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TateCreating
an inclusive museum for the 21st century
• John Constable, Hampstead Heath with a Rainbow
• Cildo Meireles, Babel
Tate’s mission
Promote public understanding and enjoyment of British, modern and
contemporary art
4Galleries
70,000Artworks
110,000 Members
1500 Staff
30%Government
funding
2.9 m twitter7,000,000Visitors
Why does it matter?
• How diverse we are affects the diversity of our audience
• How inclusive we are towards each other affects how inclusive we are towards new audiences
Consider that in 2001-2010…• ‘White British’ population decreased from 87.5% to
80.5% • ‘Indian’ identities increased from 2m to 2.5m• ‘Mixed heritage households’ increased from 9% to
12%• In London, ‘White Britons’ now account for less than
half of the population for the first time in history (45%)• ‘Muslim’ identities increased exponentially to 4.8%• AND: in 2016 49% of 18-24yo identify as ‘not 100%
heterosexual
How hard can it be?
Our journey
Early phase 2006 -2010
• Established Tate for All• Start of conversation• Focus on HR• Some questions framed unhelpfully…• No D&I role/distributed ‘expertise’
Middle phase 2010-13 diversity-driven initiatives
• Schools and teachers• Family and early years• Volunteer schemes• Traineeships, internships, funded schemes• Staff networks• Dignity and Respect• International • Art acquisitions
Focus for Tate 2015-18
• Inclusive Decision Making• Empowering Diversity• Accountability• Transparency and Voice• Education and behaviour
We change - audiences change
People & Culture Programme & Audiences
Programme & Audiences groupAudience FrameworkInclusive Leadership
Employee engagement Brand, tone, visual id
Visitor Engagement
‘The most important question is who gets to speak and why’
Tate Exchange
Visit us
Take part
Share, contact, stay in touch
Vilma.nikolaidou@tate.org.uk
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