SWEET CHARITY' S ALONE FVGH PENSION BILL Movie Of the

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'SWEET CHARITY' ALONE FVGH PENSION BILL So Says Judge Neil,

Father of the Moth-ers' Pension I d e a . To End Begging.

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UaUark ' t* T h e a t e r .

Back in D»0«, Granv i l l e B a r k e r , a n d s n o t h e r m a n .

Will i t h e passage of t h e mothers* bil l i3 w r i t t e n t h e d o o m of

cha r i t i e s . Th i s is t h e s t a t e -of J u d g e H e n r y Nell, of O a k III., f a t h e r of t h e m o t h e r s ' pen-

idea, w h o a r r i v e d in New > o r k yes t e rday for a week or M> of «pccch-m a k i n g on t h e big subject .

J u d g e N'etl is s topp ing a t t h e Mc-AJptn Hotel , a n d p l a n s to add rea s al l o r g a n i s a t i o n s t h a t c a r e to h e a r h i m , f ree of cha rge .

H e exp la ined to a Call r e p o r t e r ye s t e rday all t h e ramif ica t ions of t h e n e w law a n d the success t h a t h a s a t ­t e n d e d it in o t h e r S ta tes . R e l a t i n g to I t s affect on organized cha r i t i e s h e h a d t h i s to say :

" T h e idea and t r e n d of t h e m o t h ­ers* pension bill is t o wipe ou t o r ­gan ized cha r i t i e s s n d t h e sys t em of begg ing u n d e r t h e cloak of cha r i ty . T h d social iz ing of relief to t h e he lp -less on t h e founda t ion of t axes h a s been proved t h e logical so lu t ion of c h a r i t y w o r k . Cleveland After I n t r e n c h e d Char i ty .

"Al ready t h e city of Cleveland is t a k i n g s t e p s to wipe ou t i t s i ncubus of o r g a n i s e d cha r i t y . T h i s city h a s h a d t h e most h ighly i n t r e n c h e d s y s t e m of a l m s col lec t ing a n d p r i va t e relief ad -m i n i s t r a t i o n of a n y ci ty in t h e c o u n ­t r y . I t is qu i t e a c o m m e n t a r y on t h a t ' s y s t em to find, t he re fo re , t h a t in t h e sone w h e r e it is s t ronges t t h e s t r u c -t a r e first begins to fall.

" T h e fa te of t h e c h a r i t y w o r k e r s | m a y he c o m p a r e d with tha t of t h e | • a r l v p r i va t e school o w n e r s back in t h e days w h e n t h e public school SVK-te rn w a s first a t t e m p t e d . T h a t w a s , In 1829. Ju s t a s now t h e only oppo­n e n t s to t h e mothers" pens ion bills a r e I t h e cha r i t y w o r k e r s , a t t h a t t i m e t h e on ly o p p o n e n t s of t h e public school sys t em w e r e t h e p r iva te school o w n - i e rs . T h e r e were r io t s a n d violent a t - i t a c k s of all so r t s on t h e public schools . T h e verv t h o u g h t of hav ing t h e c i ty t e a c h i ts ch i ld ren f ree was dec la red an o u t r a g e . "

J u d g e Neil has m a d e a n a m e for ; himse l f in t h e r e m a r k a b l e t ask h e i h a s set for himself. He. t r ave l s o v e r . t h e coun t ry unceas ingly , s t i r r i n e u p . s en t imen t for t h e m o t h e r s ' pens ions . crys ta l l iz ing t h e s en t imen t into publ ic , movemen t for t h e law. a n d finally w a t c h i n g it r ide t h r o u g h t h e va r ious l e g i s l a t u r e s to adop t ion . He p r o ­mo ted the law first in t h e bill t h a t I w e n t t h r o u g h t h e I l l inois l e g i s l a t u r e j in 1911. Since t h e n twen ty - fou r S ta tes j have adop ted t h e sys tem. W y o m i n g and New York were t h e la tes t .

Tennessee Ma* Adopt l a w .

T h e j u d g e h a s passed t h r o u g h t h e Sou th . He successful ly eng inee red t h e bill into t h e Ijower H o u s e of t h e l e g i s l a t u r e in Tennessee , w h e r e i t w a s passed w i t h o u t a d i s sen t ing vote .

On h i s way hack t o New York h e del ivered addressees in Pennsy lvan ia , T h e law h a s been w o r k i n g with pe­c u l i a r success in t h a t Sta te . I t Is o p e r a t e d by t h e a p p r o p r i a t i o n of a special fund every t w o years . W h e n t h e sys tem first c a m e in. two yea r s ago , 1200.000 w a s a p p r o p r i a t e d . " The l e g i s l a t u r e now Is a sk ing for $•#§,<• 000. It is provided tha t each county shal l a p p r o p r i a t e from its own funds a n a m o u n t equal to t h e pro r a t a s h a r e of t h e fund it gets from t h e S ta te for t h e m o t h e r s ' pensions. T h u s in P e n n ­sylvania t h e a m o u n t ac tua l ly avai l­ab le is double t h a t n a m e d bv t h e State .

"You can bank on it ," said t h e judge, in conclusion, " t he t ime will come when we won ' t have any beg­ging char i ty organisa t ions . These people can see t h e h a n d w r i t i n g on the wa 1 everv t ime a mofhenf pen-

JLc 1 O O ™ » «P >" a State . r h e only reason they can get

funds from the public is because suf­fering exists. W h e n t h e suffering of f a the r l e s s ch i ldren is removed, where do t h e y come in* They can ' t go out a n d beg unless they a r e sb te ro point

,„"L* c o n d | U ° n of suffering. The suffering, the re fo re . Is wha t t h e v live on. T h a t ' s why thev fight th<* pens ion bill ."

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w h o s e n a m e we do n o ' recal l . p resen ted B e r n a r d S h a w ' s T h e Doc to r ' s D i l e m m a ' to a Lon­

don aud ience . Five y e a r s l a t e r a *\ew l o r k puo i i she r u ruugn t txiw pla> >ut In book form. Bui d u r a * a o ihosw y e a r s — a y e , mote- —uaiu las t

' n i g h t ( w h i c h b r ings UB to t h e well-k n o w n year vt i y i w / no bruaow*iy m a n a g e r , no 42a s t r e e t Belasco, no F r o h i a a n — n o New York a n y o o d y -h a d i n o — w h a t sna i l we cal l it . c o u r ­age '—to p re sen t t i n s br i l l i an t sa t i re , i t t ook B a r k e r to g ive us a play for wh ieh we h a v e been wa i t ing l o r too lone.

U h o knows' . ' We m i g h t ha ' . e forced to wait unt i l s h a w sna i l

n d e a d a decade or m o r e s o m e fa r - seeemg. a r t - l o v i n g way m a n a g e r sna i l h a v e beau t i es tyes , even c va lues) of t h i s comedy .

T h i s S h a w play h a s t h e p u n c h t h a t no t only b r ings gobs of joy to t h e g e n t l e m a n in t h e t i cke t - se l l ing de­p a r t m e n t , bu t will i n o c u l a t e t h e h igh-orows w i t h g e r m s of h a p p i n e s s , c h a r m love r s ot s h a r p , p e r t i n e n t l ines e n t h u s e t h e fans w h o a p p r e c i a t e s a t i r e a n d gra t i fy Social is ts a n d all k inds of r a d i c a l s w h o l ike to a te t h e k inds of r ad i ca l s w h o l ike to see t h e t ies a n d t h e hypocr ic ies or p r e sen t -day society r id icu led .

W e feel posi t ive t h a t " T h e Doc to r ' s Di lemma" will be a h u g e success , de ­sp i te t h e fac t t h a t it took a l m o s t t en yea r s for it t o cross t h e A tl a n tie. When we rea l ize t h a t it took gu m a n y y e a r s for t h e a r r i v a l of o n e of S h a w ' s b r igh te s t a n d wi t t i es t plays, we l i t t le w o n d e r over t h e d r a m a t i s t s unwi l l ­ingness to pay us a visit. However , t h e r e is hope . T h e fact t h a t New Yorke r s can ge t a good play in sp i t e of t h e lack of in te l l igence a m o n g Broadway m a n a g e r s , and t h e fact t h a t th i s good play c a n ge t such a cord ia l recep t ion , s h o w s tha t in t h e f u t u r e we m a y h a v e to wa i t only e igh t y e a r s in s t ead of n ine . T h e wor ld moves a n d t h e sp i r i t of p rog­ress may insp i re even a B r o a d w a y m a n a g e r .

Says one of t h e d o c t o r s in t h e last a c t :

'Life does not cease to be funny w h e n people die a n y m o r e t h a n it ceases to be se r ious w h e n people l a u g h . " W h o but a Shav ian wit. could get a l augh out of a d e a t h s cene? And w h o bu t a S h a v i a n eoukl be so " i n d e l i c a t e " and . at t h e s a m e m o ­m e n t , m a k e d e a t h a s beaut i fu l a s a J u n e m o r n i n g ?

W e sha l l m a k e no effort t o de ta i l t h e s to ry of t h i s f a sc ina t ing play. T h e a u t h o r of a p re face to " T h e Doc­t o r ' s D i l emma , ' ' w r i t t e n , w e s u p p o s e , by Granvi l le B a r k e r , a n d d i s t r i b u t e d wi th t h e p r o g r a m s , tel ls u s t h a t t h e play " w a s sugges t ed by a n a c t u a l ex­per ience " Says t h e p r e f a c e :

" O n e even ing t h e a u t h o r w a s In t h e l abo ra to ry a t t h e H o s p i t a l of St. Mary . In London, w h e r e Sir A l m r o t h W r i g h t h a d jus t per fec ted t h e cl inical t e c h ­n ique of his new t r e a t m e n t of t u b e r ­culosis by inocula t ion , based on t h a t d iscovery of h i s of opson in a n d t h e n a t u r a l r h y t h m of Us p r o d u c t i o n in t h e h u m a n body, w h i c h is de sc r ibed in t h e first ac t of t h e play. At t h a t t i m e the t e c h n i q u e h a d been acqu i r ed by a handfu l of en thus i a s t i c s t u d e n t s only. Whi l s t S i r A l m r o t h w a s dese r tb -it to Mr. B e r n a r d Shaw, somebody a sked the g r e a t doc to r w h e t h e r a cer­ta in pat ient , newly a d m i t t e d to t h e hospi tal , w h o m we will call X, s h o u l d be t r ea t ed by t h e new process . I m ­media te ly a p ro tes t a rose on t h e ground t h a t t h e staff of qualified ex­perts , a t t h a t t i m e less t h a n twen ty , was being worked as h a r d a s It cou ld boar, a n d that. X was 'no good." Ber - ( n a r d Shaw, Ins tan t ly scen t ing d r a ­mat ic ma te r i a l , t u r n e d t o Sir Alm­ro th Wr igh t a n d eald, 'Do you h a v e t o decide w h e t h e r a m a n ' s life is w o r t h sawing before you t a k e h i m on for t r e a t m e n t ? ' ; a n d t h o u g h th i s s u d d e n d o t t i n g of t h e i, very c h a r a c t e r i s t i c of t h e a u t h o r , did not pa s s w i t h o u t demur , t h e r e w a s n o e scap ing t h e h a r d fact t h a t X ' s c h a n c e of b e i n g saved by t h e opsonin t r e a t m e n t a c t u ­ally did, a t t h a t m o m e n t in t h e h i s ­tory of t h e process , d e p e n d on t h e opinion of his mora l w o r t h wh ich p r e ­vailed in t h e l abora to ry , as i t w a s i m ­possible t o t a k e h i m on w i t h o u t e i t he r push ing somebody else off or, a t best, m a k i n g it impossible to t a k e on a n ­o the r a n d possibly m u c h m o r e de se rv ­ing case. T h e decision in t h e ca fe 0 f X may have been easy e n o u g h , a s his i c i t i . l a c c o u n t a p p e a r s t o h a v e been

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By M R S . G I B S O N .

M a r y P ick fo rd h a s been m a r r i e d t h r e e y e a r s to Owen Moore , a mov ing p i c t u r e a e t o r , w h o is h e r l ead ing m a n . T h e m a r r i a g e is one of two loves a n d g r e a t c o m r a d e ­s h i p . R a e h one goes his or h e r o w n way In t h e w o r k a d a y wor ld a n d t h e y hold t h e i r h o m e life a b ­solu te ly s e p a r a t e f r o m t h e i r bus i ­ness life. W h e n 1 a s k e d h e r if she bel ieved a n a e t r e s s s h o u l d m a r r y young , s h e sa id :

" P e r h a p s I a m not c o m p e t e n t to j u d g e , a s m y m a r r i e d life h a s been very ha/ppy. I t h i n k a girl is m u c h m o r e se t t l ed a f t e r s h e is m a r r i e d , a n d w h e n I look a r o u n d a t t h e u n m a r r i e d gir ls t h a t a r e e a r n i n g t h e i r l iv ing t o d a y I t h i n k a. devo ted h u s b a n d Is a g r e a t sa fe ­g u a r d . "

Mias P i c k f o r d a n d Owen Moore p layed In m a n y m o v i e s t o g e t h e r before t h e i r m a r r i a g e a n d a r e now both a c t i n g before t h e Cnivorsa l c a m e r a s in Ca l i fo rn i a s tud ios .

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By EDA D. M ' G L O N E GIBSON.

( C o p y r i g h t . I M S , E n t e r p r i s e

by t h e N e w s p a p e r Assoc ia t ion . )

" S o m e one . I t h i n k it w a s G o e t h e , " sa id M a r y P ickford , " h a s d e c l a r e d t h a t g e n i u s Is on ly t a k i n g c a r e of t h e de ta i l . i h a v e of ten w o n d e r e d if, w h e n t h e s p e c t a t o r g a z e s u p o n a m o v i n g p i c t u r e , h e rea l ly rea l izes h o w m u c h c a r e h a s been given to eve ry deta i l in t h e p i c t u r e , " s h e c o n t i n u e d .

" T h e c a m e r a is p i t i less , a n d s u n ­s h i n e s h o w s u p eve ry defec t . C o m ­b i n e t h e s e a n d y o u h a v e t h e m o s t u n ­flattering veh i c l e t h a t a n a r t i s t c a n use t o p r o j e c t h i s idea l s .

" E v e r y w o m a n h a s p r o b a b l y s o m e t i m e i n h e r life posed fo r a p h o t o ­g r a p h , a n d wh i l e d o i n g so, i n t h e k n o w l e d g e t h a t s h e h a d on a best f rock , h e r p r e t t i e s t j ewe l s , a n d h e r m o s t e n g a g i n g smi le , h a s dec ided t h a t t h e s e will be t h e best p i c t u r e s s h e h a s e v e r h a d t a k e n .

" A n d w h a t w a s h e r d i s a p p o i n t m e n t a n d s u r p r i s e t o find t h a t no t on ly d r e s s b u t h e r smi l e w a s a w r y , t h a t h e r j e w e l s h a d n o t c a u g h t light, so t h e y s h o w e d to t h e bes t v a n t a g e .

" T h e w o m a n in t h i s ca se c a n sit aga in . S h e c a n f ace t h e c a m e r a o v e r a n d over , p e r f e c t i n g a l l t h e s e l i t t l e de t a i l s .

" B u t w h e n w e f a c e t h e m o v i n g p ic ­t u r e c a m e r a , i t m e a n s t h a t t h i s i s o u r only t i m e . W h e n t h e i n s t r u m e n t be­g ins t o c l ick, o n e la m a k i n g m o v i e h i s t o r y a n d i t m u s t r e m a i n g o o d o r bad .

" I h a v e k n o w n p i c t u r e s t h a t w e r e r u i n e d for m e b e c a u s e t h e d e t a i l h a d I n o t b e e n closely s t ud i ed , b e c a u s e t h e r e w a s a had fit to t h e g o w n , o r a. g e s t u r e m a d e too a b r u p t l y t o be g race fu l . I tell y o u t h e r e i s n o p l a c e i n t h e w o r l d to s ee o n e ' s self a s o t h -

" T h e m o v i n g p i c t u r e a c t r e s s m a y be s u r e t h a t n o t on ly h e r g e n e r a t i o n , h u t g e n e r a t i o n s t o c o m e wi l l s e e h e r w o r k . " — M A R Y P I C K F O R D .

h e r a n d t h e a d -

e r s s ee one a s on t h e m o v i e s c r een . And s o m e t i m e s i t Is ve ry d i s c o u r a g ­ing.

"A g r e a t d e a l is s a id a b o u t t h e l a r g e s a l a r i e s t h a t axe p a i d to t h e h i g h - c l a s s a r t i s t s w h o pose for t h e m o v i n g p i c t u r e s .

" T h e s a l a r i e s a r e n o t h i g h , you will rea l ize , if you s t o p t o t h i n k t h a t It is on ly a ve ry s h o r t t i m e t h a t o n e m a y be a m o v i n g p i c t u r e a c t r e s s .

" T h e w o r k i n g pe r iod of a movie a c t r e s s Is even s h o r t e r t h a n t h e s t a g e life of t h e l e g i t i m a t e ac t r c se .

'"As I said be fo re , t h e c a m e r a is pi t i less , a n d wh i l e t h e m a t u r e w o m a n m a y m a k e h e r s e l f u p t o represent , you th , a n d by so f t en ing t h e l igh ts , pe r fec t t h i s I l lusion, t h e m o v i e a c t r e s s m u s t h a v e abso lu t e ly no l ines t o show.

"T do n o t t h i n k t h a t o n e can s u c ­cessful ly p lay y o u t h f u l p a r t s be fo re t h e c a m e r a a f t e r t h i r t y .

" C o n s e q u e n t l y . It b e h o o v e s t h e m o s t of u s t o m a k e h a y w h i l e t h e sun

S H C B E R T T H E A T E R - " T r t l b y , " by P a u l at. P o t t e r , based on D u - j M a u r i e r ' s novel of t h a t n a m e , will bo ; p r e s e n t e d on S a t u r d a y n ight a t t h e ! S h u b e r t T fwa tc f by J o s e p h B r o o k s i n ! assoc ia t ion wi th t h e Mess r s . S h u b e r t | a n d by a r r a n g e m e n t w i th W i l l i a m A. Brady . T h e p r o d u c t i o n will be a n o ­t a b l e one . h a v i n g t h e g r ea t e s t g a t h e r - j i n g of s t a r s eve r a s s e m b l e d in a s in ­gle c o m p a n y .

T h e e i g h t p r inc ipa l p a r t s will b e ! p layed by a c t o r s w h o h a v e w o n dis ­t i n c t i o n on t h e s t a g e , e a c h h a v i n g • r i s en t o t h e r a n k of s t a r d o m . T h e y a r e P h y l l i s Ne t l son -Tor ry a s Tr i lby , j Wi l ton Lack aye as .Svengal i , I^eo Dit -r i c h s t e i n as Zou-Zou . B u r r M c i n t o s h a s Taffy. B r a n d o n T y n a n a s Li t t le Billee, G e o r g e , M a c F a r l a n e a s th<> La i rd , T a y l o r H o l m e s a s Gecko , a n d Rose C o g h l a n a s M m e . Yina rd . O t h e r s in t h e cast will i n c l u d e Ann ie E s ­m o n d , Vi rg in ia F o x B r o o k s , C y n t h i a : L a t h a m . Cecil K i n g . F r e d e r i c k Mack-tyn. Lesl ie A u s t e n , Lesl ie Ryerof t a n d W a l t e r -Freder icks .

T H E MODERN" S T A G E - T h e Mod- | e r n S tage , founded by H e r r E m a n u e l | R e i e h e r . will m a k e t h e i r second p r o ­d u c t i o n of t h e s e a s o n a t t h e L y c e u m T h e a t e r T h u r s d a y e v e n i n g w h e n " J o h n G a b r i e l B o r k m a n . " by Ibsen, will be g iven wi th H e r r R e i e h e r In t h e t i t l e role . T h i s will be t h e first a p p e a r a n c e a s a n Eng l i sh s p e a k i n g a c t o r of t h i s d i s t i ngu i shed G e r m a n a r t i s t , w h o h a s won no ted d i s t inc t ion in t h i s a n d o t h e r [been p lays in Ger ­m a n y . T h e s u p p o r t i n g cant will i n ­c l u d e T h a i e l^awton. Alice N a r r i n g -ton , P a u l Gordon , Alma K r n g e r . R o ­l a n d Young , Inez R a n k a n d E d i t h S e a b u r y . T h i s p e r f o r m a n c e will be r e p e a t e d S a t u r d a y a f t e r n o o n a n d e v e n i n g at t h e s a m e p l a y h o u s e . T h e p e r f o r m a n c e will be u n d e r t h e per­sona l d i r ec t ion of H e r r Re ieher .

IRVLVG P L A C E T H E A T E R — D i ­r e c t o r R u d o l p h Chr i s t i ana will g ive on T u e s d a y a fest ival p e r f o r m a n c e of Klc l s t ' s f a m o u s d r a m a . "Pr i s t s F r i e d r i c h v o n H o m b u r g . " T h i s c lass ic play h a s n e v e r been p r o d u c e d in New-York. D i r ec to r C h r i s t i a n s will a p p e a r in t h e t i t le pa r t . | A s h o r t p r o l o g u e b y Dr. Manns (Heinz E w e r s will p r e ­cede t h e festival p e r f o r m a n c e . " P r i n z F r i e d r i c h von H o m b u r g " will be r e ­p e a t e d on Apri l 1 a n d I,

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s h i n e s (or , s p e a k i n g l i t e ra l ly , to m a k e pic urea wh i l e t h e s u n s h i n e s ) .

" W e p e o p l e of t h e s t a g e a n d t h e mon ies m u s t use o u r s e l v e s a s t o o l s , a s the a r t i s t does h is p i g m e n t o r t h e I s c u l p t o r h i s m a r b l e .

• I n o n e way , howeve r , t h e p i c t u r e | a e t o r h a s Ihe a d v a n t a g e over t h e ! l e g i t i m a t e a c t o r . T h e p i c t u r e will live j a f t^ r . You k n o w S a r a h B e r n h a r d t j s a i l a f t e r s h e h a d posed a s Queen i Eli a b e t h , "At last 1 a m i m m o r t a l . '

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Pe r sona l ly . I wou ld m u c h r a t h e r i mov ie a c t r e s s t h a n one w h o t a l k s in t h e l e g i t i m a t e s t age . You see 1 e c h o s e n ! "

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t o posit t he pa t ien t with m o r a l debi t a n d very a t t r ac t i ve d i l emma of t h e doc to r s p rac t i ca l ly in­soluble a n d t h e r e f o r e in tense ly d r a ­matic.

" T h a t d i l e m m a is n o t solved in t h e play, and never will be solved, l l ld -geon 's choice—for which , by t h e way , Sir Almro th W r i g h t is in no w a y r e ­sponsib le—can be justified only on t h e s round tha t , a s the oppos i t e cho ice would have been equal ly unjust i f iable in the abs t r ac t , t h e r e w a s n o r e a s o n why, since one m a n or t h e o t h e r had to be sacrificed. Kidgeon s h o u l d s ac ­rifice a m a n whose c o n d u c t he d e ­tested to one whose c o n d u c t h e . r e ­spected. T h e a u t h o r h a s . however , protes ted s t rongly aga in s t t h e a s s u m p ­tion m a d e by the t h o r o u g h g o i n g c h a m p i o n s of t h e a r t i s t t h a t h e is a l t o ­g e t h e r on t h e i r s ide. W h e n Kidgeon points t h e mora l of t h e p lay ( a s he conceives it> by say ing t h a t t h e g r e a t ­est t ragedy in life Is a m a n of g e n i u s who is no t a lso a m a n of honor , evidently voicing t h e a u t h o r ' s P u r i t a n convic t ion, t h o u g h he m a y not, l ike t h e a u t h o r , see t h a t t h i s m a n of gen ius had his point of honor , too . and w a s comfor ted by It in his last hour a s much as B lenkmsop migh t have been comfor t ed by h i s different sort of hones ty in t h e m a t t e r of cheques and w o m e n . T h e sens ib le conclusion would seem t o be t h a t possession of t h a t high a n d •f h o n o r which forb ids do a n y t h i n g less

not

F r i e n d s of R a n d School t o P r e s e n t I b s e n ' s " l i h o s t s " a t B e r k e l e y T h e a ­t e r . T h e M o d e r n D r a m a L e a g u e i s bus ­

ily e n g a g e d i n r e h e a r s i n g I b s e n ' s "Ghosts ," to be g iven a t t h e B e r k e l e y

T h e a t e r on Apr i l 17. T h i s , o n e Of t h e g r e a t e s t p l ays of t h e m a s t e r d r a m a ­tist , is t h e first of a se r i e s ot' p l a y s on a s i m i l a r sub jec t , t h e lat ; t o n e be ­ing " D a m a g e d G o o d s . "

T h e M o d e r n D r a m a L e a g u e is c o m ­posed of f r i ends of t h e R a n d School , a n d t h e p r o c e e d s will go t o t h e s cho l ­a r s h i p fund of t h e schoo l . T i c k e t s a r e 3&, 50, 75 c e n t s a n d $1, a n d a r e on sa le a t t h e R a n d Schoo l , 140 E a s t 19th s t r ee t , a n d a t t h e box office.

T h e cas t is a s fol lows: Oswald J . G. K H rpf J a c o b E n g s t r a n d W a l t e r Fo r I P a s t o r M a n d e r s . . H o m e r De P a s q u Mrs. Alv lng Mrs . Y e a t s R e g l n a A n n a C o h e n

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a n d b r o t h e r , h e will p r e s e n t a l i t -one -ac t p lcyle t en t i t l ed " F r o m

t e r t ie B a l l r o o m t o G y m n a s i u m . "

V L . H A M B R A T H E A T E R pr m i l n e n t A m e r i c a n p l aye r s .

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COLONIAL. T H F - A T K R — N a a i m o v a in " W a r B r i d e s . " t h e p e a c e p lay le t by M a r l o n C r a i g W e n t w o r t h , w h i c h or ­ganized w o m e n h a v e i ndo r sed eve ry ­w h e r e , r e t u r n s t o New Y o r k a t H. F . K e i t h ' s Colonia l T h e a t e r t h i s week . S ince t h e r e m a r k a b l e t h r e e weeks* en­g a g e m e n t a t t h e P a l a c e , w h e n t h e t r a g i c tab lo id took t h e t o w n bv s t o r m , N a z i m o v a h a s a p p e a r e d in bu t t w o c i t ies , a s h e r e n g a g e m e n t s h a v e in b o t h ca ses been e x t e n d e d w e e k a f t e r w e e k .

R O Y A L T H E A T E R — W i l l i e Rl teh ia , A m e r i c a ' s l i gh twe igh t c h a m p i o n , i t h

m e t r o p o l i t a n vaudev i l l e d e - j t h F J K e i t h ' s R o y a l T h e a t e r in

•l inn : w s i s f *•»«! l i v h i s S iS- I T

m a k e s his b u t a t B. t h i s week , w h e n , a s s i s t e d by

T h e H e r b e r t

K. b e y a n d Eftie S h a n n o n , l a t e s t a r s cf " C h i l d r e n of E a r t h " a n d " Y e a r s of Disc re t ion , " will m a k e t h e i r r e t u r n a p -pe t r a n c e to t h e t w o - a - d a y t h i s week m\ en t h e y will p r e s e n t a power fu l p lay of t h e m o m e n t en t i t l ed " A t S u n -rise,** by 11. S. S h e l d o n , a u t h o r of "1 he H a v o c , " e tc . Agnes Scot t , George H well a n d W i l l i a m N o r t o n a n d c o m ­pany , f avor i t e H a r e m p e r f o r m e r s , ax i f o r m e r l y of t h e Ke i th ft P r o c t o r ' s Si ck C o m p a n y , will m a k e t h e i r first a i o e a r a n c e in vaudev i l l e , in a s a t i r e on d a n c i n g en t i t l ed " T h e Red F o x T t o t . " by Mias Scot t .

P A L A C E T H E A T E R — G e o r g e B a n ­c rof t a n d Oc tav io B r o s k e , l a t e s t a r s of " O h ! O h ! D e l p h l n e . " w«?i m a k e

•ir vaudev i l l e d e b u t In N e w York it i P a l a c e T h e a t e r t o m o r r o w , Sunday ,

a n e n t e r t a i n m e n t cons i s t ing of tiedy and h i g h - c l a s s s ing ing .

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F r e n c h d r a m a is now almost pros­t r a t e d . Bu t a f t e r t h e war it will rim a g a i n f r o m t h e dus t of conflict with m o r e i n s p i r a t i o n a n d vigor than ev«r a n d we will have a reviva l of the lyrls a n d poe t ic d r a m a . T h e love of tao t r u ly beaut i fu l survives even the g r e a t e s t t r a g e d i e s and when, after tBjg wa r , t h e F r e n c h people will have b** c o m e m o r e s e r i o u s and less pieasurt* loving, t h e lyric d r a m a will make ths g r e a t e s t a p p e a l because of its auta qua l i t i e s . "

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him f rom the ob l iga t ion to t h e c o m m o n e r p rob i t i e s wh ich

befors. th-Sl d ! ? ° ! e t i e 8 t o ^ t h e r long lu"Sf v , h l y a t t a i n t o t h e level a t »r H £ ? r h * v * r t b e c o m e s a necess i ty

g y > - g g * . H " e • ? < * « • conc lus ion m u s t h ^ t 1 d ^ L t h e ^ P o r k u i t qual i f icat ion

«?£?* J n u s * c r * a t e eocial cond i t i ons in T.e f ,» , i t t n a r t i s ? c a n * • h o n e s t a n d ^ r u p u l o i w , wi thou t p r iva t ions wh ich " B L M h l s n a t u r e , i n t o l e r a b l e . " v , T K

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t , n * w » s p r a i s e w o r t h y . Nicholas H a n n e n , a s Louis D u b e d a t . ne bor rowing , i m m o r a l , n o n r e s p e c t a -« * * 5 ^ W a a l n t « r « s t i n g . H i s a c t i ng .

? _ * * • d «* t l » »Mone, w a s impress ive . I utlier W U p o l e . a s u r g e o n w h o inansa for o p e r a t i o n s a n d w h o vinced tha t every pe r son h a s poisoned

was t h e c a u s e of m a n v l aughs . i» . , M f« h e»n did line w o r k a s Sir L a l r -!! 1 u l*n r*t'r**»> Physic ian , w h o .".*? « P r e n i e con t en ip t for a l l t h e

THE WEEK'S CONCERTS

M3I e~ UxVRKlU >\\ I T S O l .

C l a r a Gabr l l owi t s ch , c o n . r a l t o . w i t h Ossip G a b r i l o w i t s c h to play h e r a c ­c o m p a n i m e n t s , wil l g ive h e r post­p o n e d s o n g rec i ta l in t h e Li t t le T h e ­a t e r t o m o r r o w a f t e r n o o n . She will s ing w o r k s of Sca r l a t t i , (Muck a n d Pa l s -iel lo; a S c h u b e r t - S c h u m a n n g r o u p , t h r e e s o n g s of F a u r e , and t w o of Pe rcy G r a i n g e r ' s , in add i t ion to a s e ­lec t ion f rom M o u s s o r g s k y ' s co l lec t ion of n u r s e r y songs , a n d A r e n s k y s " T h e Li t t le F i s h ' s Sonsr.''

I of h i s s p r i n g s e a s o n will be a n In te r ­es t ing even t . P o p u l a r p r ices , r a n g ­ing f r o m 25 cen t s to $1.50, will p r e ­vai l . T h e r e p e r t o i r e will inc lude " A l d a , " " C a r m e n , " " L a Gioconda , " "Othello,* ' "Pagi iacci ,* " F a u s t . " e tc . . a n d will a l so i n c l u d e r ev iva l s ot " S a m ­son a n d Uel i l a . " " N o r m a . " " L a F a -v o r i t a , " " H u g u e n o t s . " ' T h a i s ' r a l e s of Hof fman ," " L a J u i v e " a n d " D e m o n . " w h i c h is to be p r o d u c e d for t h e t irst t i m e in New Y o t k — a l l a t p o p u l a r p r ices .

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h e a r d a t Aeo l ian Hal l in t h e i n g p r o g r a m : "Pls t s , StgasrV' "Plaisir <rAmour" . . . . . _ . "Vo* «i*e S^.(*te'* "B#l Ragxio Lusingaier" "Adlsax 4e 1'Hotesae s r s b e " " R « B « K > " ' "Mandolins" ''Susses'" Alexandra "Chajutos ii" si«r*fwls" AasMs "DW l*«*Jvy" "Von Kwlgsr Uebs"' "Staadobea" MMbKB««" . . . . . . . . . . . MatMSl "Ok. Let Nif l i t Speak «f M s " . . . "The P s a s s "

Kit ty C h e a t h a m ' s a n n u a l I c i ta l will t a k e p l ace a t t h e T h e a t e r on E a s t e r Monday . a t it o 'c lock. T h e p r o g r a m i u n u s u a l i n t e r e s t , C h i l d r e n s H u g o Wolf, H a n s H e r m a n n ,

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l a s t concer t , of t h e Kne i se l ..Sgrdosy Horn** i Q u a r t e t will be g iven on T u e s d a y

l^*ri even ing , Apr i l 6, a t Aeo l ian H a l l , w i t h Ossip G a b r i l o w i t s c h a s a s s i s t i ng a r ­tist- T h p r o g r a m , wil l cons i s t of t h e p i a n o q u a r t e t i n A-ma jo r , O p u s 7. by Danie l t*regorv M a s o n : t h e t r i o in G-m a j o r for p iano , violin and. ce l lo , by H a y d n ; t h e B e e t h o v e n Q u a r t e t in A-

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Lee Kuge i a n d O u s M c C u n e h a v e s i g n e d c o n t r a c t s w i t h t h e f o r e m o s t w >raan s t a r on t h e A m e r i c a n s t a g s t o n a n s g e h e r in vaudev i l l e . O w i n g t o t e difficulty in s e c u r i n g a s u i t a b l e I ay t o exp lo i t t h i s s t a r t o t h e bes t a I v a n t a g e , t h e y h a v e been e m p o w e r e d t o offer $10,000 for a s k e t c h . T h e c o n d i t i o n s a r e t h a t t h e s k e t c h m u s t t a m o d e r n in t h e m e , f ree of a n y q e s t i o n a b l e t a i n t , h a v e h e a r t i n t e r e s t , « isp d i a logue , a c t i o n a n d a p u n c h . I t m u s t c o n t a i n t h e e l e m e n t of s u s -1 n s e w i t h o u t b e i n g o v e r s u r f e l t e d v t h e m o t i o n . T h e r e m u s t n o t h o I o r e t h a n f o u r c h a r a c t e r s i n t h e p l a y .

Where the Plays Are to Continue

W A I X A C K ' B T H E A T K R - - P u t t i n g in to p r a c t i c e one of his tes ted t h e o r i e s of t h e r e p e r t o r y t h e a t e r , Granv i l l e B a r k e r , beg inn ing th i s week, h a s a r ­r a n g e d periorii iam-Qs of his t h r e e p r o -d i u t i o n s in W a l l a c k ' s T h e a t e r so t h a t they will be given on t h e s a m e n i g h t o r a f t e r n o o n e a c h w e e k of t h e e n ­g a g e m e n t .

W i t h p e r f o r m a n c e s of t h r e e dif­fe ren t p lays e a c h w e e k B a r k e r h a a p r o v e d by t e s t s t h a t i t is a s i m p l e e n o u g h m a t t e r for t h e p l aygo ing p u b ­lic to k e e p i n f o r m e d a s to t h e a t t r a c ­t i on on a g iven n i g h t , p r o v i d e d t h a t t h e s a m e play a o m e s on t h e s a m e n i g h t e a e h week .

B e r n a r d S h a w ' s " T h e D o c t o r ' s Di­l e m m a , " wi th Misa Li l lah M e t ' a r t h y in t h e l e a d i n g f emin ine ro le , w a s a d d ­ed to t h e s e r i e s las t week . T h i s mos t a m o s j n g play by S h a w will f ake i t s p l ace in t h e ser ies .

F o r next w e e k a n d un t i l t h e end of t h e season a t W a l l a c k ' s , Mr. Bar ­k e r ' s p r o d u c t i o n s will be g iven a s fol­l o w s : S h a w ' s " A n d r o c l e s a n d t h e L i o n " wi th A n a t o l e F r a n c e ' s " T h e Man W h o M a r r i e d a D u m b Wife" on Monday , T u e s d a y , T h u r s d a y a n d Sat ­u r d a y n i g h t ; " T h e D o c t o r ' s D i l e m m a ' ' on W e d n e s d a y m a t i n e e . W e d n e s d a y a n d F r i d s y n igh t s , a n d "A Midsum­m e r N i g h t ' s D r e a m " on S a t u r d a y m a t ­inee . T h i s p r o g r a m will be m a i n ­t a i n e d . Any a d d i t i o n a l p e r f o r m a n c e s of t h e p lays will be g iven a t spec ia l m a t i n e e s .

BOOTH T H E A T E R — N o t h i n g tfould h a v e been m o r e a u s p i c i o u s for t h e a p ­p r o a c h i n g E a s t e r s e a s o n t h a n t h e p ro ­d u c t i o n of "Al ice in W o n d e r l a n d " s u e -i essfully m a d e o n T u e s d a y e v e n i n g at. t h e Booth T h e a t e r . T h i s is t h e ver­sion by Alice ( J e r s t e n b e r g , r e cen t l y p r e s e n t e d by t h e P l a y e r s ' P r o d u c i n g

•mpany, t h e s a m e e o n c e r n w h i c h c o n t r o l s it h e r e , at I h e F ine A r t s T h e a t e r , Ch icago . T h e exce l l enec of p r o d u c t i o n a n d eas t , a n d t h e c i r c u m ­s t a n c e t h a t it c o n f o r m s c o m p l e t e l y t o t h e f a m i l i a r s t o r i e s by I^ewis Ca r ro l l , h a v e won t h i s a t t r a c t i o n i m m e d i a t e p o p u l a r i t y . M b n d a v n i g h t beg ins t h e second a n d e o n r l u d i n g week of t h o B o o t h T h e a t e r e n g a g e m e n t .

M A N H A T T A N O P E R A H O U S E - A t h i r d week , b e g i n n i n g M o n d a y . M a r c h 29. h a s been a d d e d to t h e r e t u r n a n d f a r ewe l l e n g a g e m e n t of " T h e B l u e B i r d " a t t h e M a n h a t t a n O p e r a H o u s e .

3 9 T H STfbEET T H E A T E R — I n "TaKing C h a n c e s , " w h i c h is p l ay ing a t t h e :?»th S t r e e t T h e a t e r , L o u - T e l l e g e n , t h e f a m o u s G r e e k - D u t c h - F r e m h a c ­to r , h a s s co red t h e g r e a t e s t s u c c e s s of h i s A m e r i c a n c a r e e r . N o t * s i n c e h e w a s l e a d i n g m a n for Mme . B e r n h a r d t h a s h e h a d a rol#> w h i c h offered h i m s u c h a n o p p o r t u n i t y to d i sp lay his ab i l i t y a s a f inished a c t o r . Mr. L o u -T e l l e g e n c o m b i n e s trie r a r e qua l i t i e s of fine teclxnique w i t h a m a g n e t i c p e r ­sona l i ty , p e r m i t t i n g n e i t h e r to d o m i ­n a t e , bu t b l e n d i n g t h e m w i t h t h e de l i ­cacy of a t r u e a r t i s t .

C O M E D Y T H E A T E R - " T h e W h i t * F e a t h e r . " a t t h e C o m e d y T h e a t e r , a p ­p e a r s t o h a v e solved t h e r a t h e r t i ck ­l ish p r o b l e m -nvolved in t h e e o n s t r u c -t lon of a p lay h a v i n g t h e E u r o p e a n w a r a s i t s b a c k g r o u n d , w i t h o u t giv­ing offense t o a n y of t h e c o m b a t a n t s . T o be s u r e , t h e w a r h a s bu t a m i n o r In t e re s t in t h e s to ry of t h i s p lay . w h i c h c o n c e r n s Itself p r inc ipa l ly wi th t w o y o u n g p e r s o n s w h o s e love c u r ­r e n t i s t u r n e d a s ide by t h e s e e m i n g r e l u c t a n c e of t h e m a n t o en l i s t .

Miss Alice Gs r s t enbe rg , t h s young a u t h o r of t h e d r a m a t i z e d version of "Al ice in W o n d e r l a n d , " at t h e Booth T h e a t e r , is a g r a d u a t e ot Bryn Mawt College, a n d doesn ' t mind confessing, n o w t h a t col lege d a y s a r e over, t h a t s h e c a m e very n e a r flunking her E n g . l ish cou r se . " I w a s given up as ab* solu te ly hope le s s by t h s p ro fes so r s" s h e says . a n d essays a w a y f rom given, a n d It m u s t be i s h m e n t to c l a s s m a t e s s h o r t y e a r s

'because my dally t hemes were a lways meander ing t h e subject we had been 1 had no l i terary style." a m a t t e r of grea t aston* Miss Gers tenberg ' s former to l ea rn t h a t in the four si nee g r a d u a t i o n s h e h a s

h a d fou r books publ i shed and two plays p r o d u c e d , besides four littlg o n e - a c t p l a y s pub l i shed under thg t i t le of "A Li t t l e W o r l d , " t h a t h a r t been p r e s e n t e d in n i n e colleges anf s ix teen h igh schoo l s . He r cher ished a m b i t i o n a t p r e s e n t is t o wr i t e a plajf t o be g iven by t h e Bryn M a w r gir l t and to inv i te all t h e f r o w n i n g English* p ro fes so r s to c o m e a n d see it.

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S t r a n d T h e a t e r Wil l iam Elliott , t h s p o p u l a r B r o a d w a y s t a r , will be seen in a p h o t o p l a y ve r s ion of H. V. K M m o n d ' s f a m o u s p lay , " W h e n W s W e r s T w e n t y - O n e . " N a t l ' . Goodwin ' s former s t a r r i n g vehic le . Mr. El l io t t por t rays t h e role of t h e I m p , a s young Richard A u d a i n e , t h e c e n t r a l c h a r a c t e r of t h s play, is k n o w n . In t h i s plav Mr. El l io t t h a s i n n u m e r a b l e oppor tun i t i es to d i sp lay his w i n n i n g personal i ty ami h i s t r i on i c ab i l i t i es .

T h e m a n a g e m e n t of t h e S t rand T h e a t e r a n n o u n c e t h e following pho« t o p l a y s to be p r e s e n t e d in t h e neaf t u t n r e ; F r i t s ! Seheff in " P r e t t y Mra> S m i t h , " B l a n c h e Swee t in ' T h e C a p * t ive , " Dus t in E a r n urn in "Captalsf i ' o u r t e s y , " J o h n Mason in " J i m t h « P e n m a n " a n d Belaseo's "Thg W o m a n . "

AKT OX T H E EAST S I D E .

T h e Eas t Side F o r u m , in co-operjjH t ion wi th t h e Bazalel Ar t Society dp Amer ica , will conduct , beg inn ing TttjB F r i d a y n i g h t at P f ^ ^ l s k e t c h a n d d r a w i n g classes fre«rto t j young m e n and women on t h e J J Side. Says Abbo Os t rowsky , P ^ s J of t h e Bezalel Art Society of A m s » ica. in a le t te r to Car l Beck d i r e c t * of t h e E a s t Side F o r u m : • I a m t e r e s t e d in t h e d e v e l o p m e n t a n d p ! mo t ion of a r t u n d e r t h e auspices t h e E a s t S ide F o r u m , a n d I a m , m t o a c c e p t y o u r invi ta t ion of Mar t o f o r m a s k e t c h c lass on n i g h t s in Pub l i c School 62.

" S u c h c lasses , " s a y s Ostrowsity, n o t only des i rab le , b u t m o s t sa rv . T h e r e is a l a rge n u m b e r ot deri is f rom t h e E a s t Side a t the t iona l A c a d e m y of Design ana Schoo l s of t h e West Side, but th is p r o b a b l y a still bigger n u m j j r t hose w h o des i re to s tudy draw* bu t , fo r lack of m e a n s a n d «T O«. n o t afford to a t t e n d tnese school*

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