Kelsey Conroy Design Portfolio

KELSEY L. CONROY

2

WHAT I’VE BEEN UP TO.

B lacksbu rg , VA | Co l l ege o f A rch i tec tu re and U rban S tud iesBache lo r o f Sc ience i n I n te r io r Des ign C lass o f 2013GPA 3 .76 | I n -Ma jo r GPA 3 .97 Bache lo r o f Sc ience i n I n te r io r Des ign C lass o f 2013GPA 3 .76 | I n -Ma jo r GPA 3 .97 Bache lo r o f Sc ience i n I n te r io r Des ign C lass o f 2013

E D U C A T I O N

E M P L O Y M E N T

OTJ ARCHITECTS WASHINGTON, DCJune 2011-Janua ry 2012

Tes t F i t sC l i en t Co r respondenceDes ign Deve lopment P resen ta t ionsPe rsona l i zed Wa l l G raph ic Des ignRende r i ngsP ro jec t Mate r ia l Consu l ta t i on

Des ign I n te rn + Remote Consu l tan t

FRANCIS CAUFFMAN ARCHITECTS NEW YORK , NYJune 2013-P resen t

The New Schoo l I n te r io r Des ign & Space P lann ing Pa le t te , Fu rn i t u re and F i n i sh Des ign P resen ta t ions + Rende r i ng C l i en t Co r respondence + P resen ta t ions S i te Su rvey + Documenta t ion Cons t ruc t ion D raw ing Imp lemen ta t ion + Documenta t ion Cus tom Med ia I ns ta l l a t i on Des ign Consu l tan t Coord i na t ion

360 i I n te r io r Des ign & Space P lann ing Pa le t te , Fu rn i t u re and F i n i sh Des ign P resen ta t ions + Rende r i ng C l i en t Co r respondence + P resen ta t ions S i te Su rvey + Documenta t ion Cons t ruc t ion D raw ing Imp lemen ta t ion + Documenta t ion Cons t ruc t ion Admin i s t ra t i on

Con f i den t ia l C l i en t [G loba l Des ign & Eng inee r i ng F i rm ] I n te r io r Des ign & Space P lann ing Pa le t te , Fu rn i t u re and F i n i sh Des ign Cus tom Rug Des ign P resen ta t ion + Rende r i ng Cons t ruc t ion Admin i s t ra t i on

Manko Go ld Ka tche r & Fox I n te r io r Des ign & Space P lann ing P resen ta t ion + Rende r i ng C l i en t Co r respondence + P resen ta t ions Fu rn i t u re Spec i f i ca t ion Cus tom A r two rk Des ign

AOL I n te r io r Des ign P resen ta t ion Documenta t ion Cons t ruc t ion Admin i s t ra t i on

NYU & Spo t i f y Cons t ruc t ion Documenta t ion

I n te r i o r Des igne r

V i rg i n ia Po l y techn ic and S ta te Un i ve rs i t y

3

I N V O L V E M E N T I IDA P ionee r i ng Des ign Speake r Se r ies NYC2013-2014

Commi t tee Member

Commi t tee MemberI IDA iConnec t NYC2013-2014

p u b l i c a t i o n s

Student Spotlight: A+D Firm Office DesignIDEC Exchange Spring 2013Authors: Lindy Huling & Kelsey Conroy

Virginia Tech Interior Design Annual Publication 2014Award-Winning Alumni: Where are they now?Author: Virginia Tech Interior Design

Virginia Tech Interior Design Annual Publication 2013Profile: Outstanding Senior 2014Author: Virginia Tech Interior Design

p r o f i c i e n c i e s AutoCAD A rch i tec tu reREV IT A rch i tec tu reAdobe I l l us t ra to r Adobe Pho toshopAdobe I nDes ignAdobe Pho toshopAdobe I nDes ignAdobe Pho toshop

Goog le Ske tchUpPod ium V2Goog le Ske tchUpPod ium V2Goog le Ske tchUpHand Rende r i ngSke tch i ngHand Rende r i ngSke tch i ngHand Rende r i ngD iag rammat ic D raw ingSke tch ingD iag rammat ic D raw ingSke tch ingMac OSx + W indowsD iag rammat ic D raw ingMac OSx + W indowsD iag rammat ic D raw ing

A C C O M P L I S H M E N T S Stee lcase P r i ze “The Steelcase Prize is offered once a year to a graduating senior; by call ing for a balance between design excellence, service, and leadership, “The Steelcase Prize is offered once a year to a graduating senior; by call ing for a balance between design excellence, service, and leadership, “The Steelcase Prize is offered once a year to a graduating senior; by the prize recognizes our most well rounded and strongest senior.”call ing for a balance between design excellence, service, and leadership, the prize recognizes our most well rounded and strongest senior.”call ing for a balance between design excellence, service, and leadership,

AS ID Repu rpose fo r Today Compet i t i on Hono rab le Men t ion Sp r i ng 2013

Dongh ia I n te r io r Des ign Scho la rsh ip Nominee Sp r i ng 2012

Mark Boone Scho la rsh ip S tud io Des ign Exce l l ence Sp r i ng 2012

Mark Boone Res iden t ia l Des ign Award Second P lace Sp r i ng 2012

I nscape + Hea l t hways Des ign Compet i t i on Winn i ng Team Member Fa l l 2011

Jeane t te Tu rne r Bowker Scho la rsh ip fo r I n te r io r Des ign Sp r i ng 2011

Pamp l i n Leade rsh ip Scho la rsh ip Sp r i ng 2008

Comcas t Leade rsh ip Scho la rsh ip Sp r i ng 2008

4

0 8 THE NEW SCHOOL NEW YORK CITY

1 6 360I NEW YORK CITY

2 4 AOL NEW YORK CITY

2 8 CONFIDENTIAL CLIENT NEW YORK CITY

2 6 MANKO GOLD KATCHER & FOX PHILADELPHIA

PROFESSIONALwork

5

3 4 CONCRETE ARCHITECTURE

4 0 740 PARK

4 4 PAUSE FOR THE PULSE

4 8 EASY READER

5 6 MOUNTAIN LAKE

6 0 NEST

6 2 123 KLAN

7 0 HAND RENDERING + SKETCHING

Personal Work

The following artifacts are a collection of my personal contributions to Francis Cauffman Architects.

I would like to thank them for allowing me to share their work.

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The new school for FRANCIS CAUFFMAN ARCHITECTS

9

CLIENT

CONCEPT

T h e N e w S c h o o l C e n t e r f o r I n n o v a t i o n w a s d e s i g n e d t o f a c i l i t a t e a n e n v i r o n m e n t f o r r e s e a r c h a n d d e v e l o p m e n t , c r e a t i v i t y, s t u d e n t c o l l a b o r a t i o n , a n d t e c h n o l o g y - b a s e d l e a r n i n g . R e q u e s t s i n c l u d e d c u s t o m m e s h l o c k a b l e l o c k e r s , r e c o n f i g u r a b l e d e s k i n g s y s t e m s a n d c u s t o m m e d i a w a l l s . T h e d e s i g n t e a m c o l l a b o r a t e d w i t h S I T U s t u d i o s o n c u s t o m i n s t a l l a t i o n s . T h e p r o j e c t i s p r o j e c t e d t o b e c o m p l e t e d S p r i n g 2 0 1 5 .

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FEATURED INSTALLATIONSI n c r e a t i n g a n I n n o v a t i o n C e n t e r, T h e N e w S c h o o l l o o k e d t o i n s p i r e t h e i r s t u d e n t s t h r o u g h d e s i g n . Wo r k i n g w i t h S I T U S t u d i o s , F r a n c i s C a u f f m a n d e s i g n e d a n d p r o p o s e d f r a c t u r e d f e l t i n s t a l l a t i o n s a n d s l i d i n g t a c k a b l e p a n e l s .

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S t u d e n t s a r e u n p r e d i c t a b l e , e s p e c i a l l y w h e n b u i l d i n g r o b o t s . T h e f i n i s h a n d f u r n i t u r e s e l e c t i o n s f o r t h i s d e s i g n r e q u i r e d d u r a b i l i t y, c l e a n a b i l i t y, m o b i l i t y a n d f u n c t i o n a l i t y. C u s t o m h e i g h t a d j u s t a b l e t a b l e s f r o m O H I O D e s i g n p a r t n e r e d w i t h

m o d u l a r m e t a l s t o o l s g u a r e n t e e d a f u n c t i o n a l s p a c e t h a t w o u l d e a s i l y b e m a i n t a i n e d a n d r e p l a c e d .

1 - M A R K E R S U R FA C E2 - O P E N S T U D I O TA C K A B L E S U R FA C E3 - S E M I N A R TA C K A B L E S U R FA C E4 - S E M I N A R S PA C E C A R P E T T I L E5 - E X I S T I N G W O O D F L O O R I N G6 - F U R N I T U R E F I N I S H E S7 - V I N Y L F I L M G R A P H I C C O L O R8 - V I N Y L WA L L B A S E

FUNCTIONAL|RESILIENT|CLEAN|AFFORDABLE

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ITERATIONSW e w e n t t o g r e a t l e n g t h s t o p r o p o s e a n d e n t e r t a i n a l l i d e a s b r o u g h t t o t h e t a b l e b y t h e c l i e n t a n d t h e d e s i g n t e a m .

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14

CONSTRUCTION DOCUMENTSU n d e r t h e d i r e c t i o n o f t h e P r o j e c t A r c h i t e c t a n d P r o j e c t D e s i g n e r, I w a s s o l e l y r e s p o n s i b l e f o r c o n s t r u c t i o n d r a w i n g d e v e l o p m e n t , p r o v i d i n g m e 1 0 0 % h a n d s - o n e x p e r i e n c e i n d e s i g n d o c u m e n t a t i o n a n d c o n s u l t a n t c o o r d i n a t i o n .

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1616

360IFor FRANCIS CAUFFMAN ARCHITECTS

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CLIENT

CONCEPT

Aw a r d - w i n n i n g d i g i t a l a d v e r t i s i n g a g e n c y 3 6 0 i l o o k e d t o i m p r o v e t h e i r s p a c e a n d t h e i r h e a d c o u n t . I n a 5 - p h a s e d a p p r o a c h , t h e c o r p o r a t e i n t e r i o r d e s i g n t e a m a d d e d m o r e t h a n 1 0 0 s e a t s t o t h e f l o o r, w h i l e i m p l e m e n t i n g b r i g h t , b o l d d e s i g n c o n c e p t s a g a i n s t a n a t u r a l , e x p o s e d b a c k g r o u n d . T h e d e s i g n s u c c e s s f u l l y e n t e r t a i n e d l i m i t e d b u d g e t a n d s c o p e w h i l e m e e t i n g t h e n e e d s o f t h e c l i e n t . T h e p r o j e c t i s p r o j e c t e d t o b e c o m p l e t e d W i n t e r 2 0 1 4 .

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SPRAWLING HEXIGONSTo i m p l y c i r c u l a t i o n a n d s o f t e n e x i s t i n g c o n c r e t e f l o o r i n g , w e p r o p o s e d a s o p h i s t i c a t e d h e x a g o n a l c a r p e t t i l e i n s t a l l a t i o n . T h i s r e n d e r e d f l o o r p l a n w a s k e y i n e x p l a i n i n g t h e b o l d - t o - n e u t r a l p a l e t t e r a t i o i n t h e s p a c e .

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I t w a s i m p e r a t i v e t h a t a l l a d d i t i o n s t o t h e s p a c e s e a m l e s s l y i n t e g r a t e d

w i t h e x i s t i n g f u r n i t u r e a n d f i n i s h e s . B y l i m i t i n g a l l

b o l d c o l o r s t o a c c e s s o r i e s a n d f u r n i t u r e , t h e s p a c e

w a s p l a n n e d f o r p r e s e n t a n d f u t u r e d e s i g n .

SELECTIVE & VERSATILE FURNITURE AND FINISHES

20CLIENT PRESENTATION MATERIALS

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22

LIGHTING UPL i g h t i n g c h a n g e s t o t h e s p a c e w e r e l i m i t e d y e t s t r a t e g i c . To c r e a t e b o l d , c r e a t i v e m o m e n t s t h r o u g h o u t , t h e d e s i g n t e a m p r o p o s e d p e n d a n t s t h a t e m p l o y e d i n d u s t r i a l m a t e r i a l s a n d f o r m s i n u n c o n v e n t i o n a l w a y s .

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T h e m a i l a n d p r i n t r o o m s r e c i e v e d a m a j o r r e - d e s i g n a n d

f a c e l i f t i n v o l v i n g i n - d e p t h s p a c e p l a n n i n g a n d a c c o m m o d a t i o n s

f o r e q u i p m e n t a n d i n v e n t o r y. C o l o r - c o d e d d i a g r a m s a n d

a x o n o m e t r i c v i e w s a i d e d i n t h e e x p l a n a t i o n o f t h e c a r e f u l l y

d e s i g n e d s t o r a g e .

STORAGE AND FUNCTION

2424

AOLfor FRANCIS CAUFFMAN ARCHITECTS

QUICK GREEN ROOM RENO

A O L r e q u e s t e d t w o o p t i o n s f o r a q u i c k , e a s y a n d a f f o r d a b l e

G r e e n R o o m f a c e l i f t .

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OPTION 1: LIGHT, ARTESANAL AND TAILORED

T h e p r o p o s e d f u r n i t u r e a n d f i n i s h e s g a v e a l i g h t , c a r e f u l f e e l a m o n g n a t u r a l l y c r a f t e d

p i e c e s t o m a k e t h e G r e e n R o o m f e e l s o p h i s t i c a t e d y e t

l i v e d - i n .

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AOLfor FRANCIS CAUFFMAN ARCHITECTS

QUICK GREEN ROOM RENO

A O L r e q u e s t e d t w o o p t i o n s f o r a q u i c k , e a s y a n d a f f o r d a b l e

g r e e n r o o m f a c e l i f t .

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OPTION 2: WISE, WORN AND SEXY

T h e p r o p o s e d f u r n i t u r e a n d f i n i s h e s g a v e a r i c h l y a g e d

f e e l a m o n g d i v e r s e t e x t u r e s a n d p i e c e s t o m a k e t h e G r e e n R o o m f e e l s m a r t a n d w e a l t h y.

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CONFIDENTIAL CLIENTfor FRANCIS CAUFFMAN ARCHITECTS

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CUSTOM RUG DESIGN

PERSONAL DESIGN

F o r a d r a m a t i c e n t r a n c e a n d o n e - o f - a - k i n d r e c e p t i o n a r e a , I

w o r k e d w i t h E D WA R D F I E L D S t o t r a n s l a t e a n o l d m a p o f

t h e s o u t h - e a s t c o r n e r o f M a n h a t t a n i n t o a 3 - p i l e h e i g h t

t o p o g r a p h i c 1 0 ’ X 1 0 ’ r u g . T h e p i e c e w a s a s u c c e s s , a n d

i s c u r r e n t l y i n s t a l l e d i n t h e F i n a n c i a l D i s t r i c t .

EDWARD FIELDS TRANSLATION

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MANKO GOLD KATCHER & FOXfor FRANCIS CAUFFMAN ARCHITECTS

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DESIGN + VISUALIZATIONL e a d D e s i g n e r R a q u e l

S a c h s e r r e q u e s t e d h e l p c o m m u n i c a t i n g h e r “ J C r e w “ p a l e t t e f o r a n e n v i r o n m e n t a l

l a w f i r m i n P h i l a d e l p h i a , PA . U s i n g m i x e d m e d i a

t e c h n i q u e s , I s u c c e s s f u l l y t r a n s l a t e d h e r i d e a s i n t o

a n a p p r o a c h a b l e y e t c l e a r p r e s e n t a t i o n . T h e d e s i g n w a s

a p p r o v e d a n d c o n s t r u c t e d a s p r o p o s e d . I t h e n c o n t i n u e d

o n t h e p r o j e c t s p e c i f y i n g f u r n i t u r e f o r p a r t n e r o f f i c e s ,

b a l c o n y s p a c e s a n d c o m m o n s p a c e s . I w a s a l s o

a s k e d t o d e s i g n a l a s t m i n u t e a r t p e i c e f o r t h e s p a c e t h a t w a s s u c c e s s f u l l y i n s t a l l e d .

The following artifacts are a collection of my student and competition work at Virginia Tech.

KELSEY L. CONROY

3434

Concrete architectureArchitecture Firm kimball award 2013

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CLIENT

LOCATION

CONCEPT

“ T h e d e s i g n e r s o f c o n c r e t e c r e a t e h o l i s t i c p l a n s a n d e v e r y t h i n g t h e y d e s i g n i s u s e d f o r t h e b e n e f i t o f t h a t t o t a l c o n c e p t : t h a t w h e r e t h e i r s t r e n g t h a n d t h u s t h e c l i e n t ’ s g r e a t e s t a d v a n t a g e l i e s . C o n c r e t e i s d y n a m i c , q u i c k o n i t s f e e t a n d s e l f - d e t e r m i n e d . T h e a g e n c y t h r i v e s o n h a r d w o r k a n d t h e c r e a t i o n o f b e a u t i f u l t h i n g s . C o n c r e t e d o e s n o t h a v e a p r e -d e t e r m i n e d s t y l e a n d t h e d e s i g n e r s d o n o t s i m p l y c r e a t e d e s i g n s , i n t e r i o r s o r b u i l d i n g s : c o n c r e t e d e v i s e s s o l u t i o n s . “

- C o n c r e t e A r c h i t e c t u r e W e b s i t e

A M S T E R D A M , T H E N E T H E R L A N D S

c o n c r e t e ARCHITECTURE

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DWN

DWN

MENS WOMENS

ELEVATORS

1 OPEN OFFICE 1 EXECUTIVE OFFICE10 PRIVATE OFFICE1 LIBRARY1 PIN UP

LEVEL 1.8 + LEVEL 2 PROGRAM

4050 SF260 SF160 SF

1790 SF1300 SF

DWN

DWN

DWNDWN

DWN

+ 12’-0” + 10’-0”

+ 0’-0”

+ 24’-0”

Wa y f i n d i n g t h r o u g h o u t t h e s p a c e i s i m p l i e d b y “ p e e l i n g “ Wa y f i n d i n g t h r o u g h o u t t h e s p a c e i s i m p l i e d b y “ p e e l i n g “ w o o d e n v e n e e r s t h a t a p p e a r t o b e i n l a i d i n t h e “ e x i s t i n g “ w o o d e n v e n e e r s t h a t a p p e a r t o b e i n l a i d i n t h e “ e x i s t i n g “ c o n c r e t e f l o o r p l a t e s . A s t h e w o o d b e g i n s t o p e e l u pc o n c r e t e f l o o r p l a t e s . A s t h e w o o d b e g i n s t o p e e l u p -w a r d s , a c i r c u l a t i o n p a t h i s f o r m e d t h a t g u i d e s u s e r s f r o m w a r d s , a c i r c u l a t i o n p a t h i s f o r m e d t h a t g u i d e s u s e r s f r o m o n e l e v e l t o a n o t h e r. T h i s w a y, a l l t h r e e l e v e l s a r e A D A o n e l e v e l t o a n o t h e r. T h i s w a y, a l l t h r e e l e v e l s a r e A D A a c c e s s i b l e a n d i n t u i t i v e l y t r a v e l e d t o .a c c e s s i b l e a n d i n t u i t i v e l y t r a v e l e d t o .

LEVEL 1

LEVEL 1.8

LEVEL 2

LEVEL 3

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OPEN WORKSPACET h e w i n d i n g c i r c u l a t i o n f r o m o n e s p a c e t o a n o t h e r i s i n t e n d e d t o c r e a t e o p p o r t u n i t y f o r i n t e r a c t i o n . A n o p e n p l a n a m o n g t h e K i m b a l l O f f i c e d e s k s c r e a t e s a b u z z f o r t h e d e s i g n e r s a n d i n v i t e s t h o s e p a s s i n g t o j o i n t h e c o n v e r s a t i o n .

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“WOODEN BOX”

CORNING WALL LOCATIONS

GLASS CASING

CONCRETE FOUNDATION

INTERIOR SPACE DESIGN To c o n v e y t h e c o n c e p t o f w o o d e n b o x e s “ i n s e r t e d “

i n t o t h e f o u n d a t i o n , a l l i n t e r i o r s p a c e s a r e d e s i g n e d c o n s i s t e n t l y. A n y s p a c e f o r m e d b y f o u r w a l l s i s h o u s e d b y a w o o d e n b o x e n c a s e d i n g l a s s p a n e l s . C o n s t r u c t e d i n t e r i o r w a l l s a t t e n d t o t h e s p a c e s f u n c t i o n s b u t a l w a y s

h a v e o n e o u t w a r d f a c i n g w a l l w h i c h h o u s e s c o r n i n g t e c h n o l o g y. T h e s e o u t w a r d f a c i n g w a l l s a r e i n t e n d e d t o c r e a t e a c o n s t a n t l y a c c e s s i b l e a n d v i s u a l l y s t i m u l a t i o n g

c a n v a s w h i c h e m p l o y e e s c a n u s e t o p o s t a n d s h a r e i d e a s , i n s p i r a t i o n , q u e s t i o n s , a n d r e c e n t w o r k .

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“PEELING” MILLWORKA s t h e p e e l i n g w o o d r a m p e n t e r s t h e p a n t r y, i t t u r n s p e r p e n d i c u l a r a n d b e g i n s t o d i v i d e a n d r i s e a l o n g t h e p a n t r y w a l l t o b l u r t h e b o u n d a r y b e t w e e n f l o o r, s e a t , a n d s t e p . W h a t w a s t h e w o o d f o r t h e r a m p b e c o m e s t h e b e n c h i n g , s t e p s , a n d e a t i n g s u r f a c e s . A s i t p e e l s , t h e u n d e r l y i n g c o n c r e t e i s r e v e a l e d w i t h v o i d s w h e r e t h e w o o d “ o n c e w a s . “

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PRIVACY SCREEN DESIGNA l o n g w i t h t h e w o o d e n b o x c a s i n g i s a c u s t o m s h a d e s y s t e m d e s i g n e d t o “ c o m p l e t e t h e b o x “ w h e n p r i v a c y i s d e s i r e d .

OPEN OFFICE

SEMI-PRIVATE OFFICE

PRIVATE OFFICE

740 park avenueresidential mark boone award 201240

41

CLIENT

LOCATION

CONCEPT

A c l i e n t w i t h a M a t t i a B o n e t t i c o l l e c t i o n i s l o o k i n g t o m o v e t o 7 4 0 P a r k Av e n u e . T h e c l i e n t h o s t s p a r t i e s , h a s a t a s t e f o r s u r r e a l a r c h i t e c t u r e , a n d h o p e s t o i n t e g r a t e a B a r b a r a K r u g e r i n s t a l l a t i o n i n t o t h e n e w s p a c e .

7 9 9 P a r k Av e n u eN e w Yo r k , N e w Yo r k 1 0 0 2 1

7 4 0 P a r k ’ s d e s i g n s t r i v e s t o a c k n o w l e d g e t h e s l e e k s u r r e a l i s m o f M a t t i a B o n e t t i ’ s p i e c e s . T h r o u g h m a t e r i a l i t y a n d f o r m t h e s p a c e i s c o n s t a n t l y c h a n g i n g f u n c t i o n s a n d f a c e . S m a l l d e t a i l s t h r o u g h o u t t h e s p a c e p o k e a t r e a l i t y j u s t a s B o n e t t i h a s . S i l v e r b a l l s a p p e a r t o b e s p i l l i n g o u t o f t h e i r c a s e w h i l e d r o p s f r o m t h e c e i l i n g h a v e c r e a t e d r i p p l e s i n t h e b l a c k w a t e r f l o o r. T h e s p a c e i s d e s i g n e d a s a l i v e - i n g a l l e r y, w i t h a l l p e r s o n a l i t e m s u p s t a i r s . T h e f l o o r p l a n u t i l i z e s f l o a t i n g p l a n e s t o c r e a t e l e v e l c h a n g e s a s w e l l a s f u n c t i o n a l i n s t a l l a t i o n s t o k e e p t h e s p a c e m o d e r n , u s e f u l , a n d d y n a m i c .

R e c y c l e d S c u l p t u r eS a y a k a K a j i t a G a n z

S c a l e M o d e lS c a l e 1 / 8 ” = 1 ’ - 0 ”

UP

UP

down

P r o j e c t N o r t hF u r n i t u r e P l a nS c a l e 1 / 1 6 ” = 1 ’ - 0 ”

42

LIBRARYT h e g l a s s - c a s e d l i b r a r y d i s p l a y s t h e i c o n i c a n d i n s p i r a t i o n a l p i e c e s u s e d i n t h i s d e s i g n . T h e l i b r a r y h o s t s a g l a s s p r o j e c t i o n w a l l , c u s t o m b l i n d s , a n d a d o u b l e - s i d e d f i r e p l a c e .

43

UP

GLASS EXHAUST CASE

SILVER FIREPIT

LEVEL 0’-0”

LEVEL 1’-2”

A

LEVEL 0’-0”

LEVEL 0’-7”

LEVEL 1’-2”

INDOOR/OUTDOOR FIREPLACE

To d r a w t h e o u t s i d e i n , t h e l e v e l c h a n g e s w e r e

m a x i m i z e d b y i n s t a l l i n g a d u a l - s i d e d f i r e p l a c e t h a t

a p p e a r s t o b e r e c e s s e d i n t h e f l o o r i n t h e i n t e r i o r b u t i s r a i s e d a b o v e t h e t e r r a c e

o n t h e e x t e r i o r .

4444

pause for the pulseasid student competition honorable mention 2013

4545

Wherehaveyour

phonesgone?

ASID STUDENT COMPETITION

LOCATION

CONCEPT

“ S c o u r t h e m e d i a t o c o m e u p w i t h a n i s s u e o n w h i c h y o u t h i n k y o u c a n m a k e a n i m p a c t . A s y n o p s i s o f t h e p r o b l e m w i l l n e e d t o b e p r o v i d e d t o t h e j u d g e s . T h e n f i n d a b u i l d i n g , t r a i l e r , b u s , t r a i n o r o t h e r e n v i r o n m e n t t h a t y o u c a n u s e t o t r a n s f o r m t h e s o c i a l i s s u e y o u a r e a d d r e s s i n g i n y o u r p r o j e c t . U t i l i z e c r e a t i v e a n d c r i t i c a l t h i n k i n g s k i l l s t o d e v e l o p a n “ i n f o r m e d d e s i g n . ” “

- A S I D D e s i g n P r o m p t

N e w Yo r k C i t y + T h e G l o b e

T h e P a u s e f o r t h e P u l s e P a y P h o n e P r o j e c t p r o p o s e s t o r e c o m m i s s i o n u n u s e d p a y p h o n e b o o t h s o n N e w Yo r k C i t y s i d e w a l k s a s d o n a t i o n a n d r e c y c l i n g c e n t e r s f o r u n u s e d c e l l p h o n e s . M o b i l e p h o n e t e c h n o l o g y h a s a l m o s t e l i m i n a t e d t h e n e e d f o r p u b l i c l a n d l i n e s . H o w e v e r, t h e r a t e a t w h i c h w e a r e a d v a n c i n g i n t e c h n o l o g y i s c a u s i n g u s , t h e c o n s u m e r s , t o i r r e s p o n s i b l y t r a s h o u r o l d p h o n e s , r e s u l t i n g i n r a p i d l y g r o w i n g r a t e s o f e - w a s t e . E - w a s t e i s s h i p p e d t o o t h e r c o u n t r i e s w h i c h c a u s e s s e r i o u s h a r m t o t h e m a n d t h e i r e n v i r o n m e n t . I f p a y p h o n e s a r e u n u s e d b e c a u s e o f c e l l p h o n e s , w h y n o t u s e t h e i r c o n v e n i e n c e t o c o l l e c t t h e m ? We i r r e s p o n s i b l y t r a s h e l e c t r o n i c s b e c a u s e w e a r e u n i n f o r m e d , t o o b u s y, c a r e l e s s , o r l a z y. P a y p h o n e b o o t h s a r e l o c a t e d w h e r e t h e y w o u l d b e u s e d m o s t , w h i c h p r o v i d e s c o n v e n i e n c e . W h y n o t u s e t h e s e o p p o r t u n e s t r u c t u r e s o n c i t y s t r e e t s t o e d u c a t e , p r o m o t e , c o l l e c t , a n d r e c y c l e i n a t i m e l y m a n n e r ?

Idle

Receiving

Depositing

46

GLOBAL DIALOGUEU p c y c l i n g d e c o m m i s s i o n e d p a y p h o n e s a r o u n d t h e w o r l d c o u l d m a k e a g l o b a l d i a l o g u e a p a r t o f o u r d a i l y l i v e s . I t c o u l d b e n o r m a l t o w i t n e s s c o n d i t i o n s o f t h i r d w o r l d c o u n t r i e s i n p a s s i n g o n c i t y s i d e w a l k s . A s e c u r e i n t e r n a t i o n a l n e t w o r k c o u l d k e e p o u r w o r l d s c o n n e c t e d r e g u l a r l y, c a l l i n g a t t e n t i o n t o o u r s i n g l e e x i s t e n c e , w h i l e c r e a t i n g t h e a b i l i t y t o t e a c h t h r o u g h v i r t u a l t r a v e l . I t h a s b e e n s a i d t h a t n e a r l y 5 0 % o f A m e r i c a n s w i l l n e v e r l e a v e t h e U n i t e d S t a t e s , t h o u g h w e a r e o n e o f t h e w e a l t h i e s t . We h a v e m u c h t o l e a r n f r o m o n e a n o t h e r a n d f r o m o u r s e l v e s . W i t h P u l s e s t a t i o n s , a n o p p o r t u n i t y f o r g r o w t h a n d d e v e l o p m e n t a s a p l a n e t s u r f a c e s , b e g i n n i n g t o a d d r e s s a s i n g l e p u l s e .

47

Mechanical receivers act as Mechanical receivers act as secure tops for oil drum secure tops for oil drum cartridges. The tops are cartridges. The tops are securely installed to the securely installed to the

containers turning them from containers turning them from empty barrels to sustainable, empty barrels to sustainable,

functioning, and reusable functioning, and reusable e-waste collectors.e-waste collectors.

Oil drums are cleaned and Oil drums are cleaned and repainted for clear branding repainted for clear branding purposes. Each is filled with purposes. Each is filled with

packing materials and is packing materials and is securely installed to receivers securely installed to receivers

adjacent to Pulse Pay adjacent to Pulse Pay phones. Once full, drums are phones. Once full, drums are

unlocked and removed for unlocked and removed for transport. An empty drum transport. An empty drum takes its place to continue takes its place to continue

e-waste collection. e-waste collection. 47

4848

easy readerworkplace renovation winning project 2012

49

CLIENT

LOCATION

CONCEPT

T h e E a s y R e a d e r P r o j e c t w a s s p o n s o r e d b y H e a l t h w a y s a n d I n s c a p e i n c o o p e r a t i o n w i t h t h e V i t a l i t y C i t y m o v e m e n t . L o c a t e d i n H e r m o s a B e a c h , C a l i f o r n i a , E a s y R e a d e r w a s e l e c t e d t o r e c e i v e a n e w l y d e s i g n e d w o r k s p a c e t h a t i n c o r p o r a t e d t h e B l u e Z o n e s p r i n c i p l e s t o p r o m o t e h e a l t h a n d w e l l - b e i n g . T h e f o l l o w i n g p r o j e c t w a s s e l e c t e d a l o n g w i t h o n e o t h e r a s t h e f i n a l i s t . T h e t w o p r o j e c t s w e r e c o m b i n e d f o r a f i n a l d e s i g n a n d a r e p r o j e c t e d t o b e b u i l t i n t h e e x i s t i n g E a s y R e a d e r s p a c e .

H e r m o s a B e a c h , C a l i f o r n i a

“ I n s p i r e d b y o u r s p o n s o r s h i p b y H e a l t h w a y s I n c . a n d I n s c a p e S o l u t i o n s , w e h a v e u s e d t h e B l u e Z o n e s p h i l o s o p h y t o r e d e f i n e b o u n d a r i e s f o r E a s y R e a d e r N e w s i n H e r m o s a B e a c h , C a l i f o r n i a . O u r g o a l w a s t o c r e a t e a m u l t i - f u n c t i o n a l , d y n a m i c s p a c e t h a t b e t t e r e x e m p l i f i e s b o t h t h e E a s y R e a d e r a n d H e r m o s a B e a c h c o m m u n i t y w i t h o u t l e a v i n g t h e i r u n i q u e i d e n t i t y b e h i n d . B y p a i r i n g I n s c a p e p r o d u c t s a n d i n n o v a t i o n s i n m a t e r i a l i t y, f u n c t i o n , a n d f o r m , w e c o n c e p t u a l i z e d a s p a c e t h a t e m b r a c e s t h e o l d w h i l e m a x i m i z i n g t h e n e w.

E a s y R e a d e r d e s e r v e s a s e n s e o f s t a b i l i t y, p e r m a n e n c e a n d p u r p o s e i n t h e i r w o r k p l a c e . W i t h B l u e Z o n e s i n m i n d , w e c r e a t e d a n e n v i r o n m e n t t h a t e n c o u r a g e s i n t e r a c t i o n a n d m o v e m e n t t h r o u g h l e v e l c h a n g e s i n t h e f l o o r i n g , s t o r a g e , a n d w a l l s . Wo r k s t a t i o n s a n d o f f i c e s a r e r a i s e d a l o n g t h e n o r t h w a l l w h i l e c o m m o n a r e a s a r e o p p o s i t e a t g r o u n d l e v e l . T h e p l a n r e q u i r e s m i n i m a l s t r u c t u r a l c h a n g e s , y e t t h r o u g h d e s i g n w e h a v e a c h i e v e d p e r m a n e n c e w h i l e p r e s e r v i n g t h e i n t e g r i t y a n d c h a r a c t e r o f E a s y R e a d e r. ”

- O r i g i n a l S u b m i s s i o n C o n c e p t S t a t e m e n t

Te a m M e m b e r s : H a n n a h C h e s s m a n a n d K e l l y P r e s t o n

49

50

PERSONALIZED WORKSPACET h e E a s y R e a d e r f l o o r p l a n w a s d e v e l -o p e d i n c o o r d i n a t i o n w i t h p e r s o n a l i t y s t u d -i e s . E a c h e m p l o y e e w a s g i v e n a t e s t t h a t r e v e a l e d t h e i r w o r k s t y l e . We t h e n t o o k t h e s e r e s u l t s , c r e a t e d p e r s o n a l i z e d w o r k -s t a t i o n s , a n d a r r a n g e d t h e m i n p l a n w i t h a d j a c e n c i e s d e p e n d i n g o n d e p a r t m e n t , c l o s e s t f r i e n d s , a n d w o r k s t y l e s .

51

52

RECONFIGURABLE CONFERENCE + PANTRYTo m a x i m i z e s p a c e a n d s t o r a g e , t h e c o n f e r e n c e i s l o c a t e d n e x t t o t h e p a n t r y w i t h a c c o r d i a n - s t y l e d o o r s t o a l l o w f o r a c o m p l e t e l y o p e n o r c o m p l e t e l y c l o s e d e x p e r i e n c e a s d e s i r e d .

53

POWER 9T h e H e a l t h w a y s i n i t i a t i v e

r e q u e s t e d t h e i n c o r p o r a t i o n o f a l l “ P o w e r 9 “ t o p i c s i n

t h e n e w f l o o r p l a n . T h e s e a r e p a r t o f t h e B l u e Z o n e s

p r o g r a m f o r a l o n g e r, h e a l t h i e r l i f e .

54

CUSTOM RAISED FLOORING B y r e - e n g i n e e r i n g t h e I n s c a p e p o s t a n d b e a m s y s t e m , w e c r e a t e a n o p p o r t u n i t y t o r a i s e t h e f l o o r i n g a m o n g t h e w o r k s t a t i o n s . N o t o n l y d o e s t h e i n n o v a t i v e r a i s e d f l o o r i n g s y s t e m a l l o w s p a c e f o r e l e c t r i c a l r o u t i n g a n d a d d i t i o n a l s t o r a g e , b u t e v e n t u a l l y t h e i n s t a l l a t i o n o f a n H VA C s y s t e m .

55

RECONFIGURABLE STORAGE + DESKING

To f u r t h e r p r o m o t e p h y s i c a l a c t i v i t y w i t h i n t h e w o r k p l a c e ,

w e h a v e d e s i g n e d a s t o r a g e w a l l s u s p e n d e d a b o v e w o r k s t a t i o n s

a l o n g t h e N o r t h w a l l . To m a x i m i z e s t o r a g e p o t e n t i a l

f r o m f l o o r t o c e i l i n g , t h e s y s t e m e x t r u d e s t o w a r d s t h e r a f t e r s ,

r e q u i r i n g E a s y R e a d e r e m p l o y e e s t o u s e t h e l a d d e r f o r a c c e s s .

5656

MOUNTAIN LAKEHOTEL renovation

57

CLIENT

LOCATION

CONCEPT

M o u n t a i n L a k e H o t e l i s f a m o u s f o r i t ’ s h i s t o r y b u t n o t f o r i t ’ s a c c o m m o d a t i o n s . T h e h o t e l ’ s e x i s t i n g c o n d i t i o n s p r o v e o u t d a t e d , d a r k , a n d c l u t t e r e d . A f t e r a s t u d i o - w i d e s i t e s u r v e y, c o n s t r u c t i o n d r a w i n g s e t , a n d s i t e a n a l y s i s o f t h e M o u n t a i n L a k e H o t e l i n P u l a s k i , V i r g i n i a , s t u d e n t s w e r e a s k e d t o r e - d e s i g n t h e s p a c e t o a t t r a c t a y o u n g e r a n d b r i g h t e r c l i e n t e l e .

M o u n t a i n L a k e R e s o r tP u l a s k i , VA

M o u n t a i n L a k e ’ s n e w l o o k w a s d e r i v e d f r o m a b r i g h t , y o u n g p a l e t t e t h a t s h o w s s o p h i s t i c a t i o n a n d s t y l e . E x i s t i n g s t o n e w a l l s w e r e p a i n t e d w h i t e a n d n e w d a r k z e b r a w o o d f l o o r i n g w a s p u t i n . T h e s p a c e h o s t s b o t h c u s t o m f u r n i t u r e p i e c e s a n d r e u p h o l s t e r e d c l a s s i c s , a c u s t o m r e c e p t i o n d e s k , a n d a g o l d - t i l e d d o m e c e i l i n g .

57

58

59

6060

nest idec student competition

61

UP

UP

SCAN + PRINT

TECHNOLOGYRESOURCES

UP UP UP UP UP UP UP UP

FLOOR PLANSCALE 1/16” = 1’-0”

eN S T

THE TECHNOLOGY KIOSK PROVIDES STUDENTS WITH TECH SUPPORT, EQUIPMENT RENTALS, AND FACILITY RESERVATIONS. HERE, STUDENTS ARE ABLE TO RENT AND RESERVE THE SPECIFIC “KIT OF PARTS” NECESSARY FOR THEIR NEST, WHETHER IT BE PRIVATE OR GROUP WORK.

AN INLAID TRACK ALLOWS FOR ALL THREE PODS TO BE ENVELOPED IN A SINGLE SCREEN FOR LARGE GROUP MEETINGS

STUDENTS ARE ENCOURAGED TO SCAN HAND-WRITTEN NOTES TO SHARE VIA E-MAIL AS OPPOSED TO PRINTING AND/OR COPYING TO PAPER.

AN INLAID TRACK ALLOWS FOR ALL THREE PODS TO BE

SCREEN FOR LARGE GROUP

remove bags on + 0’-0” nests for ADA accessibility

collapse table for

closer interactions

and added presentation

room

Standard smart boards for each public nest are easily rotated and/or removed from the modular track

360 DEGREE SCREEN

ADJUSTABLE-HEIGHT COLLAPSING TABLE

REPURPOSED CABLE REEL TABLE TOP

UNIVERSALLY-DESIGNED COMMERCIAL BEAN BAGS

REPURPOSED WOOD PLATFORM

MODULAR TRACK SYSTEM FOR INTERCHANGABLE PARTS

UP UP UP UP UP

section a

The ceiling height throughout the space remains twenty feet and within each nest the ceiling height is eight feet. However, the five small nests are on a fourteen inch raised platform. This allows a separation between personal and social space. Some of the nests in the social space are raised seven inches off the ground, to create some separation between social and public space. Although, there are some flush to the ground for ADA purposes. Repurposed cable reels are used for standing-height computers in the print + scan area. Inside each nest, the collapsable tables are adjustable to ada heights as well as standing height if desired. Each nest is outfitted with adjustable fixtures to provide custom lighting, depending on the use. Throughout the day, sensors detect natural day light and in response, dim the light fixtures to save energy.

section aSCALE 1/8” = 1’-0”

8’-0” nest height

+ 0’-7” nest elevation

REDEFINING LEARNING SPACES

T h e N E S T l e a r n i n g s p a c e d e s i g n a i m s t o b r i d g e t h e g a p b e t w e e n t h e o l d a n d t h e n e w. I n s i d e t h i s 1 9 0 0 ’ s b u i l d i n g a r e l e a r n i n g n e s t s , e q u i p p e d w i t h s m a r t b o a r d t e c h n o l o g y. T h e n e s t s a r e c o n s t r u c t e d o f 1 0 0 % r e p u r p o s e d m a t e r i a l s a n d a r e d e s i g n e d t o c h a n g e s h a p e a n d p u r p o s e a c c o r d i n g t o t h e l e a r n e r ’ s n e e d s . T h e n e s t s a c c o m m o d a t e a n y w h e r e f r o m o n e p e r s o n a t a t i m e t o 1 0 o r 1 2 a t a t i m e . T h i s w a y, e a c h l e a r n i n g s p a c e i s u n i q u e . T h e s p a c e i s A D A a c c e s s i b l e a n d i s e q u i p p e d w i t h a w i r e l e s s

n e t w o r k f o r p r i n t i n g a n d s c a n n i n g l e a r n i n g m a t e r i a l s .

6262

123 klanad agency donghia submission 2011-2012

6363

CLIENT

LOCATION

RESEARCH + CONCEPT

SUSTAINABLE INTEGRATION

Manh

atta

n

Brooklyn

LEVEL 0’-0”

LEVEL 22’-0”

“ We d o n ’ t d o m a r k e t i n g , w e a r e f r e e l i k e t h e s o u p d r a g o n s , w e d o n ’ t c a r e a b o u t y o u r n e e d s , w e l i e a l l t h e t i m e , w e a r e l a z y, s t u b b o r n , s u p e r c o n f i d e n t , a r r o g a n t b u t u n f o r t u n a t e l y s u p e r t a l e n t e d , w e ’ l l t e l l y o u b u l l s h i t t o m a k e y o u f e e l c o n f i d e n t , w e ’ l l m a y b e w o r k f o r y o u i f y o u h a v e e n o u g h m o n e y b u t d r u n k , w e d o n ’ t c a r e a b o u t t h e o p p o r t u n i t i e s y o u w i l l g i v e u s t o w o r k f o r y o u e v e n i f y o u o w n a b i g b r a n d b e c a u s e y o u n e e d o u r s k i l l s t o l o o k y o u n g a n d f r e s h . ” - 1 2 3 K L A N

N e w Yo r k S u n A n a l y s i s

S t r u c t u r a l C o n c e p t S k e t c h

E x p l o d e d A x o n o m e t r i c

D i a g r a m s

I n o r d e r t o d e s i g n a s e l f - s u s t a i n i n g b u i l d i n g , t h e d e s i g n p r o p o s e d t h e c o n s t r u c t i o n o f a s m a l l - s c a l e h y d r o p o w e r p l a n t b e n e a t h t h e l a w n e x t e n s i o n t h a t w o u l d b o t h u t i l i z e t h e c u r r e n t o f t h e r i v e r, a n d p r o v i d e i r r i g a t i o n f o r t h e

b u i l d i n g ’ s l i v i n g m a c h i n e .

64

RESEARCH + DEVELOPMENT LIBRARYT h e i n d o o r - o u t d o o r l a w n e x -t e n d s i n t o b u i l d i n g w h e r e t h e g l a s s f a c a d e h a s b e e n r a i s e d . U s e r s a r e i n v i t e d t o u s e t h e s p a c e t o m e e t , c r e -a t e , r e l a x , o r w o r k . C u s -t o m f u r n i t u r e m a d e f r o m r e p u r p o s e d s t e e l f u n c t i o n

65

GRAFFITI DESIGN STUDIO

A s p a n o f t h e i n t e r i o r f a c a d e i s d e d i c a t e d t o t h e c r e a t i v e p r o c e s s f o r g r a f f i t i a r t i s t s . L a r g e p o r t i o n s

o f u r b a n b u i l d i n g f a c a d e s a r e r e c l a i m e d a n d s u s p e n d e d a l o n g a s l i d i n g t r a c k w h e r e g r a f f i t i a r t i s t s c a n s a f e l y a n d r e s p o n s i b l y c r e a t e

i n d o o r s . A f t e r w a r d s , v a c u u m -s e a l e d t r a c e p e e l s o f f f o r e a s y

t r a n s p o r t a n d s c a n n i n g .

66

TEMPERATE DAYST h e i n d o o r - o u t d o o r l a w n e x t e n d s i n t o b u i l d i n g w h e r e t h e g l a s s f a c a d e h a s b e e n r a i s e d . U s e r s a r e i n v i t e d t o u s e t h e s p a c e t o m e e t , c r e a t e , r e l a x , o r w o r k . C u s t o m f u r n i t u r e m a d e f r o m r e p u r p o s e d s t e e l f u n c t i o n a s t o u c h - d o w n a r e a s w h i l e m o b i l e d e s k s a r e a b l e t o b e t a k e n o u t d o o r s f o r p r i v a c y.

67

WINTER MONTHSA m o d u l a r g l a s s f l o o r l o c k s i n p l a c e a b o v e t h e i n t e r i o r l a w n t o s e c u r e t h e i n t e r i o r

e n v i r o n m e n t . D e c i d u o u s t r e e s o u t s i d e m a x i m i z e d a y

l i g h t i n g t h r o u g h o u t t h e w i n t e r t o n a t u r a l l y h e a t i n t e r i o r

s p a c e s . F i r e p l a c e s a n d c o z y r e c o n f i g u r a b l e p a d s t u r n t h e

o n c e o u t d o o r s p a c e i n t o a w a r m s k y b o x v i e w o f t h e

M a n h a t t a n s k y l i n e .

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TEMPERATE EVENINGSTe m p e r a t e e v e n i n g s i g n i t e t h e e x t e n d i n g l a w n . F r a m i n g t h e N e w Yo r k C i t y S k y l i n e , t h e l a w n b e c o m e s i n t i m a t e a n d s p a r k l i n g , m a k i n g i t a n a t t r a c t i o n f o r t h e c o m m u n i t y t o v i s i t o r r e n t o u t a s a n e v e n t v e n u e .

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hand renderings + sketches

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thank you.

kelsey l. conroy(703) 774 - 4638

H E L L O @ k c o n r o y. c o m

w w w . k c o n r o y. c o m