MAKING 2: PROCESS AND EDUCATION. PROCESS The path from first idea to end product

MAKING 2: PROCESS AND EDUCATION

PROCESS

The path from first idea to end product

Michelangelo, “Dying Slaves,” 1513-1518

Wax M

od

el of “D

avid”

Pen

cil Sketch

of “D

avid”

Peter Paul Rubens, “Virgin and Child Enthroned with Saints,” 1628

Peter Paul Rubens,pencil, oil and crayon sketches

for “Virgin and Child Enthroned with Saints”

Pablo Picasso, “Guernica,” June 1937

Pablo Picasso, sketches for “Guernica,” May 1937

Pablo Picasso, “Guernica” canvas in progress, May 1937

Jackson Pollock, “Autumn Rhythm,” 1950

Jackson Pollock while painting in 1950

Marcel Duchamp, “Fountain,” 1917

Füsun Onur, untitled, 1993

Frank O. Gehry, “Guggenheim Museum,” Bilbao, SPAIN, 1996

Frank Gehry working on a model in 2005

1

2

4

1. Digitization of the “physical” model

2. First “digital” (computer) model

3. Refined digital model

4. Construction drawings using

digital model

3

The construction of the Bilbao Guggenheim Museum in 1996

Christian Lacroix / Sacha Walckhoff, corset for Lady Gaga, 2012

Isabel and Ruben Toledo

E D U C A T I O N

Cimabue, “Maestà,” 1280-1285,

Giotto,“Ognissanti Madonna,” 1306-1310

Giotto,“Lamentation (The Mourning of Christ),”

1304-1306Giottino (Tommaso di Stefano ) “Pietà of San Remigio,” 1365,

The Bedford Hours Manuscript Paris 1423

Pierfrancesco Alberti,“The Academy of Painters,”

17th century

Johann Zoffany, “The Academicians of the Royal Academy,” 1771-2

William-Adolphe Bouguereau,“The Birth of Venus,” 1879

Raphael, “Triumph of Galatea,” 1512

Charles Garnier,“Paris Opera House,” 1857-1874

Andrea Palladio,“Vicenza Basilica,” ITALY, 1549

Block printing at the Morris & Co Merton Abbey workshop, 1881

William Morris, Typeface based on Nicolas Jenson’s 15th century letter forms

Charles Rennie Mackintosh, Chairs The Glasgow School and “The Four”

Charles Rennie Mackintosh,Glasgow School of Art,Glasgow-Scotland, 1845

Walter Gropius, “The Bauhaus School,” Dessau, GERMANY, 1925–1932

Bauhaus academic program, 1937

Josef Albers and students in a group critique at the Bauhaus Dessau, 1928-29.

Johannes Itten, Die Begegnung, 1916

Johannes Itten, Pages from “Analyses of Old Masters”, Master Francke, Adoration, 1921

Women weavers at the Bauhaus, 1927 Oskar Schlemmer, Bauhaus Stairs, 1932

Gunta Stölzl, “Red/Green Tapestry,” 1928

J.J. van der Linden,”Rowing Club,” Amsterdam, 1953

Heinrich Bormann,“Table Lamp,” 1932

Herbert Bayer, “Universal Typeface,” 1925Marianna Brandt, “Tea Service,” 1927