Camille Baker, PhD Digital Media Media artist/researcher/lecturer Digital Media/Broadcast Brunel...

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Camille Baker, PhD Digital Media

Media artist/researcher/lecturer

Digital Media/Broadcast

Brunel University, London, UK

Dublin, IrelandApril 27, 2012

Tech Garments &Mobile Media Performance 

MediamorphosisMay10, 2013

Westminster University, London

Camille Baker, PhD Digital Media

background/ interests

online portfolio http://www.swampgirl67.net/

• mobile media art and participatory performance,

• participatory video and electronic media installation,

• wearable devices, smart fashion, synaesthetic interfaces,

• networked & telematic performance;

• responsive environments design and interaction;

• digital and electronic art, interactive and performance media curating.

background /bioresearch interests

still from video piece ©2001

online portfolio http://www.swampgirl67.net/

SMARTlab PhD media art research 2006-2011: MINDtouch mobile

performance

–to uncover any new understandings of the sensations of ‘liveness’ and ‘presence’ that may emerge when using mobile technologies and wearable devices in performance contexts–

MINDtouch: mobile devices as non-verbal expression

first video collection workshop in Vancouver June 2007

key points

Image from MINDtouch 2007 Dublin

MINDtouch: mobile devices as non-verbal expression

Images© 2007 C. Baker - stills from participants’ videos from Dublin workshop October 2007

MINDtouch: mobile devices as non-verbal expression

Video Love Letters’ involves developing a novel method to repurpose the mobile phone, To send video message to wearable technologies and smart textiles to touch the skin.

Images from MINDtouch 2007-2008

MINDtouch: mobile devices as non-verbal expression

sensors + software

Images © 2008 C. Baker – Michael Markert working on biosensing electronics for custom software

MINDtouch: prototype 2: garment

Images © 2009 C. Baker – beta garment with embedded electronics by Tara Baoth Mooney and Rachel Lesebikan

(completed August 2009)

MINDtouch: 1st participatory event - July 2009

MINDtouch: still of mixes for broadcast 2009-10

Graphic by Dave Palmer 2012

a collaborative research project with dance artist /choreographer Kate Sicchio

sensors, soft circuits + DIY electronics

Images © 2008 C. Baker – Michael Markert working on biosensing electronics for custom software

Hacking the Body

Hacking the Body

Image by Camille Baker 2012

Image by Camille Baker 2013

Hacking the Body

Handmade sensor experiments

http://vimeo.com/56206772 and in the dark http://vimeo.com/56206771

Hacking the Body

Image from Sander Veenhof 2011

Images by Kasia Molga 2012 and Camille Baker 2010

Hacking the Body

Hacking the Body

Image by Kate Sicchio 2013

Image by Kate Sicchio 2012

Hacking the Body

Images from live events for MINDtouch C.Baker 2009-2010

participatory events and installation

For Hacking the Body we are:

1) working with open-source and live coding with custom interfaces and emerging devices in performance, focusing on revealing hidden, intimate and sensuous ‘code’ of the body for interaction and play;

2) working with inexpensive electronics kits with easy to learn open-source programming environments, soft circuits and other technologies for wearable crafting;

3) consider the possibilities of playful, expressive, gestural, live coding, as well as using the DIY maker ethos in multi-sensory participatory performances with new devices;

4) developing artworks that explore a new performance aesthetic using mobile and other ‘hacked’ devices for live coding, performance and interactive artworks;

For Hacking the Body we are:

5) adapting to and developing new technologies, creating generative visual and sensual pieces with custom software and mobile media ‘apps’ and sensors (GPS, Accelerometers, QR readers, AR apps etc.) and gestural gaming interfaces (Wii, Kinect, OmniTouch);

6) developing visual methods for tagging & categorising network media to create ambient narrative constructions and performance interactions, generative elements incorporated into custom interfaces for various platforms;

7) learning from dancers, live artists, musicians and others in the DIY and ‘Maker’ movement to create new wearable electronics and mobile applications;

http://www.iheartswitch.comhttp://www.fashioningtech.com/

http://www.kobakant.at/DIY/

current activity – “DIY” Fashion & Tech crafting explosion

current developments – fabric and textile innovations

Fabric stretch sensors – knitted fabrics coated with conductive material

Con

du

cta

nce

Deep breathing vs short shallow breathing

current developments – multi-sensors & techniques

current developments – skin-like electronics

Electronic Fingertip / smart surgical gloves and stick on ”tattoo” electronics

commercial work – functional wearables

Voltaic – solar powered bagHeated gloves

iPod jacket

Solar panel bikini, TISCH, NYU

ChanelRodarteHussein Chalayan

Suzanne Lee

BioCouture

current developments – bio-fabric/skin-like textiles

Ande Domaske - German microbiologist

- Milk Fabric

Emily CraneMicro-Nutrient Couture

current developments – bio-fabric textiles

Donna Franklin, Fibre Reactive, Coded Cloth

Exhibition

current developments – bio-fabric textiles

Pia InterlandiSymbiotica Lab, Australia

current developments – conductive inks and paints

Bare Conductive Ink

Hacking the Body

A media performance research project that explores ways to ‘Hack’ the data from the body and create new visual and performance feedback mechanisms for users to engage and play with their mobile devices

ImageS from Kate Sicchio 2011

Panel Topic Questions:

1) How do bio tools provide new strategies for communicating sensory experience and exploring subtle bodily impulses through performance work?

2) How might Open-Sourcing biosensor technologies play an important part in the development of these tools and bio-sensing performance culture?  

3) How, as practitioners, do we assess the efficacy of the tools we are using, both in development and through feedback after a performance?

4) How do we balance garnering information about interior states from technology whilst working with our senses directly?  

5) What role does visualising and sonifiying bodily signals have in defining how authentic our mediated experiences are?

contact details:

Camille, Baker, PhD Digital MediaMedia Artist / Curator / LecturerBrunel University< Londonwww.swampgirl67.net camille@swampgirl67.net

Kate Sicchio, PhD Dance TechnologyChoreographer/ Media artist PerformerLincoln University, Lincolnwww.sicchio.comkate@sicchio.com

Kate Sicchio and Camille Baker August 2010

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