Bbm7) (BM7) (Bbsus Bb) (Abm7) (Bbm7) (B) (Bbm7)

(Ebm)-“Great god in heaven, you know I love you” [(Ebm) (Bbm)]-2X

V2 (same) “Well if you want to be a movie star...”

C (same)

Solo-Gtr (over verse & chorus)

V1 (same) “Well, I’m the friendly stranger...”

C (same) “I’m your vehicle baby...”

Coda “Don’t you know I love you, I need you...”

(Abm7) (Bbm7) (B) (Bbm7)

(Ebm)-“Great god in heaven, you know I love you” [(Ebm) (Bbm)]-2X

(Abm7) (Bbm7) (B) (Bbm7) (Ebm) Vocal ad lib:

“Great god in heaven, you know I love… you…”

Outro - (Horns & drums: Ebm All: Bbm) (Ebm)

Waiting on the World to Change – John Mayer (Key of D, 88 BPM) – 5/13/08

I (Drums)-4X (D Bm) (G D) (A Bm) (G D)

V1 “Me and all my friends we’re all misunderstood…” [(D Bm) (G D) (A Bm) (G D)]-2X

C “So we keep waiting (waiting) waiting on the world to change...”

(D Bm) (G D) (A Bm) (G D) (D Em7) (Bm7 Em7) (A Bm) (G D)

V2 (same) “Now if we had the power to bring our neighbors…”

C (same) “So we keep waiting (waiting) waiting on the…”

B (Gm9)-7X (GM7/A)

Solo-Gtr (D Bm) (G D) (A Bm) (G D) No Gtr: (D Bm) (G D) Add Gtr: (A Bm) (G D)

C (same) “So we keep waiting (waiting) waiting on the…”

End “You know we keep on waiting (waiting), waiting on the world to change”-2X

[(A Bm) (G D)]-2X “Waiting on the world to change”-3X

[(G D)]-3X

Walking on Sunshine – Katrina & the Waves (Key of Bb, Cut Time: 110 BPM) – Revised (Outro) 4/7/06

I (Drums)-8X All: [(Bb) (Eb) (F) (Eb)]-2X

V1 “I used to think maybe you loved me, now baby I’m sure...”

(4-bar pattern)-8X

C [(F6)-2X (Eb6)-2X]-3X “I’m walking on sunshine, wooh”-3X (4-bar pattern)-2X “And it’s time to feel good”-2X

V2 (same) V2: “I used to think maybe you loved me, now I know that it’s true...”

C (same)

V3 (same) V3: “Walking on sunshine, walking on sunshine...”

C (same)

Outro (4-bar pattern)-8x, (w/ horn lick)-8X

(Bb-Bb)-end on “&” of 1

Watermelon Man – Mongo Santamaria (Key of Fm, 118 BPM) – Revised (Fm chord, verses/solos) 10/2/06

Intro (F7)-4X

V1 (F7)-4X (Bb7)-2X (F7)-2X

[(C7) (Bb7)]-3X (C7) (Bb7, Horns: F-F-Ab-Bb) (F7)-2X

V2 (F7)-4X (Bb7)-2X (F7)-2X

[(C7) (Bb7)]-3X (C7) (Bb7, Horns: F-F-Ab-Bb)

(F7)-4X

Solo-Sax {(F7)-4X (Bb7)-2X (F7)-2X [(C7) (Bb7)]-3X (C7) (Bb7) (F7)-4X}-2X

Solo-Tpt {(F7)-4X (Bb7)-2X (F7)-2X

[(C7) (Bb7)]-3X (C7) (Bb7) (F7)-4X}-2X

V3 (F7)-4X (Bb7)-2X (F7)-2X [(C7) (Bb7)]-3X (C7) (Bb7, Horns: F-F-Ab-Bb)

[(F7) (F7, Horns: F-F-Ab-Bb)]-2X

(F7) (F7, All: ritard F-F-Ab-Bb) (Drums)-to cue (Bb7)-to cue (F7)

We Are Family – Sister Sledge (Key of A, 118 BPM) – revised (last verse chord) 12/2/09

I [(A7) (G7) (D7) (F/G)]-4X

C [(A7) (G7) (D7) (F/G)]-4X (“We are family, I got all my sisters with me.

We are family, Get up everybody and sing”)-2X

V1 “Everyone can see we’re together...”

[(A7) (Em7 D9)]-8X

C, V2 (same) V2: “Living life is fun...”

C (same)- with (D, D#-E-F, G-G#-A) tag last 2 bars & lead vocal singing ad lib

C/End (same)- with (D, D#-E-F, G-G#-A) tag last 2 bars & lead vocal singing chorus

What a Wonderful World – Louis Armstrong (Key of F, 72 BPM)– Revised (intro) 7/2/05

Jazz Standard: A,A,B,A, Solo (A,A), B,A

I (F Bb/F) (F Bb/F)

V1 “I see trees of green...”

(F Am) (Bb Am) (Gm7 F) (A7 Dm)

(Db) (Gm7 C7) (F F{#5}) (BbM7 C7)

V2 “I see skies of blue...”

(F Am) (Bb Am) (Gm7 F) (A7 Dm)

(Db) (Gm7 C7) (F Bb/F) (Bb/F F)

Bridge “The colors of the rainbow...”

(Gm C) (FM7 F6) (Gm C) (FM7 F6) (Dm Am) (Dm Am)

(Dm F#dim) (Gm7 C7)

V3 (same as V2) “I hear babies cry...”

Solo-Sax (over V1, V2)

Bridge (same)

V3/end “I hear babies cry...”

(F Am) (Bb Am) (Gm7 F) (A7 Dm) (Db) (Gm7 C7)

(F AM7b5) (D7)

(Gm7) (C{b9}) (F Bb6) (F)

What I Like About You – Romantics (Key of E, 158 BPM) - Revised (4 bar phrase, added lyrics) 8/8/06

Intro Gtr: [(E A) (D A) (E A) (D A)]-2X BU: “Hand Claps” end of 4th bar (&-4-&-1), “Hey” 4th beat of 8th bar

All: (4-bar)-2X, BU: “Hey” 4th beat of 4th bar

V1 (4-bar)-2X “What I like about you, you hold me tight...”

C (4-bar)-2X “Phone whispering in my ear…” BU: (“Ahh-ahh”)-2X, (“That’s what I like”)-2X

V2 (same) “What I like about you, you really know how to

dance…”

C2 (4-bar)-3X “Phone whispering in my ear...” BU: (“Ahh-ahh”)-2X, (“That’s what I like about you”)-3X, (“That’s

what I like”)-1X

Solos Gtr: (G) (D) (G) (A)-2X (B E B)

(B,B-B,B-B,B-B) (B-B,B-B,B-B,”Hey”)

Harp (Sax): (4-bar)-4X

V3 (same) “What I like about you, you keep me warm at

night...”

C3 (4-bar)-3X “Phone whispering in my ear...” BU:(“Ahh-ahh”)-2X; (“That’s what I like about you”)-4X

C4-Quietly (4-bar)-2X (“That’s what I like about you”)-4X BU: (“That’s what I like”)-3X, (“That’s what I like about you”)-1X,

“Hey” 4th beat of 8th bar

End (4-bar)–3X BU: “Hey” 4th beat of 4th, 8th & 12th bars

When I Fall in Love – Nat King Cole (Key of Eb, 120 BPM) – Revised (structure & chords) 6/27/05

Intro (Db) (Ebm7 Ab7) (Db) (Ab)

V1 “When I fall in love, it will be forever...”

(Db)-3X (Ebm7 Ab7)

(Db) (Bb7aug Bb7{b9}) (Ebm) (Ebdim) “In a restless world like this...” (Db) (Ebdim) (Db Abm) (Bb9)

(Ebm7) (Bb7{b9}) (Ebm6 Ebm7) (Ab7)

V2 “When I give my heart, it will be completely…” (Db)-3X (Ebm7 Ab7)

(Db) (Bb7aug Bb7{b9}) (Ebm) (Ebdim)

Bridge “And the moment I can feel that…”

(Db) (Gb) (Bb7) (Ebm Gbm) (Db) (Ebm7 Ab7) (Db) (Eb Ab)

Solo Sax: (like V2)

Bridge/End “And the moment I can feel that…”

(Db) (Gb) (Bb7) (Ebm Gbm) “When I fall in love” (Db) (Ebm7 Ab7)

“When I fall in love” (Db) (Ebm7 Ab7) “When I fall in love…with…you” (Db) (Ebm7 Ab7) (Db)

When a Man Loves a Woman When a Man Loves Woman - Percey Sledge (Key of Bb, 64 BPM; Note: Key of Db on CD) – Revised (lyrics & V4) 8/27/05

I (4-bar verse pattern)-1X

V1 “When a man loves a woman, can’t keep his mind…”

[(Bb F/A) (Gm Gm7/F) (Eb F7) (Bb F7)]-2X

V2 “When a man loves a woman, spend his very last dime…”

(same) except last measure is (Bb Bb7)

Bridge “Well a man loves a woman, and gives her anything…”

[(Eb) (Bb)]-2X (Eb) (Bb Gm) (C) (F7)

V3 (same) “When a man loves a woman, down deep in…”

Solo Keys: (same as V2) i.e. ends (Bb Bb7)

Bridge (same)

V4/Out “When a man loves a woman, he can do no wrong…”

(Bb F/A) (Gm Gm7/F) (Eb F7) (Bb F7)

(Bb F/A) (Gm Gm7/F) (Eb F7) (drums triplets 2 beats)

(Bb F/A) (Gm Gm7/F) ritard: (Eb F7) (Bb)

Wonderful Tonight – Eric Clapton (Key of G, 94 BPM) – Revised (added solo back in) 8/19/08

Intro [(G) (D/F#) (C) (D)]-2X

V1 “It’s late in the evening…”

[(G) (D/F#) (C) (D)]-2X

C “And then she asked me…” (C) (D) (G F#) (Em) (C) (D)

Intro Fill (G) (D/F#) (C) (D)

V2 (same) V2: “We go to a party…”

C (same)

Fill (G)-2X

Bridge “I feel wonderful because I see the love light…”

(C) (D) (G F#) (Em) (C) (D) (C) (D)

Solo [(G) (D/F#) (C) (D)]-to cue (of intro lick)

Intro Fill [(G) (D/F#) (C) (D)]-2X

V3 (same) V3 “It’s time to go home now…”

C/End [(C) (D) (G F#) (Em)]-2X (C) (D)

Intro Fill [(G) (D/F#) (C) (D)]-2X

Word Up – Cameo (Key of F#, 116 BPM) – Revised (medley intro) 3/8/05

Medley from Good Times:

I [(F#) (E) (D E) (F#)]-4X

V1 “Your pretty ladies around the world....”

(4-bar pattern)-4X

C “Word up, everybody says...” (4-bar pattern)-2X

V2 (same) “No all you sucker DJ’s...”

C (same)

Solo-Horns (4-bar pattern)-4X

Bridge (F#)-8X, w/ [(W-O-R)(-D-Up)]-4X

Solo-Gtr (4-bar pattern)-4X, w/ horns 3rd & 4th x

Bridge (F#)-8X, w/ [(W-O-R)(-D-Up)]-4X

Solo-Keys (4-bar pattern)-4X, w/ horns 3rd & 4th x

Bridge (F#)-8X, w/ [(W-O-R)(-D-Up)]-4X

Your Mamma Don’t Dance – Loggins & Messina (Key of C, 148 BPM) – Revised (Chords, format) 11/27/06

I Gtr: (C)-4X Add Drums/keys: (C)-4X

C “Your mamma don’t dance and your daddy don’t...” (C) (F7) (C)-2X (F7)-2X (C)-2X

(G7) (F7) (C)-2X

V1 “The old folks say...”

All: (C) (F7) (C)-2X (F7)-2X (C)-2X (G7) (F7) (C) (C)

C (same) “Your mamma don’t dance and your…”

Solo Sax: (C) (F7) (C)-2X (F7)-2X (C)-2X

(G7) (F7) (C) (C, Bb, -, -)

Solo Gtr: (C) (F7) (C)-2X (F7)-2X (C)-2X

(G7) (F7) (C) (C, Dm7, D#dim, C/E)

Bridge “You pull into a drive-in...” (F Eb)-7X (F) (G7) (F7) (C) (C)

C/End (C) (F7) (C)-2X (F7)-2X (G7) (F7)

[(C)-2X]-3X w/ “Where do you go, to rock n’ roll”-3x (C, Gtr/Keys Blues Lick) All: (C# C9)

Groove is in the Heart – Dee-Lite (Key of Ab, 122 BPM) – Revised (Fill, Bridge) 3/30/09

I Keys: [(Eb6 E6 Db8)]-3X (Eb6…echo…) “You’re going to dance”-3x, “And have some fun”

Gtr/Bass/Drums: [(Ab7) (Db7)]-2X “Dig” All: (2-bar pattern)]-2X

V1 “The chills that you spill up my back …” (2-bar pattern)-4X “Another try”

V2 “Your groove I do deeply dig…” (2-bar pattern)-7X (Drums)-2X

C “Groove is in the heart…” (2-bar pattern)-4X

Fill Gtr/Bass/Drums: (2-bar pattern)-2X “Watch out”

V3 “The depth, a hula groove, move us to the dance hoop…” (2-bar pattern)-4X

V4 “DJ Soul was on a roll…” (2-bar pattern)-3X (Drums)-2X

C (same) “Groove is in the heart…”

B (Drums)-4X (Drums)-2X “1,2,3,blow” Horns/Drums/Bass: (2-bar pattern)-4X “Blow them, blow them those horns” “The groove is in the heart”

C (same) “Groove is in the heart…”

Outro Gtr/Bass: (2-bar pattern)-2X

Satisfaction – Rolling Stones (Key of E, 136 BPM) – Revised (end) 4/13/09

I Gtr: (E) Bass: (A) All: [(E) (A)]-3X

C “I can’t get no satisfaction...” (E)-2X (A)-2X (E)-2X (A)-2X

(E) (B7) (E) (A) (E) (A) (E) (A)

V1 “When I’m drivin’ in my car...” [(E) (A)]-6X (E, drums) (Drums) [(E) (A)]-2X

C (same) “I can’t get no satisfaction...”

V2 (same) “When I’m watching...”

C (same) “I can’t get no satisfaction...”

V3 (same) “When I’m riding/ round the world...”

Coda “I can’t get no”-3x [(E) (A)]-3X “No Satisfaction”-5x [(E) (A)]-5X Instrumental: [(E) (A)]-3X Line(in time): E-E, B-C#-D, B-C#-D, B-C#-E-E

Tell Me ‘Bout It – Joss Stone (Key of F, 110 BPM) – Revised (Interlude, added gtr solo & chorus) 1/19/09

I [(F) (Bb)]-4X

V1 “I need a little lovin’ at least two times a day…”

[(F) (Bb)]-6X

C “So tell me babe, tell me how you feel …”

[(F) (Bb)]-4X

V2 “What do you think about me and you being together…”

[(F) (Bb)]-4X

C (same) “So tell me babe, tell me how you feel …”

V3-B/D “I’ll make you feel the way you wanna feel…”

(Drums)-8X

Interlude [(F) (Bb)]-2X

C (same) “So tell me babe, tell me how you feel …”

Solo-Gtr [(F) (Bb)]-8X

C (same) “So tell me babe, tell me how you feel …”

Outro-B/D “Tell me ‘bout it, tell me ‘bout it baby…”

(F)-8X w/ descending horn lick in 8th Bar

(F,-,-,F-ride)

After Midnight – Eric Clapton (Key of C, 126 BPM) – Revised ( 3rd V2, end) 11/23/09

Intro (F)-2X (C,2,F,Eb-C)-4X

V1 “After midnight, we’re gonna let it all hang down” “After midnight, we’re gonna chug-a-lug and shout” [(C,2,F,Eb-C/Bass:C) (Eb F) (C,2,F,Eb-C/Bass:C)-2X]-2X “We’re gonna stimulate some action...”

(C) (F)-2X (G)-2X “After midnight, we’re gonna let it all hang down”

(C,2,F,Eb-C/Bass: C) (Eb F) (C,2,F,Eb-C/Bass: C)-2X

V2 (same) “After midnight, we’re gonna shake your tambourine” “After midnight, it’s all gonna be peaches and cream” “We’re gonna cause talk and suspicion...” “After midnight, we’re gonna let it all hang down”

Solo Gtr: (like verse)

Fill “After midnight, we’re gonna let it all hang down” (C,2,F,Eb-C/Bass: C) (Eb F) (C,2,F,Eb-C/Bass: C)-2X

V2 (same) “After midnight, we’re gonna shake…”

Solo Sax: (like verse)

V1 (same) “After midnight, we’re gonna let it all…”

Outro “After midnight, we’re gonna let it all hang down”-3x [(C,2,F,Eb-C/Bass:C) (Eb F) (C,2,F,Eb-C/Bass:C)-2X]-2X

(C,2,F,Eb-C/Bass:C) ritard: (Eb-Eb-F) (C)

How Sweet It Is – Michael Buble (Key of G, 134 BPM) – Revised (horns soli, end) 5/11/09

Intro Gtr/Kick: (G)-4X All: (G)-4X

V1 “Needed a shelter of someone’s arms...” [(G) (Em) (D7) (C9)]-2X

Pre-C1 “With sweet love and devotion...” [(G) (C7)]-2X “I want to stop, and thank you, baby...” (G713) (C7) (G, G713,-,-) (G)

C1 “How sweet it is to be loved by you...” (C7) (D7+9) (G Am7) (C/D G, G7-5) (C7 Bb7) (A7+5 D7+9) (G) (G)

V2 “I close my eyes at night…” [(G) (Em) (D7) (C9)]-2X

Pre-C2 “But you brighten up for me all of my days...” (Em7 G/D) (C7 D7+9) (G713 G7+5/D) (C9) “I want to stop, and thank you, baby...” (G713) (C7) (G, G713,-,-) (G)

C2 “How sweet it is to be loved by you...” (C7) (A7+5 D7+9) (G7-5) (G7)

(C7 Bb7) (A7+5 D7+9) (G7 F#7 F9) (E7 Eb7 D7+9)

Soli-Horns (G713) (G713 G713 G713) (D7) (C7) (G+9 A7+5-9) (C/D G6 G6) (D7) (C7)

Pre-C3 “You were better to me than I was to myself…” “I want to stop, and thank you, baby...” Gtr: [(G) (C)]-3X (G,G, Horns/Bass: G,-) (G)

Outro “How sweet it is to be loved by you”-5x (C7) (D7+9) (G7 F#7) (F7 E7+9)

[(A7+5) (D7+9) (G7 F#7) (F7 E7+9)]-3X [(A7+5) (D7+9) (G, G7+9 G7+9 G7+9 G7+9-5)

( 1, 2 &, 3 &, 4 & )

Johnny B. Goode – Chuck Berry (Key of A, 172 BPM) –8/27/05

I Gtr: (A)-4X All: (D)-2X (A)-2X (E)-2X (A)-2X

V1 “Deep down in Louisiana...” (A)-4X (D)-2X (A)-2X (E)-2X (A)-2X

C (same) “Go-Go, Go Johnny Go, Go...”

V2 (same) “He used to carry his guitar...”

C (same)

Solo Gtr: [(A,2,3,4) (A,2,3,4) (A,2, A,4) (A, A, A, A) (D)-2X (A)-2X (E)-2X (A)-2X]-2X

V3 (same) “His mother told him someday...”

C/End (same)

Love Will Keep Us Together – Captain & Tennille (Key of B, 128 BPM) – Revised (G

sus Outro) 11/23/09

I (B)-4X Line: B F-F# A#-B D#-E-F-F#

B A-A G#-F# F F#-F-F#

V1 “Love, love will keep us together, think of me babe whenever...” (B)-2X (A6)-2X (G#7)-2X (E)-2X (Em)-2X

C1 “Stop, cause I really love you, stop I’ll be thinking of you…” (B) (B+5) (B6) (B7)

(E D#m) (C#m, F#,-,-) (B)-4X-w/ 4-bar intro line

V2 (same) “You, you belong to me now...”

C2 (same as C1) “Stop, cause I really love you, stop I’ll be…”

Br “Young and beautiful, someday your looks will be gone…” (D) (A E) (G) (B) (D) (A E) (G)

(F#sus-F#sus, -, F#sus-F#sus, -)-2X w/ “I will”-4X

V3 (same) “(I) will be there to share forever...”

C3 “Stop, cause I really love you, stop I’ll be thinking…” (B) (B+5) (B6) (B7) (E D#m) (C#m, F#,-,-)

(B)-2X (B, D#-E-F-F#) (F#sus-F#sus, -, F#sus-F#sus, -)-2X w/ “I will”-4X

Solo-Keys (over verse)

C (same as C3)-except transpose up to “Gsus” on last note (B) (B+5) (B6) (B7) (E D#m) (C#m, F#,-,-)

(B)-2X (B, D#-E-F-F#) (F#sus-F#sus,-, F#sus-F#sus,-) (F#sus-F#sus, -, Gsus-Gsus, -) w/ “I will”-4X

Outro [(C)-2X (Bb6)-2X]-4X (G sus-G sus, -, G sus-G sus, -)

(G sus-G sus, -, G sus-G sus, -) (C)-let ring

Twist & Shout – Beatles (Key of D, 129 BPM) –11/12/00

Intro [(D G) (A)]-2X

C MV: “Well shake it up baby, twist & shout…” [(D G) (A)]-4X

B/U: “Shake it up baby, twist & shout, come on baby, work it on out…”

V1 MV: “Well work it on out…” [(D G) (A)]-4X

B/U: “Work it on out, looks so good, got me going, like I knew you would”

C (same) w/ same vocals & B/U vocals

V2 (same) MV: “Well you know you twist little girl…” B/U: “Twist little girl, twist so fine, twist a little closer, let me know you’re mine’

Solo [(D G) (A G)]-4X

Bridge (A)-6X “Ah, ah, ah, ah….”

C (same) w/ same vocals & B/U vocals

V2 (same) w/ same vocals & B/U vocals

End MV: “Well shake it, shake it, shake it baby now”-3X [(D G) (A G)]-3X B/U: “Shake it up baby”-3X (A)-3X-“Ah, ah, ah” (A-A-Bb B-C-C#) (D, D)

When You Say Nothing At All – Allison Krauss (Key of Eb, 86 BPM) – 5/3/09

I Acous Gtr: [(Eb2 Bbsus) (Abno 3 Bbsus)]-2X

V1 “It’s amazing how you can speak right to my...” [(Eb2 Bbsus) (Abno 3 Bbsus)]-4X “Try as I may I could never explain...”

Add keys: (Ab) (Bb) (Eb Bb) (Ab)-2 beats (Bb2)-2X

C1 “The smile on your face let’s me know that you...” All: [(Eb Bb) (Ab Bb)]-2X (Eb Bb) (Ab) (Bb) (Ab/C Bb/D) (Ab) (Bb)

Fill [(Eb Bbsus) (Ab Bb)]-2X

V2 “All day long I can hear people talking out loud...” [(Eb Bbsus) (Ab2 Bb)]-4X “Oh Mr. Webster could never define...”

Add violin: (Ab) (Bb) (Eb Bb) (Ab)-2 beats (Bb)

C2 (same as C1 but don’t’ break last bar) B/U: “The smile on your face let’s me know that you need me”

“There’s a truth in your eyes, saying you’ll never leave me”

Solo Gtr [(Eb Bb) (Ab Bb)]-2X (Eb Bb) (Ab) (Bb) (Ab)

Coda “The smile on your face...” (B/U sing until “…in your eyes”) (Eb Bb) (Ab Bb) (Eb Bb) (Ab) keys (Ab)… “The touch of your hand...” “…You say it best…” Keys (Eb Bb) (Ab) (Bb)-2X (Ab) (Bb7)

Add Gtr: [(Eb Bb) (Ab)]-2X

All: [(Eb Bb) (Ab)]-to cue (Eb Bb) (Ab Bb) Eb

When You Say Nothing At All – Allison Krauss (Key of D w/ capo 1 = Key Eb, 86 BPM) – 5/3/09

I Acous Gtr: [(D2 Asus) (Gno 3 Asus)]-2X

V1 “It’s amazing how you can speak right to my...” [(D2 Asus) (Gno 3 Asus)]-4X “Try as I may I could never explain...” Add keys: (G) (A) (D A) (G)-2 beats (A2)-2X

C1 “The smile on your face let’s me know that you...” All: [(D A) (G A)]-2X (D A) (G) (A) (G/B A/C#) (G) (A)

Fill [(D Asus) (G A)]-2X

V2 “All day long I can hear people talking out loud...” [(D Asus) (G2 A)]-4X “Oh Mr. Webster could never define...” Add violin: (G) (A) (D A) (G)-2 beats (A)

C2 (same as C1 but don’t’ break last bar) B/U: “The smile on your face let’s me know that you need me”

“There’s a truth in your eyes, saying you’ll never leave me”

Solo Gtr [(D A) (G A)]-2X (D A) (G) (A) (G)

Coda “The smile on your face...” (B/U sing until “…in your eyes”) (D A) (G A) (D A) (G) keys (G)… “The touch of your hand...” “…You say it best…” Keys (D A) (G) (A)-2X (G) (A7) Add Gtr: [(D A) (G)]-2X

All: [(D A) (G)]-to cue (D A) (G A) D

Wonderful Tonight – Eric Clapton (Key of G, 94 BPM) – Revised (change F# chorus & bridge) 10/12/09

Intro [(G) (D/F#) (C) (D)]-2X

V1 “It’s late in the evening…”

[(G) (D/F#) (C) (D)]-2X

C “And then she asked me…” (C) (D) (G Bm/F#) (Em) (C) (D)

Intro Fill (G) (D/F#) (C) (D)

V2 (same) V2: “We go to a party…”

C (same)

Fill (G)-2X

Bridge “I feel wonderful because I see the love light…”

(C) (D) (G Bm/F#) (Em) (C) (D) (C) (D)

Solo [(G) (D/F#) (C) (D)]-to cue (of intro lick)

Intro Fill [(G) (D/F#) (C) (D)]-2X

V3 (same) V3 “It’s time to go home now…”

C/End [(C) (D) (G BmF#) (Em)]-2X (C) (D)

Intro Fill [(G) (D/F#) (C) (D)]-2X

You Got the Love – Chaka Khan (Key of G, 96 BPM) – Revised (Bridge) 5/11/09

I Gtr: (G+9)-4X All: Line-[(G) (C7) (G) (G)]-2X

Line: (F-G) (Bb-C) (F-G F-)(F-G) (F-G) (Bb-C) (F-G F-)(F-G 8G-F)

V1 “Love me right, what’s the matter with you…” Line-[(G) (C7) (G) (G)]-4X

V2 “The story goes much deeper…” Chords-[(G) (C7) (G) (Gm7)]-2X

Bridge “Oh ain’t nothin’ I wouldn’t pay…” Chords-(G)-2X (Bm)-2X (C)-2X (C#dim)-2X Line-(G)-4X “I love ya, I need ya”

Line: (F-G G-)(G-G) (F-G G-)(G-G)

V1 (same) “Love me right…”

C “You got the love, to gimme the strength …” Chords-[(G) (C7) (G) (Gm7)]-2X

Bridge (same) “Oh ain’t nothin’ I wouldn’t pay…” *(Guitar solo begins last 4 bars of bridge: “I love ya, I need ya”)

Solo-Gtr Chords-[(G) (C7) (G) (G)]-4X

C (same) “You got the love, to gimme the strength…”

C (same) “You got the love, to gimme the strength…”

End Line-[(G) (C7) (G) (G)]-2X Line: (F-G) (Bb-C) (F-G F-)(F-G) (F-G) (Bb-C) (F-G F-)(F-G)

All Right Now – Free (Key of A, 120 BPM)– Revised (chords) 1/18/10

I Gtr/Drums: [(A D/A) (A) (Dsus/A D/A) (A)]-1X

“Oh, whoa, whoa”

[(A D/A) (A) (Dsus/A D/A) (A)]-1X

V1 “There she stood in the street, smiling from her…”

[(A D/A) (A) (Dsus/A D/A) (A)]-4X

C “All right now, baby it’s all right now”-2x

Add bass: [(Ano 3rd) (Gno 3rd/A) (D/A) (Ano 3rd)]-2X (A)

I “Let me tell you now”

[(A D/A) (A) (Dsus/A D/A) (A)]-1X

V2 (same) “I took her home to my place, watching ...”

C (same) “All right now, baby it’s all right now”-2x

Solo Gtr/Drums: (A)-8X Add Bass: [(A) (G D/F#)]-18X (E)-2X

I [(A D/A) (A) (Dsus/A D/A) (A)]-1X

“Let me tell you all about it now” [(A D/A) (A) (Dsus/A D/A) (A)]-1X

V2 (same) “I took her home to my place, watching ...”

C (same) “All right now, baby it’s all right now”-2x

C/Outro (chorus pattern)-3X w/ vocal ad lib B/U: “All right now, baby it’s all right now”-6x

Boogie-Woogie Bugle Boy – Bette Midler (Key of C, 200 BPM) – 4/4/11

I Drums, trumpet solo (Ab)-6X Add bass, piano: (C)-2X All in: (C)-4X

V1 “He was a famous trumpet man from out Chicago way…” (C)-4X (F)-2X (C)-2X (G) (F) (C)-2X

V2 “They made him blow a bugle for his Uncle Sam…”

(same)

Refrain “A-root, a-toot, a-tootley-ada-toot, he blows 8 to the bar…” (C)-4X (F)-2X (C)-2X (G) (F) (C)-2X

Tag “He was some boogie-woogie bugle boy of Company B…” (C , , ,) (tacet)-3X (F)-2X (C)-2X

(G) (F) (C)-2X

Refr2 “(Ta-dada)-tootley-ada-tootley-ada, toot, toot, he blows…” (same)

Solo Trumpet

(same as verse)

V3 “He puts the boys to sleep with boogie every night…” (same)

Outro “A-root, a-toot, a-tootley-ada, toot, toot, toot, he blows it…” (C)-4X (F)-2X (C)-2X (G G) (F F)

Line: (, Bb A Ab) (G-Eb E-C chords: Db9) (C9)

China Grove – Doobie Brothers (Key of E, 144 BPM) – Revised (Beg, Outro: Gtr solo hit) 11/1/11

I Guitar riff: (E)-2X (D A/C# A) (E)

Add piano, kick, horns: (E)-2X (D A/C# A) (E) All in w/ Guitar Solo: (E)-2X (D A/C# A) (E)

(E)-2X (D A/C# A)…(A)-(A)-hold 2-bars

V1 “When the sun comes up on the sleepy little town…”

[(E)-2X (D A/C# A) (E)]-2X (C#m7) (B E/B B) (A, A-A#-B) (C7) (drum fill)

C “Well, you’re talkin’ ‘bout (talkin’ ‘bout) China Grove…” [(E) (D A/C# A)]-3X (E) (E!) (out on beat 1)

V2 (Same) “Well, the preacher and the teacher know what…’”

C “Well, you’re talkin’ ‘bout (talkin’ ‘bout) China Grove…”

[(E) (D A/C# A)]-3X (E) (E,-, G#m, B)

B “Everyday there’s a new thing comin’, the ways of…”

(C#m7)-2X (F#m7) (C#m7) (C#m7)-2X (F#)-3X (F# G#m, B)

(C#m7)-2X (F#m7) (C#m7) (A) (D/A A)

(C, D E)…(E) (C, D E)…(E) (let ring)

Fill Guitar riff: (E)-2X (D A/C# A) (E) Add bass, kick: (E)-2X (D A/C# A) (E)

Solo-Gtr [(E)-2X (D A/C# A) (E)]-3X (E,E,E,-E-accent hit on upbeat) (E) (D A/C# A) (E)

(C#m7) (B E/B B) (A, A-A#-B) (C7) (drum fill)

C “Well, you’re talkin’ ‘bout (talkin’ ‘bout) China…”

[(E) (D A/C# A)]-3X (E) (E!) (out on beat 1)

Cold Sweat – The Boneshakers (Key of A, 120 BPM) ‘Stevie Ray Vaughan’ style blues shuffle – rev 11/12/10

Intro Gtr-(A7)-4X All-(A7)-4X (recurring guitar line: [(A G F# A-C) (,-A C# D E-G)]

(recurring bass/rhythm line: [(A G F# E) (A C# D E-G)]

V1 “I don’t care... about your past…”

(A7)-16X

Pre-C “When you kiss me...”

[(G7-G7, , D9-C9) (C9)]-4X

C “I break out... in a cold sweat”

line:(,B,C,C#,D) (rest)

chords:(,C/E ,C#/F ,D/F#,) (,D9)

Interlude All-(A7)-4X

V2 (same) “I don’t care... about your wants…”

Pre-C (same) “When you kiss me...”

C (same) “I break out... in a cold sweat”

Solo Gtr (same as verse)

Pre-C “When you kiss me...” -2X (build)

(G7, , D9-C9) (C9)

[(G7-G7, , D9-C9) (C9)]-7X

C “I break out... in a cold sweat”

line:(,B,C,C#,D) (-)

chords:(,C/E ,C#/F ,D/F#,) (,D9)

Crazy – Aerosmith (Key of A, 54 BPM) – 5/30/11

I spoken: “Come ‘ere, baby…” (then 1-beat drum fill)

spoken: “You know you drive me up a wall the way you…”

[(A F#m) (D Dm)]-2X

V1 “Y’say your leavin’ on a seven-thirty train…”

[(A D) (F#m D)]-2X

Pre-C “That kinda lovin’ turns a man to a slave…”

(E F#m) (G D) (E F#m) (G D E)

C “I go crazy, crazy, baby, I go crazy…” (A F#m) (D Dm) (A F#m) (D E)

(A F#m) (D Dm) (Bm E) (C# F#m E) (D Dm)

V2 “Your packin’ up your stuff and talkin’ like it’s tough…”

(same)

Pre-C “That kinda lovin’ makes me wanna pull down the shade…” (same)

C (same)

Fill “I’m losin’ mind, oh ‘cause I’m goin’ craaaazy...”

(A F#m) (D E)

Gtr Solo [(A F#m) (D Dm) (A F#m) (D E)]-2X

B “I need your love. Honey, yeah… I need your love.”

(breakdown) (F#m E) (D) (F#m E) 2-beat meas:(D)

Outro “Crazy, crazy…” (3rd X): Ooh, ooh... (4th X): yeah, yeah…” [(A F#m) (D Dm) (A F#m) (D E)]-4X (A)

Crazy in Love – Beyonce/Jay Z (Key of Dm, 98 BPM) – Revised (End) 11/8/11

I, Fill & Chorus Pattern = [(Bb) (G)]

Refrain & Verses Pattern = (F,,,) (tacet) (F,,,) (tacet)

I [(Bb) (G)]-3X (Jay Z): Yes… it's so crazy right now, most incredibly, It's ya girl, B; It's ya boy, Young. (Beyonce): You ready?

Refrain “Uh oh, uh oh, uh oh, oh no no…”

(F,,,) (tacet) (F,,,) (tacet)

Fill [(Bb) (G)] (Jay Z): Yeah, history in the making, part two

It's so crazy right now

V1 “I look and stare so deep in your eyes…”

[(F,,,) (tacet) (F,,,) (tacet)]-2X

C “Got me looking so crazy right now…” [(Bb) (G)]-4X

Refrain (same)-1X “Uh oh, uh oh, uh oh, oh no no…”

V2 (same)-2X “When I talk to my friends so quietly…”

C (same)-4X “Got me looking so crazy right now…”

Fill (same)-1X “(I'm) Looking so crazy in love's got me…”

V3 (same)-2X “Young Hov, y'all know when the flow is…”

Fill (same)-1X “A star like Ringo, worn like a green beret…”

V4 (same)-2X “Jay Z in the range, crazy and deranged…” 2nd x add b/u vocals: “Uh oh, uh oh, uh oh, oh no no…”

Fill (same)-3X “Got me looking… so crazy, my baby…”

V5 (same)-1X “‘Cause your love's got the best of me…”

C (same)-2X “Got me looking so crazy right now…”

C (same)-2X “Got me looking so crazy right now…”

Refrain “Uh oh, uh oh, uh oh, oh no no…”

(F,,,) (tacet) (F,,,) (F, Accapella: “Uh oh, uh oh”)

Don’t Stop Believing – Journey (Key of E, 118 BPM) – Revised (when bass comes in) 7/20/10

I Keys: (E) (B) (C#m) (A) (E) (B) (G#m) (A)

V1 “Just a small town girl, living in a lonely world…”

Add Bass: [(E) (B) (C#m) (A) (E) (B) (G#m) (A)]-2X

Fill (E) (B) (C#m) (A) Add Gtr: (E) (B) (G#m) (A)

V2 “A singer in a smoky room…”

(E) (B) (C#m) (A) (E) (B) (G#m) Add Drums: (A)

C “Strangers waiting, looking down the boulevard…”

[(A)-2X (E)-2X]-3X (A)-2X (B E) (B E-A)

Fill (E) (B) (C#m) (A)

V3 “Working hard to get my fill, everybody wants a thrill…”

[(E) (B) (C#m) (A) (E) (B) (G#m) (A)]-2X

C (same) “Strangers waiting, looking down the boulevard…”

Solo-Gtr (E) (B) (C#m) (A) (E) (B) (G#m) (A)

Outro “Don’t stop believing, hold on to that feeling…” [(E) (B) (C#m) (A) (E) (B) (G#m) (A)]-3X

(E-E) with “Don’t Stop”

Forget You – Cee Lo Green (Key of C, 128 BPM) – Revsied (lst chord bridge) 4/7/11

I Keys: (C) (D) (F) (C) (Low line pattern: G A C… G A D… D E F… F G C…)

C “I see you driving round town with the girl I love...”

[(C) (D) (F) (C)]-3X (C) (D) (F Fm) (C) B/U: oooh-4X (ooh-ooh-ooh)

oooh-4X... ahhh-3X (ain’t that some ‘shh’)

ooh-2X, ah-ah-ah (ooh-ooh-ooh)

V1 “I said I’m sorry, I can’t afford a Ferrari...”

[(C) (D) (F) (C)]-2X

Pre-C “I pity the fool that falls in love with you...”

[(C) (D) (F) (C)]-2X B/U: “Oh, she’s a golddigger, just thought you should know”

C (same) “I see you driving round town with…”

V2 (same) “Now I know, I had to borrow, beg and...”

Pre-C (same) “I pity the fool that falls in love...”

C (same) “I see you driving round town with…”

B “Baby, baby, baby why’ya wanna, wanna hurt me…” B/U: “So bad, so bad, so bad… your dad, your dad, your dad”

(Em) (Am) (Dm) (F/G) (Em E) (Am G/B C C#dim) (D7) (F/G)

Tag “(Uh) Why? (Uh) Why? (Uh) Why? (Oh) I love you” (D7) (F) (F/G) (Am G/B C C#dim)

(D7) (F) (G) (G)

C (same) “I see you driving round town with…”

Givin’ It Up For Your Love – Delbert McClinton (Key of C, 108 BPM) – 3/1/10

I Gtr: [(C) (F7)]-2X All: [(C) (F7)]-2X

C “Givin’ it up for your love...”

[(C,,C9/G) (F7)]-4X

Pre-C1 “My heart is aching for you...”

(G)-4X

C (same) “Givin’ it up for your love...”

V1 “Well, I thought about it...”

[(C,,C9/G) (F7)]-4X

Pre-C2 (G)-4X “Don’t want your money, honey...”

C (same) “Givin’ it up for your love...”

Solo-Sax [(C,,C9/G) (F7)]-8X

V2 “I know you told me that you’d always...”

Softer: [(C,,C9/G) (F7)]-8X

Pre-C2 “Don’t want your money, honey...”

Build up: (G)-4X

C (same) “Givin’ it up for your love...”

C (same) “Givin’ it up for your love...”

End (G)-4X (C-C-C-C,-C B C)

I Loved Her First – Heartland (Key of D, 48 BPM in 6/8 time)– 5/15/12

I (D) (Bm7) (G D/F#) (Em7 A)

V1 “Look at the two of you dancing that way…”

[(D) (Bm7) (G D/F#) (Em7 A7)

[(D) (Bm7) (G D/F#) (Asus A)]-2X

V2 (same) “I was enough for her not long ago …”

Pre-C1 “Time changes everything life must go on…”

(Bm) (G) (D/A) (A)

Don’t do highlighted portion at 6/23/12 wedding

C “I loved her first, I held her first…”

[(D) (Bm7) (G D/F#) (Em7 A)]-2X (Em D/F#) (G D/F#) (Em D/F#) (Asus)

Fill (D) (Bm G)

V3 (Same) “How could that beautiful woman with you…”

Pre-C2 (same) “And I knew the first time I saw you with her…”

C (same)-but no hold last bar: “I loved her first, I held her…”

Violin Solo (D) (Bm7) (G D/F#) (Em A)

Outro “From the first breath she breathed when she first smiled at…”

(D) (Bm7) (G D/F#) (Em A) (Em D/F#) (G D/F#) (Em D/F#) (A7sus)

(D) (Bm7) (G ) (D)

I Want You Back – Jackson 5 (Key of F {Key of Ab on CD}, 100 BPM)– Revised (Outro) 5/14/12

Intro/verse line: F, , (Ab) A-C-D-Bb , ,G-A-Bb B-C-C# D A Bb F G C F

I [(F) (Bb) (Dm Am7 Bb F) (Gm7 Bb/C F)]-2X “Uh, huh, huh, huh, let me tell you now, huh, huh”

(F C/E Dm7 C) (Bb Bb/A Gm7 C)

(Dm7 Am7 Bb F) (Gm7 Bb/C F)

V1 “When I had you to myself I didn’t want you around…”

[(F) (Bb) (Dm Am7 Bb F) (Gm7 Bb/C F)]-2X

C1 “Oh baby give me one more chance, won’t you please…”

[(F C/E Dm7 C) (Bb Bb/A Gm7 C)

(Dm7 Am7 Bb F) (Gm7 Bb/C F)]-2X “Yes I do now, ooh ooh baby, ya ya ya ya, na na na na” B/U: “I want you back”-4x

(F Bb/F)-3X (F)-2 beats

V2 (same) “Tryin’ to live without your love is one long...”

C2 “Oh baby all I need is one more chance, won’t you please…”

(F C/E Dm7 C) (Bb Bb/A Gm7 C)

(Dm7 Am7 Bb F) (Gm7 Bb/C F)

(F C/E Dm7 C) (Bb Bb/A Gm7 C)

(Dm7 Am7 Bb F)

B “Uh, huh (ba-ba-bum ba-bum, ba-bum ba-bum, bum ba-bum)…”

Gtr: (F Am Gm7 F)-8X

Add bass 5th-8th x: (Dm7 Am Gm/Bb F)-4X Bass line: (D-F-A A-C-E Bb-D-F F-A-C)

C3 “Oh, just one more chance, let me show you…”

[(F C/E Dm7 C) (Bb Bb/A Gm7 C)

(Dm7 Am7 Bb F) (Gm7 Bb/C F) B/U: “I want you back”-2x (F Bb/F) (F)-2beats]-2X

Outro (F C/E Dm7 C) (Bb Bb/A Gm7 C)

(Dm7 Am7 Bb F) (Gm7 Bb/C F) B/U: “I want you back”-3x (F Bb/F)-2X (F)

Just Dance/Tik Tok – Lady GaGa/Ke$ha (Key of C#m, 126 BPM) – Revised (back to Just Dance) 3/8/11

Just Dance

I Keys: [(C#m E) (B F#m)]-1X Add snyth: [(C#m E) (B F#m)]-1X

Add all: [(C#m E) (B F#m)]-2X

V1 “I’ve had a little too much, all of the people start to rush…” [(C#m E) (B F#m)]-4X

Pre-C “What’s going out on the floor…” [(A) (A) (C#m) (C#m)]-2X

C “Just dance (gonna be ok)…” [(C#m E) (B F#m)]-4X

Fill (Tacet) “Dance, Dance” {is an echo effect on CD}

V2, Pre-C, C (same) V2: “Wish I could shut my playboy mouth…” Pre-C “What’s going out on the floor…” C: “Just dance (gonna be ok)…”

Tik Tok (Note: Key of Bb on CD)

I Keys: [(A) (B C#m)]-2X

V1 “Wake-up in the morning feeling like P Diddy…” Keys: [(A) (B C#m)]-3X (A,A,A,-A) (“I ain’t coming back”) All: [(A) (B C#m)]-3X (F#m,F#m,F#m,-) (“trying to get a little tipsy”)

C “Don’t stop, make it pop…”-2X {[(A) (B C#m)]-3X (F#m) (C#m B)}2X -w/ tambourine 2ndx

V2 “Ain’t got a care in the world but got plenty of beer…” [(A) (B C#m)]-3X (A,A,A,Kick) (“unless they look like Mick Jagger”) [(A) (B C#m)]-3X (Drums) (F#m, - ,C# slide on beats 3 & 4)

C (same) “Don’t stop, make it pop…”-2X -w/ tambourine 2ndx

Just Dance

I Keys/Bass/Drums: [(C#m E) (B F#m)]-2X

B/D C “Just dance (gonna be ok), Just dance (spin that record babe)”

[(C#m E) (B F#m)]-2X

C “Just dance (gonna be ok), Just dance (spin that record babe)…” Add all: [(C#m E) (B F#m)]-4X, a capella: “Just dance”

Knock On Wood - Seal (Key of E, 116 BPM) – rev 10/14/10

Intro All-(E ,G) (,A ) (B ,D) (,B )

V1 “I don't want to lose the good thing...”

(A7)-4X (E7)-4X (A7)-4X

Pre-C “It’s like thunder (thunder), lightning (lightning)…”

[(E7) (A7)]-2X

C “…I better knock (I better knock) on wood...”

(E7,,,) (E ,G) (,A ) (B ,D) (,B )

V2 (same) “I’m not superstitious about you...”

Pre-C “It’s like thunder (thunder), it’s like lightning (lightning)…”

[(E7) (A7)]-2X

C “…I better knock (I better knock) on wood...”

(E7,,,) (E ,G) (,A ) (B ,D) (,B,A,G,)

B All-(F#7) (G#7) (A7) (C7-C7, B7-B7,)(rest)

V3 “It’s no secret...”

(A7)-4X (E7)-3X (E7 F#7 G7 G#7) (A7)-4X

Pre-C (same) “It’s like thunder (thunder), lightning…”

C “…I better knock (I better knock) on wood...”

(E7,,,) (E ,G) (,A ) (B ,D) (,B )

Outro “…I better knock, knock, knock on wood (ad lib)...” 3X {[(E7) (A7)]-3X (E7 Bb7 A7 Ab7) (G7 Gb7 F7 F7)}-2X

[(E7) (A7)]-3X (E7 Bb7 A7 Ab7) (G7 Gb7 F7 F7-E7)] (End: bass plays 16ths w/ horns: B-D-E-G-E - start on 'and' of 3, end on 'and' of 4)

Last Friday Night– Katy Perry (Key of B, 126 BPM) – Revsied (last note) 9/12/11

I [(B) (Abm) (Ebm) (C#)]-1X

V1 “There’s a stranger in my bed, there’s a pounding in my head…” [(B) (Abm) (Ebm) (C#)]-2X

Pre-C “Pictures of last night ended up on-line…”

[(B) (Abm) (Ebm) (C#)]-2X

C “Last Friday night, yeah we danced on tabletops…”

[(B) (Abm) (Ebm) (C#)]-6X

V2 (same) “Trying to connect the dots, don’t know what to...”

Pre-C (same) “Pictures of last night ended up on-line…”

C (same) “Last Friday night, yeah we danced on tabletops…”

B “T.G.I.F.”-8x

[(B) (Abm) (Ebm) (C#)]-2X

Solo-Sax [(B) (Abm) (Ebm) (C#)]-2X

C/End “Last Friday night, yeah we danced on tabletops…”

[(B) (Abm) (Ebm) (C#)]-4X

(B)-play on upbeat of 4 in last bar & let ring Acapella vocals: “Do it all again”

Let’s Get It On – Marvin Gaye (Key of Eb, 84 BPM) – Revised (intro, bridge) 2/11/10

I Gtr (single notes): (1,2,3-Bb,C-Eb) (G…

V1 “I’ve been really tryin’ baby...”

All: [(Eb Gm7) (Ab Bb7)]-4X

C ”Let’s get it on...”

[(Eb Gm7) (Ab Bb7)]-4X

V2 (same) “We’re all sensitive people...”

V3 (same) “There’s nothing wrong with me...”

Bridge “Don’t you know how sweet and wonderful...”

[(Ab7)-2X (Eb Gm7) (Ab Bb7)]-3X “Come on, come one, come one, come one baby...”

(Ab7) (F) (Bb) (Bb7)

Outro “Let’s get it on...”

[(Eb Gm7) (Ab Bb7)]-8X “Come on, come one, come one, come one darlin’...”

(Ab7) (F) (B) (Bb7) ”Gonna get it on...” [(Eb Gm7) (Ab Bb7)]-to cue

Livin’ On a Prayer – Bon Jovi (Key of E, 125 BPM) – Revised (intro, split verses) 8/23/11

I Keys: (E2)-2X Add kick: (E2)

(C/E) (D/E)-with drum pick up 3rd & 4th beat

Add all: (E2)-4X (C/E) (D/E) (Em)-2X (spoken): “Once upon a time, not so long ago…

(C/E) (D/E) (Em) (Em)-with keys lick

V1 “Tommy used to work on the docks...”

[(Em)-4X (C/E) (D/E) (Em)-2X]-X

V2 (same) “Gina works the diner all day...”

Pre-C “(She says we’ve gotta) hold on to what we’ve got...” [(C D) [D Em)]-3X (C) (D-D-D D ,)

C “Who-oa! We’re half way there...” [(Em C) (D) (G C) (D)]-2X

Fill (Em)-2X

V3 (same) “Tommy’s got his six-string in hock...”

V4 (same) “Gina dreams at running away...”

Pre-C (same) “(We’ve gotta) hold on to what we’ve got...”

C (same) “Who-oa! We’re half way there...”

Fill “Livin’ on a prayer!” (C ,C ,C) (C)

Solo Gtr (Em C) (D) (G C) (D) (Em C) (D) (G C) (Em)-2X

Tag “(We’ve gotta) hold on, ready or not...” (C D) [D Em) (C) 3-beat meas: (D-D-D D)

(Key Change)

C, C “Who-oa! We’re half way there...”-2x (two choruses) [(Gm Eb) (F) (Bb Eb) (F)]-4X (two choruses)

Outro Gtr solo with (“Who-oa!)-4x [(Gm Eb) (F) (Bb Eb) (F)]-2X

(Eb, ,Eb, ,-Eb) (Eb)-let ring (w/ “Livin’ on a prayer”)

Mercy – Duffy (Key of F#m, 132 BPM) – Revised (bridge) 3/15/10

{Note: Key of G in Duffy version}

I (F#m7)-4X

V1 “I love you, but I got to stay true...”

(F#m7)-8X (A) (Ab G) (F#m7)-2X

(A) (Ab G) (F#m7) (F#m7)

C “You got me beggin’ you for Mercy, why won’t you...”

(F#m7)-4X (B7)-2X (F#m7)-2X (C#+9) (B7) (F#m7) (F#m7)

V2 (same) “Now you think that I, will be something…”

C (same) “You got me beggin’ you for Mercy…”

B “I’m beggin’ you for mercy, why won’t you…”

Drums/Gtr: [(F#m7)-4X]-3X

Outro (F#m7)-8X [(F#m7) (A) (B7) (D)]-2X “Got me beggin’ you for Mercy, why won’t…”

[(F#m7) (A) (B7) (D)]-3X (F#m7) (A) (B7) (C#+9)-2X (F#m7)

Michelle – Beatles (Wayne Newton version) (Key of A, Note: Original Key = F; 128 BPM) – Revised (Trp solo) 5/14/12

I Keys/Strings/Bass: (Am Am/G#) (Am/G Am/F#)

(Dm7add2/A Dm7/A) (Bm7 D/E)

C1 “Michelle, ma belle, these are words that go together well…”

All: (AM7) (Dm7) (G) (F) (E F) (E)

C2 “Michelle, ma belle, sont les mots qui vont tres bien ensemble…”

(AM7) (Dm7) (G) (F) (E F) (E)

V1 “I love you, I love you, I love you, that’s all I want to say…”

(Am)-2X (Gm , , C7) (F) (E Am/E) (Dm7)

(Am Am/G#) (Am/G Am/F#) (Dm7) (D/E)

C1 “Michelle, ma belle, these are words that go together well…”

(AM7) (Dm7) (G) (F) (E F) (E)

V2 “I want you, I want you, I want you, I think you…”

(Am)-2X (Gm , , C7) (F) (E Am/E) (Dm7)

(Am Am/G#) (Am/G Am/F#) (Dm7) (D/E)

C2 “Michelle, ma belle, sont les mots qui vont tres bien ensemble…”

(AM7) (Dm7) (G) (F) (E F) (E)

Solo-Trp [(AM7) (Dm7) (G) (F) (E F) (E)]-2X

Outro “I will say the only words that I know you’ll understand”

(Am Am/G#) (Am/G Am/F#) (Dm7) (E7) “My Michelle…My Michelle”

(A) (Dm7) (AM9)

Moves Like Jagger – Maroon 5 (Key of Bm, 130 BPM) – Revised (choruses) 5/7/12

I Reoccurring line: (B D E B8 A F# E D D F# B)

Gtr and keys line (Bm7)-4X “Oh, …oh” Drums kick (Em7)-4

V1 “Just shoot for the stars, if it feels right…”

(Bm7)-4X (Em7)-4X

V2 “You wanted control so we waited…”

Add bass: (Bm7)-4X (Em7)-4X

C “Take me by the tongue and I’ll know you…”

Disco groove: (Bm7)-4X (Em7)-3X (Em7, Em7,,) “I don’t mean to try and control you…”

(Bm7)-4X (Em7)-4X

V3 “Maybe it’s hard when you feel like…” Drums kick (Bm7)-4X (Em7)-3X (Em7)

V4 “Oh, so get in the car, you can ride it…” (Bm7)-4X drums build (Em7)-4X

C (same)

V5 “You wanna know how to make me smile…” Breakdown: (Bm7)-4X (Em7)-4X

V6 “So watch and learn, I won’t show you twice…” Band full groove: (Bm7)-4X (Em7)-4X

Fill (tacet) “…and it goes like this”

C (same)- but no break 4th bar

Outro “Moo-ooves …like Jagger”;

Line: B D E B8 A F# E D D F# B (Bm7) (Bm7, Bm7, Bm7)

Poker Face – Lady Gaga (Key of G#m, 118 BPM)– Revised (intro 5x back up vocals) 7/28/11

I Keys: [(G#m) (E/G# F#)]-2X (Mum, mum, mum ,mah)-5x

Keys: [(G#m) (E/G# F#)]-2X

Band: [(G#m) (E/G# F#)]-2X

V1 “I wanna hold ‘em like they do in Texas please…”

[(G#m) (E/G# F#)]-4X

Pre-C “oh, oh, oh, oh, ohhh, oh-oh-e-oh-oh-oh…”

[(G#m) (E/G# F#)]-3X (G#m) (E/G#,-,bass slide G#)

C “Can’t read my, can’t read my, no he can’t read my poker face”-2x

(she’s got to love nobody)-2x

[(G#m) (E) (B) (F#/A# F#)]-2X “P-p-p-poker face, p-p-poker face”-2x (Mum, mum, mum ,mah)-2x

[(G#m) (E/G# F#)]-2X

V2 (same) “I wanna roll him a hard pair we will be…”

Pre-C (same) “oh, oh, oh, oh, ohhh, oh-oh-e-oh-oh-oh…”

C (same) “Can’t read my, can’t read my, no he can’t…”-2x (she’s got to love nobody)-2x

“P-p-p-poker face, p-p-poker face”-2x (Mum, mum, mum ,mah)-2x

Fill [(G#m) (E/G# F#)]-2X (Mum, mum, mum ,mah)-2x

V3 (same) “I won’t tell you that I love you kiss or hug…”

Outro “Can’t read my, can’t read my, no he can’t read my…-6x (she’s got to love nobody)-6x

Keys: [(G#m) (E) (B) (F#/A# F#)]-1X

Band: [(G#m) (E) (B) (F#/A# F#)]-5X “P-p-p-poker face, p-p-poker face” & no BU vocals-1x

“P-p-p-poker face, p-p-poker face” & (she’s got to love nobody)-1x

[(G#m) (E) (B) (F#/A# F#)]-1X “P-p-p-poker face, p-p-poker face” & (Mum, mum, mum ,mah)-4x

[(G#m) (E) (B) (F#/A# F#)]-2X (G#m)-let ring

Proud Mary – Tina Turner (Key of D, 96/170 BPM) – Revised (added two fills) 7/12/11

Slow, 96 BPM:

Intro (D)-to cue

V1 Female & low male vocals: (D)-8X “Left a good job down in the...”

Pre-C (A)-2X (Bm) (G) “Big wheels keep on turnin’...

C [(D)-4X]-2X “Rollin’, rollin’, rollin on the river”-2x Ritard last “rollin’ on the river”

Fast, 174 BPM:

Fill (D)-7X (D C-G)

V1 “Left a good job in the city...”

(D)-7X (-F,-F#,-G,-G#)

Pre-C (same) “Big wheels keep on turnin’...”

C (same) “Rollin’, rollin’, rollin on the river”-2X

Dup “Give up dup dup dup, dup dup dup dup, dup dup dup dup”

(D)-3X

Tag (C-C,-A,-A,-)-2X (C-C,-A,-G,-F) (-F,-D,F,G)

Fill (D)-4X

V2 “Cleaned a lot of plates in Memphis...”

(D) (D C-G) (D)-5X (-F,-F#,-G,-G#)

Pre-C, C, Dup, Tag (same)

Fill, V3 (w/ hits in 2nd bar), Pre-C, C, Dup, Tag (same) V3: “If you come down to the river...”

Fill, Solo-Sax (over V2 w/ hits in 2nd bar, Pre-C, C, Dup, Tag) w/ “rollin” & “dup” vocals

Same as ending on CD (4 min 13 sec) from here on out:

Fill, V3 (w/ hits in 2nd bar), Pre-C, C, Dup, Tag (same) V3: “If you come down to the river...”

{Note: No “Fill”, straight to outro choruses}

C, C (same) “Rollin’, rollin’, rollin on the river”-4X

{Note: No “Dup”, straight to Tag}

Tag (C-C,-A,-A,-)-2X (C-C,-A,-G,-F) (-F,-D,F,G-hold) (D)

Route 66 –Jazz Standard (Key of F, 152 BPM)– Revised (intro) 1/22/10

I (,,,F13-F13) [bass fills (,,,,)(,,,F13-F13)]-3X (,-F13, E13,-F13) (F#13 G13 G#13-A13-Bb13)

(Bb7) (Bb7 Bdim) (F/C Bb7) (A7 D7)

(G7) (C7) (F D+9 Ab7) (G7 Db7 C7) V1 “If you ever plan to motor west...”

(F7) (Bb9) (F7)-2X

(Bb9) (Bb9 Bdim) (F/C Bb7) (A7 D7)

(G7) (C7) (F D+9) (G7 C7)

V2 (same) “It winds from Chicago to LA...”

Bridge w/ breaks: “Now you go through St. Louis...”

(F13) (Bb9) (F13) (fill) (Bb9)-2X

(F/C Bb7) (A7 D7) (G13) (C7) (A7+5 D+9) (G7 C13-9)

V3 (Same) “Won’t you get hip to this timely tip...”

Solos Sax, Trumpet, Gtr, Keys: (same as verse)

Bridge w/ breaks (same) “Now you go through St. Louis...”

V3/End “Won’t you get hip to this timely tip...”

(F7) (Bb9) (F13)-2X (Bb9) (Bb9 Bdim)

(F/C Bb7) (A7+5 D+9) “Get Your Kicks” G13-G13, “On Route” C9-C9,

“Sixty Six” 2 bars line: ,,F Ab-A-Bb-Ab A-F-D-C

“(Come on and) Get Your Kicks” G13-G13, “On Route” C13-C13,

“Six,Six” 2 bars line: ,,F Ab-A-Bb-Ab A-F-D-C

“Get Your Kicks” G13-G13, “On Route” C9-C9,

“Sixty Six” 2 bars line: ,,F Ab-A-Bb-B C-D-E-F, F13+11

Runaway Baby – Bruno Mars (Key of E, 164 BPM) – 6/16/12 rev

I “Ah, yes” Drums, guitar only [(Em) (A)]-2X Guitar Line: Elow E D-E-Bb A A G-A-B-A-G…

V1 “Well, looky here, looky here, ah, what do we have?...” Drums, gtr [(Em) (A)]-3X [(Em) (A)]-1X

Pre-C b/g vocals, “I love you so… (I love you so)…” Add band [(Em) (A)]-3X [(Em) (A)]-1X

C “Run run, run away, run away baby…” [(C) (B) (Em) (A)]-3X (C C C C) (B)

Fill [(Em) (A)]-2X

V2 “Well, let me think, let me think, ah, what should I do?…” (same)

Pre-C (same)

C (same)

Fill [(Em) (A)]-2X Guitar, drums, band clap ¼ notes

B “See, I ain't tryin’ to hurt you baby, no, no…” “…yup, yup…” [(Em) (A)]-4X

Tag “You better run (You better run)…” Add band (Em) (A) (Em) (A)

Outro “Run run, run away, run away baby…” [(C) (B) (Em) (A)]-2X 8th notes line: (CC EE GG EE) (BB D#D# BB D#D#)

(EE GG BB GG) (AA C#C# EE C#C#) (C C C C) (B , , B-D-D#) (E)

Sing a Song – Earth, Wind & Fire (Key of A, 122 BPM) – Revised (end) 11/1/11

I Gtr:(A)-1X Band: [(A A/C#) (Bm7 Bm7/E)]-3X

[(A A/C#) (C/D C/D)]

V1 “When you feel down and out… sing a song…”

BU: [(It'll make your day) (It'll make a way)]-2X

[(A A/C#) (Bm7 Bm7/E)]-8X

C “Sing a song…” BU: [(Sing it)-4x… sing a song]-4x

[(A A/C#) (Bm7 Bm7/E)

(A A/C#) (C/D C/D)]-2X

Fill [(A A/C#) (Bm7 Bm7/E)]-3X

(A A/C#) (C/D C/D)

V2 (same) “Better bring your heart to believing...”

C (same)

Fill (same)

V3 (same 2-bar)-4X “Hey, darling let me call...”

(No background vocal)

C (same), but hold last (C/D) 4 bars with vocals: “If you sing a song a day, you will make a better way. (Yeah)-8x”

Solo Piano: [(A A/C#) (Bm7 Bm7/E)]-2X

Outro [(A A/C#) (Bm7 Bm7/E)

(A A/C#) (C/D C/D)]-3X

(A-G-C-A, A, A-on upbeat)

Still Got the Blues – Gary Moore (Key of Am, 53 BPM) – Revised (ending) 4/26/11

I Gtr solo (p/u to 1st meas)

(Dm7 F/G) (CM7 FM7) (Bm7-5 E) (Am , Am line: A-C-E)

V1 “(It) used to be so easy to give my heart away…”

(Dm7 F/G) (CM7 FM7) (Bm7-5 E) (Am Am/B Am/C Am/A-C-E)

(Dm7 F/G) (CM7 FM7) (Bm7-5) (Esus E)

C “So long, it was so long ago, but I’ve still got the blues for you”

(Am Em) (Am D9) (F9 E+9) (Am,Am,Am,line: A-C-E)

V2 (Same) “(It) used to be so easy to fall in love…”

C “So long, it was so long ago, but I’ve still got the blues…”

(Am Em) (Am D9) (F9 E+9) (A)

Bridge “So many years since I’ve seen your face…”

(Bm7-5 E) (Am G/B Am/C Am) (Bm7-5 E) (FM7,Em7,Dm7,-) (Am,Am,Am,line: A-C-E)

Gtr Solo (over verse)

C “So long, it was so long ago, but I’ve still got the blues…”

(Am Em) (Am D9) (F9 E+9) (A , , Em-5 hits)

Tag “Though the days come and go, I’ve still… got the blues…”

(Am Em) (Am D9-5 D9) F9… E+9…

Outro- Gtr solo “…for you”

(Dm7 F/G) (CM7 FM7) (Bm7-5 E) (Am Am/B Am/C Am/A-C-E)

(Dm7 F/G) (CM7 FM7) (Bm7-5 E) (Am)

Tell Mama – Mic Gillette (Key of F, 122 BPM) – Revised (end) 11/8/11

I 1 bar drum fill Add Band: Soulfinger (F9 Bb7)-7X (F9 line: ,A ,C)

V1 “You thought you'd found a good girl…”

(Dm) (C ,C ,B) (Bb) (C ,A ,C) (Dm) (C ,C ,B) (Bb) (C7+9)

C “Tell Mama all about it, tell mama what you need…”

(F7 Bb7)-8X

Fill (F7-slide: ,A ,C)

V2 (same) “That girl you had didn't have no sense…”

C (same) “Tell Mama all about it, tell mama what you…”

Solo-Horns Soulfinger: (F9 Bb7)-7X (F9 line: ,A ,C)

V3 (same) “She would embarrass you anywhere…”

C (same) “Tell Mama all about it, tell mama what you…”

Interlude – ad lib call & response w/ horns

Get Funky: (F7 Bb7)-8X (Ab/Bb) (Bb/C C/D)

Solo-Horns Soulfinger: (G9 C7)-8X

Outro Chorus line: (G7 C7)-8X w/ Ad lib: “Tell Mama…”

Keys solo: (G7 C7)-8X Chorus line: (G9 C7)-8X

Chorus line: (G9 C7)-7X (G9 line: ,B ,D) (Em)

The Rose – Bette Midler (Key of C, 63 BPM)– 4/24/12

I (C)-4X

V1 “Some say love, it is a river, that drowns, the tender reed…”

[(C) (G7) (F G) (C)]-2X

(Em7) (Am7) (F) (G) (C) (G7) (F G) (C)-2X

Don’t do highlighted portion at 6/23/12 wedding

V2 (same) “It’s the heart afraid of breaking, that never…”

V3 (same) “When the night, has been too lonely, and the road…”

When I Say I Do – Matthew West (Key of B, 74 BPM)– 4/26/12

I (,,,G#m) (B,, F#) (E,, G#m) (B,,E)

V1 “There must be a God, I believe it’s true, ‘cause I can see His…”

[(F#,, G#m) (B,, F#) (E,, G#m) (B,,E)]-2X (F#)

Pre-C “And I have never been so sure of anything before…”

(E B) (G#m F#) (E B) (F#)

(E B) (G#m F#) (C#m) (G#m)

C “(That) I mean what I say when I say I do…” (E B) (F# G#m) (E B) (F#)

Fill-queue beat 4(...G#m) (B,, F#) (E,, G#m) (B,,E)

V2 (same) “You see these hands you hold will always hold you…”

Pre-C (same) “’Cause I have never been so sure of anything…”

C (same) “(That) I mean what I say when I say I do…”

B “Take my hand and take this ring, and know that I will always…”

(E) (B) (G#m) (F#,, B/F#)

V3 “And as the years march on, like a beating heart…”

(F#,, G#m) (B,, F#) (E,, G#m) (B,,E) (F#)

Pre-C (same) “’Cause I have never been so sure of anything…”

Vocals/Keys: (E B) (G#m F#) (E B) (F#)

All: (E B) (G#m F#) (C#m) (G#m)

C (same) “(That) I mean what I say when I say I do…”

End-queue beat 4(...G#m) (B,, F#) rit. (E,, G#m) (B,,E) (F#)

When the Saints – Traditional (Key of F, 100 BPM) – rev 5/18/12

V1 “(Oh when the) saints, go marchin’ in, oh when the saints go…”

(F)-2X (F Dm) (Gm C7) (F F7/A) (Bb Eb9) (F Dm Gm C7) (F)

V2 “Oh when the sun, refuse to shine, oh when the sun refuse…”

(same)

V1 “Oh when the saints, go marchin’ in, oh when the saints go…”

(same)

V3 “Oh when they gather round the throne, oh when they gather…”

(same)

V1 “Oh when the saints, go marchin’ in, oh when the saints go…”

(same)

You Shook Me All Night Long – AC/DC (Key of G, 128 BPM) – Revised (chords) 8/9/10

I Gtr: (G5)-2X (D5)-2X (G5)-2X (D)-2X Add Drums: [(G) (C-G5-C-G5) (D5) (G5-D5-G5-D5)]-2X

V1 “She was a fast machine, she kept her motor clean…”

[(G5) (C-G5-C-G5) (D5) (G5-D5-G5-D5)]-2X Add 2nd Gtr: (G5) (C-G5-C-G5) (D5) (G5-D5-G5-D5)

(G5) (C-G5-C-G5)

Add Bass: (D5) (G5-D5-G5-D5; Bass: D)

C1 “You shook me all night long…”

[(G5) (Csus2 G/B) (D5) (Csus2 G/B) ]-2X

V2 (same) “Working double time on the seduction line…”

C2 “You shook me all night long, yeah you…”

[(G5) (Csus2 G/B) (D5) (Csus2 G/B) ]-3X

(G5) (Csus2 G/B) (D5) (G5; Bass: D) (D)-2X

Solo-Gtr: Rythym Section Stacato 1st 5 bars (G5) (C5 G/B) (D5) (C5 G/B)

(G5) (C5 G/B) (D) (Csus2 G/B) [(G5) (Csus2 G/B) (D5 D) (Csus2 G/B) ]-2X

C/End “You shook me all night long…”-3X [(G5) (Csus2 G/B) (D5 D) (Csus2 G/B)]-3X “You shook me all night long”

(G5) (Csus2 G/B) (D5) “Yeah you shook me”-2X

(Csus2 G/B) (D) (Csus2 G/B) (D,D5,D5,D5) “All night long…”

(D5)-2X

California Gurls – Katy Perry (Key of Am, 126 BPM)– Revised (intro) 4/12/11

I “Greetings loved ones, let’s take a journey”

Keys/Drums: [(Am(no 5th) Bb(no 5th)) (C(no 5th) Dm(no 5th))]-2X

V1 “I know a place where the grass is really greener…” Add Drums: [(Am(no 5th) Bb(no 5th)) (C(no 5th) Dm(no 5th))]-4X Add All: [(Am(no 5th) Bb(no 5th)) (C(no 5th) Dm(no 5th))]-4X

Pre-C “You could travel the world…” [(C) (Dm) (Bb)-2X]-2X

C “California Girls we’re unforgettable…”

[(Am(no 5th) Bb(no 5th)) (C(no 5th) Dm(no 5th))]-4X

Add Tambourine: [(Am(no 5th) Bb(no 5th)) (C(no 5th) Dm(no 5th))]-4X

V2 “Sex on the beach, we don’t mind sand in...” [(Am(no 5th) Bb(no 5th)) (C(no 5th) Dm(no 5th))]-4X

Pre-C (same) “You could travel the world…”

C (same) “California Girls we’re unforgettable…”

B (Am(no 5th) Bb(no 5th)) (C(no 5th) Dm(no 5th)) (Am(no 5th) Bb(no 5th)) (Drums)

(“California, California girls”)-2x

[(Am(no 5th) Bb(no 5th)) (C(no 5th) Dm(no 5th))]-4X

C (same) “California Girls we’re unforgettable…”

Outro (“California, California girls”)-2x [(Am(no 5th) Bb(no 5th)) (C(no 5th) Dm(no 5th))]-4X

Keys end line: …/ / Bb A (G – F)

Drive By – Train (Key of C#m, 122 BPM) - 7/31/12

Intro Gtr: (C#m)-2X

V1 “On the other side of a street I knew stood a girl that…”

Add drums: [(C#m) (A) (E) (B)]-2X

Pre-C1 “Oh but that one night was more than just right...”

Add claps: (F#m) (A) (C#m) (B) (F#m) (A) (Ab) (Ab7)

C “Oh I swear to ya, I’ll be there for ya, this is not a drive by…”

Add all: (A) (E) (B) (C#m B) (A) (E) (B) (Cdim) (A) (E) (B) (C#m B) (A) (E) (F#m) (Ab7)

Fill Gtr/Drums: (C#m)-stop downbeat of 4

V2 (same) “On the other side of a downward spiral my love…”

Pre-C2 Add bass: (same) “Oh but that one night was still...”

C (same) “Oh I swear to ya I’ll be there for ya, this is not a…”

B “Please believe, that when I leave, there’s nothing up my…”

(F#m) (C#m) (A) (B A) (Ab) (C#m) (B) (B)

V3 (same as 1st ½ V1) “On the other side of a street I knew stood…”

Gtr/Drums/claps: (C#m) (A) (E) (B)-stop upbeat of 3

C Add all: (same) “Oh I swear to ya, I’ll be there for ya, this…”

End (C#m)

I Could Not Ask For More – Sara Evans (Key of A {Key of A- on CD}, 68 BPM) – Revised (end) 5/16/11

I [(A) (D)]-2X

V1 “Lyin’ here with you, listenin’ to the rain…” Add bass: [(A) (D)]-2X

C “These are the moments, I thank God that I’m alive…” (C#m7) (D2) (C#m7) (F#m7 B7/F#) (Bm) (D)

Fill (A) (D)

V2 (same) “Looking in your eyes, seeing all I need…”

C2 (same) “These are the moments, I know heaven…”

Fill (Asus A)

B “I could not ask for more than this time together…”

(D) (A) (G) (D/F#, , , E) (D) (A)

(C , /C-B A C) (E) (E)

Gtr Solo [(A) (D)]-2X

C (same) “These are the moments, I thank God…”

Fill (Asus A)

B “I could not ask for more than this time together…”

(D) (A) (G) (D/F#, , , E) (D) (A)

(C , /C-B A C) (E)

Tag “(No) I could not ask for more than this love you gave me…”

(D) (A/C# B7) (E no 3rd)

Outro (ad lib vocals) “No… yeah… No, I could not ask for more…” Gtr Solo [(A) (D)]-4X…or until Cue (A)-let ring

Wipe Out – Sufaris (Key of C {Key of B on CD}, 160 BPM) – Revised (format) 4/19/10

12 bar blues in “C” throughout song

Intro (Drums)-4X w/ Gtr pick up last bar

V1-V2 Gtr Riff, Drums w/ Band Hits

V3-V4 Gtr Solo-1, Drums w/ band hits

V5-V6 Gtr Solo-2, Drums w/ band hits

V7-V8 Gtr Solo-1, Drums w/ band hits

V9 Gtr Riff w/ last 2 bars (C,C,F,F) (C-C,C-C)-end on upbeat of 2

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