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Music Theroy prhrase sturawelaskdfjaj lasdljfj kittens hats fishing manualumbrealla
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THEMATIC DESIGN AND PHRASE STRUCTUREMUT 5625
THE FORM HIERARCHYMotiverepetitionsequencedevelopment
THE FORM HIERARCHYMotiverepetitionsequencedevelopment
Subphrase (segment)
Phrase: more or less complete musical idea, ENDING WITH A CADENCE
Sentence
Sentence: type of phrase that divides into
statement – repetition – continuation/cadence 1 : 1 : 2 2 bars + 2 bars + 4 bars
Sentence: type of phrase that divides into
statement – repetition – continuation/cadence 1 : 1 : 2 2 bars + 2 bars + 4 bars
exact rep. p. 43, Ex. 3.8c varied rep. p. 42, Ex. 3.8a
response-rep. (change of harmony)
p. 43, Ex. 3.8b sequential rep.
Other Phrases: can divide into
statement – contrast/cadence 1 : 1 2 bars + 2 bars
COMBINATIONS OF PHRASES
Period: pair of phrases in antecedent– consequent
relationship
COMBINATIONS OF PHRASES
Period: pair of phrases in antecedent– consequent
relationship
antecedent consequent weaker cad. stronger
cad.
HC PAC (or IAC)
IAC PAC
COMBINATIONS OF PHRASES
Parallel Period
COMBINATIONS OF PHRASES
Parallel Period: consequent (at first) sounds like a restatement of the antecedent
antecedent consequent
a a'
HC PAC
IAC PAC
COMBINATIONS OF PHRASES
Contrasting Period
COMBINATIONS OF PHRASES
Contrasting Period: consequent has contrasting thematic material
antecedent consequent
a b
HC PAC
IAC PAC
COMBINATIONS OF PHRASES
Asymmetrical Period: three-phrase period (two antecedents + one consequent; one antecedent + two consequents)
Modulating Period: consequent has a PAC in a new key
a a' G: HC D: PAC
COMBINATIONS OF PHRASES
Repeated Phrase: a phrase is restated WITH THE SAME CADENCE
a a F: PAC PAC
Varied Repetition: a phrase is restated with some variation (melodic, textural) WITH THE SAME CADENCE
a a' d: HC HC
COMBINATIONS OF PHRASES
Phrase Group
COMBINATIONS OF PHRASES
Phrase Group: series of phrases that group together by continuation/motivic connection, without the cadence pattern of a period
a a'F: IAC HC
Double Period
Double Period: series of 4 phrases, two
antecedents, two consequents; only the LAST CADENCE is strongest (parallel/contrasting) – p. 47, Ex. 3-10 b
ant. group conseq. group
a b a' b'
D: HC IAC HC PAC
Double Period: series of 4 phrases, two
antecedents, two consequents; only the LAST CADENCE is strongest (parallel/contrasting) – p. 47, Ex. 3-10 b
ant. group conseq. group
a b a' b'
D: HC IAC HC PAC
Repeated Period: a period that is repeated (with or without variation)
a b a' b' D: HC PAC HC
PAC
FORTSPINNUNG
FORTSPINNUNGContinuous rhythmic motion as
motive is stated and variedShort phrases often run one into
the nextMost typical of Late Baroque music;
Classical/Romantic transition sections
RITORNELLO
RITORNELLO A recurring theme that begins a
movement in the Baroque and recurs regularly; punctuates tonal design of the movement
Ritornello model of phrase structure:
statement – rep. or response – seq. – cad.
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