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Balinese DanceMusic, Rhythm, and Trance State
Group 1: Alicia, Fred, Javier
Monday, June 4, 2007
OVERVIEW:
1. History and Culture of Balinese Dance-Alicia
2. Anthropological Studies and The Hypnotic Trance
3. Neurophysiology of Dance – Fred
4. The Induction of Trance – Javier
5. Long Term Effects of Dance
6. Discussion - All
Balinese Dance Group 1 Alicia
History of Balinese Dance• Indigenous origincombination of Malayo-
Polynesian ancestor worship culture of a 2500-1000 BC migration to Bali and more modern Hindu-Javanese elements (prior to 14th century AD)
• Dance as religion->ancestor worship as well as ritual blessings offered to gods
• Children begin dance education/school from walking
Balinese Dance Group 1 Alicia
The Purpose of the Dance
• Educating the Community: Story-telling of tradition and cultural values
-Balance of Good and Evil -Gender Roles/Identity -Cultivating control of the self
(body and emotions)
• Communion With the Gods– Possession and Trance
Balinese Dance Group 1 Alicia
Hypnotic Trance
• Anthropological Studies of Margaret Mead• Analysis of Trance by Erickson:
• Absorption in dance• Unified movement of the body• Increased muscle tone/rigidity• Minimum use of energy
• Additional Parallels to Hypnosis• Amnesia• Unusual Physical Feats: Kris Dance
Balinese Dance Group 1 Alicia
The Character of the Dance
• Primary Musical Instrument: Percussion
• Training of specific types of coordinated movements: arms, hands, legs, shoulders, eyes
• Rhythmic movement on time with drum
• Controlled Eye Movements
• ???How do these potentially induce trance???
Balinese Dance Group 1 Alicia
Balinese Dance Group 1
Neurophysiology
• Human Dance
• Swinging in the Brain
• Eye Movements
Balinese Dance Group 1 Fred
Human Dance: Neural Basis
- PET imaging
- Pattern Entrainment Study
- Interacting network of brain areas during patterned rhythmic dance movement.
Steven Brown1,2, Michael J. Martinez1 and Lawrence M. Parsons. The Neural Basis of Human Dance. Cerebral Cortex Advance Access published October 17, 2005. http://cercor.oxfordjournals.org/cgi/reprint/bhj057v2.pdf
Balinese Dance Group 1 Fred
Neural Basis of Dance:
PET Studies
Balinese Dance Group 1
• Amateur dancers: small-scale movements
• Comparison:– Metric vs. Motor condition – Metric vs. Non-metric condition– Metric vs. Contractions
Fred
Neural Basis of Dance:
Activations
- Right Putamen (BG Circuit)- Movement :: regular rhythm vs. irregular
rhythm- Test voluntary control during metric motion
- Medial Superior Parietal Lobe - Spatial navigation (pattern) - Proprioceptive and somatosensory activations
(in dance)
- Anterior cerebellar vermis
Balinese Dance Group 1 Fred
Neural Basis of Dance:
Activations (cont.)
• bilateral motor • somatosensory and premotor areas • right supplementary motor area• right frontal operculum• left medial superior parietal cortex• superior temporal regions• right cingulate motor area • basal ganglia• bilateral anterior vermal • and posterior-lateral cerebellum
Balinese Dance Group 1 Fred
Behavior and Dance
• Sequence learning and Sensorimotor coordination during tapping task
• Perceptual and motor systems are coupled across multiple levels of processing.– simple coupling :: foot-tap– complex :: dance
PetrJanata and Scott T Grafton. Swinging in the brain: shared neural substrates for behaviors related to sequencing and music. Volume 6 Number 7 July 2003 Nature Neuroscience
Balinese Dance Group 1 Fred
Behavior and Dance:
Timing …• Metric Condition:
– requires perception and production
• Non-metric Condition– require explicit memory
• “… rhythmic properties of a piece of music entrain neural oscillators that facilitate synchronization of both perception and action with the underlying beat in music.” (9,10)
Balinese Dance Group 1 Fred
Behavior and Dance:
… and sequencing
• Serial Reaction Task (SRT)• Outside temporal context• Explicit memory
• Attention dynamically allocated to salient moments in time• Attentional processes are embodied• Attention and timing are interwoven, involved in
sensorimotor coupling
Balinese Dance Group 1 Fred
Eye-Movement:
Lucidity Research• EEG mapping of lucid dreaming• Lucid Dreams generally initiated during periods of
high ANS activity• decreased finger pulse amplitude• increased respiration rate and irregularity• increased eye-movement activity relative to normal REM sleep
• Lucidity occurs during periods of relatively high brain activation
• sufficient CNS activation necessary before consciousness can be attained
LaBerge, S., Levitan, L., & Dement, W. (1986). Lucid dreaming: Physiological correlates of consciousness during REM sleep. Journal of Mind and Behavior, 7, 251-258. http://www.psywww.com/asc/ld/research.html
Balinese Dance Group 1 Fred
EMDR
• Francine Shapiro
• New therapeutic movement: – Eye Movement Desensitization
Reprogramming (EMDR).
Cincinnati Skeptic Vol. 4, No. 3. EMDR Works! Is That Enough? The Newsletter of The Association for Rational Thought 3 February, 1995http://www.cincinnatiskeptics.org/newsletter/art4-3.html
Balinese Dance Group 1 Fred
Balinese Dance Group 1
Long-term EffectsDance and Trance
• Trance State
• Long-Term
• The Mind-Body Connection
• Music Perception and Movement
Balinese Dance Group 1 Javier
Trance State
• What is trance?– A sleeplike state that is sometimes followed by
an indifference of objective environment and amnesia.
• How is it induced?– induced by rigorous tasks that require focused
attention, such as dance, running, fasting, etc…
– However, also induced by drugs, stress, and emotions, which all affect the cholinergic system.
Balinese Dance Group 1 Javier
Long-Term:See Fred, see Fred Dance
• MNS and Dance– trained dancers showed more
activity of MNS to known dances when compared to non-dancers - Daniel Glaser
• Benefits of Dance– Movement can serve as a
mediator to facilitate behavioral change and well being.
http://www.pbs.org/wgbh/nova/sciencenow/3204/01-resup.html
JavierBalinese Dance Group 1
Mind-Body Connection
• Rhythm– “People moving in the same rhythm with the
same spatial configuration become identified with one another. Gradually they assume a common expression, moving with the same dynamic qualities (effort synchrony), in comparable areas of space (spatial synchrony), to the same rhythm (rhythmic synchrony. In this way the group achieves a sense of solidarity.”
(p.19, Moreno 1988) – Mind/Body Connection
Balinese Dance Group 1 Javier
Mind-Body connection
• Effects of rhythmic sounds on the brain– Beat &Tempo
• Pulse rate, galvanic skin response, and blood pressure stabilize to match external tempi.
• Respiration and metabolism accelerate.
• Rhythmic Movements– An inherited biological response regulated by
internal rhythmic generators and reactive to external rhythmic factors
Balinese Dance Group 1 Javier
Discussion
• What are ASCs? – Lack of PFC activity- Attention Shift
• Rhythm and collective consciousness
• Social cognition and music
• Dance Dance Revolution
Balinese Dance Group 1
Works Cited• Bandem, I. and deBoer, F. Balinese Dance in Transition. Oxford University Press, New York 1995.
• Cynthia F. Berrol. The neurophysiologic basis of the mind-body connection in dance/movement therapy. American Journal of Dance Therapy, Volume 14, Number 1 / March, 1992, 19-29. http://www.springerlink.com/content/p48633k645807x32/
• Cincinnati Skeptic Vol. 4, No. 3. EMDR Works! Is That Enough? The Newsletter of The Association for Rational Thought 3 February, 1995. http://www.cincinnatiskeptics.org/newsletter/art4-3.html.
• Haley, R. and Haley, J. Dance and trance of Balinese children [videorecording] / Triangle Productions ; Filmakers Library, New York, N.Y, c1995.
• LaBerge, S., Levitan, L., & Dement, W. (1986). Lucid dreaming: Physiological correlates of consciousness during REM sleep. Journal of Mind and Behavior, 7, 251-258. http://www.psywww.com/asc/ld/research.html
• Large, E.W. On synchronizing movments to music. Hum. Mov. Sci. 19, 527-566 (2000)
• Large, E.W & Palmer, C. Percieving t emporal regularity in music. Cognit. Sci. 26 ,1-37 (2002)
• PetrJanata and Scott T Grafton. Swinging in the brain: shared neural substrates for behaviors related to sequencing and music. Volume 6 Number 7 July 2003 Nature Neuroscience.
• Stefan Koelsch1 and Walter A. Siebel2. Towards a neural basis of music perception TRENDS in Cognitive Sciences Vol.9 No.12 December 2005.
• Steven Brown1,2, Michael J. Martinez1 and Lawrence M. Parsons. The Neural Basis of Human Dance. Cerebral Cortex Advance Access published October 17, 2005. http://cercor.oxfordjournals.org/cgi/reprint/bhj057v2.pdf
• http://www.pbs.org/wgbh/nova/sciencenow/3204/01-resup.html
• http://images.google.com/imgres?imgurl=http://members.aol.com/dcaronejr/ezmed/cerebellum.jpg&imgrefurl=http://www.medfriendly.com/cerebellarvermis.html&h=277&w=350&sz=26&hl=en&start=3&um=1&tbnid=U1AAKr54vaJToM:&tbnh=95&tbnw=120&prev=/images%3Fq%3Dvermis%26svnum%3D10%26um%3D1%26hl%3Den
Balinese Dance Group 1
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