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Hannah Hoch
Dada & Photomontage
Biography
● Born: November 1, 1889 - Gotha, Germany
● Oldest of 5 siblings● Her education started at a local
girls high school.● She had to drop out at age 15 to
take care of her youngest sister● At age 22 she was given a second
chance at school● She attended the School of
Applied Arts in Berlin● She studied glass design which
would later influence her interest in the applied arts and design
● While at the School of Applied Arts, WWI broke out and required her to return home (1914)
● Joined the Red Cross● The following year she studied
graphic arts at the School of the Royal Museum of Applied Arts
● While attending, she met Dadaist artists: Raoul Hausmann & Kurt Schwitters.
● She engaged in a romantic relationship with Raoul.
● Between 1916 and 1926, worked for the magazine and newspaper publishers Ullstein Verlag
● For the magazine she designed patterns for crochet, knitting and embroidery.
● In 1918 her and Raoul went to the Ostee where she discovered the art of Photomontage
● They discovered images of German soldiers’ heads pasted to bodies of musketeers. (power of collage)
● 1910-1920’s she began constructing the Dadaist photomontages that she is best known for
● Hannah was the only female German Dada artist during this time in Berlin.
● The men in the group disapproved of her contribution.
● Her style of borrowing from popular culture, dismemberment, and collage fit well with the Dadaist group
● Yet she disapproved of the sexism and “blatant exhibitionism” and left around 1922
● She continued producing lesser-known works and lived quietly in Berlin until her death. She was also targeted by the Nazis during their regime.
The Dada Movement● Began as an oppositional reaction to WWI, nationalism in many countries,
materialism, and traditional art movements● Intentionally short-lived. Involved artists had small bodies of work. ● Instead of focusing on beauty, focused more on political statements, getting
the viewer to ask questions. Used ordinary objects called “readymades.”● Originated in Zurich, Switzerland but spread to Paris, Berlin, and New York● Lacks leadership or doctrine, and intentionally ended itself (e.g., by
spectacular riot.)● Faded out with the emergence of Surrealism
PROCESS & MEDIUM
Title: Bourgeois Wedding Couple
Artist: Hannah Hoch
Date: 1919
Medium: Newspaper and
advertisement clippings
Title: The Beautiful Girl
Artist: Hannah Hoch
Date: 1920
Medium: Newspaper & advertisement
clippings
Title: Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch of Germany
Artist: Hannah Hoch
Date: 1919
Medium: Newspaper, magazine, advertisements, & journal clippings
Title: High Finance
Artist: Hannah Hoch
Date: 1923
Medium: Newspaper Clippings & magazine Advertisements
Title: Flight
Artist: Hannah Hoch
Date: 1931
Medium: Newspaper Clippings & magazine Advertisements
Title: Strauss
Artist: Hannah Hoch
Date: 1965
Medium: Newspaper Clippings & magazine Advertisements
Title: Industrial Landscape
Artist: Hannah Hoch
Date: 1967
Medium: Cut images and painted paper on paper
Title: Indian Dancer: From an Ethnographic Museum
Artist: Hannah Hoch
Date: 1930
Medium: Printed paper and metallic foil on paper
Title: Collage II (Auf Filetgrund)
Artist: Hannah Hoch
Date: 1925
Medium: Printed and painted paper on printed paper
Heads of State
Staatshäupter (Heads of State), 1918-20. Photograph: Collection of IFA, Stuttgart--Ian
Denkmal I
(Memorial I: From an Ethnographic Museum), 1924, Berlinische Galerie, Berlin.
Marlene
Marlene, 1930, Dakis Joannou, Athens.
Bibliography1. Petschauer, Peter. "We Weren’t Modern Enough: Women Artists and the Limits of German Modernism (review)." NWSA Journal13, no. 2 (2001): 166-68.
2. The Metropolitan Museum of Art. “Weltrevolution: Hannah Hoch.” Last modified 2011. Accessed February 16, 2012.
http://www.metmuseum.org/Collections/search-the-collections/190016952.
3. "Hannah Höch. Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany." Museum of Modern Art | MoMA. Accessed
January 28, 2018. http://www.moma.org/explore/multimedia/audios/29/704.
4. "Höch, Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch of Germany." Khan Academy. Accessed January 28, 2018.
http://smarthistory.khanacademy.org/hoch-kitchen-knife.html.
5. Baldwn, Thomas. "Depictions of and Challenges to the New Woman in Hannah Höch's Photomontage." TCBP. April 20, 2015. Accessed January 29, 2018.
http://www.thingscreatedbypeople.com/zine/depictions-of-and-challenges-to-the-new-woman-in-hannah-hochs-photomontage.
6. "Dada Movement, Artists and Major Works." The Art Story. Accessed January 29, 2018.
http://www.theartstory.org/movement-dada.htm.
7. "Hannah Höch Biography, Art, and Analysis of Works." The Art Story. Accessed January 29, 2018.
http://www.theartstory.org/artist-hoch-hannah.htm.
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