F Dm Gm SAMPLE - Music.Worship.Service | OCP · sea um Dm (Bm) (D) F sus son, phant, him; ior, Dm...

AT THE NAME OF JESUS

Note: When guitar and keyboard play together, keyboardists should improvise using the guitar chords above the melody.

Text: 65 65 D; based on Philippians 2:5–7; Caroline Maria Noel, 1817–1877, alt.Music: KING’S WESTON; Ralph Vaughan Williams, 1872–1958; fr. Songs of Praise, Enlarged, 1931, © Oxford University Press, London.

All rights reserved. Used with permission.

1.2.3.4.5.

WhoBroughtFilled

LetAnd

Dm

fromitit

hisour

theback

C

withwill

hearts

theencon

bevic

ginto

Am

glofoldfess

ningrious,

ryyouhim

WasWhen

Gm

OfIn

King

thethrough

thatitsof

F

mightdeathper

lightglo

C

yhe

fectandry

Dm

Word.passed.

rest.power.now.

1.2.3.4.5.

CrownFor

C

’TisFaithTo

thefulthehimall wreaths

Faly

throneas

ther’sheof

yourof

Am

boreGodCapem

plea

Dm

sureit

head,tainpire

WeSpotToIn

C

Meet

lessthe

tempup

shouldtoFataon

call him

his

G

thether’stion’s

C

Lord,last,

breast;hour;brow,

1.2.3.4.5.

EvFrom

Through

F

AllWith

thathis

’rytheall

tonguelips

ranksisFa

conofofnot

ther’s

C6

fesssincreahoglo

Dm

himners,tures,

ly,ry

AllO’er

KingUnTo

oftothethatthe

B

glowhom

cenis

earth

ryhetralnotto

now;came,height,

Gm

true:reign;

1.2.3.4.5.

Dm

Je

AtHumBore

In your

thebled

it

sus,

Nameforup

heartsLord

C

ofatrien

and

Dm

Sav

Jeseaum

throne

susson,

phant,him;

F

ior,

EvTo

WithThere

Dm

Shall re

’ryreitslet

kneeceive

huhimturn

shalla

mansub

Gm

a

Dm

bow,Namelight,due

gain,

2222004455--ZZ11

SAM

PLE

AT THE NAME OF JESUS

Note: When guitar and keyboard play together, keyboardists should improvise using the guitar chords above the melody.

Text: 65 65 D; based on Philippians 2:5–7; Caroline Maria Noel, 1817–1877, alt.Music: KING’S WESTON; Ralph Vaughan Williams, 1872–1958; fr. Songs of Praise, Enlarged, 1931, © Oxford University Press, London.

All rights reserved. Used with permission.

1.2.3.4.5.

(Bm)Dm

WhoBroughtFilled

LetAnd

ithisour

fromit

thebackwithwill

hearts

(A)C

bevictheen

con

glofoldfess

(F m)Am

ginto

ning

ryyouhim

rious,Was

WhenOfIn

King

(Em)Gm

thethrough

thatitsof

(D)F

mightdeathper

lightglo

(A)C

yhe

fectandry

(Bm)Dm

Word.passed.

rest.power.now.

1.2.3.4.5.

Crown

’TisFaithTo

For

(A)C

thehim

theful

all

Faly

throneas

wreaths

ther’sheof

yourof

(F m)Am

boreGodCapem

plea

(Bm)

it

Dm

sure

tainpire

head,SpotToIn

Meet

(A)C

We shouldlessthe

tempup

toFataon

call

(E)G

him

his

thether’stion’s

(A)

breast;

Lord,

brow,hour;

last,

C

1.2.3.4.5.

(D)F

EvFrom

ThroughAll

With

’rytheall

thathis

tonguelips

ranksisFa

notther’s

conofof

fesssin

crea

(A6)C6

hoglo ry

(Bm)Dm

himners,tures,

ly,

KingUnToAll

O’er

oftothethatthe

(G)B

glowhom

cenis

earth

ryhetralnotto

(Em)Gm

now;came,height,true:

reign;

Capo 3:

1.2.3.4.5.

Hum

(Bm)Dm

At

BoreInJe

your

thebled

it

sus,

Namefor

Lord

uphearts

trien

and

ofa

C(A)

throneSav

Jeseaum

Dm(Bm) (D)

F

susson,

phant,him;ior,

Dm

Ev

Shall

(Bm)

ToWithThere

’ryreitsletre

knee

huhimturn

ceive

Gm

shalla

a

(Em)

mansub

Name

gain,

light,

bow,

due

(Bm)Dm

22045-Z2

SAM

PLE

AT THE NAME OF JESUS

Note: When guitar and keyboard play together, keyboardists should improvise using the guitar chords above the melody.

Text: 65 65 D; based on Philippians 2:5–7; Caroline Maria Noel, 1817–1877, alt.Music: KING’S WESTON; Ralph Vaughan Williams, 1872–1958; fr. Songs of Praise, Enlarged, 1931, © Oxford University Press, London.

All rights reserved. Used with permission.

1.2.3.4.5.

(Bm)Dm

WhoBroughtFilled

LetAnd

ithisour

fromit

thebackwithwill

hearts

(A)C

bevictheen

con

glofoldfess

(F m)Am

ginto

ning

ryyouhim

rious,Was

WhenOfIn

King

(Em)Gm

thethrough

thatitsof

(D)F

mightdeathper

lightglo

(A)C

yhe

fectandry

(Bm)Dm

Word.passed.

rest.power.now.

1.2.3.4.5.

Crown

’TisFaithTo

For

(A)C

thehim

theful

all

Faly

throneas

wreaths

ther’sheof

yourof

(F m)Am

boreGodCapem

plea

(Bm)

it

Dm

sure

tainpire

head,SpotToIn

Meet

(A)C

We shouldlessthe

tempup

toFataon

call

(E)G

him

his

thether’stion’s

(A)

breast;

Lord,

brow,hour;

last,

C

1.2.3.4.5.

(D)F

EvFrom

ThroughAll

With

’rytheall

thathis

tonguelips

ranksisFa

notther’s

conofof

fesssin

crea

(A6)C6

hoglo ry

(Bm)Dm

himners,tures,

ly,

KingUnToAll

O’er

oftothethatthe

(G)B

glowhom

cenis

earth

ryhetralnotto

(Em)Gm

now;came,height,true:

reign;

Capo 3:

1.2.3.4.5.

Hum

(Bm)Dm

At

BoreInJe

your

thebled

it

sus,

Namefor

Lord

uphearts

trien

and

ofa

C(A)

throneSav

Jeseaum

Dm(Bm) (D)

F

susson,

phant,him;ior,

Dm

Ev

Shall

(Bm)

ToWithThere

’ryreitsletre

knee

huhimturn

ceive

Gm

shalla

a

(Em)

mansub

Name

gain,

light,

bow,

due

(Bm)Dm

22045-Z2

SAM

PLE

AT THE NAME OF JESUS

SOLO INSTRUMENT

Music: KING’S WESTON; Ralph Vaughan Williams, 1872–1958; fr. Songs of Praise, Enlarged, 1931; arr. by Randall DeBruyn, b. 1947, © Oxford University Press, London. All rights reserved. Used with permission.

22045-Z3

SAM

PLE