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If you’re ever confused by anything or need help please contactme. Thismanual is a compliment to thevideos. Pleasewatch thevideosathttps://www.youtube.com/channel/UCwQ9E6imYd0qFPMEuEZjcdw
Manual is always being improved, please contact me with any suggestions.
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CONTENTS
I. Gettings started 5
1. Start here 51.1. Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51.2. Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51.3. Add amodule . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51.4. Connect a module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61.5. Change settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71.6. Knobs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71.7. Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81.8. Toggle Effects with Foot switches . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81.9. Foot Switches as CV or Tempo Sources . . . . . . . . . . . . . . . . . . . . . . . . . 81.10. LFO / control signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91.11. Firmware update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111.12. Inputs as effects loops . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121.13. Rhythmic delays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121.14. Import reverbs / cabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131.15. Import / Export Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
2. MIDI 142.1. Changing Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142.2. CC Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
3. Regulatory / Licencing 14
4. Thanks 14
II. Modules 14
5. Effects 145.1. Algo Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145.2. Amp Bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155.3. Auto Swell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165.4. Bitmangle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165.5. Chorus D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175.6. Chorus D Ext . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175.7. Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185.8. Doppler Panner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195.9. Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195.10. Flanger Ext . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205.11. Freeze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205.12. Harmonic Trem Ext . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215.13. Harmonic Tremolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215.14. J Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215.15. Looping Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225.16. Mono Eq . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235.17. Mono Cab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245.18. Mono Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245.19. Mono Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
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5.20. Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255.21. Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265.22. Phaser Ext . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265.23. Phaser Stereo Ext . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275.24. Power Amp Cream . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275.25. Power Amp Super . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285.26. Quad Ir Cab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285.27. Quad Ir Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295.28. Reverse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295.29. Rotary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305.30. Rotary Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305.31. Saturator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315.32. Stereo Eq . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325.33. Stereo Cab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335.34. Stereo Compress . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345.35. Stereo Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345.36. Stereo Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355.37. Thruzero Flange . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355.38. Turntable Stop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365.39. Twist Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365.40. Vibrato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375.41. Vibrato Ext . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375.42. Warmth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385.43. Wet Dry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385.44. Wet Dry Stereo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
6. Input / Output 396.1. Cv To Midi Cc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396.2. Foot Switch A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406.3. Foot Switch B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 406.4. Foot Switch C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416.5. Midi Cc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 416.6. Midi Clock In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426.7. Midi Clock Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426.8. Midi Note To Cv . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426.9. Poly Note To Cv . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
7. Controls 447.1. Ad Env Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 447.2. Ad Envelope . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 447.3. Adsr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457.4. Attenuverter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457.5. Dahdsr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467.6. Difference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 467.7. Drum Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 477.8. Env Follower . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 477.9. Lfo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 487.10. Max . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 487.11. Min . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 497.12. Onset Detect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 497.13. Pitch Detect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 507.14. Product . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
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7.15. Ratio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517.16. Rectify Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517.17. Sample Hold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517.18. Slew Limiter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 527.19. Step Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 527.20. Step Sequencer Ext . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 537.21. Sum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 547.22. Tempo Ratio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 547.23. Toggle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 557.24. Vca . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
8. Synthesis /Weird 568.1. Diode Ladder Lpf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 568.2. Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 568.3. Granular . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 578.4. K Org Hpf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 578.5. K Org Lpf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 588.6. Macro Osc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 588.7. Meta Modulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 598.8. Oog Half Lpf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 598.9. Pitch Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 608.10. Resonestor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 608.11. Time Stretch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 618.12. Uberheim Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 628.13. Wavefolder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
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Part I.Gettings started
1. START HERE
1.1. POWER
The first thing to do is power the pedal. It’s 9V center negative and requires at least 500mA. Afterthat it’ll start up. Start up time is currently a bit long, so don’t panic if nothing is happening for a fewseconds.
Once Digit / Beebo has started upwe’re at themain screen, with the default preset (the first one in yourset list) loaded. From here we can add modules, change the settings of existing modules, connectmodules or load a preset. This leads to the question, what is a module?
1.2. MODULES
Modules are the basic blocks you connect. Think of them as individual effect pedals on a pedal boardthat you place and connect. There are somemodules that process audio, and somemodules that youcan use to control other modules. The ability to control modules is the powerful modular / eurorackstyle workflow that differentiates Digit / Beebo frommany other systems.
1.3. ADD AMODULE
To start, we’ll add a delay to the default preset. To do this, tap plus and choose delay.
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The new delay will appear on the screen and you can now drag it to a comfortable spot. You can dragany module at any time to move it.
To start I recommend tapping the help button (the ? mark) which will turn on the extra help labels.Remember that single modules can be very powerful, so start with a small number of them andunderstand them before adding more. It’ll be much easier to work out what is going on. The standarddelay module has many features compared to standalone delay pedals!
1.4. CONNECT AMODULE
You’ll now want to connect up the delay. Hold input 1, then with another finger tap the delay you’veadded. This multi touch stuff is really much easier to see on a video. Any recent video should showthis connection style.
This is just the same as connecting up pedals on a pedal board, but you can split andmerge signalseasily. You choose a source and then a module to connect to. So now hold delay 1 and then tap output
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1 to connect them. If you’re connecting things with multiple inputs or outputs a screen will appearwhere you can select which to use.
1.5. CHANGE SETTINGS
We can now change the settings of the delay. Tap on it to get up the controls. Many modules haveextra controls in the side menus.
1.6. KNOBS
Once you touch any slider to change it, it automatically maps to the knobs. The right knob changesthe value a lot (coarse) and the left by a little (fine).
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1.7. PRESETS
To save or load a preset tap the floppy disk icon. You’ll also see a set list option. This is what order youmove through the presets in your set list when pressing both center and right or center and left footswitches together.
1.8. TOGGLE EFFECTSWITH FOOT SWITCHES
By default, the right most foot switch is bypass and the two others don’t do anything. Foot switchescan act as tempo sources or as control sources.
If you just want to enable or disable something with a foot switch, hold the module you want to controland the press the physical foot switch you want to use. A small letter in a circle will appear showingthe foot switch you choose to use. You can remap all 3 foot switches like this. You can also assign asingle foot switch to multiple modules.
If you want to toggle between to delays for example, set one to disabled then assign both to the samefoot switch, they will now toggle which is active.
1.9. FOOT SWITCHES AS CVOR TEMPO SOURCES
If you want to control a specific parameter with a foot switch, tap add (+) and then select foot switch Aor B. A is the left one, B is the center, C is the right.
Now tap the foot switch module you’ve added and then tap connect. You can now connect it to thingsyou want to control. There are two outputs, the tap tempo and its value. Value is if it’s up or presseddown. To connect tap tempo from the foot switch, hold the foot swtich and tap the delay. Then choosethe BPM out.
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1.10. LFO / CONTROL SIGNALS
As you saw with foot switches, one module can control another. If we now add a low frequencyoscillator (LFO) we can use that to control other settings on the delay. Add the LFO then hold it and tapthe delay. Then choose warp in the screen that appears.
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Control signals are coloured green.
The effect will be quite strong, so if we want to reduce we can tap on the LFO and reduce the level. Auni polar LFO will only got from 0-1 (positive) but if you set that to zero it’ll go negative and positive.
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We can also add other modules in between such as the attenuverter that act on the control signals.We can invert the phase or reduce the level with this as well, in case we want the same LFO to controltwo different things at different amounts or phase.
The attenuverter attenuates and/or inverts a signal. It has two inputs which can be either be controlledby the sliders or by a control input. You can attenuate / invert one control signal with another allowingyou ring mod / AM style control possibilities.
1.11. FIRMWARE UPDATE
If you have a very early Digit and currently have version 1.something (eg 1.7) firmware installed (checkin the setting menu) please contact me before updating.
For Beebo or January 2020 or later versions of Digit, please grab the packages in the ’upgrade_from_2’folder from here and put them on a usb flash drive and click upgrade. It should be very quick. It’ll
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restart itself. The packages need to all be on the USB drive and not in a zip. The current packages arefrontend, modules, ingen and extra-content. If you’ve updated recently and know that one file hasn’tchanged then you don’t need to include it on the USB flash drive next update and it’ll update a littlefaster.
The USB flash drivemust be formatted FAT32 and have one partition on it. If the update fails, please trypressing export presets in the settings screen. If that also fails then the USB flash drive is unreadable,either due to having no partitions (partitonless drive) or being the wrong format. Please contact mefor help. Please use a normal USB flash drive and not an external hard drive. The cheap NXT onesfrom Staples work well. All Sandisk ones tested also worked well. Verbatim ones tested have failed.
1.12. INPUTS AS EFFECTS LOOPS
You can use the input / outputs of Digit as effect loops. For example, physically connect output 3 to anexternal phaser pedal, then connect the output of the phaser to input 3. Then on Digit, connect a delayto output 3, and then connect input 3 directly to output 1. The repeats of that delay will now be runningthrough the phaser. Be careful not to create feedback paths, or route dry in parallel where some signalgoes through external pedals. The extra latency / phase difference between the direct and effectedsignals can cause weird effects. So it’s always safer just to effect things like delays / reverb tails.
1.13. RHYTHMIC DELAYS
Tap a delay to see the details.
There are two modes. If you choose beats you can set a BPM and then choose a subdivision in theright drop downmenu.
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You can also set time in milliseconds, tap the time button and then you can type in a number if youpress the milliseconds field, or just slide the slider to an approximate position.
The amount ofmilliseconds won’t follow your tap tempo, so if you have a tempo input plugged in thetimes here won’t be relevant and you should use the beat setting.
1.14. IMPORT REVERBS / CABS
To import new cab or reverb IRs onto Digit, copy them onto a USB flash drive in folders called reverbsand cabs for each. Then go to settings and tap Copy IRs. The files must be 48 kHz wavs.
1.15. IMPORT / EXPORT PRESETS
Press the floppy disk icon to get to the preset screen. Then press export preset where it’ll ask you ifyou want to export the current preset or all presets.
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2. MIDI
The MIDI cable is type B, 3.5 mm TRS.
2.1. CHANGING PRESETS
To change a preset with a programmessage, press the floppy disk icon to get to the preset screen.Tap set list and add preset here. The number next to them is what program change message youshould send to change to that preset. This is also the order the foot switch pairs with D and E will stepthrough them.
2.2. CC CONTROLS
To learn a control, press the MIDI icon next to the slider. It will then pulse until it detects a CC.
3. REGULATORY / LICENCING
This device complies with Part 15 of FCC rules. Operation is subject to the following two conditions:(1) This device may not cause harmful interference, and (2) this device must accept any interferencereceived, including interference that may cause undesired operation
Digit includes code and art (such as fonts) under a variety of licenses including GPL / LGPL / MIT / BSD/ OFL. More details of this are available here: https://github.com/polyeffects/
4. THANKS
A giant collection of people have helped Poly Effects and Digit specifically. These include HelenDavison (mymum), Claire Jeddou, Celeste Reno, Jo Gardiner, David Robillard, Michelle Lam, BernieTschirren, Lisa Bryant, Ed Pettersen, Josh Smith, Jordan Rudess, Leon Todd, Filipe Coelho and RobinGareus.
Part II.Modules
5. EFFECTS
5.1. ALGO REVERB
Included in Beebo And Digit.
A special effects algorthmic reverb, featuring longer tails than the convolution reverb.
This eurorack based algorithmic reverb is designed to bemodulated by control values. It’s great forspecial effects, and general weirdness. It isn’t well suited to realistic sounds. It’s capable of pitchshifting and self oscilliation.
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Inputs
Audio L In, R In
CV Blend, Damp, Decay, Diffusion, Hold, Modulation Amount, Modulation Speed, Pitch, Reverse, Size,Trigger, Pre-Delay
Outputs
Audio L Out, R Out
Controls
• Blend
• Damp
• Decay
• Diffusion
• Hold
• Modulation Amount
• Modulation Speed
• Pitch
• Pre-Delay
• Reverse
• Size
5.2. AMPBASS
Included in Digit.
SVT40 bass amp sim
A bass amp emulation. The tone stack has sections that can be tuned. Run a cab after this.
Inputs
Audio In
Outputs
Audio Out
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Controls
• Bass
• Cabswitch
• Highswitch
• Lowswitch
• Middle
• Midswitch
• Treble
• Volume
5.3. AUTO SWELL
Included in Beebo And Digit.
Automatically swells volume to remove note attack
Auto swell is a similar effect to using your volume knob but instead it automatically detects when toswell.If you are looking for something more complex, you can combine an envelope follower and VCAto create your own
Inputs
Audio In
CV Threshold
Outputs
Audio Out
Controls
• Downtime
• Threshold
• Uptime
5.4. BITMANGLE
Included in Beebo And Digit.
Brutal bitmangler. Warning, can get very loud.
The bit mangler isn’t a normal bit crusher, instead it degredation and cross modulationthe bitwiseAND is much louder than the bitwise XOR end, so I recommend a compressor or something aftwardsto control levels.
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Inputs
Audio Carrier, Modulator
CV Bit Cv, Input Amp 2 Cv, Input Amp Cv, Xor Vs And Cv
Outputs
Audio Aux, Out
Controls
• Amp Or Freq
• Bits
• Input Amplitude 2
• Int Osc
• Xor Vs And
5.5. CHORUS D
Included in Beebo.
8 voice multi dimensional chorus
Inputs
Audio In
Tempo Bpm
Outputs
Audio Out L, Out R
Controls
• Bpm
• Delay
• Depth
• Deviation
5.6. CHORUS D EXT
Included in Beebo.
8 voice multi dimensional chorus CV LFO
17
Inputs
Audio In
CV Lfo Cv
Outputs
Audio Out L, Out R
Controls
• Delay
• Depth
• Deviation
5.7. DELAY
Included in Beebo And Digit.
Flexible delay module. Addmodules on the repeats for variations.
Inputs
Audio In
Tempo Bpm
CV Feedback, Glide, Level, Time, Tone, Warp
Outputs
Audio Out
Controls
• Bpm
• Enabled
• Feedback
• Glide
• Level
• Time
• Tone
• Warp
18
5.8. DOPPLER PANNER
Included in Beebo.
binaural panner, allows positioning in 3D.
Inputs
Audio Left In, Right In
CV Lfo Frequency Cv, Lfo Amplitude Cv, X Coordinate Cv, Y Coordinate Cv
Outputs
Audio Left Out, Right Out
Controls
• Lfo Amplitude
• Lfo Frequency
• Space Size
• X Coordinate
• Y Coordinate
5.9. FLANGER
Included in Beebo.
flanger with internal LFO
Inputs
Audio In
Tempo Bpm
Outputs
Audio Out0
Controls
• Bpm
• Delay
• Depth
• Feedback
• Invert
• Waveshape
19
5.10. FLANGER EXT
Included in Beebo.
flanger with CV for LFO
Inputs
Audio In
CV Lfo Cv
Outputs
Audio Out0
Controls
• Delay
• Depth
• Feedback
• Invert
5.11. FREEZE
Included in Beebo And Digit.
Holds what you’re playing when the control level is active, creating a drone.
Inputs
Audio Audio In
CV Freeze
Outputs
Audio Audio Out
Controls
• Drone Gain
• Freeze
• Release
20
5.12. HARMONIC TREM EXT
Included in Beebo And Digit.
harmonic tremolo CV LFO input
Inputs
Audio In
CV Lfo Cv
Outputs
Audio Out
Controls
• Crossoverfreq
• Depth
5.13. HARMONIC TREMOLO
Included in Beebo And Digit.
harmonic tremolo with internal LFO
Inputs
Audio In
Tempo Bpm
Outputs
Audio Out
Controls
• Bpm
• Crossover Freq
• Depth
5.14. J CHORUS
Included in Beebo.
chorus based on vintage Japanese synth chorus
21
Inputs
Audio Audio Input 1, Audio Input 2
CV 1 Enable, 2 Enable
Outputs
Audio Audio Output 1, Audio Output 2
Controls
• Chorus 1 Lfo Rate
• Chorus 1 On/Off
• Chorus 2 Lfo Rate
• Chorus 2 On/Off
5.15. LOOPING DELAY
Included in Beebo And Digit.
granular pitch shifting, micro looping delay
Inputs
Audio L In, R In
CV Blend, Diffusion, Filter, Loop, Pitch, Reverb, Reverse, Spread, Trigger, Feedback, PitchWindow,Tape Length
Outputs
Audio L Out, R Out
Controls
• Blend
• Diffusion
• Feedback
• Filter
• Freeze
• Pitch
• PitchWindows
• Reverb
• Reverse
• Spread
• Tape Length
22
5.16. MONO EQ
Included in Beebo And Digit.
Monomultiband parametric EQ
Inputs
Audio In
Outputs
Audio Out
Controls
• Bandwidth 1
• Bandwidth 2
• Bandwidth 3
• Bandwidth 4
• Enable
• Frequency 1
• Frequency 2
• Frequency 3
• Frequency 4
• Gain
• Gain 1
• Gain 2
• Gain 3
• Gain 4
• Highpass
• Highpass Frequency
• Highpass Resonance
• Highshelf
• Highshelf Bandwidth
• Highshelf Frequency
• Highshelf Gain
• Lowpass
• Lowpass Frequency
• Lowpass Resonance
23
• Lowshelf
• Lowshelf Bandwidth
• Lowshelf Frequency
• Lowshelf Gain
• Reset Peak Hold
• Section 1
• Section 2
• Section 3
• Section 4
5.17. MONO CAB
Included in Digit.
Mono cab sim
Inputs
Audio In
CV Output Gain
Outputs
Audio Out
Controls
• /Audio/Cabs/1X12Cab.Wav
• Output Gain
5.18. MONO COMPRESSOR
Included in Beebo.
RMS downward compressor with auto markup
Inputs
Audio In
Outputs
Audio Out
24
Controls
• Attack Time
• Enable
• Hold
• Input Gain
• Ratio
• Release Time
• Threshold
5.19. MONO REVERB
Included in Digit.
Mono convolution based reverb.
Inputs
Audio In
CV Output Gain
Outputs
Audio Out
Controls
• /Audio/Reverbs/Emt 140 Dark 1.Wav
• Enabled
• Output Gain
5.20. PAN
Included in Beebo And Digit.
Control signal controlled panner
Inputs
Audio In
CV Pan Cv
25
Outputs
Audio Out L, Out R
Controls
• Pan Offset
5.21. PHASER
Included in Beebo.
Basic phaser
Inputs
Audio Audio Input 1
Outputs
Audio Audio Output 1
Controls
• Color
• Dry/Wet Mix
• Feedback Bass Cut
• Feedback Depth
• Lfo Frequency
5.22. PHASER EXT
Included in Beebo.
Mono phaser controlled by CV input
Inputs
Audio Audio Input 1
CV Lfo Cv
Outputs
Audio Audio Output 1
26
Controls
• Color
• Dry/Wet Mix
• Feedback Bass Cut
• Feedback Depth
5.23. PHASER STEREO EXT
Included in Beebo.
Stereo phaser controlled by CV input
Inputs
Audio Audio Input 1, Audio Input 2
CV Lfo Cv
Outputs
Audio Audio Output 1, Audio Output 2
Controls
• Color
• Dry/Wet Mix
• Feedback Bass Cut
• Feedback Depth
• Stereo Phase
5.24. POWER AMPCREAM
Included in Digit.
An attempt at a cream coloured power amp emulation.
Inputs
Audio In
Outputs
Audio Out
27
Controls
• Bass
• Level
• Treble
• Volume
5.25. POWER AMPSUPER
Included in Digit.
An attempt at a power amp emulation
Inputs
Audio In
Outputs
Audio Out
Controls
• Bass
• Gain
• Treble
• Volume
5.26. QUAD IR CAB
Included in Digit.
Requires quad channel IR. You do not want this unless you have special IRs
Inputs
Audio Inl, Inr
CV Gain
Outputs
Audio Outl, Outr
28
Controls
• /Audio/Cabs/1X12Cab.Wav
• Gain
5.27. QUAD IR REVERB
Included in Digit.
Convolution reverb. Quad channel IRs required.
Inputs
Audio Inl, Inr
CV Output Gain
Outputs
Audio Outl, Outr
Controls
• /Audio/Reverbs/Emt 140 Dark 1.Wav
• Enabled
• Output Gain
5.28. REVERSE
Included in Beebo And Digit.
Reverse effect. Try short fragment length for weird tremolo
Inputs
Audio Input
CV Dry Level, Wet Level
Outputs
Audio Output
Controls
• Dry Level
• Fragment Length
• Wet Level
29
5.29. ROTARY
Included in Beebo.
A rotating loudspeaker using physical modelling. Same sound as advanced.
Inputs
Audio Input
CV Drum Brake, Drum Speed, Horn Brake, Horn Speed
Outputs
Audio Left Output, Right Output
Controls
• Drum Level
• Drum StereoWidth
• Enable
• Horn Level
• Motors Ac/Dc
5.30. ROTARY ADVANCED
Included in Beebo.
A rotating loudspeaker using physical modelling. Same sound, more controls.
Inputs
Audio Input
CV Drum Brake, Drum Speed, Horn Brake, Horn Speed
Outputs
Audio Left Output, Right Output
Controls
• Drum Acceleration
• Drum Brake Position
• Drum Deceleration
30
• Drum Filter Type
• Drum Level
• Drum Radius
• Drum Speed Fast
• Drum Speed Slow
• Drum StereoWidth
• Enable
• Frequency
• Frequency
• Frequency
• Gain
• Gain
• Gain
• Horn Acceleration
• Horn Brake Position
• Horn Deceleration
• Horn Filter-1 Type
• Horn Filter-2 Type
• Horn Level
• Horn Radius
• Horn Signal Leakage
• Horn Speed Fast
• Horn Speed Slow
• Horn StereoWidth
• Horn X-Axis Offset
• Horn Z-Axis Offset
• Link Speed Control
• Microphone Angle
• Microphone Distance
• Motors Ac/Dc
• Q
• Q
• Q
5.31. SATURATOR
Included in Beebo And Digit.
Nonlinear saturation and soft limiting.
31
Inputs
Audio Input
CV Postgain, Pregain
Outputs
Audio Output
Controls
• Postgain
• Pregain
5.32. STEREO EQ
Included in Beebo And Digit.
Stereo multiband parametric EQ.
Inputs
Audio In Left, In Right
Outputs
Audio Out Left, Out Right
Controls
• Bandwidth 1
• Bandwidth 2
• Bandwidth 3
• Bandwidth 4
• Enable
• Frequency 1
• Frequency 2
• Frequency 3
• Frequency 4
• Gain
• Gain 1
• Gain 2
32
• Gain 3
• Gain 4
• Highpass
• Highpass Frequency
• Highpass Resonance
• Highshelf
• Highshelf Bandwidth
• Highshelf Frequency
• Highshelf Gain
• Lowpass
• Lowpass Frequency
• Lowpass Resonance
• Lowshelf
• Lowshelf Bandwidth
• Lowshelf Frequency
• Lowshelf Gain
• Section 1
• Section 2
• Section 3
• Section 4
5.33. STEREO CAB
Included in Digit.
Stereo cab sim. You normally do not want this. Requires stereo IRs.
Inputs
Audio In
CV Output Gain
Outputs
Audio Outl, Outr
Controls
• /Audio/Cabs/1X12Cab.Wav
• Output Gain
33
5.34. STEREO COMPRESS
Included in Beebo.
RMS downward compressor with auto markup
Inputs
Audio In Left, In Right
Outputs
Audio Out Left, Out Right
Controls
• Attack Time
• Enable
• Hold
• Input Gain
• Ratio
• Release Time
• Threshold
5.35. STEREO PHASER
Included in Beebo.
Basic stereo phaser
Inputs
Audio Audio Input 1, Audio Input 2
Outputs
Audio Audio Output 1, Audio Output 2
Controls
• Color
• Dry/Wet Mix
• Feedback Bass Cut
• Feedback Depth
• Lfo Frequency
• Stereo Phase
34
5.36. STEREO REVERB
Included in Digit.
Stereo convolution reverb
Inputs
Audio In
CV Output Gain
Outputs
Audio Outl, Outr
Controls
• /Audio/Reverbs/Emt 140 Dark 1.Wav
• Enabled
• Output Gain
5.37. THRUZERO FLANGE
Included in Beebo.
Through Zero Flanger.
Inputs
Audio Left In, Right In
CV Depth, Depth Mod, Feedback, Mix, Rate
Outputs
Audio Left Out, Right Out
Controls
• Depth
• Depth Mod
• Feedback
• Mix
• Rate
35
5.38. TURNTABLE STOP
Included in Beebo And Digit.
Simulates turning off a turntable. Connect a control to pull the plug.
Inputs
Audio Audio In
CV Decay Time, Pull The Plug
Outputs
Audio Audio Out
Controls
• Decay Curve
• Decay Time
• Pull The Plug
5.39. TWIST DELAY
Included in Beebo And Digit.
A delay where speed and length interact with quality
Inputs
Audio In 1, In 2
CV DryWet Cv, Feedback Cv, Length Cv, Speed Direction Cv
Outputs
Audio Out 1, Out 2
Controls
• Dry Wet
• Feedback
• Length
• Mode
• Speed Direction
36
5.40. VIBRATO
Included in Beebo.
vibrato with internal LFO
Inputs
Audio In
Tempo Bpm
Outputs
Audio Out
Controls
• Bpm
• Feedback Gain
• Invert
• Max Notch1 Freq
• Min Notch1 Freq
• Notch Depth
• Notch Freq Ratio
• NotchWidth
• Phase
• Vibrato Mode
5.41. VIBRATO EXT
Included in Beebo.
vibrato with CV LFO
Inputs
Audio In
CV Lfo Cv
Outputs
Audio Out
37
Controls
• Feedback Gain
• Invert
• Max Notch1 Freq
• Min Notch1 Freq
• Notch Depth
• Notch Freq Ratio
• NotchWidth
• Vibrato Mode
5.42. WARMTH
Included in Beebo And Digit.
Tube triode emulation
Inputs
Audio Input
CV Drive, Tape–Tube Blend
Outputs
Audio Output
Controls
• Drive
• Tape–Tube Blend
5.43. WET DRY
Included in Beebo And Digit.
blend between two inputs
Inputs
Audio Dry, Wet
CV Level, Wet Dry Blend
38
Outputs
Audio Out
Controls
• Level
• Shape
• Wet Dry
5.44. WET DRY STEREO
Included in Beebo And Digit.
blend stereo inputs to stereo out
Inputs
Audio Dry L, Dry R, Wet L, Wet R
CV Level, Wet Dry Blend
Outputs
Audio Out L, Out R
Controls
• Level
• Shape
• Signal A/B
6. INPUT / OUTPUT
6.1. CV TO MIDI CC
Included in Beebo And Digit.
convert control to MIDI CC
Inputs
CV Cv In
39
Outputs
MIDI Midi Out
Controls
• Cc Number
• Channel
• Resolution
6.2. FOOT SWITCH A
Included in Beebo And Digit.
The left footswitch
Outputs
Tempo Bpm Out
CV Value Out
Controls
• Bpm
• Is Latching
• Off Value
• On Value
• Value
• Value
6.3. FOOT SWITCH B
Included in Beebo And Digit.
The center footswitch
Outputs
Tempo Bpm Out
CV Value Out
40
Controls
• Bpm
• Is Latching
• Off Value
• On Value
• Value
• Value
6.4. FOOT SWITCH C
Included in Beebo And Digit.
The right footswitch
Outputs
Tempo Bpm Out
CV Value Out
Controls
• Bpm
• Is Latching
• Off Value
• On Value
• Value
• Value
6.5. MIDI CC
Included in Beebo And Digit.
MIDI CC to control value
Inputs
MIDI Midi Input
Outputs
CV Output
41
Controls
• Cc Number
• Logarithmic
• Maximum
• Minimum
6.6. MIDI CLOCK IN
Included in Beebo And Digit.
MIDI Clock to BPM
Inputs
MIDI Midi Input
Outputs
Tempo Bpm
6.7. MIDI CLOCK OUT
Included in Beebo And Digit.
BPM to MIDI Clock
Inputs
Tempo Bpm
Outputs
MIDI Midi Out
Controls
• Bpm
6.8. MIDI NOTE TO CV
Included in Beebo And Digit.
convert MIDI notes to v per octave pitch CVs
42
Inputs
MIDI Midi Input
Outputs
CV Gate, Pitch, Velocity
Controls
• Cent
• Channel
• Octave
• Panic
• Retrigger
• Semitone
6.9. POLY NOTE TO CV
Included in Beebo.
convert poly MIDI notes to v per octave pitch CVs
Inputs
MIDI Midi Input
Outputs
CV Gate 1, Gate 2, Gate 3, Gate 4, Pitch 1, Pitch 2, Pitch 3, Pitch 4, Velocity
Controls
• Cent
• Channel
• Octave
• Panic
• Semitone
43
7. CONTROLS
7.1. AD ENV LEVEL
Included in Beebo And Digit.
A attack decay envelope generator with start and end levels. Works with a trigger.
Envelopes take in a trigger and produce a CV that changes over time. This version has just 2 stages,attack and decay. Connect triggers to the envelope and then connect the envelope output to theparameter you want to change over time. This version adds a level to attack to and then decay tocompared to the standard version.
Inputs
CV Gate, Reset Level, Trigger
Outputs
CV Envelope Out
Controls
• Attack Time
• Attack To Level
• Decay Time
• Decay To Level
• Initial Level
7.2. AD ENVELOPE
Included in Beebo And Digit.
A attack decay envelope generator. Works with a trigger.
Envelopes take in a trigger and produce a CV that changes over time. This version has just 2 stages,attack and decay. Connect triggers to the envelope and then connect the envelope output to theparameter you want to change over time. This version attacks to 1 from 0.
Inputs
CV Gate, Trigger
Outputs
CV Envelope Out
44
Controls
• Attack Time
• Decay Time
7.3. ADSR
Included in Beebo And Digit.
Basic ADSR envelope generator. Takes in a gate.
Envelopes take in a trigger and produce a CV that changes over time. This version has 4 stages, attack,decay, sustain and release. Connect triggers to the envelope and then connect the envelope output tothe parameter you want to change over time. This is an important part of a synthesis but can also beused to create things like autoswells. Useful when connected to a VCA.
Inputs
CV Driving Signal
Outputs
CV Envelope Out
Controls
• Attack Time
• Decay Time
• Release Time
• Sustain Level
• Trigger Threshold
7.4. ATTENUVERTER
Included in Beebo And Digit.
The attenuverter changes level and/or phase of a control signal. A x B
An attenuverter attenuates and inverts signals. You can combine signals using it, for example to ringmodulate two LFOs together, or just reduce the level of a CV
Inputs
CV A, B
Outputs
CV Product
45
Controls
• A
• B
7.5. DAHDSR
Included in Beebo And Digit.
A delay attack hold decay sustain release envelope generator
Inputs
CV Attack Time, Decay Time, Delay Time, Gate, Hold Time, Release Time, Sustain Level, Trigger
Outputs
CV Envelope Out
Controls
• Attack Time
• Decay Time
• Delay Time
• Hold Time
• Release Time
• Sustain Level
7.6. DIFFERENCE
Included in Beebo And Digit.
a - b for control signals
Inputs
CV A Cv, B Cv
Outputs
CV Output
46
Controls
• A
• B
7.7. DRUM PATTERNS
Included in Beebo.
drum trigger explorer
Inputs
Tempo Bpm
CV Bd Fill Cv, Chaos Cv, Clock, Hh Fill Cv, Map X Cv, Map Y Cv, Reset, Run, Sn Fill Cv, Swing Cv
Outputs
CV Bass Drum Accent, Bass Drum Trigger, Hihat Accent, Hihat Trigger, Snare Accent, Snare Trigger
Controls
• Bass Drum Density
• Chaos
• Hihat Density
• Map X
• Map Y
• Reset Button
• Run Button
• Snare Density
• Swing
• Tempo
7.8. ENV FOLLOWER
Included in Beebo And Digit.
Track an input signal and convert it into a control signal
Inputs
Audio Audio In
47
Outputs
CV Cv Out
Controls
• Attack Time
• Decay Time
• Invert
• MaximumValue
• MinimumValue
• Peak/Rms
• Saturation
• Threshold
7.9. LFO
Included in Beebo And Digit.
Low frequency oscillator, send a control signal.
Inputs
Tempo Bpm
CV Reset
Outputs
CV Output
Controls
• Level
• Shape Mod
• Tempo
• Tempo Multiplier
• Unipolar
• Wave Form
7.10. MAX
Included in Beebo And Digit.
max of a, b also logical or
48
Inputs
CV A Cv, B Cv
Outputs
CV Output
Controls
• A
• B
7.11. MIN
Included in Beebo And Digit.
min of a, b also logical and
Inputs
CV A Cv, B Cv
Outputs
CV Output
Controls
• A
• B
7.12. ONSET DETECT
Included in Beebo And Digit.
detects when a note starts and sends a trigger
Inputs
Audio In
Outputs
CV Gate
49
Controls
• Onset Threshold
• Silence Threshold
7.13. PITCH DETECT
Included in Beebo.
BETA detects played notes and converts it volt per octave and MIDI
Inputs
Audio In
Outputs
CV Gate, V/Oct Pitch
MIDI Midi Out
Controls
• Onset Threshold
• Pitch Detection Tolerance
• Silence Threshold
7.14. PRODUCT
Included in Beebo And Digit.
a times b for control signals
Inputs
CV A Cv, B Cv
Outputs
CV Output
Controls
• A
• B
50
7.15. RATIO
Included in Beebo And Digit.
a divided by b for control signals
Inputs
CV A Cv, B Cv
Outputs
CV Output
Controls
• A
• B
7.16. RECTIFY VALUE
Included in Beebo And Digit.
rectify or get the absolute value of the input.
Inputs
CV A Cv
Outputs
CV Output
7.17. SAMPLE HOLD
Included in Beebo And Digit.
sample and hold a CV value when a trigger goes high
Inputs
CV Input, Trigger
Outputs
CV Gate, Output
51
Controls
• Trigger Level
7.18. SLEW LIMITER
Included in Beebo And Digit.
Slows how fast a control signal changes. Useful with foot switches.
Inputs
CV In
Outputs
CV Out
Controls
• Time Down
• Time Up
7.19. STEP SEQUENCER
Included in Beebo And Digit.
16 Step sequencer with internal clock
Inputs
Tempo Bpm
CV Back Gate, Play, Reset Trigger
Outputs
CV Value Out
Controls
• Back
• Bpm
• Glide
• Loop Steps
52
• Note Length
• Play
• Value 0
• Value 1
• Value 10
• Value 11
• Value 12
• Value 13
• Value 14
• Value 15
• Value 2
• Value 3
• Value 4
• Value 5
• Value 6
• Value 7
• Value 8
• Value 9
7.20. STEP SEQUENCER EXT
Included in Beebo And Digit.
16 Step sequencer that takes in a trigger for next or previous
Inputs
CV Back Trigger, Reset Trigger, Step Trigger
Outputs
CV Value Out
Controls
• Glide
• Loop Steps
• Value 0
• Value 1
• Value 10
53
• Value 11
• Value 12
• Value 13
• Value 14
• Value 15
• Value 2
• Value 3
• Value 4
• Value 5
• Value 6
• Value 7
• Value 8
• Value 9
7.21. SUM
Included in Beebo And Digit.
a + b for control signals
Inputs
CV A Cv, B Cv
Outputs
CV Output
Controls
• A
• B
7.22. TEMPO RATIO
Included in Beebo And Digit.
ratio between a tempo, like 3/4 to input tempo
Inputs
Tempo Input Tempo
54
Outputs
Tempo Output Tempo
Controls
• A
• B
7.23. TOGGLE
Included in Beebo And Digit.
toggles the output value on every trigger
Inputs
CV Trigger
Outputs
CV Out Gate
7.24. VCA
Included in Beebo And Digit.
simple voltage controlled amplifier
Inputs
Audio Input
CV Gain
Outputs
Audio Output
Controls
• Gain
55
8. SYNTHESIS /WEIRD
8.1. DIODE LADDER LPF
Included in Beebo.
A diode ladder low pass filter similar to the vintage Japanese designs
Inputs
Audio In
CV Cutoff Cv, Q Cv
Outputs
Audio Out
Controls
• Cutoff
• Q
8.2. FILTER
Included in Beebo And Digit.
Virtual analog resonant low pass filter
Inputs
Audio Input
CV Exp Fm, Fm, Resonance Mod
Outputs
Audio Output
Controls
• Exp. Fm Gain
• Frequency
• Input Gain
• Output Gain
• Resonance
• Resonance Gain
56
8.3. GRANULAR
Included in Beebo And Digit.
granular texture generator, can work as a weird delay or reverb
Inputs
Audio L In, R In
CV Blend, Density, Freeze, Pitch, Position, Reverb, Reverse, Size, Spread, Texture, Trigger, Feedback
Outputs
Audio L Out, R Out
Controls
• Blend
• Density
• Feedback
• Freeze
• Pitch
• Position
• Reverb
• Reverse
• Size
• Spread
• Texture
8.4. K ORG HPF
Included in Beebo And Digit.
A high pass filter similar to the vintage Japanese designs
Inputs
Audio In
CV Cutoff Cv, Q Cv
Outputs
Audio Out
57
Controls
• Cutoff
• Q
8.5. K ORG LPF
Included in Beebo And Digit.
A low pass filter similar to the vintage Japanese designs
Inputs
Audio In
CV Cutoff Cv, Q Cv
Outputs
Audio Out
Controls
• Cutoff
• Q
8.6. MACRO OSC
Included in Beebo.
a powerful multi model oscillator voice
Inputs
CV V Per Oct Cv, Engine Cv, Frequency Cv, Harmonics Cv, Level Cv, Morph Cv, Timbre Cv, Trigger Cv
Outputs
Audio Aux, Out
58
Controls
• Frequency
• Frequency Mod
• Harmonics
• Lpg Color
• Lpg Decay
• Model
• Morph
• Morph Mod
• Timbre
• Timbre Mod
8.7. METAMODULATION
Included in Beebo.
Powerful cross modulation module. Applies an algorithm to the two inputs.
Inputs
Audio Carrier, Modulator
CV Algorthm Cv, Level 1 Cv, Level 2 Cv, Timbre Cv
Outputs
Audio Aux, Out
Controls
• Algorithm
• Level 1
• Level 2
• Shape
• Timbre
8.8. OOG HALF LPF
Included in Beebo.
A low pass filter inspired by vintage American designs
59
Inputs
Audio In
CV Cutoff Cv, Q Cv
Outputs
Audio Out
Controls
• Cutoff
• Q
8.9. PITCH SHIFT
Included in Beebo And Digit.
a basic pitch shifter. It delays the input signal
Inputs
Audio Input
Outputs
Audio Output
Controls
• Dry Level
• Semitone Shift
• Wet Level
8.10. RESONESTOR
Included in Beebo.
dual voice four part resonator
Inputs
Audio L In, R In
CV Chord, Decay, Filter, Harmonics, Pitch, Random Mod, Reverse, Scatter, Spread, Switch Voice,Timbre, Trigger
60
Outputs
Audio L Out, R Out
Controls
• Chord
• Decay
• Filter
• Harmonics
• Pitch
• RandomMod
• Reverse
• Scatter
• Spread
• Switch Voice
• Timbre
8.11. TIME STRETCH
Included in Beebo And Digit.
A granular time stretching and pitch shifting module
Inputs
Audio L In, R In
CV Blend, Diffusion, Filter, Loop, Pitch, Position, Reverb, Reverse, Size, Spread, Trigger, Feedback
Outputs
Audio L Out, R Out
Controls
• Blend
• Diffusion
• Feedback
• Filter
• Freeze
• Pitch
61
• Position
• Reverb
• Reverse
• Size
• Spread
8.12. UBERHEIM FILTER
Included in Beebo And Digit.
A multi out filter inspired by vintage American designs
Inputs
Audio In
CV Cutoff Cv, Q Cv
Outputs
Audio Band Pass, Band Stop, High Pass, Low Pass
Controls
• Cutoff
• Q
8.13. WAVEFOLDER
Included in Beebo.
Chebyshev wave folder
Inputs
Audio Carrier, Modulator
CV Input Amp 2 Cv, Input Amp Cv, Input Bias Cv, Num Fold Cv
Outputs
Audio Aux, Out
62
Controls
• Amp Or Freq
• Input Amplitude 2
• Input Bias
• Int Osc
• Number Of Folds
63
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