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832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 663
How would you define a good picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 763
Shall we say a good picture is one
that can hold your attentionfor a longer duration
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 663
How would you define a good picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 763
Shall we say a good picture is one
that can hold your attentionfor a longer duration
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 663
How would you define a good picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 763
Shall we say a good picture is one
that can hold your attentionfor a longer duration
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 663
How would you define a good picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 763
Shall we say a good picture is one
that can hold your attentionfor a longer duration
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 663
How would you define a good picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 763
Shall we say a good picture is one
that can hold your attentionfor a longer duration
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 663
How would you define a good picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 763
Shall we say a good picture is one
that can hold your attentionfor a longer duration
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 763
Shall we say a good picture is one
that can hold your attentionfor a longer duration
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1363
DSCs cost as little as Rs 4000
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1463
Body A light-tight compartment to house the recording medium (filmor CCD)
Lens A transparent element to focus light rays onto the recordingmedium
Aperture A method of controlling how much light reaches therecording medium
Shutter A method of controlling how long the recording medium isexposed to the incoming light
Viewfinder A way to see the image that is to be captured Transport In film cameras a method of moving the film and holding
it in the correct position
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1563
A beginner can very well do with a 5 MPDSC (digital still camera) with which youcan print pictures measuring up to 10 x 12inches (A4 size)
The cost of a 5MP camera now is about Rs
3500 A memory card of 1GB (about 750pictures) costs about Rs 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1663
An invertedimage is formed
inside thecamera on thelight-sensitivesurfaceLens Subject
Invertedimage formed
on the chip
he chip
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1763
Small iris lets less Bigger iris letslight in more light in
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1863
The iris is located in between the lenselements
The iris blades inbetween the lens elements
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 1963
A shutter opens for a brief duration andcloses to make an exposure
1 sec 2 sec 4 sec 8 sec
12 sec 14 sec 18 sec 116 sec
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2063
A slow shutter speed means the shutter isopen for a longer duration Very loosely ifthe shutter is open for a longer period than115th of a second it is working at slowspeed The shutter can also be open forlonger durations like 123 or even 30
seconds in order to make sufficientexposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2163
At slower shutter speeds the image can getblurred if it is moving Also the entireimage will look blurred due to the instability
of the camera while taking hand-heldpictures
It is possible to get sharpcrisp images atslower shutter speeds if the camera ismounted on a tripod and if the subject isstill like an inanimate object
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2663
The exposure is a combination of the irisand the shutter In other words it is thecombination of intensity and duration
The exposure can work in differentcombinations Lesser intensity can beexposed for a longer duration to getsufficient exposure or more intensity can
be exposed for a shorter period to get thesame exposure
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 2963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3063
The camera lens focuses the image on thechip depending upon the distance from thecamera If the lens has focused a subject
which is at a distance of say 10ft then thesubjects which are closer or farther fromthe 10ft mark will be out of focus
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3163
The DSCs are capable of adjusting thefocus as well as the exposure when theshutter release button is pressed half way
down The digital display also tells you atwhat shutteriris combination the picturewill be taken
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3263
The photographer has to check for theshutter speed in order to get sharp imagesAny shutter speed which is more than
115th of a second will be end inblurredunsharp images
REMEMBER The higher the number the
sharper the picture is
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3363
Slower shutter speeds are needed whenthe light is insufficient Moving the subjectto a brighter area will lead to faster shutter
speeds You can also increase the ISO attimes
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3463
Do not take a picture of the subject themoment you see it Just go around andsee where it looks best from Every
subject will look better from one anglecompared to another
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3563
A well composed picture makes a goodimpact Remember there can be anyamount of automation in cameras but
composing a picture is creative which canonly be done by the photographer
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3663
International organization for standards Earlierknown as ASA (American Standards Assn)ISO refers to the sensitivity of the film or the
CCDCMOS In other words a higher ISOnumber (400 compared to 100) will be able toget pictures in lesser light However as the ISOis increased the picture quality deteriorates
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3763
ISO 400
ISO 1000
At ISO 400 the picture is lessgrainy
At ISO 1000 it is a very grainypicture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3863
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 3963
Polaroid at ISO 50
Polaroid at ISO 400
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4063
Nikon at ISO 200
Nikon at ISO 1600
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4163
The image quality also depends on the format sizeThere are 3 commonly used formats
The full-frame format
36mm x 24mm
Eg Canon DS Mark III 5D Mark II Nikon D3 D3X and D700
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4263
The image quality also depends on the format sizeThere are 3 commonly used formats
The APS (advanced photo system) format
16mm x 24mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4363
The image quality also depends on the format sizeThere are 3 commonly used formats
The micro four-thirds format
The name is derived from the43 format of TV as the sensors
are 43 in dimension Size 13 x17 mm
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4463
Full frame APS Micro 43
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4763
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4863
Red eye reduction in cameras The camera fires afew flashes before the actual exposure so as toconstrict the iris in the eye thus reducing
the red eye phenomenon However keeping this onwill also drain the battery faster So it has to be used
judiciously
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 4963
The macro feature is meant for close-up photographyA flower icon pops up when it is enabledThis enables the autofocus to focus
on the subject that is veryclose to the camera Rememberthat the macro option will not workat the telephoto end The macro shouldbe disabled while taking distant pictures
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5063
The frame should be splitinto three equal parts bothhorizontally and verticallyOne-third or two-thirds
from the right andsimilarly on the verticalwill be ideal points forcomposing in a frame A
subject composed heremakes better impact
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5463
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5563
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5663
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5763
Make sure the background is not brighterthan the subject
Make sure the shutter speed is higher than
130th of a second while shootinghandheld
Follow compositional rules before taking a
picture
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5863
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 5963
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6063
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6163
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6263
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
832019 Cinematography 1
httpslidepdfcomreaderfullcinematography-1 6363
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