Berklee College Of Music - Harmony 1 College Of... · Berklee College Of Music - Harmony 1 Author:...

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kevin luo
Adam Neely would not approve of this piano default teaching
kevin luo
That is double sharps / flats cancel single sharps / flats
kevin luo
common in flamenco
kevin luo
Used in some genreso of jazz
kevin luo
very rare
kevin luo
Seems odd, since the difference is aboslute
kevin luo
I was just recently pointed out to me that the math here doesn’t make sense (2+7=8)
kevin luo
Very unusual, I don’t think I’ve ever seen this. Highly dissonant
kevin luo
Also known as A position in jazz
kevin luo
B position
kevin luo
Major 9th above suggests consonance with other chord tones. This doesn’t work with really weird chords, like the aug-7
kevin luo
Aka sus2
kevin luo
TODO: try these out
kevin luo
#11 sounds makes things sound lydian
kevin luo
Root motion by fifths
kevin luo
A dominant chord, but with a p4 instead of the 3rd
kevin luo
Ken Levine calls this chord a sus chord that doesn’t have a tritone. harmony is weird
kevin luo
Ken levine uses the 11-7 / 5 as the default sus chord.I suppose the 2-7 / 5 is very similar though, as a more subtle resolutionThis highlights that the main force of the resolution comes from the 5-1 root motion
kevin luo
groups are related by thirds
kevin luo
Things that make a cadence stronger:- root motion by fifths- use of the diatonic tritone- Ending on the diatonic root (as opposed to a substitute chord)There’s a whole spectrum of cadences

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