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Product Catalog
LEWITT GmbH
Mooslackengasse 17,
1090 Vienna // AUSTRIA
info@lewitt-audio.com
www.lewitt-audio.com
www.facebook.com/lewitt.audio
The is the perfect
place to compare all our microphones with
each other and for testing them on several
applications.
www.lewitt-audio.com/sound_booth
LEWITT Sound Booth
02 03
STEVE AOKI // // PERCY BADY //
// BETA RECORDS // // BMI // //
JULIAN BUNETTA // // HOLT VAUGHN //
// CALI SWAG // // DYLAN CHARBENEAU
// // BRIAN CULBERTSON //
// BOOTSY COLLINS // //
HECTOR DELGADO // // KEVIN DORSEY //
// ECHO BAR STUDIOS // // EJYPTSIAN
QUEEN // // PETER MICHAEL ESCOVIDO //
// TIM FAGAN // // DAN FRAMPTON //
// TRAVIS GARLAND // // ERIK
GRIGGS // // MAX GOUSSE //
// KEITH HARRIS // // KAVIN HOO // //
DAVE HOLLISTER // // WARREN HUART //
// MARK ISHAM // // MARTIN JONES //
// CRAIG KALLMAN // // OM‘MAS
KEITH // // ALICIA LAWRENCE // // ED
LEARNED // // CORRINE MAY // // MIGHTY
YOUNG // // TERRA NAOMI // // GRANT
NICHOLAS // // COLBY O‘DONIS // //
OOMPH! // // SCOTT SHAVONI PARKER //
// NEIL POUGE // // AUGUST RIGO // //
TONY RUSSELL // // SEA + AIR //
// FLETCHER SHERDAN // // BRYANT
SIONO // // STEPHANIE SPRUILL //
// CHARLES STREETER // // STEREOTYPES //
// MIKE STEVER // // SWING HOUSE
// // ALEX TEAMER // // DJ TRENTINO //
// BRIAN VIBBERTS // // ASAPH WARD //
// MICHAEL WHITE // // JOEL WHITLEY //
// KENNETH H. WILLIAMS // // DERRICK
WRIGHT // // FRANK ZAPPA STUDIOS ...
ATLANTIC RECORDS CHRIS BAUTISTA
BJ „THE CHICAGO KID“ JOHNNY BRITT
PETER BUNETTA CALIFORNIA
ROAD STUDIOS RICK CAMP
MIKE CITY JAMES RAYMOND & DAVID
CROSBY COMPOUND ENTERTAINMENT
ERICA DENNARD BRYAN
DUNCAN NOEL EDWARDS
RANDY EMATA FAITH
EVANS ANDREW FRAMPTON
MOSES GALLART JARED GOSSELIN
CARMEN GRILLO ANDREW GOUCHE
DONALD HAYES BOB HORN
CHAUN HORTON LUKE
HUBBARD CHRIS JOHNSON
JESSE JOSEFSSON PHIL KEAGGY
JASON LA ROCCA JENNY LAWS
STEVE LU JUSTIN MERRILL
ELAN MORRISON J.P. NEGRETE
CHARLES NORRIS ON POINT
ROSS PALLONE DAN PENN
BOB REYNOLDS ELVIN ROSS
SERENITY EAST, SANCTUM SOUND
SERENITY WEST DREW SIMPSON
SY SMITH CHRISTIAN STALNECKER
MARK STEPHENS TIM
STEWARD DOREONNE STRAMLER
TANK ALEX TODOROV TUCK &
PATTI ERICK WALLS AYSHA
WEBB LOUIS WHITE ALLEE
WILLIS SEAN WINCHESTER
WRIGHTRAX
... ALL OF THEM AND MANY MORE GREAT ARTISTS AND STUDIOS
TRUST IN LEWITT MICROPHONES.
04
OUR STORY
05
OUR BELIEF
Music deserves to be heard.
Unaltered. Authentic. Memorable.
LEWITT has dedicated itself to supporting music aficionados, artists and
audio engineers around the globe in getting the best out of every single
creative idea and every project - with microphones that set new standards
in terms of sound quality, technology and reliability.
We know about the claim
for perfection that forms the basis of
every studio recording, every stage
performance, every voice recording. It
is the same claim for perfect ion
characterizing our products. We also
know that every voice is unique and are
passionate about emphasizing this
uniqueness with authentic, unaltered
sound.
LCT 340 // “I was immediately
impressed by those mics. I used
them as overheads on drums
in X /Y position and was really
surprised at how smooth they
sounded without losing the fullness
o f t h e c y m b a l s a n d e n t i r e
drum kit. I‘ve been tracking so
much drums lately that I don‘t
even want to touch them. I ’m
sure these microphones will be
with me for life.”
DTP 340 TT // “These mic’s are
great. I tried them on toms and
percussion and got awesome
results – great low end without
being muddy. I also loved the
clarity on them, they picked up
the attack of the drum really well.
I love a mic that gets the ‘smack’
on drums and that is exactly what
this mic does. They are definitely
in the same league with mic’s
three times there price.“
LCT 940 // “Now this one is like
a chameleon. I used it on Vocals
first and started in FET mode.
It had great presence without
being harsh. Later we were
recording a nylon acoustic guitar
on the 12th fret facing the center
of the hole and put it right in
the middle between Tube and
FET. Just sweet sounding, big
and full. This is my new favorite
microphone.”
Feedback from Bryant Siono
Musical Director of Jennifer Lopez‘
„Dance Again“ world tour
International research and
development know-how, cutting-edge
technology and a think tank of leading
minds in the field of audio science and
technology allow for products lending
your project a distinctive, unparalleled
sound. Anywhere . Anyt ime. And
without compromise.Roman Perschon
CEO and Co-Founder
Austrian co-founder and CEO of LEWITT Roman Perschon has been deeply
involved in microphone development with some of the industry s top brands and was
for many years Senior Buyer & Project Manager for one of Austria s leading
microphone companies.
The design & research team located in Vienna, Austria recognized as a world-
leading centre of excellence in professional microphone development does all the
product development including all software
and electronic engineering. This backs on
to the company s own 45.000-sqm facility
in China exclusively designed for
manufacturing microphones. The state-of-
the-art production base with +1000
employees includes its own die casting,
clean room capsule assembly, anechoic
chambers, the latest SMT and soldering
equipment etc., to cover all aspects of
engineering, testing and production. As
such, LEWITT is delivering its own unique
innovations with its own technology in high
quality propositions at reasonable prices
and thus is a truly rare combination.
All of the microphones sport the LEWITT
look that signals modernity, individuality
and technical professionalism and all have
the LEWITT feel that exudes ruggedness, an appealing design and a quality
capable of fulfilling the LEWITT promise of unaltered crystal clear transmission of
your sound, making it authentic and memorable.
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06 07
CONTENTS
THE LCT AUTHENTICA SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 08
MTP 240 DM / DMs
MTP 340 CM / CMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
MTP 440 DM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
MTP 540 DM / DMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
MTP 840 DM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
MTP 940 CM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
DTP 340 TT . . . . . . . . . . . . . . . . . . . . .
DTP 340 REX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
DTP 640 REX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
DTP Beat Kit 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
DTP Beat Kit Pro 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
THE MTP PERFORMANCE SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
THE DTP PERCUSSION SERIES . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . 46
LTS 240 Dual C+D
LTS 240 Diversity C+D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
THE LTS WIRELESS SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
LCT 140 12
LCT 240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
LCT 340 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
LCT 540 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
LCT 640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
LCT 840 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
LCT 940 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
LEWITT Lounge NAMM 2013//
Ethan Farmer
Ejyptsian Queen
Terra Naomi
09
EMPHASIZETHE
INYOUR
GENUINE
SOUND.THE LCT AUTHENTICA SERIES
With the LCT Authentica Series, LEWITT introduces a new generation of highly
versatile wired condenser microphones that all aim for setting new benchmarks of
technology, sound quality and user-friendliness in both professional studio recording
and onstage use.
The microphones of the LCT Authentica Series stand for unaltered sound and
innovative features: llluminated Settings, Noiseless Push Buttons, Automatic
Attenuation with Clip Detection and History all ensure error-free sonic perfection and
peerless ease of use for today’s demanding recording artists and engineers.
LCT 140
LCT 240
LCT 340
LCT 540
LCT 640
LCT 840
LCT 940
08
10 11
"WE ARE CONSTANTLY SEARCHINGFOR STATE-OF-THE-ART GEAR."
"With the rebirth of , we are constantly searching for state-of-the-art gear to bring out the best in our
artists’performances. The LEWITT has been a fantastic addition to our audio arsenal. It not only has a full, rich
low end and crystal clear highs, but its combination of sonic flexibility and transparency is truly exceptional."
Atlantic Studios
LCT 940
Craig Kallman
CEO Atlantic Records
(Bruno Mars, Flo Rida, Jason Mraz, Missy Elliott, ... )
12
LCT 140
The LCT 140 is an extremely versatile,
easy-to-use, compact 2/3-inch back-
electret condenser microphone, perfectly
suited for quality-conscious casual users.
Its low-mass diaphragm delivers an
exceptionally clear and natural sound,
making it the perfect fit for a wide range of
live and studio applications including
drums and percussion, acoustic
instruments or even vocal ensembles.
Thanks to its uniform cardioid pickup
pattern that effectively suppresses off-axis
sound, a wide dynamic range of 124 dB
and its very low self-noise, the LCT 140
adds transparency and distortion-free
detail to every sound recording. Its
transformerless output design makes it
immune to electromagnetic interference.
The LED display can optionally be
switched on and off for better handling in
different environments. In short, the LCT
140 is an extremely versatile all-rounder
microphone.
13
SPECIFICATIONS
Acoustical operating principle:
Transducer Ø:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohms:
Rated impedance:
Rated load impedance:
Max. SPL for 0,5 % THD:
Equivalent noise level :
Signal / noise ratio:
Dynamic range of the microphone amplifier:
Pre-attenuation pad:
Bass cut filter slope:
Supply voltage :
Current consumption :
Connector:
Dimensions:
Net weight:
pressure gradient
transducer, permanently polarized
17 mm / 0,67 inch
cardioid
30 to 20.000 Hz
8 mV / Pa (-42 dBV)
< 150 ohms
> 1.000 ohms
143 dB, 0 dB pre-attenuation
153 dB, 10 dB pre-attenuation
163 dB, 20 dB pre-attenuation
(IEC 61672-1) 19 dB-A, cardioid
75 dB-A
124 dB-A
10 dB, 20 dB, switchable
12 dB / octave at 40 Hz
6 dB / octave at 300 Hz
(IEC 61938) 48 V +/- 4 V
(IEC 61938) 5,3 mA
gold plated 3-pin XLR
24 dia. x 160 mm / 0,94 dia. x 6,3 inch
195 g / 6,88 oz.TOP APPLICATIONS
■ Acoustic instruments // piano, guitar, drums,
percussion, strings...■ Overhead miking // drums percussion, cymbals...■ Room ambiance // guitar amplifier, drums...■ Wind instruments // brass and woodwinds...■ Home and studio recording
FEATURES
■ Neutral frequency response for natural reproduction■ Cardioid polar pattern for effective background noise
rejection■ Wide dynamic range of 124 dB and very low self-noise
level■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,
and 20 dB) for handling extremely high sound pressure
levels (SPLs)■ Illuminated user interface for quick and easy handling
even in dark environments■ Rugged black all metal construction for reliable
performance onstage and in the studio■ Hexagonal ruthenium-galvanized steel mesh grille to
prevent wear and abuse■ Immune to electromagnetic interference thanks to
transformerless preamplifier circuitry■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a cardboard box with foam layers; includes
DTP 40 Mts shock mount, LCT 40 Ws windshield and
DTP 40 Lb artificial leather bag
14
With the LCT 240 2/3-inch diaphragm
condenser microphone, LEWITT
introduces a high precision multi-purpose
tool that sets new benchmarks in terms of
performance and ease of use. Designed
for use in live performances as well as
(home) studio recordings, the LCT 240 will
leave a lasting impression with users
expecting accurate and unaltered tracking
of speech, vocals and instruments.
The LCT 240 is equipped with a high-
performance back-electret capsule
delivering a warm, distortion-free and
natural sound. The very low self-noise and
a wide dynamic range ensures a detailed
sound reproduction in any setting. Like all
models of the Authentica series, the LCT
240 also features a transformerless
circuitry which makes it immune to
electromagnetic interference.
Technological improvements such as
automatic attenuation and clipping history,
as well as an illuminated user interface and
pushbuttons that allow for noiseless
switching, make this sturdy all-rounder a
highly convenient and reliable choice.
LCT 240
15
TOP APPLICATIONS
■ Lead and background vocals■ Acoustic instruments // piano, guitar, drums, percussion, strings...■ Overhead miking // drums, percussion...■ Room ambiance pick-up // guitar amplifier, drums...■ Wind instruments // brass and woodwinds...■ Live and studio applications■ Podcasting■ Recording, home recording
■ 2/3-inch small-diaphragm capsule with ultra-thin
externally biased, gold-layered low mass diaphragm for
powerful and natural sound reproduction■ Neutral frequency response for authentic sound onstage or in the studio■ Cardioid polar pattern for effective isolation of the main
sound source■ Low self-noise and a total dynamic range of 130 dB
provides an outstanding acoustic presence and powerful
yet authentic sound■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,
and 20 dB) for handling extremely high sound pressure
levels and 3-position high-pass filter■ Illuminated user interface for quick and easy handling
even in dark environments■ Noiseless pushbuttons for quick and easy attenuation
and high-pass filter selection■ Clipping history, automatic attenuation and key-lock
provide error-free recording and unparalleled ease of use■ Rugged black all-metal construction for durable
performance onstage and in the studio■ Extra-large hexagonal ruthenium-galvanized steel mesh grille provides an open acoustic environment and prevents unwanted internal reflections■ Immune to electromagnetic interference thanks to
transformerless preamplifier circuitry■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a cardboard box with foam layers; includes
DTP 40 Mts shock mount, LCT 40 Wx windshield and
DTP 40 Lb artificial leather bag
FEATURES
Acoustical operating principle:
Transducer Ø:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohms:
Rated impedance:
Rated load impedance:
Max. SPL for 0,5 % THD:
Equivalent noise level :
Signal / noise ratio:
Dynamic range of the microphone amplifier:
Pre-attenuation pad:
Bass cut filter slope:
Supply voltage :
Current consumption :
Connector:
Dimensions:
Net weight:
pressure gradient
transducer, permanently polarized
17 mm / 0,67 inch
cardioid
20 to 20.000 Hz
8 mV / Pa (-42 dBV)
< 150 ohms
> 1.000 ohms
146 dB, 0 dB pre-attenuation
156 dB, 10 dB pre-attenuation
166 dB, 20 dB pre-attenuation
(IEC 61672-1) 16 dB-A, cardioid
78 dB-A
130 dB-A
10 dB, 20 dB, switchable
12 dB / octave at 40 Hz
6 dB / octave at 300 Hz
(IEC 61938) 48 V +/- 4 V
(IEC 61938) 4,7 mA
gold plated 3-pin XLR
138 x 52 x 36 mm / 5,43 x 2,04 x 1,42 inch
310 g / 10,9 oz.
SPECIFICATIONS
16
LCT 340
LEWITT’s LCT 340 is a 0.8-inch externally
polarized condenser microphone that
excels at capturing acoustic and
percussion instruments, drums and
vocals, and is perfectly suited for
sophisticated live and studio applications.
Two interchangeable capsules allow for
quick and easy switching of patterns,
ensuring greater flexibility without
changing microphones.
The LCT 340 is equipped with four-
position low-cut filter and pre-attenuation
slide switches, dual-color LED indicators
and a convenient snap closure. It offers a
dynamic range of 124 dB and stands out
for its extremely low self-noise of 15 dB.
Last but not least, its transformerless
output makes this ruggedly designed pro-
mic resistant to electrical interference and
a first-class pick for true sound
enthusiasts.
17
SPECIFICATIONS
Acoustical operating principle:
Transducer Ø:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohms:
Rated impedance:
Rated load impedance:
Max. SPL for 0,5 % THD:
Equivalent noise level :
Signal / noise ratio:
Dynamic range of the microphone amplifier:
Pre-attenuation pad:
Bass cut filter slope:
Supply voltage :
Current consumption :
Connector:
Dimensions:
Net weight:
pressure & pressure
gradient transducers, externally polarized
20,32 mm / 0,8 inch
cardioid, omni
20 to 20.000 Hz
9 mV / Pa (-41 dBV), cardioid
8 mV / Pa (-42 dBV), omni
< 150 ohms
> 1.000 ohms
139 dB, 0 dB pre-attenuation
145 dB, 6 dB pre-attenuation
151 dB, 12 dB pre-attenuation
157 dB, 18 dB pre-attenuation
(IEC 61672-1)
15 dB-A, cardioid
16 dB-A, omni
79 dB-A
124 dB-A
6 dB, 12 dB, 18 dB, switchable
12 dB / octave at 40 Hz
6 dB / octave at 150 Hz
6 dB / octave at 300 Hz
(IEC 61938) 48 V +/- 4 V
(IEC 61938) 6,6 mA
gold plated 3-pin XLR
24 dia. x 160 mm / 0,94 dia. x 6,3 inch
200 g / 7,05 oz.
TOP APPLICATIONS
■ Overhead miking // drums, percussion...■ Ensembles // choral or orchestral■ Acoustic instruments // piano, guitar, drums,
percussion, strings...■ Wind instruments // brass and woodwinds...■ Demanding live and studio applications■ A/B and X/Y stereo miking
FEATURES
■ 0.8-inch small-diaphragm capsule with ultra-thin externally
biased, gold-layered low mass diaphragm for ultra-precise
and neutral sound reproduction■ Flat frequency response for natural, authentic sound■ Interchangeable capsules for cardioid and omnidirectional pattern selection ensuring maximum flexibility and an undisturbed workflow■ Wide dynamic range of 124 dB and low self-noise level of
15 dB for ear-catching realism and distortion-free sonic
depth■ 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB
and 18 dB) for handling extremely high sound pressure levels
and 4-position high-pass filter■ Illuminated user interface for quick and easy handling even in
dark environments■ Rugged black die-cast full-metal body ensures long life■ Hexagonal ruthenium-galvanized steel mesh grille to prevent
wear and abuse■ Immune to electromagnetic interference thanks to
transformerless preamplifier circuitry■ Corrosion-resistant gold-plated 3-pin XLR output connector■ Comes in a cardboard box with foam layers; includes DTP 40
Mts shock mount, LCT 40 Ws windshield, DTP 40 Lb leather
bag and an optional omnidirectional true condenser
transducer
18
LCT 540
combination of qualities that will
undoubtedly make it a studio favorite
among audio engineers and professional
musicians. Designed to complement
modern recording techniques and meet
the expectations of ever-demanding sound
professionals, this versatile large-diaphragm
condenser microphone offers outstanding
performance in miking lead vocals, drums
and percussion instruments, brass and
woodwinds, classical music ensembles.
The LCT 540's cardioid 1-inch capsule,
enclosed by an extra-large hexagonal
grille, captures elaborate, exceptionally
nuanced sonic details and optimizes
isolation of the main sound source by
rendering off-axis sounds. The LCT 540
features three levels of attenuation and
three switchable high-pass filters, two-
color LEDs as well as pushbuttons for
noiseless handling. A dynamic range of
135 dB and an extremely low self-noise of
8 dB round off the features of this
exceptional microphone.
The LCT 540 Authentica exhibits a
19
■ 1-inch dual-system externally biased capsule with an
active front and ultra-thin, gold-layered low-mass
diaphragm for superior transient response■ Tailored frequency response for rich and authentic
sound onstage or in the studio■ Cardioid polar pattern for effective isolation of the main
sound source■ Extremely low self-noise of 8 dB and max SPL of 143
dB for an impressive total dynamic range of 135 dB
providing a maximum of acoustic presence and clarity■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,
and 20 dB) for handling extremely high sound pressure
levels and 3-position high-pass filter■ Illuminated user interface for quick and easy handling
even in dark environments■ Noiseless pushbuttons for quick and easy attenuation
and HPF selection■ Clipping history, automatic attenuation and key-lock
provide error-free recording and unparalleled ease of use■ Rugged all-metal construction for reliable performance
onstage and in the studio■ Extra-large hexagonal ruthenium-galvanized steel mesh
grille provides an open acoustic environment and
prevents unwanted internal reflections■ Immune to electromagnetic interference thanks to
transformerless preamplifier circuitry■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a black carrying case; includes LCT 40 SHx
shock mount, LCT 40 Wx windshield and DTP 40 Lb
artificial leather bag
FEATURES
TOP APPLICATIONS
■ Lead and background vocals■ Acoustic instruments // piano, guitar, drums, percussion, strings...■ Overhead miking // drums, percussion...■ Ensembles // choral or orchestral■ Room ambiance pick-up // guitar amplifier, drums...■ Wind instruments // brass and woodwinds...■ Demanding live and studio applications
Acoustical operating principle:
Transducer Ø:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohms:
Rated impedance:
Rated load impedance:
Max. SPL for 0,5 % THD:
Equivalent noise level :
Signal / noise ratio:
Dynamic range of the microphone amplifier:
Pre-attenuation pad:
Bass cut filter slope:
Supply voltage :
Current consumption :
Connector:
Dimensions:
Net weight:
pressure gradient
transducer, externally polarized
25,4 mm / 1 inch
cardioid
20 to 20.000 Hz
16 mV / Pa (-36 dBV)
< 150 ohms
> 1.000 ohms
143 dB, 0 dB pre-attenuation
153 dB, 10 dB pre-attenuation
163 dB, 20 dB pre-attenuation
(IEC 61672-1) 8 dB-A
86 dB-A
135 dB-A
10 dB, 20 dB, switchable
12 dB / octave at 40 Hz
6 dB / octave at 300 Hz
(IEC 61938) 48 V +/- 4 V
(IEC 61938) 5,1 mA
gold plated 3-pin XLR
158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inch
425 g / 14,9 oz.
SPECIFICATIONS
20
LCT 640
LEWITT’s LCT 640 is designed to raise
the bar in its class of reference-quality
large-diaphragm condenser microphones.
This Austrian-designed and engineered
pro-mic delivers a smooth, unsurpassably
rich and exceptionally nuanced sound, and
exhibits a remarkable set of qualities that
enthuses even the most discerning users.
The LCT 640 excels in a variety of
demanding studio applications and stands
for unrivalled performance in miking lead
and background vocals, drums, percussion
instruments, grand pianos, brass and
woodwinds, classical music ensembles.
In addition to the standard omni-
directional, cardioid and figure-8 polar
patterns, the LCT 640 offers a wide-
cardioid and super-cardioid characteristic.
It offers a dynamic range of 135 dB and
stands out for its extremely low self-noise
of 10 dB. In combination with a 4-level
high-pass filter and 4-level switchable pre-
attenuation, the LCT 640 provides
maximum versatility in all recording
situations. Automatic attenuation, key-
lock, clipping history, push buttons and a
light-up user interface round off the
features of this outstanding microphone.
21
Acoustical operating principle:
Transducer Ø:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohms:
Rated impedance:
Rated load impedance:
Max. SPL for 0,5 % THD:
Equivalent noise level :
Signal / noise ratio:
Dynamic range of the microphone amplifier:
Pre-attenuation pad:
Bass cut filter slope:
Supply voltage :
Current consumption :
Connector:
Dimensions:
Net weight:
pressure gradient
transducer, externally polarized
25,4 mm / 1 inch
omni
broad-cardioid
cardioid
super-cardioid
figure-8
20 to 20.000 Hz
13 mV / Pa (-38 dBV), cardioid
10 mV / Pa (-40 dBV), omni
9 mV / Pa (-41 dBV), figure-8
< 150 ohms
> 1.000 ohms
145 dB, 0 dB pre-attenuation
151 dB, 6 dB pre-attenuation
157 dB, 12 dB pre-attenuation
163 dB, 18 dB pre-attenuation
(IEC 61672-1)
10 dB-A, cardioid
12 dB-A, omni
13 dB-A, figure-8
84 dB-A
135 dB-A
6 dB, 12 dB, 18 dB, switchable
12 dB / octave at 40 Hz
6 dB / octave at 150 Hz
6 dB / octave at 300 Hz
(IEC 61938) 48 V +/- 4 V
(IEC 61938) 5,5 mA
gold plated 3-pin XLR
158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inch
430 g / 15,2 oz.
SPECIFICATIONS
TOP APPLICATIONS
■ Lead and background vocals■ Acoustic instruments // piano, guitar, drums, percussion, strings...■ Overhead miking // drums, percussion...■ Ensembles // choral or orchestral■ Room ambiance pick-up // guitar amplifier, drums...■ Wind instruments // brass and woodwinds...■ Demanding live and studio applications
■
biased, gold-layered low mass diaphragms for ear-
catching realism and authentic sound■ Flat frequency response for natural, authentic sound ■ Five consistent directional characteristics – cardioid,
omnidirectional, figure-8, broad cardioid and supercardioid
– for maximum flexibility in a wide variety of recording
applications■ 10 dB self-noise and max SPL of 145 dB for an
impressive total dynamic range of 135 dB, providing
maximum acoustic presence ■ 4-position switchable pre-attenuation pad (0 dB, 6 dB,
12 dB and 18 dB) for handling extremely high sound
pressure levels and 4-position high-pass filter■ Illuminated user interface for quick and easy handling
even in dark environments■ Noiseless pushbuttons for quick and easy attenuation
and HPF selection■ Clipping history, automatic attenuation and key-lock
provide error-free recording and unparalleled ease of use■ Rugged all metal construction for reliable performance
onstage and in the studio■ Extra-large hexagonal ruthenium-galvanized steel mesh
grille provides an open acoustic environment and
prevents unwanted internal reflections■ Immune to electromagnetic interference thanks to
transformerless preamplifier circuitry■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a black carrying case; includes LCT 40 SHx
shock mount, LCT 40 Wx windshield and DTP 40 Lb
artificial leather bag
Superior transient response from ultra-thin externally
-
FEATURES
22
Steve Catizone
Leo Mellace
(Songwriter // Music Producer, Serenity West Recording)
"I track a lot of vocals and I usually have to tweak the EQ a ton to get that sparkle, but not with the LCT 940. Like
all LEWITT microphones they sound both current and classic."
(Songwriter // Music Producer, Serenity West Recording)
"LEWITT mics are up all over my studio and never come down. If I'm getting vocals or laying down some guitars
they are always ready to deliver. I just got the LCT 940 and love it, the edge and crispness I naturally get from it is
incredible."
23
Cameell Hanna
Serenity West Recording
(Manager // Booking Director, Serenity West Recording)
"As a studio manager I book a crazy cross section of different artists from Adele to Snoop. I love Lewitt's ethos and my clients
appreciate the incredible capture that they deliver, and they're pretty damn handsome mics to boot. The LCT 940 is a vocal mic
that I am offering up first to all of our clients."
is a haven for recording artists
like Adele, Rihanna, Justin Timberlake, Sean Combs,
Shakira, Faith Evans, Will.I.Am and many more.
"THEY SOUND BOTHCURRENT AND CLASSIC."
24
LCT 840
LEWITT’s LCT 840 is a premium-class
externally polarized dual-diaphragm tube
microphone designed to excel in a variety
of demanding applications. Equipped with
a precision-engineered 1-inch capsule,
the LCT 840 stands for exceptionally warm
and classic, solid vintage sound. Perfectly
suited for miking vocals and instruments,
this rugged multi-purpose microphone
allows for highly nuanced and authentic
sound reproduction in the studio and even
on stage. Five switchable polar patterns –
omni-directional, cardioid, figure-8, wide-
cardioid and super-cardioid – make the
LCT 840 a highly versatile tool for
professional audio engineers and
performers looking for true and authentic
tube sound.
Like all LEWITT mics, the LCT 840 stands
out for its extremely low self-noise of 9 dB
and effective rejection of off-axis sounds.
The microphone features three levels of
attenuation and three switchable high-
pass filters, LEDs and pushbuttons for
noiseless handling on the power supply
unit (PSU).
Apart from user-friendly operating controls
and advanced technological features so
essential to memorable recordings, the
LCT 840 also makes an eye-catching
design statement: The microphone is
equipped with a plexiglass inspection
window on the front side of the body, so
the illuminated tube itself is fully exposed.
The inside window surface is coated with
a highly conductive, yet transparent film
preventing electromagnetic interference.
In short: The unique combination of
innovative design, high-end technology
and tube-typical sound quality ensures
magic takes.
25
Acoustical operating principle:
Transducer Ø:
Directional pattern:
Frequency range:
Sensitivity:
Signal / noise ratio:
Equivalent noise level :
Dynamic range of mic. amp.:
Max. SPL for 0,5 % THD:
Pre-attenuation pad:
Bass cut filter slope:
Rated impedance:
Rated load impedance:
Supply voltage:
Current consumption:
Connector:
Cable:
Dimensions (Mic):
Dimensions (PSU):
Net weight (Mic):
Net weight (PSU):
pressure gradient transducer,
externally polarized
25,4 mm / 1 inch
omni, broad-cardioid, cardioid, super-
cardioid, figure-8, selectable on remote control
20 to 20.000 Hz
23 mV / Pa (-33 dBV), cardioid
20 mV / Pa (-34 dBV), omni
23 mV / Pa (-33 dBV), figure-8
85 dB-A
(IEC 61672-1)
9 dB-A, cardioid
10 dB-A, omni
9 dB-A, figure-8
130 dB-A
139 dB, 0 dB pre-attenuation
149 dB, 10 dB pre-attenuation
159 dB, 20 dB pre-attenuation
10 dB, 20 dB, selectable on remote
control
12 dB / octave at 40 Hz
6 dB / octave at 300 Hz
< 200 ohms
> 1.000 ohms
custom power supply unit,
230 V, 50 Hz / 110 V, 60 Hz
120 mA
gold plated 11-pin XLR
8 m (26 ft), 11-pin audio cable, oxygen-free copper
192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch
250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch
662 g / 23,3 oz.
1894 g / 66,8 oz.
SPECIFICATIONS
TOP APPLICATIONS
■ Lead and background vocals■ Acoustic instruments // piano, guitar,
drums, percussion, strings...■ Wind instruments // brass and woodwinds...■ Demanding studio applications
■ Ultra-thin 1-inch externally biased, gold-layered low-
mass diaphragms combined with a dual triode tube
ensures accurate transient response while providing
smooth, warm and airy tube sound■ Five consistent directional characteristics – cardioid,
omnidirectional, figure-8, broad cardioid and
supercardioid – offer maximum flexibility■ Superior dynamic range of 130 dB-A (Tube) and
extremely low self-noise of 9 dB-A for ear-catching
realism and distortion-free sonic depth■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,
and 20 dB) for handling extremely high sound pressure
levels and 3-position high-pass filter■ Illuminated user interface and jog dials for easy handling
even in dark environments■ Noiseless pushbuttons for quick and easy attenuation
and HPF selection■ Unique features like clipping history and automatic
attenuation provide error-free studio recording and
unparalleled ease of use■ Solid die-cast metal body with a stylish, oversized tube
inspection window specially coated for maximum
protection against electromagnetic interference■ Custom PSU 840 power supply unit with sturdy full-
metal housing and brushed, anodized black aluminum
front■ Extra-large hexagonal ruthenium-galvanized steel mesh
grille provides an open acoustic environment and
prevents unwanted internal reflections■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a black case; includes PSU 840 power supply
unit, LCT 40 SHxx shock mount, LCT 40 Tr audio cable
with gold-plated 11-pin XLR connectors and LCT 40
Wxx windscreen
FEATURES
26
LCT 940
Sound professionals naturally rely on a set
of different high-end microphones in order
to get the best out of their sound. But
changing microphones and adjusting
settings takes valuable time, the creative
flow of a session is interrupted. With its
new Authentica series flagship LCT 940,
LEWITT now introduces a microphone
that will revolutionize modern studio
recording procedures and help engineers
and artists to react more quickly to a
desired change of style and sound.
The LCT 940 combines the specific
characteristics of a premium large-
diaphragm FET condenser microphone
and a top-notch tube microphone in one
housing. Basically, users can choose
between the two main settings "FET" and
"Tube".
"Tube" delivers the classic, warm and rich
tube sound, while "FET" stands for the
clear, exceptionally rich and nuanced
sound LEWITT condenser microphones
are renowned for. However, the LCT 940
offers another unique feature that true
recording enthusiasts will swoon over: As
the characteristics of the two main
settings can be mixed and merged
continuously variable, the LCT 940 opens
up huge creative possibilities for artists
and producers.
Furthermore, the LCT 940 features a total
of nine different polar patterns – our five
"standard" polar patterns omni-directional,
cardioid, figure-8, wide- and super-
cardioid and four additional intermediate
patterns. The microphone features four
levels of attenuation and four switchable
high-pass filters, LEDs and push buttons
for noiseless handling on the PSU.
Automatic attenuation and clipping history
round off the feature list of the LCT 940.
27
Acoustical operating principle:
Transducer Ø:
Directional pattern:
Frequency range:
Sensitivity:
Signal / noise ratio (FET):
Signal / noise ratio (Tube):
Equivalent noise level (FET) :
Equivalent noise level (Tube) :
Dynamic range of FET mic. amp.:
Dynamic range of Tube mic. amp.:
Max. SPL for 0,5 % THD (FET):
Max. SPL for 0,5 % THD (Tube):
Pre-attenuation pad:
Bass cut filter slope:
Rated impedance:
Rated load impedance:
Supply voltage:
Current consumption:
Connector:
Cable:
Dimensions (Mic):
Dimensions (PSU):
Net weight (Mic):
Net weight (PSU):
pressure gradient transducer,
externally polarized
25,4 mm / 1 inch
omni, broad-cardioid, cardioid, super-
cardioid, figure-8 and four additional intermediate pattern,
selectable on remote control
20 to 20.000 Hz
23 mV / Pa (-33 dBV), cardioid
20 mV / Pa (-34 dBV), omni
23 mV / Pa (-33 dBV), figure-8
86 dB-A
82 dB-A
(IEC 61672-1)
8 dB-A, cardioid; 9 dB-A, omni; 8 dB-A, figure-8
(IEC 61672-1)
12 dB-A, cardioid; 13 dB-A, omni; 12 dB-A, figure-8
135 dB-A
128 dB-A
143 dB, 0 dB pre-attenuation
149 dB, 6 dB pre-attenuation
155 dB, 12 dB pre-attenuation
161 dB, 18 dB pre-attenuation
140 dB, 0 dB pre-attenuation
146 dB, 6 dB pre-attenuation
152 dB, 12 dB pre-attenuation
158 dB, 18 dB pre-attenuation
6 dB, 12 dB, 18 dB, selectable on remote
control
12 dB / octave at 40 Hz
6 dB / octave at 150 Hz
6 dB / octave at 300 Hz
selectable on remote control
< 200 ohms
> 1.000 ohms
custom power supply unit,
230 V, 50 Hz / 110 V, 60 Hz
170 mA
gold plated 11-pin XLR
8 m (26 ft), 11-pin audio cable, oxygen-free copper
192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch
250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch
662 g / 23,3 oz.
1930 g / 68,1 oz.
SPECIFICATIONS
TOP APPLICATIONS
■ Lead and background vocals■ Acoustic instruments // piano, guitar, drums, percussion,
strings...■ Wind instruments // brass and woodwinds...■ Demanding studio applications
■ Combines the sonic characteristics of a tube and a FET mic
in one single housing for maximum creative freedom and an
undisturbed workflow■ Continuously variable switching and merging of tube
and FET sound via rotating potentiometer■ 1-inch externally biased, dual-system capsule with ultra-thin,
gold-layered low-mass diaphragms combined with a dual
triode tube ensures accurate transient response while
providing smooth, warm and airy tube sound■ Nine consistent directional characteristics – cardioid, omni-
directional, figure-8, broad cardioid, supercardioid and four
intermediate patterns – for maximum flexibility in a wide variety
of recording applications■ Superior dynamic range of 128 dB-A (Tube) / 135 dB-A
(FET) and exceptionally low self-noise of 12 dB-A (Tube)
/ 8 dB-A (FET) for ear-catching realism and distortion-
free sonic depth■ 4-position switchable pre-attenuation pad (0 dB, 6 dB,
12 dB and 18 dB) for handling extremely high sound
pressure levels and 4-position high-pass filter■ Illuminated user interface and jog dials for easy handling
even in dark environments■ Noiseless pushbuttons for quick and easy attenuation and
HPF selection■ Unique features like clipping history and automatic
attenuation provide error-free studio recording and
unparalleled ease of use■ Custom PSU 940 power supply unit with sturdy full-metal
housing and brushed, anodized black aluminum front■ Corrosion-resistant gold-plated 3-pin XLR output connector■ Comes in a black carrying case; includes PSU 940 power
supply unit with sturdy full-metal housing and milled, anodized
black aluminum front, LCT 40 SHxx shock mount, LCT 40 Tr
audio cable with gold-plated 11-pin XLR connectors and
LCT 40 Wxx windscreen
FEATURES
2928
"A WELCOMED ADDITIONTO MY COLLECTION."
"When I'm recording a full band in the studio, I want to put up mics that I can rely on. There's limited time to achieve the
quality of sound that I want. I need tools that I can trust. Therefore, the band can play while they are still fresh. LEWITT
microphones are innovative and productive."
Brian Vibberts
Recording Engineer (participation in 250 Grammy-
nominated and 65 Grammy-awarded projects)
30
MTP 340 CM / CMs
MTP 240 DM / DMs
MTP 540 DM / DMs
31
ADDMORE
TOYOUR
POWER
TUNES.THE MTP PERFORMANCE SERIES
Music professionals know that it’s often the smallest details that make all the
difference in vocal and instrumental recordings.
With our MTP series, we aim to exceed artists’ and audio engineers’ expectations of
reproduction accuracy and isolation of the main sound source. The new flagships
among LEWITT's performance microphones the MTP 840 DM and the 940 CM
are true milestones of audio technology.
All MTP microphones are professional-quality handheld dynamic and condenser
performance microphones have been developed specifically for the authentic,
crystal-clear reproduction of vocals and are also well-suited for instrumental
applications.
Customized frequency responses, a rugged construction, high gain before feedback
and extremely low handling noise make all models of the MTP series the perfect fit for
any application, any performance and any setting.
–
MTP 840 DM
MTP 440 DM
MTP 940 CM
32
MTP 240 DM / DMs
The MTP 240 DM and MTP 240 DMs are
rugged and exceptionally feedback-safe
dynamic cardioid microphones tuned
specifically for vocal applications. Perfectly
suited for use in live performances and
ambitious home studio recordings, these
dynamic microphones please entry-level
vocalists and professionals alike.
Using state-of-the-art microphone
technology, the MTP 240 DM and DMs
are engineered to provide sound
reproduction with exceptional clarity and
detail. The optional on/off switch (MTP
240 DMs) and a tough steel-mesh grille
that perfectly resists wear and abuse
rounds out the models’ features.
33
TOP APPLICATIONS
■ Lead and background vocals■ Live and studio applications
■ Optimized frequency response for vocal applications■ Uniform cardioid polar pattern minimizes unwanted
background noise■ Easily withstands high sound pressure levels■ Effective integrated acoustic pop and windshield offers
excellent protection without compromising high-
frequency clarity■ Highly durable, black all-metal construction, optimized
for rough daily touring routine■ Minimally affected by varying load impedance■ The MTP 240 DMs features a convenient, recessed
on/off slide switch■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a cardboard box including MTP 40 MCs
shock mount and DTP 40 Lb artificial leather bag
FEATURES
dynamic, moving coil
cardioid
60 to 18.000 Hz
2 mV / Pa (-54 dBV)
< 280 ohms
gold plated 3-pin XLR
49 dia. x 175 mm / 1,9 dia. x 6,9 inch
335 g / 11,8 oz.
Acoustical operating principle:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohm:
Rated impedance:
Connector:
Dimensions:
Net weight:
SPECIFICATIONS
34
MTP 340 CM / CMs
Our MTP 340 CM and MTP 340 CMs are
quality condenser vocal microphones with
a thin diaphragm back-electret capsule
which brings a high level of sonic detail to
demanding vocal applications. No matter
whether on stage or in the studio, the
models’ tailored frequency response
always allows for maximum precision and
unsurpassed clarity, taking professional
vocal tracking to the next level.
The uniform cardioid pickup pattern
ensures noise-free transmission, with
essential sound sources being effectively
isolated while unwanted feedback and
background noise are eliminated. These
microphones’ rugged construction and
hardened steel-mesh grille ensure
trouble-free handling on stage and in the
studio.
35
TOP APPLICATIONS
■ Lead and background vocals■ Live and studio applications
Acoustical operating principle:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohm:
Max. SPL for 1 % / 3 % THD:
Equivalent noise level :
Rated impedance:
Rated load impedance:
Supply voltage :
Current consumption :
Connector:
Dimensions:
Net weight:
pressure gradient transducer,
permanently polarized
cardioid
90 to 20.000 Hz
3,1 mV / Pa (-50 dBV)
141 dB / 150 dB
(IEC 61672-1) 25 dB-A
< 200 ohms
> 1.000 ohms
(IEC 61938) 48 V +/- 4 V
(IEC 61938) 5,3 mA
gold plated 3-pin XLR
49 dia. x 175 mm / 1,9 dia. x 6,9 inch
330 g / 11,6 oz.
SPECIFICATIONS
■ Frequency response shaped specifically for vocal
applications■ Uniform cardioid pickup pattern for minimum off-axis
coloration■ High gain before feedback■ Easily withstands high sound pressure levels■ Effective integrated acoustic pop and windshield offers
excellent protection against plosives and sibilance■ Highly durable, black all-metal construction, optimized for
rough daily touring routine■ Minimally affected by varying load impedance■ The MTP 340 CMs features a convenient, recessed
on/off slide switch■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a cardboard box including MTP 40 MCs
shock mount and DTP 40 Lb artificial leather bag
FEATURES
36
MTP 440 DM
The MTP 440 DM is an exceptionally
versatile, precision-engineered cardioid
dynamic microphone ideally suited for
upscale live sound and studio recording
applications. Featuring a high-
performance capsule which delivers a
remarkably bright and lively sound, the
MTP 440 is perfect for miking drums,
percussion instruments, brasses,
woodwinds and vocals.
The MTP 440’s cardioid pattern ensures
perfect off-axis rejection and exceptionally
high gain before feedback. Unwanted
reflections or background noise are
effectively suppressed. High-quality
components and rugged construction
make it a number one choice for touring
professionals and artists around the globe.
37
TOP APPLICATIONS
■ Drums and Percussion // snare, hi-hat...■ Instrument amps■ Wind instruments // brass and woodwinds...
Acoustical operating principle:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohm:
Rated impedance:
Connector:
Dimensions:
Net weight:
dynamic, moving coil
cardioid
60 to 16.000 Hz
2,5 mV / Pa (-52 dBV)
< 500 ohms
gold plated 3-pin XLR
39 dia. x 159 mm / 1,53 dia. x 6,25 inch
280 g / 9,88 oz.
SPECIFICATIONS
■ Tailored frequency response for instrument applications■ Highly consistent cardioid polar pattern for minimum off-
axis coloration■ High gain before feedback■ Easily withstands high sound pressure levels■ Rock-solid full-metal, die-cast body for rough daily touring
routine■ Minimally affected by varying load impedance■ Corrosion-resistant gold-plated 3-pin XLR output connector■ Comes in a cardboard box with foam layers; includes MTP 40
MCs shock mount and DTP 40 Lb artificial leather bag
FEATURES
38
MTP 540 DM / DMs
LEWITT’s MTP 540 DM and MTP 540
DMs are high-performance cardioid
dynamic handheld microphones
optimized for vocal applications setting
new standards of sound quality in both
demanding studio recordings and onstage
use.
The MTP 540 DM and DMs combine the
advanced technological features so
essential to memorable and authentic
vocal reproduction, providing just the kind
of performance you expect in a top-notch
professional dynamic microphone: the
elastic shock-mount system effectively
cuts down handling noise, while a built-in
spherical wind and pop filter compliments
specially tailored frequency response to
ensure consistently rich and powerful
output in any setting.
39
Acoustical operating principle:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohm:
Rated impedance:
Connector:
Dimensions:
Net weight:
dynamic, moving coil
cardioid
60 to 16.000 Hz
2 mV / Pa (-54 dBV)
< 300 ohms
gold plated 3-pin XLR
49 dia. x 175 mm / 1,9 dia. x 6,9 inch
400 g / 14,1 oz.
SPECIFICATIONS FEATURES
■ Frequency response shaped specifically for demanding
vocal applications, with brightened midrange and bass
roll-off■ Uniform cardioid pickup pattern for maximum isolation of
the main sound source■ Highly shock-proof capsule minimizes handling noise■ Easily withstands high sound pressure levels■ Effective integrated acoustic pop and windshield offers
excellent protection without compromising high-
frequency clarity■ Rock-solid full-metal, die-cast body for rough daily
touring routine■ Hardened hexagonal ruthenium-galvanized steel mesh
grille to prevent wear and abuse■ Minimally affected by varying load impedance■ The MTP 540 DMs features a convenient recessed
on/off slide switch■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a cardboard box with foam layers; includes
MTP 40 MCs shock mount and DTP 40 Lb artificial
leather bag
TOP APPLICATIONS
■ Lead and background vocals■ Live and studio applications
FEATURES
■ Proprietary dynamic capsule tuned specifically for
demanding vocal applications, with brightened midrange
and extended low end■ Uniform supercardioid pickup pattern for maximum
isolation of the main sound source■ Optional active mode provides superior dynamic range
of 121 dB-A and extremely low self-noise of 19 dB-A
for ear-catching realism and distortion-free sonic depth■ Optional 3-position switchable amplification (0 dB, 6 dB,
and 12 dB) for unrivalled signal quality in demanding
environments■ 3-position switchable high-pass filter for direct
adjustment of proximity effect according to application
and artist■ Illuminated indication of microphone settings for quick
and easy handling even in dark environments■ Recessed slide switches prevent unintended change of
settings■ Effective integrated acoustic pop and windshield offers
excellent protection without compromising high-
frequency clarity■ Rock-solid full metal, die-cast body for rough daily
touring routine■ Hardened steel mesh grille to prevent wear and abuse■ Minimally affected by varying load impedance■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a cardboard box including MTP 40 MCs
shock mount and DTP 40 Lb artificial leather bag
TOP APPLICATIONS
■ Lead and background vocals■ Demanding live and studio applications
40 41
LEWITT puts true studio performance
onstage – universally usable thanks to
switchable sensitivity and a multi-step
high-pass filter, infinitely durable and
optimally equipped for punishing touring
conditions without compromising on
sound.
Excellent transient response, refined
electronics and superior capsule design
make the MTP 840 DM a unique tool for
onstage use. Innovative circuitry design
and the highest-quality components make
for low self-noise and a maximum of
dynamic range when in active mode, the
frequency curve, which is specially tailored
for vocal recordings, provides the ultimate
in sound quality. A three-step high-pass
filter directly influences the proximity
effect. The built-in three-position
switchable amplifier, is specially adapted to
the MTP 840’s components, allowing
lossless recording of even far-off sources.
The LEDs on the MTP 840 DM, which
can be turned off, make checking the
microphone’s numerous settings a direct
and easy matter even in the dark.
The new dynamic flagship MTP 840 DM
transports the artist’s voice in a natural and
powerful way, consistent directionality
across the entire frequency spectrum
makes for maximum protection against
feedback, with the flexibly suspended
capsule reducing structure-borne noise to
a minimum.
MTP 840 DM
Acoustical operating principle:
Directional pattern:
Frequency range:
Sensitivity:
Signal / noise ratio:
Equivalent noise level:
Dynamic range, passive mode:
Dynamic range, active mode:
Max. SPL for 0,5 % THD, active mode:
Gain settings, active mode:
Bass cut filter slope:
Rated impedance:
Rated load impedance:
Supply voltage:
Current consumption:
Connector:
Dimensions:
Net weight:
dynamic, moving coil
super-cardioid
40 to 18.000 Hz
3,5 mV / Pa (-49 dBV), passive mode
7 mV / Pa (-43 dBV), active mode
14 mV / Pa (-37 dBV), active mode
75 dB-A
19 dB-A, Super-cardioid (IEC 61672-1)
135 dB-A
121 dB-A, 0 dB gain
115 dB-A, 6 dB gain
109 dB-A, 12 dB gain
140 dB, 0 dB gain
134 dB, 6 dB gain
128 dB, 12 dB gain
0 dB, 6 dB, 12 dB, switchable
12 dB / octave at 150 Hz
12 dB / octave at 250 Hz
< 600 ohms
> 1.000 ohms
48 V +/- 4 V (IEC 61938)
5,5 mA (IEC 61938)
gold plated 3-pin XLR
51 dia. x 183 mm / 2 dia. x 7,2 inch
336 g / 11,85 oz
SPECIFICATIONS
FEATURES
■ 1-inch externally biased, dual-system capsule with ultra-
thin, gold-layered low-mass diaphragms ensure accurate
transient response for nuanced and authentic sound■ Flat frequency response for natural sound■ Three consistent directional characteristics – cardioid,
wide cardioid, supercardioid – for maximum flexibility in a
wide variety of live and recording applications■ Superior dynamic range of 135 dB-A and exceptionally
low self-noise of 9 dB-A thanks to innovative direct
coupling technology (patent pending) for ear-catching
realism and distortion-free sonic depth■ 3-position switchable pre-attenuation pad (0 dB, 6 dB,
and 12 dB) for handling extremely high sound pressure
levels■ 3-position switchable high-pass filter for direct
adjustment of proximity effect according to application
and artist■ Illuminated indication of microphone settings for quick
and easy handling even in dark environments■ Recessed slide switches prevent unintended change of
settings■ Effective integrated acoustic pop and windshield offers
excellent protection without compromising high-
frequency clarity■ Rock-solid full-metal, die-cast body for rough daily
touring routine■ Hardened steel mesh grille to prevent wear and abuse■ Minimally affected by varying load impedance■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a cardboard box including MTP 40 MCs
shock mount and DTP 40 Lb artificial leather bag
TOP APPLICATIONS
■ Lead and background vocals■ Demanding live and studio applications
42 43
Real studio performance onstage at
present, this can only be found in
LEWITT’s MTP Performance Series.
Meeting the highest standards onstage
and in the studio requires the world’s most
technically advanced, innovative and full-
featured handheld condenser microphone:
the new MTP 940 CM – a milestone of
audio technology.
The externally biased large-diaphragm
capsule of the MTP 940 CM lends the
lead voice the necessary presence in an
infinitely subtle, detailed and authentic
way. The source comes through clearly,
processed with impressive feedback
resistance and with undesired breath,
popping and handling noise reduced to a
minimum. The MTP 940 CM boasts a
135 dB dynamic range – the widest ever
achieved in a live microphone – due to its
high headroom and LEWITT’s own Direct
Coupling circuit design, which makes
possible an unbeatably low self-noise level
of just 9 dB. Thus the MTP 940 CM is
also ideal for use in the studio. Three
switchable polar patterns ease recording
of the most diverse sources. A three-step
high-pass filter makes it possible to
directly influence the proximity effect and
the three-position switchable attenuation
pad guarantees use even in extreme SPL
environments. LEDs that can be switched
off if desired, make checking the mic’s
numerous settings a direct and easy
matter even in the dark ensuring a fast and
trouble-free setup process.
For everyone who’s always dreamed of
taking their studio mic into their hands and
onstage, or of recreating a live atmosphere
in the studio at an uncompromising level
of quality, the MTP 940 CM is the only
right choice. With the optimal synergy
between versatility, innovation and sound
quality, it sets a new benchmark in the
world of high-end microphones.
–
MTP 940 CM
Acoustical operating principle:
Transducer Ø:
Directional pattern:
Frequency range:
Sensitivity:
Signal / noise ratio:
Equivalent noise level:
Dynamic range of mic. amp.:
Max. SPL for 0,5 % THD:
Pre-attenuation pad:
Bass cut filter slope:
Rated impedance:
Rated load impedance:
Supply voltage:
Current consumption:
Connector:
Dimensions:
Net weight:
pressure gradient transducer,
externally polarized
25,4 mm / 1 inch
wide cardioid
cardioid
super-cardioid
20 to 20.000 Hz
10 mV / Pa (-40 dBV), cardioid
85 dB-A
9 dB-A, cardioid (IEC 61672-1)
135 dB-A
144 dB, 0 dB pre-attenuation
150 dB, 6 dB pre-attenuation
156 dB, 12 dB pre-attenuation
6 dB, 12 dB, switchable
12 dB / octave at 80 Hz
12 dB / octave at 160 Hz
< 150 ohms
> 1.000 ohms
48 V +/- 4 V (IEC 61938)
5,5 mA (IEC 61938)
gold plated 3-pin XLR
51 dia. x 183 mm / 2 dia. x 7,2 inch
332 g / 11,71 oz
SPECIFICATIONS
44 45
"
Chris Brown and another one with Mary J. Blidge ... and I love them." Rick changed J.Lo's drum microphone setup
during her world tour. Hardly the right time for experiments. Nevertheless the perfect time for the best sound.
I’ve used LEWITT microphones on several big tours that I just finished: one with Jennifer Lopez, the other with
" "I LOVE ’EM.
Rick Camp
FOH Engineer
(Jennifer Lopez, Chris Brown, Madonna, Beyoncé, ... )
46
DTP 340 REX
DTP 640 REX
DTP 340 TT
47
PUTMORE
INYOUR
BOOM
CHA.THE DTP PERCUSSION SERIES
With its DTP series, LEWITT introduces a complete family of cutting-edge,
high-performance wired dynamic microphones designed specifically for drums,
percussion and bass instruments. hese high-quality mics by our
masterpiece, the dual-element cardioid DTP 640 REX optimized for kick drum
applications stand out thanks to their sonic accuracy on stage as well as in studio
settings. Minimally affected by varying load impedance and designed to effectively
reject off-axis sound, all models of the DTP series deliver unparalleled, memorable
sound that will turn heads in any audience. Uniform cardioids and super-cardioid
patterns allow for high gain before feedback and a hardened steel mesh grille
effectively resists wear and abuse, making DTP microphones and Beat Kits the
ultimate choice for touring professionals.
From professional drummers to discerning beat aficionados, LEWITT's DTP series
lets music lovers and performers alike discover a fine-tuned, punchy sound.
T – spear-headed
–
48
With the DTP 340 TT LEWITT introduces
consistently high-performing wired
dynamic microphones specifically
designed to accurately capture the sound
of drums and percussion instruments
providing a maximum of acoustic presence
and clarity in live sound applications.
Even in high sound pressure level
applications, DTP 340 TT reproduces
instrumental sounds with sonic detail and
character. The super-cardioid polar pattern
ensures that side and rear sounds are
effectively rejected. Its rugged body and a
hardened steel-mesh grille make this
microphone highly durable professional
gear for performers and audio engineers.
DTP 340 TT
49
■ Tailored frequency response for powerful yet smooth and
natural sound on percussion instruments■ Uniform supercardioid pickup pattern ensures high gain
before feedback and maximum isolation of the desired
sound source■ Solid full-metal, die-cast body suited for rough daily
touring routine■ Highly durable steel mesh grille to prevent wear and
abuse■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a cardboard box with foam layers, including
DTP 40 Mts shock mount, DTP 40 Mt drum mount and
DTP 40 Lb artificial leather bag
FEATURES
TOP APPLICATIONS
■ Drums and Percussion // tom tom, hi-hat...
Acoustical operating principle:
Directional pattern:
Frequency range:
Sensitivity at 1 kHz into 1 kohm:
Rated impedance:
Connector:
Dimensions:
Net weight:
dynamic, moving coil
super-cardioid
40 to 16.000 Hz
1,4 mV / Pa (-57 dBV)
< 500 ohms
gold plated 3-pin XLR
41 dia. x 94 mm / 1,6 dia. x 3,7 inch
165 g / 5,82 oz.
SPECIFICATIONS
50
The ambitious DTP 340 REX developed
for entry-level use and its upscale big
brother designed for professional use, the
DTP 640 REX, make the hearts of beat
aficionados beat faster. Thanks to its
cardioid polar pattern and customized
frequency response, the dynamic DTP
340 REX offers everything you need to
mic bass instruments: catchy, impressive
sound and reliable performance on stage
and in the studio.
Since 2012, the DTP 340 REX offers
another innovative feature. In addition to
the accustomed neutral and pure sound –
developed for maximum application
diversity –, the ‘Enhanced Frequency
Response’ switchable right on the
microphone will deliver an unbeatably
impressive sound by emphasizing
frequencies from 70-150 Hz and 3-5 kHz
– especially optimized for use on kick
drums.
DTP 340 REX
51
■ Switchable “Enhanced Frequency Response”
specifically tailored for a powerful kick drum sound■ Perfectly suited for recording bass instruments and
percussion■ Uniform cardioid pickup pattern for maximum isolation
of the main sound source■ Outstanding gain before feedback■ Rock-solid full metal die-cast body suited for rough daily
touring routine■ Integrated stand adapter for secure mounting and easy
positioning■ Corrosion-resistant gold-plated 3-pin XLR output
connector■ Comes in a cardboard box with foam layers and DTP
40 Lb artificial leather bag
FEATURES
Acoustical operating principle:
Directional pattern:
Frequency range:
EFR, ‘Enhanced Frequency Response’ settings:
Sensitivity, = FFR:
Sensitivity, + EFR:
Rated impedance:
Connector:
Dimensions:
Net weight:
dynamic, moving coil
cardioid
20 to 16.000 Hz
= FFR, ‘Flat Frequency Response’
+ EFR, ‘Enhanced Frequency Response’
0,4 mV / Pa (-69 dBV)
0,4 mV / Pa (-69 dBV)
< 500 ohms
gold plated 3-pin XLR
71 dia. x 158 mm / 2,8 dia. x 6,2 inch
740 g / 26,1 oz
SPECIFICATIONS
TOP APPLICATIONS
■ Drums and Percussion // kick drum...■ Low frequency instruments // double bass, electric bass, kick drum...■ Live and studio applications
52
DTP 640 REX
Thanks to variably controlled dual element
technology and fine tuned frequency
responses, our flagship among drum
microphones, the DTP 640 REX, offers
unparalleled and powerful sound that will
delight professional drummers and sound
engineers alike. The DTP 640 REX is
equipped with a high quality dynamic
element and a condenser element – the
dynamic element ensures accurate
reproduction of the bass drum kick, while
the condenser element optimally captures
the rich low frequency sound of the
drum’s shell. In order to guarantee full
control over the two elements, they can be
separately mixed on their own channels.
Since 2012, the DTP 640 REX offers two
more features. The dynamic element
emphasizes frequency ranges relevant for
the kick drum in the ‘Dynamic Enhanced
Frequency Response’ setting switchable
right on the microphone, while the
condenser element captures the sound
neutrally. With ‘Dual Enhanced Frequency
Response’, the character of the sound can
be shaped even more individually – with
this setting, the condenser element
focuses on frequencies from 70 to 150 Hz
and delivers a full body sound. The
dynamic element provides the necessary
power by focusing on the range between
3 and 5 kHz.
The combination of these features with
the comprehensive tonal freedom of dual-
element technology greatly increases the
range of use, turning the DTP 640 REX
into a universal tool for bass-heavy
applications.
53
Acoustical operating principle:
Transducer (dynamic):
Transducer (condenser):
Directional pattern:
Frequency range:
Sensitivity, = // = FFR:
Sensitivity, + // = Dynamic EFR:
Sensitivity, + // + Dual EFR:
Equivalent noise level:
Dynamic range of mic. amp.:
Max. SPL for 0,5 % THD:
Pre-attenuation pad:
Rated impedance:
Supply voltage:
Current consumption:
Connector:
Cable:
Dimensions:
Net weight:
dynamic, moving coil
condenser, permanently polarized
31,7 mm / 1,25 inch
22,4 mm / 0,88 inch
cardioids, condenser and dynamic
20 to 16.000 Hz, dynamic,
depending on EFR setting
0,4 mV / Pa (-69 dBV) dynamic
2 mV / Pa (-54 dBV) condenser
0,4 mV / Pa (-69 dBV) dynamic
2 mV / Pa (-54 dBV) condenser
condenser and dynamic matched at 1 mV / Pa (-60 dBV)
28 dB-A (IEC 61672-1), condenser, FFR
122 dB-A, condenser
150 dB, 0 dB pre-attenuation
160 dB,10 dB pre-attenuation
170 dB, 20 dB pre-attenuation
10 dB, 20 dB switchable
< 500 ohms, dynamic
< 200 ohms, condenser
48 V +/- 4 V (IEC 61938)
2 mA (IEC 61938)
gold plated 3-pin and 5-pin XLR
1,5 m (4,95’) dual shielded Y-cable,
5-pin XLR into two 3-pin XLRs
71 dia. x 158 mm / 2,8 dia. x 6,2 inch
755 g / 27,3 oz
Ø
Ø
EFR, ‘Enhanced Frequency Response’ settings:
= // = FFR, ‘Flat Frequency Response’
+ // = Dynamic EFR, ‘Dynamic Enhanced Frequency
Response’+ // + Dual EFR, ‘Dual Enhanced
Frequency Response’
SPECIFICATIONS
■ Innovative dual-element design (dynamic and back-
electret condenser) accurately captures the sharp
attack of the beater as well as the round tonalities of
the shell for unrivaled realism■ 3-position switchable "Enhanced Frequency Response"
provides various tailored frequency responses on
separate channels for maximum creative freedom■ Frequency response specifically tuned for kick drum
applications and bass instruments■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,
and 20 dB) for handling extremely high sound pressure
levels■ Hardened hexagonal ruthenium-galvanized steel mesh
grille to prevent wear and abuse■ Integrated stand adapter for quick and easy mounting
and positioning■ Corrosion-resistant gold-plated 5-pin XLR output
connector■ Comes in a cardboard box with foam layers; includes
DTP 40 Trs cable and DTP 40 Lb artificial leather bag
FEATURES
TOP APPLICATIONS
■ Drums and Percussion // kick drum...■ Low frequency instruments // double bass, electric bass, kick drum...■ Live and studio applications
54 55
■ 6 piece starter drum kit containing one DTP 340 REX, three
DTP 340 TT and two LCT 140 microphones■ All microphones feature frequency responses specifically
tailored for drum and percussion instruments■ Extremely durable gear for professional live and studio
applications■ The LCT 140 features a transformerless design which makes
it immune to electromagnetic interference■ All models are equipped with corrosion-resistant gold-plated
3-pin XLR output connectors ensuring reliable signal paths■ Comes in a black carrying case with double foam layers and
artificial leather faces for easy travel and secure storage■ Includes two LCT 40 Ws windshields, five DTP 40 Mts shock
mounts and three DTP 40 Mt drum mounts
FEATURESDTP Beat Kit 6
The DTP Beat Kit 6 is a conveniently packaged start-up
selection of dynamic and condenser drum and percussion
microphones and mounts, designed to offer performers and
audio engineers of all experience levels everything needed for
expert live sound reinforcement, home recording and studio
recording.
The 6-piece drum kit includes one DTP 340 REX and three
DTP 340 TT super-cardioid dynamic drum mics, two LCT 140
condenser mics, windshields and drum- and shock mounting
systems, and comes in a convenient black aluminium carrying
case. Thanks to carefully tailored frequency responses
optimized for drum and percussion applications, as well as
precision dynamic capsules and uniform directional pickup
patterns ensuring high gain before feedback, the DTP 340 REX
and the DTP 340 TT deliver fine-tuned drum sound with
extraordinary detail and impact onstage and in the studio.
LEWITT’s highly versatile and compact condenser all-rounder,
the LCT 140, allows for accurate and clear sound capture of
cymbals. Its transformerless design makes it immune to
electromagnetic interference, and convenient LED displays and
recessed slide switches make it a perfect fit for live applications.
The complete kit comes in a rugged aluminium case which
allows for easy travel and secure storage.
56 57
■ 7-piece quality drum kit containing one DTP 640 REX, three
dynamic DTP 340 TT microphones, two LCT 340 condenser
microphones and one dynamic MTP 440 DM■ All microphones feature frequency responses specifically
tailored for drums and percussion instruments■ Highly durable all-metal constructed bodies and hardened
steel mesh grilles for reliable performance onstage and in the
studio■ The LCT 340 provides interchangeable 0.8-inch small-
diaphragm capsules for cardioid and omnidirectional (optional)
pattern selection, convenient snap closure, transformerless
output and dual-color LEDs■ The DTP 340 TT features a uniform supercardioid pickup
pattern for high gain before feedback and maximum isolation
of the desired sound source■ The MTP 440 DM is a cardioid dynamic microphone featuring
a precision-engineered capsule for effective isolation of the
intended sound source, perfectly suited for miking snare
drums■ The DTP 640 REX combines a high-performance back-
electret and a dynamic capsule in one mic for a highly
balanced, rich and powerful drum sound■ All models are equipped with corrosion-resistant gold-plated
3-pin XLR output connectors ensuring reliable signal paths
and low noise■ Comes in a black carrying case with double foam layers and
artificial leather faces for easy travel and secure storage■ Includes two LCT 40 Ws windshields, five DTP 40 Mts shock
mounts, four DTP 40 Mt drum mounts and one MTP 40 MCs
shock mount
FEATURESDTP Beat Kit Pro 7
The DTP Beat Kit Pro 7 is an elite full-spectrum drum set
designed for an ever growing number of professional drummers
and sound engineers looking for a high-performance all-rounder
kit that allows for reproducing authentic, powerful sound full of
detail in any setting. From upscale studio projects to big live
acts, the DTP Beat Kit Pro 7 provides just the kind of reliable
premium gear you need for a memorable performance.
This 7-piece pro-kit contains our drum mic masterpiece, the
dual-element cardioid DTP 640 REX, three dynamic DTP 340
TT mics, two LCT 340 condenser mics and one cardioid
dynamic MTP 440 DM mic, as well as a selection of shock and
drum mounts. All these pro-quality, precision-engineered
microphones feature a tailored frequency response designed
specifically for miking drums, percussions and bass
instruments. The complete package exhibits fantastic SPL
handling and off-axis sound rejection, delivering remarkably
bright, smooth and balanced sound – anytime, anywhere.
The complete kit comes in a rugged aluminium case which
allows for easy travel and secure storage.
5958
Keith Harris trusts in LEWITT microphones. He may be best known as the drummer and a producer for multi-platinum
selling, The Black Eyed Peas and Fergie. His album credits include Michael Jackson, Mary J. Blige, Mariah Carey,
Christina Aguilera, Chris Brown, Pussy Cat Dolls, Earth Wind and Fire, John Legend and many more.
"IT REALLY CAPTURES THETRUE SOUND OF WHATEVER
I AM RECORDING."
Keith Harris
Producer // Drummer
(Multi Grammy Award Winner)
60
LTS 240 Diversity C+D
LTS 240 Dual C+D
61
GETMORE
INTOYOUR
LIVE
SHOW.THE LTS WIRELESS SERIES
Reasonably priced, sophisticated and yet easy-to-use wireless vocal systems which
deliver solid, distortion-free sound and excel in a variety of semi-professional studio
and live applications. That's what LEWITT's tech-engineers had in mind when they
created the LTS series. No matter whether at small live gigs, conferences, regional
events or karaoke performances, LTS wireless systems are the first choice for
ambitious entry- and mid-level users looking for the perfect combination of consistent
performance, smart operation and remarkable audio quality.
Users can choose between systems with condenser or dynamic capsules, and all
LTS sets feature handheld transmitters and full metal half-rack receivers.
Unplug and dive into a great new wireless experience.
62
LTS 240 Dual C+D
State-of-the-art wireless technology, solid
construction, reliable performance and
quality audio transmission at an
extraordinary price-performance ratio –
that’s what LEWITT’s LTS 240 Dual C &
LTS 240 Dual D wireless start-up kits
stand for. Designed for entry-level users,
these versatile, compact wireless systems
offer artists and engineers easy-to-use
wireless technology, delivering natural and
distortion-free sound on small stages, at
events or karaoke performances.
Users can choose between systems with
condenser (LTS 240 Dual C) or dynamic
capsules (LTS 240 Dual D). Each set
contains two high-quality handheld
transmitters featuring a convenient LED
display indicating battery status, a quick-
acting screw thread closure and two AA
batteries for up to 10 hours continuous
use, as well as a rugged half-rack receiver
with a sturdy metal housing.
Simply unplug and rock!
63
Transmitters
UHF, FM
cardioid
2 fixed
FM (25 kHz max. deviation), compander
system with pre- and de-emphasis
70 to 18.000 Hz
< 0,5 % typical
> 80 dB-A typical
10 mW
2 pcs AA size dry batteries: 10 hours typ.
50 dia. x 262 mm / 1,96 dia. x 10,3 inch
255 g / 9,0 oz.
Receiver
balanced 3-pin XLR; unbalanced
TS 1/4" jack
0 - 6 dB
160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch
540 g / 19,0 oz.
Transmission principle:
Directional pattern:
Available channels:
Modulation:
Audio bandwidth:
THD:
Signal / noise ratio:
RF radiation:
Battery life:
Dimension:
Net weight:
Audio outputs:
Gain adjustment range:
Dimensions:
Net weight:
SPECIFICATIONS
■ LTS 240 Dual C and D wireless systems are the
perfect choice for entry-level users looking for reliable
gear that delivers distortion-free, natural sound in live
and karaoke performances■ The LTS 240 Dual C kit includes two handheld
transmitters featuring quality condenser capsules and a
half-rack receiver■ The LTS 240 Dual D kit includes two handheld
transmitters featuring quality dynamic capsules and a
half-rack receiver■ Four-part RF- and AF-level LED display■ Transmitters are equipped with two AA batteries for up
to ten hours of continuous performance, a convenient
LED display indicating battery status and an
On/Off/Mute switch■ Receiver features pre-programmed frequencies, FM
modulation, UHF antennas, XLR and unbalanced (6,3
phone plug) outputs■ Volume level control ■ Solid handheld transmitters with a hexagonal side grille
and a stylish matte black finish■ Half-rack metal-case receiver with a matte black finish■ Comes in a cardboard box with foam layers; includes
LTS 40 MCs shock mount
FEATURES
TOP APPLICATIONS
■ Lead and background vocals
64
LTS 240 Diversity C+D
With the LTS 240 Diversity C and the LTS
240 Diversity D systems, LEWITT
introduces rugged, reliable and easy-to-
use wireless systems designed to add a
remarkable quality to performances of
ambitious entry-level users. Perfectly
suited for use on small stages, at club
gigs, regional events or in houses of
worship, these reasonably priced wireless
systems withstand the rigors of regular
stage use and deliver reliable performance
in any setting. Convenient and easy setup
makes these wireless systems the perfect
choice for young bands, entertainers and
karaoke professionals.
Users can choose between systems with
condenser (LTS 240 Diversity C) or
dynamic capsules (LTS 240 Diversity D).
Each set contains a quality handheld
transmitter featuring a convenient LED
display indicating battery status, a quick-
acting screw thread closure and a rotary
switch for frequency selection, as well as a
rugged diversity half-rack receiver
featuring four pre-programmed
frequencies selectable via pushbuttons.
In short, the LTS 240 Diversity C and the
LTS 240 Diversity D systems offer
everything that users expect from versatile,
modern and durable entry-level wireless
systems.
65
Transmitters
UHF, FM, diversity
cardioid
4 selectable channels
FM (25 kHz max. deviation), compander
system with pre- and de-emphasis
70 to 18.000 Hz
< 0,5 % typical
> 85 dB-A typical
10 mW
2 pcs AA size dry batteries: 10 hours typ.
50 dia. x 262 mm / 1,96 dia. x 10,3 inch
258 g / 9,1 oz.
Receiver
balanced 3-pin XLR; unbalanced
TS 1/4" jack
0 - 6 dB
Yes
160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch
540 g / 19,0 oz.
Transmission principle:
Directional pattern:
Available channels:
Modulation:
Audio bandwidth:
THD:
Signal / noise ratio:
RF radiation:
Battery life:
Dimension:
Net weight:
Audio outputs:
Gain adjustment range:
Squelch:
Dimensions:
Net weight:
SPECIFICATIONS
■ LTS 240 Diversity C and Diversity D wireless
systems are a top choice for ambitious entry-level users
and performances in various acoustic environments■ The LTS 240 Diversity C set includes one handheld
transmitter featuring a quality condenser capsule and a
half-rack receiver with a sturdy metal housing■ The LTS 240 Diversity D set includes one handheld
transmitter featuring a quality dynamic capsule and a
half-rack receiver with a sturdy metal housing■ Four-part RF- and AF-level LED display■ Transmitters are equipped with two AA batteries for up
to ten hours of continuous performance, an LED
display indicating battery status and an On/Off/Mute
switch and a rotary switch for frequency selection■ Receiver features four pre-programmed frequencies
selectable via pushbuttons, FM modulation, UHF
antennas, XLR and unbalanced (6,3 phone plug)
outputs■ Squelch and volume level controls■ Hardened hexagonal steel mesh grille to prevent wear
and abuse■ Half-rack all-metal case receiver with a matte black
finish■ Set comes in a cardboard box with foam layers and
includes LTS 40 MCs shock mount
FEATURES
TOP APPLICATIONS
■ Lead and background vocals
67
LCT Windscreen
High-quality, ultraviolet radiation resistant foam windscreen. Prevents loud pops
from occurring when aspirated air from spoken or sung consonants like "p" and
"t" hits the microphone's diaphragm.
Suitable for
■ LCT 140
■ LCT 340
LCT 40 Ws
Suitable for
■ LCT 240
■ LCT 540
■ LCT 640
LCT 40 Wx
Suitable for
■ LCT 840
■ LCT 940
LCT 40 Wxx
Suitable for
■ LCT 840
LCT 40 Tr
High perfromance 11-pin audio cable. Oxygen free copper, an extremely
low resistance and a tight cable shielding ensures best signal
transmission. Cable length is 8m.
■ LCT 940
Small snap-in handheld microphone mount. Compatible with 3/8"
and 5/8" threads.
MTP 40 MCs
Suitable for
■ MTP 240 DM
■ MTP 240 DMs
■ MTP 440 DM
■ MTP 540 DM
■ MTP 340 CM
■ MTP 340 CMs
■ MTP 540 DMs
66
LCT 40 M2
Stereobar for accurate positioning of mics.
Compatible with 3/8" and 5/8" thread.
LCT Shock Mount
Shock mount for studio microphones. Attenuates noise, shock and vibration
transmitted through mic stands, booms and mounts. Quick-acting screw thread
closure permits fast and easy setup. Compatible with 3/8" and 5/8" threads.
Suitable for
■ LCT 840
■ LCT 940
LCT 40 SHxx
Suitable for
■ LCT 140
■ LCT 340
LCT 40 SHs
Suitable for
■ LCT 540
■ LCT 640
LCT 40 SHx
68
LTS 40 MCs
Snap-in handheld microphone mount. Compatible with 3/8" and 5/8"
threads.
Suitable for
■ LTS 240 MXd
■ LTS 240 MXc
■ LTS 240 MX2d
■ LTS 240 Mx2c
■ LTS 540 MXd
■ LTS 540 MXc
Suitable for
■ DTP 40 Mts
■ MTP 40 MCs
■ LTS 40 MCs
DTP 40 Mt
Adjustable drum microphone
mount. Compatible with 3/8"
and 5/8" threads.
Suitable for
■ LTS 240
LTS 40 RMs
Rack hardware for LTS 240 wireless
systems. Suitable for mounting up
to two receivers in a 1U 19 inch
rack.
69
Suitable for
■ LCT AUTHENTICA series
■ MTP series
■ DTP 340 TT
■ DTP 40 Mt
DTP 40 Lb
Cushioned leather bag. Spray
water proof.
Suitable for
■ LCT AUTHENTICA series
■ DTP 340 TT
■ DTP 40 Mt
DTP 40 Mts
Rubber microphone mount. Provides firm grip and attenuates
structure borne noise. Compatible with 3/8" and 5/8” threads.
Suitable for
■ DTP 640 REX
DTP 40 TrsTr /
High performance 5-pin audio cable. Oxygen free copper, extremely low
resistance and a tight cable shielding ensures best signal transmission (4
m and 1,5 m length).
D TAI S M KE A
DIF ER NCE TO T E
EA S OF Y UR
AUDI NCE.
E L A
F E H
R O
E
70
SO MAKE YOURSELF HEARD.
UNALTERED. AUTHENTIC. MEMORABLE.
Music moves people.
Music is passion. Inspiration. Messenger.
And music deserves to be heard. Unaltered. Authentic. Memorable.
LEWITT has dedicated itself to supporting music aficionados, artists and audio engineers around the globe in
getting the best out of every single creative idea and every project with microphones that set new standards
in terms of sound quality, technology and reliability.
–
71
Recommended