erkkiveltheim.com · 2020. 1. 17. · FLESHEATER for nine instruments Erkki Veltheim 2013...

Erkki Veltheim 2013

FLESHEATERFull Score

FLESHEATERfor nine instruments

Erkki Veltheim 2013

Commissioned by the Australian Art Orchestra with assistance from the Robert Salzer Foundation.

Instrumentation: Alto Saxophone, 3 Trumpets, Tenor Trombone, Bass Trombone, Electric Guitar,Violin, Percussion

In performance, the instruments should be placed in three groups of three:

Group 1: Trumpet 1 (Philip Slater), Alto Saxophone (Elliott Dalgleish), Electric Guitar (StephenMagnusson)

Group 2: Trumpet 2 (Scott Tinkler), Tenor Trombone (James Greening), Violin (Erkki Veltheim)

Group 3: Trumpet 3 (Eugene Ball), Bass Trombone (Adrian Sherriff), Percussion (VanessaTomlinson)

I would like to thank Scott Tinkler, Scott McConnachie, Adrian Sherriff and Vanessa Tomlinsonfor their instrumental advice.

FLESHEATER: General Performance Instructions

This work should be unconducted.

Each player should have his/her own stopwatch, roughly synchronised at the beginning of the work, and should perform their part only with reference to their own stopwatch clock count.

It is not necessary for any entry or attack points to be synchronised between the individual parts.

All players are encouraged to add timbral modulations and non-standard playing techniques throughout the work, including colour trills, distorted tone, multiphonics, etc.

All articulation and phrasing are left up to the individual players and should not be co-ordinated between the parts.

Accidentals only hold for the pitches immediately following them, or an immediately repeated group of pitches, in the same register.

The dynamics only employ p and f. These can be freely interpreted as other gradations, eg. pp, mp, mf, ff.

'p — f': play any range and combination of dynamics.

Special notation explanations:

Use any of the given pitches with the specified musical directions. When no pitches are given, use any pitch(es).

Beginning and end points for the passage are given by the clock counts.

Dynamics in square brackets apply to each gesture or group of repeated gestures in the given section. Dynamics without square brackets apply for the section as a whole.

'long notes':

'fragmented long notes':!'fast repeated notes':

'morse code':

'polyrhythmic leaps':

'fragmented lines':

'stuttering arpeggios':

'descending lines':

'arpeggios and ascending lines':

" long notes

[f > p]

Sustained pitches of any length, without interspersed rests.

Sustained pitches of any length, with interspersed rests.!Groups of fast repeated pitches, with interspersed rests.

Groups of repeated pitches mimicking morse code, with interspersed rests.

Cross-rhythms (eg. 7:3, 5:4) between 2 or more pitches, with interspersed rests.

Repeated segments of 3 pitches in any rhythmic configuration, with interspersed rests. The given pitch(es) indicate possible initial not(es) for each line; the other pitches can be decided freely.

Arpeggios of 3 pitches or more of in any direction or combination of directions with repetitions of small segments, with interspersed rests.

Groups of at least 3 descending pitches, starting from any of the pitches given, with interspersed rests. The given pitch(es) indicate possible initial not(es) for each line; the other pitches can be decided freely.

Arpeggios in any direction or combination of directions combined with ascending groups of at least 3 pitches, with interspersed rests. For the arpeggios, use combinations of the given pitches. For the ascending lines, the given pitch(es) indicate possible initial not(es) for each line; the other pitches can be decided freely.

FLESHEATER: Percussion Performance Instructions

The percussion instrumentation consists of a Tam-tam and an augmentation of Vanessa Tomlinson's collection of 'everyday and banale objects'.

The percussion clef does not indicate absolute pitches, only relative pitches within each group of objects.

mallets

4 different-sized and pitched bits of raw timber, eg. 2x4

4 outdoor tools with metal head, eg. axe, shovel, saw, pitchfork

4 different-sized and pitched plastic buckets, upside down

4 different-sized and pitched metal saucepans, upright

4 different-sized and pitched metal saucepan lids, upright

4 different-sized and pitched ceramic bowls, upright

4 different-sized and pitched ceramic plates, upright

4 different-sized and pitched glass bottles, sideways

4 different-sized and pitched drinking glasses, upright

Tam-tam

The choice of the type of mallets, drum sticks and/or chopsticks is left up to the performer, within the above recommendations.

Special directions for Tam-tam:

'metal scrape': Scrape Tam-tam with a metal object (eg. a paint scraper).

'drum stick harmonics': Scrape the end of a snare drum stick against the Tam-tam, 'drawing' high harmonics.

'superball drag': Drag a superball across the face of the the Tam-tam.

"# " "#

! !# ! !

$# $ $# $

mallets or sticks

" "# " "#

! !# ! !

## # ## #7

sticks

$ $# $ $#

$ $# $ $9

"# " "# "10

Erkki Veltheim 2013

q = 60

FLESHEATERfor nine instruments

Trumpet 1

Trumpet 2

Trumpet 3

!00:03

" ! # ! "$ ! # ! " ! # !

% ! % % % % % % % %5 5 5

Alto Saxophone !p

00:30%$ ! % ! % % % % ! % % % % % ! & !

!00:03

" ! "$ ! " !

Tenor Trombone'00:21

# %( )3 ) ) %( # * + %

% % +33

!00:03

# ! #$ ! # !

Bass Trombone

#, %-. / )5 ) &

/ +!5 )

+%, ! % % %

/ +5 )

%, % % ! %& ! ) ) /

%,-.% %

*5 5 5 5

! " ! " # $ " " " " " " ! " " " ! " " " $5

%! & "' " ! " " " ! " " " " " ! "5 5 5 5 5 5 5 5 5 5

! % ( ") " !" """ !" !" ! " ! "*% $ ") " ! " ! " !" """ " ! " " ( ! $

") ! " ! " " " !" " " ! " ! $! &fp

$! ") " " " "" ! "9 9 9 9 9

+ % , "- &3 & & "- , % $ "3

" " $3 &fp

") " "- "3

" " "- "3 3

". ! " ! " " " " " " " ! " "*&

& (". " ! " " " !" ! " !" " "

& $". " ! " " " ! " ! " " " !"

5 55 5 5 5

" "0 &5 & ( !

". " ! "p

" ! " " " " " " ! " " " " " "$! %! $

" " ! " " " " " " ! " ! " " "(5

Flesheater: Full Score

Sax " # ! $ %!

#' ##&

Electric Guitar

# ! # ! ##

# ! ##

# ! # !$!

! # # ! # ! # %fp

) ! #& # ! # # # ! # ! # # # # ! # ) !

) * ) # #&#9 9 9 9

( # + %!

#& #' # #' # # # #pp

#' #, #- # *7 $ #, # # $7 * #, # #3 3 3 3 7

Violin !

#& ##& $!

#&./##& $!

#& ##& 0

#& ##& )

#& ##&

# # ! # ! # # # # # # # ! # #$!

Percussion 1

# # # # # # # # # # # # # # # # # # # # #) !

!f"# $ %!

" " " $ %!

" ""&"

" " " $3 3 3 3

$! " !p

" ! ""

" ! " ! " !%

) !""" !

""" ! " ! " !

" " " " " "" " "9

9 9 9 9 9

! ( $ " "&" " "&

"$! " "&

' ) "* ""$ "* " " ( )7 ) "* " " $! "* " " ) "* " " ( ) "* ""+ ( !

" !" ! """p f

"" "" ! " " , (5

) " !"""f

"" "" !" !" !,$! (f

$ """ !

""" !" !"f

"" !,$5

( 7 7 7 7

5 5 5 5 5 5 5

! $!"& "

"& ,)"& "

"& ,"& "

"& ,$"& "

"& ) !

"& ! " " ""

""& ! "

" " " $! -f

$ "& " ""

)" " " " " " " " " " " " " "

" " " " " " ",%

$" " " " " " " " " " " "

" " " " " " " " ") ! $

! " " " " " " " " "p

" " " # $!f

" " " " " " " " " " " " " " " " " "p

" " "3 3 3 3 3 3 3 3 3 3 3

"& ! " ""

" " ! " ! ' # (f

"& " "

""& ! " ! "

(slow glissando)

" )! """** !!

"""+ !

", " ", ) ( ",-" ", )! )! ", " ", ", " ", ' ) ", " ", ( ", " ", ) ' ", " ", ", " ", )! )! ", " ",- (

5 5 55

5 5 5 5 5 5

"" ", .) ."" ", ) ' "" ", ."" ", ' "" ", ' ) " " ", .' "" ", ."" ", ' ! ' "" ", .)!

#, $,%' ( ' #, $,

%( ) #, $,

%#, $,

%)! #, $,

%) ( #, $,

%' ) #, $,

%#, $,

%( ) #, $,

!01:51

" " "# $! " " "# $! " " "# % " " "# & " " "# $! " " "# & ! " " "# % " " "# $ %9

" " "# $!

9 9 9 9 9 9

!01:51

"# ""' ( "# "

"' ( "# ""' "# "

"' ) "# ""' ( "# "

"' ) "# ""' "# "

3 3 3 3 3 3 3 3

*01:51

" "#" $! $! " "#

" ) " "#" & "

"#" $ " "#

" ) " "#" $! " "# " & "

"#" $ $! " "#

6 6 6 6 6 6 6 6

! """++ !!

""", !

"""++ !! ""' -

""", !

"# " "# "p

"# " " "# " "#f

" "# "

/# ! /p

/ / ## /# / / ##f

/# ! / 0f

$! /#5 5 5 5

!02:09

" # "$f p

% "$ #p

"% " "$

" "' "' "( " " "'f

"( "$ " "' "' "( "7

" " "' "( "$ " "' " "$ " " "' "( "$ " "' " "$ " "5

!02:09

" ! "' ! " " "'

" " " "' ! " " % ! #!5

)p f p

% " "' ! " "

"' ! " ! " ! "'

" " * #!5

" "' "( "' "( "f

" "' "' "(5 5

!02:09

" " " " " "

" " " " " " " "

" ! "' ! " "

" "' ! " " "'

" " ! % ! ,p

% " "' ! "

" " "' ! " !

" ! "' ! " * ,p

# " "' !

!02:09

" "' "( " " "' "' "( " " "' "( " " "' "' "( "f

" "' "(3 33

3 3 3 3

" "' "( " " "' "' "( "' " "' "( " " "' "' "( "'f

" "' "( #! ,!p

" "' "( " " "' "' "( "' " "' "( " " "' "' "( "'f

" "' "( #!6

" "' "( "$ " /' /' /( # # #' !( !$ ! $' $' $( /f

/ /' %( #! )p

#!" "' "( "$ " /' /' /( # # #' !(

!$ ! $' $' $( / / /' %( ,p

% !" "' "( "$ " /' /' /( # # #' !( !$ ! $'

" "# "$ "% " "# "#&!

" "# "# "$ " " "#

"$ "% " "# "# "$ "p

" "# "$ "% " "# "#&!7

"#' ! (!5 )

' " " "# "$ "% " "# "f

"% " " "# "$ "% " "# " "%p

" " "#* (!5 )

( " " "# "$ "% "f

"# " "% " " "# "$ "% " "#p

" "% " " "#* (5

! " " "# "$ " " "# "#p

"$ " " "# "$(! +

( " "# "$ " " "#

" ! " ! "#

" " " "# ! " " * (!

" "# "$ " " "# "# "$ "f p

" "# "$ "# "f

" "# " " "# (3 3

" "# "$ " " "# "# "$ "# " "# "$ " " "# "# "$ "#f

" "# "$ (!

"# "$ . . .# #$ ' !

!# ! $# /!#39

" "# "# "$ " " "#

"$ "% " "# "# "$ "p

" "# "$ "% " "# "#7

! "# "$ " "f

"# "$ " " "# "# "$ "p

" "# "$& ' (

" "# "$ " " "# "# "$

!02:30

" " " " " " "

" " " "# "$ "% " "# "# "$ " " "# "$ "% " "#f

"# "$ " " "# "$ ) ( 55 5

"% " "# "# "$ " " "# "$ "% " "# "# "$ " "f

"# "$ "% " "# & ! +

" , +!p

"# " " " " "# " " "f

" "# " "p

" " , +!3 3 3 3 3 3 3

! "#!# . !

"# ' +!3

Tpt 1 !p -— f

" "# " " "$ " "# " " "$ "% "# " "# " " "$ "% "# " "$ "# "" &!

p — f

"# " " " "# "# " " " "# "# "

" " "# "% " " "# "#p

"% " " "#'

p — f"%&! " " " "# "# " " " "# "# " " " " " "# "# " " " "7 7

&" "# "% "$ " "# "# "% " " "# "% "$ " "# "# "% "5 5

)"$ " "# "# "% " " "# "% "$ " "# "# "%

" " "# "% "$ " "# * (p

&"$ " "# "# "% " " "# "% "$ " "#

"# " " "f

" "# " " " " "# " "p

" " &3 3

3 3 3 3

,! "# ,

"!# ! ! "# , "

!# , ! !

"# ,3 3 3 3 3 3 3

! "# "" $ "# "

" % ! % " "# " " "& "' "# " "# " " "& "' "# " "& " "# " " "& "# "" $ "# "

" ( $ "# "" % ( " "# " " "& "' "# "' "& " "# " " "& " "# " " "& "' "# $ (

5 55 5

! "# " " " "# "# " " " " "#"#

) ( " "#"# " "#

"# " " " "# "#

* "# "" )

( "# "" % "# "

" ( (!7

" " " "# "# " " " " " "# "# " " " "# "# " " " " "# "" % "# "

" ) % "# ""+ ) ! 7

" "# "' (5 ,! )p

"- "# "' "& " "# "# "' " " "# "' "& " "# "#f

"' " " "# "'5 5

"# "' " " "# "' "& " "# % ! (

!p — f

"# " "# " "# "# " "# " "# " " "# " "# " "# " " "# " " " "# % !

p — f

"# " " "# " "# " " "#3 3 3

.p — f"# "# " " / "# "# " " / /# / "# "# " " / /#

! " "# " " " "# "# " " "$ "# " " " "# " "#"# " "#

"#%! %! " "#

' " " " "# "# " " " "# " " " "# "# " " " "# "# " " 7 7 7

!p — f

"# " "( " "# "# " "( " "# " " "# " "( " "# " " "# " " " "#

p — f

" " " "# " "

!p — f

" " "# " "# " " "# " "# " "( " " "#5 5 5

! ) ! " " "# * " " "# ) ) ! "# " "# " "# " " "# " "# " "# " " "# " "# " "# " "# " " "# * " " "# ) ) ! " " "# ) ! ) ! "# " "# " "# " " "# " "# " "# " "# " " "# " "# " "# ) !9 9 9 9 9 9 9 9 9

'" "# " "# " " "# " "# " "( " "$ "

"#+ " "

"# " ""#

3 3 3 3 3 3 3

, - "# " "$ ##"#

& "# ##"#

"#% %!6

"# $# $ $ - -# - "# $# $ $ -$ -# - "# " "# $# $ $ -# "# ##"#

) "# ##"#

6 6 66 6

! "# " " " "# "# " " " "# " " " "# "# " " " "# "# !" $! " long notes

morse code

! $! " " "# % " " "# & ! & "# " "' " "# " " "# " "' " "# " " "# " "# " "' " "# "

" "# % "# "( "' " "# ) !

* " " "# " " " " " " "# " "

!" "# " "' " "# "# "# " & +

"# "# " "# "# ", +5

$"# "# "

- ! - !

" ! " " " " " " !

* ."# " " "# " "# " "# " " "# "

f p" " " " " " " " " "

f" " " " " " " " " " "

% +53 3 3 3 5 5

/ $! "# ##"#

+"# $# $ $ 0 0# 0 "# " "# $# $ $ 0 "# $# $ $ 0 0# 0 $!

66 6 6 6

! "[fp]

fragmented long notes

"# " "$ "3

" " "$ " 3

"& "& "& "& "& "& "& ' ( ' !

"& "& "& "& "& "& "& )* ( 9

'" " " " " " " "

" " " " " " " " " "f

" " "+ ,!

5 (f p f

," " " " " "

" "& " "& " "& "' ! (

+" "& " "& " "& "

'5 (5 5 55

!""# polyrhythmic leaps

!Gtr ""#polyrhythmic leaps

%! "# "# "#p

"# "# "# "# & %9

"# !" ! "# " "# !

" "# " ! "# ! %! ( %!" "# " " "# " ! "#

9 9 9 9 9

)" "# " "# " "# "

"# !"# ! "# "# "# " "# "# "# ! "# " & (

( ) "# "# !"# "# "# ! "# !

"# ! "#5

5 5 5 5

! "#[f > p < f]

fast repeated notes

! "#[f > p < f]

fast repeated notes

$ " " ! "# !"%

"# " " " " " " " "

" " " " " " " " "

" " "&! '

"# " "

" " " " " " " " "

" " " " " " " " "%

9 9 9 9 9 9 9

"( " " " "( " " " "( "(f

" " " "( " " " "( "( " " ) ' 5 'p

*"( " "( " "# "# "+ " " "( " "( " "# "# "+ " "

"( " "( ) &!5

&"# " "( " " "#

$ " "# ) &!

& "# "# ! "#" "# " "( " " "# "+ "( " "# "

"( " " * %!

" "( "( "+5

fragmented lines

[p < f > p]

!03:57

""""## [f > p]

stuttering arpeggios

fragmented lines

[p < f > p]

""""###

[f > p]

$ " fragmented lines

[p < f > p]

"# ! " ! " "#f p f

" ! "# "# "% ! "# ! &! 'p

&! "# "f p f p

" " "# " ! "# "( " "# " "# "( " "# "f

"# "% " "( " "# " "# "%p

" "# "% &! 'p

&! "( " "f

" "# "# "% "# " "( " "#9 9 9 9 9

9 9 9 99

"( " " "# "% "(

" " "# "% "( " "( " "

"# "% "(3 3 3 3 3 3 3

"# ! " ! " "# "p

" "# "# "% ! "# " * '5

+ "# " ! " "# " ! "# ! "# ! "%

" "# * &!

'p f p — f

& "# " ! " ""# " " "

"# " " " "( ""# " " " "( "% "( * '

5 5 5 5 5

" ! " " "# "f

" "# ! "# "% "#p

" "# " &! ,!

p — f

" " " " " " " " " " "( "(

!04:09

"# descending lines

[f > p]

!"""$$ arpeggios and

ascending lines

p — f

! " long notes

!04:09

"#[f > p]

descending lines

arpeggios and ascending lines

p — f

%04:09"

[f > p]

descending lines

%""" arpeggios and

ascending lines

p — f

long notes

!p — f

" "$ "$ & " "$ "$ & " "$ "$ & '! " " " "# "# " "$ " "# " " " "# "# " "$ " "# " " "'! (

) " " " ! * !

p — f

"" " "

" " "" " +!

* ! * ! * !

* " " "5

" ", "5

" " ! " " ! " " " !5

! ( - ""# " "# " "$ " "

"# " "# " "$ "$ ". " " ""# " "# & '

'! ""# " *. !

% " " " " " "$ "$ ". " '!

metal scrape

" # # # ! " # # ! # # ! # # #

! "#[fp]

morse code

% " & '5

' ( "5

" " !& )!5

' ) " ! " " " & )5 ' )! " " " ! " ( ! ' ' & "*+ % , & "*+ "

" "+ '5 ' ( !" " ! "

")! . ' ) """

" !( . ' """

"# !"# !

"/"# "# !

""# "# !

- "0 '5

,! ) " ! % !5

% " " ( ! , ( " ! " " ! " & , ) " "

1# # # $ # # ! # # # ! # $ # ! # # $

$ !drum stick harmonics

$ #2 )

! "# fragmented long notes

! ""$$ [f > p]

polyrhythmic leaps

Sax ! "fragmented long notes

!"" polyrhythmic leaps

[f > p]

""" fragmented long notes

"$ "" "$ "

! &!fp

"# "# !"

"# "# !" !

"# !"# !"

"# "# !" !

"# !"# !""# "# !

" "$ " '" "$ " '

" "$ " ' (7 7 7 7 7 7

!" ! ( &! ) "* + , - "

"$ " " &5 5 3

% " " ' (! ) (! " . " !' ( & . " " - ! &fp

- " !" " " " " " " " " " " " "

"# " "(! (!

"# " ")6 6

drum stick harmonics" !

" ! " " " " " " " " " ! ",

# # # (! # # # (! # # # # # # - !5 5 5 5 59 9 9

!05:21

"# fast repeated notes

!""""## [f > p < f]

! "$[p < f]

fragmented lines

!05:21

" fast repeated notes

!""""## [f > p < f]

! "$fragmented lines

[p < f]

% "fragmented lines

[p < f]

! "# "p

" "# "" "# "

" & &"

(" "# " )

" )" "# " )

" )" "# " ( ! '

&" "# " )

"( "# (

" "# )"( "# )

(") & '

( "# )"( "# )

" "# ("(

! "# " " *f

" "#"# " "#

"# " "#"#

" "#"#

"# + '3 "#, '3 "#

3 3 3 3 3 3 3

%"$ " " " " "

&!"$ " "

" " " ( " "p

" ( " " " (f

" " " ( " " " & &!6 *f

" & " & " " ( " & " ( " " &6 66 6 6 6 6 6

- " " " &! " " " ( ! " " "

" " " &!p

##"./'

" )"( " (

"( " )

9 9 9 9 9 9

! "# [p < f > p]

descending lines

! "# [p < f > p]

descending lines

$ "#[p < f > p]

descending lines

"# " " % ' % "# " " '!

"# ("( "# ) &

%" "# (

"# " " ) % ) "# " " % ( "# " " " " " ( !"# " " ( % "# " " ) ( "# " " " " " % "# " " ) '

! "# * &3

"# % "#"#+ &

"# " "# " ", "#f

" "# " "# " ", "# " "# " "# "p

"# " ",%! '!

"# " "# " "# " ", "# " "# " ",

6 6 6 6 6 6

" % %!6

%! " )"

( " )"

## # ## # ", ##f

# ## # ## # ", ## # ## # ## #

## # ",'

3 3 3 3 3 3 3

!05:45

"""## arpeggios and ascending lines

p — f

!" long notes

!05:45

"""###

p — f

! "# long notes

$05:45

p — f

$""" long notes

"% & "' (f p

( "# "% ( "'f p

& "# ( "%f

"' & "# ( )p f p

( " "% "% "% "% "% "% "% "% " "%f

"% "% "% "% "%5 5 5 5 5 5 5 5

$05:45

"# ( " ( " "#f p

( " ( " * "#f

" ( " & +p f

( "# * " ( "

* "# " ( " (f

"# ( " ( " * ,p

"% " "% " "% " "% "f

" "% " "% " "% " "p

"% " "% " " ( !

"% & & " ,f p

"% "% & " ,f

& "% ,p

"% " "% " "% "

"#& " &

" "% ( "' &p f

" ( "% "' & " & &!6 +!p f

"% ( "' & "p f p — f

( "% "' & " "% "' " " "# " "# " "# "# " " "# "# "#( "# "#6 6 6 6 6 6

"% . ,3". ,3

/# "% &"' . ,3

/# &"% "' . ,3

/# . ,3 +p — f

"# " " / /# / ## # ##3 3 3 3 3

! " morse code

! "# morse code

morse code

" "# "# "# "# "%&5 '!

pp — f

( "# "# " "# ") "* " "# " "* " " "# ") "* "* "*"* "* "*

"* "* "*"* % &

'! ( "* "*"*5 5 5

5 5 5 5

+ "# " "# " "# "f

" "# " "# "" "# "p

"# " "# " "# "",&p — f

"" "* "* """ "* "" " "* "* "*" , "* "*

", "* "*", ' + "* "*

"" "* " ") "* "* """ "* "* """ "* "* "*",&

! "# "f

"* "# " "# " "# " "*p p — f

"# " "# "# ") " " "# ") "* " "# "# ") " " "*" " "*

! "*+ "* "* "*

+'! "* "* "* " ") "f

"* " "* " "# "# - !

"# " " """" " "&fp

+ !"# """""6 6 6

-# !fp

"# " " " " " " " "3 3 3

. !* ! ! "* #*$*

"* #*$*

%%%& !

' ' ' ' ' ' ' ' ' (! &3 3 3 3

!06:12

"# fragmented long notes

$06:12

fragmented long notes 06:21

" " " " " " " " " & '! ' & " " " " " " " ( " " & " ( " & " " ( " & '

" " " " " " " " " " )

" " " " " " " " "( )

" " " "( (

55 5 5 5

! "* +, )9

'! "* " " " " & '!9

fp fp f

"* " " " ( "* " &fp f

"* ( "* & "* " ( "* ( '!9

'! "* & "* ( "* & "* " ( "*9 9 9 9 9

"* " " ". )3

"* " ' "* . )3 "* ' "* ". ) 33 3 3

" " " " " " " " " '! )fp fp

" " " " 'f

" " ( " 'fp p

" ( " " ' " ' '!

66 6 66 6

!06:21

"# " " "p

"# " "f

" " " " " " " " " " " " " " "5 5 5

!f" " " " " " " " " " " " " " " "

p" " " " " $ !

%06:21

"""##stuttering arpeggios

!""## polyrhythmic leaps

%06:21

"fast repeated notes

[f > p]

&'!'## stuttering arpeggios

" " " " " "#$5 %!

& " " "5 5

' " " " " " " " " " " " " " "p

" " " " " " " ( $pp

") " "* " $p

" "* "* "+ "*f

" "+ "* "& 3 3

Gtr " ! "* ! " "+f

"* ! " "+ "* ! " ! &! $ &!

"+ "*f p

" " "+ "* !" ") " "* " ") "f

") " "* " ") " " ") " "* " ")9 9 9 9 9

33 3 3

! "[f > p < f]

fast repeated notes

!" [f > p]

fragmented lines

! "* descending lines

[p < f > p]

, "[f > p]

fragmented lines

, "*[p < f > p]

descending lines 06:54

! "fast repeated notes

[f > p < f]

! "* descending lines

[p < f]

! "* [p < f > p]

fragmented lines

,06:33

"")[f > p < f]

polyrhythmic leaps 06:42

, "[p < f > p]

fragmented lines

-06:33

".* [f > p < f]

polyrhythmic leaps 06:42

- "* [p < f > p]

fragmented lines

!p — f

"# " " " "# " " " "# " " " "$ "# " " " "# " " "$ " "$ % "$ " "$ % "$ " "$ & %9

&!"# " "#

f" "$ " "# " " "# " "# ' !9 9

!p — f

" " "# " "( "# " " " "# " " "$ " "# " " ")!3 3 3 3 3 3

" " " )p — f

" " " "# " "( "# "# " " "# "# " " " "# "# " " "# " " " + " " " + " "f

" &! ''# !!

36 6 6

!06:54

""""$$ [f > p]

arpeggios and ascending lines 07:03

* "[p < f > p]

long notes

! "# [p < f > p]

long notes

!""""$$

p — f

!" long notes

long notes

,""#$$$

p — f

,% long notes:

metal scrape

#"# %!

"#"$" "

" & " ' (5

" " ! ' #!5 (

# " !7 7 7 7 7 7 5

") $ " $ " " ' " $ " ' " " $ " ' % $ ") ' " $ " ' " " $ " $ " $ " $ " ' #! ( #fp

") " $ " ' *) " "#! %!

5 5 5 5 5 5

" # " # " " $ " # " $ " " # " $ ,fp

&&&) !

!" [p < f]

! ") morse code

p — f

+" [p < f]

+ ") morse code

p — f

! ")fragmented long notes

[p < f]

!" morse code

p — f

! "morse code

+" [fp]

morse code 07:24

- ") [fp]

morse code 07:24

!07:24

""""# polyrhythmic leaps

!""""#

[f > p < f]

fast repeated notes

!""""#

[f > p]

stuttered arpeggios

!improvise freely

!07:24

improvise freely 07:36

!07:24

" " " "f

" " " "p

" " " $f pp

$" " "

B Tbn %

"# "# " " " "# " " " "#f

"# " " " "# " " " "# "# "& '5 '

$"# " "# " " "# " "

" "# " " " "( "# " " "

"( ! " ! " "( "

" " "( " ! " " & '55

55 5 5

! """""### [p < f > p]

fragmented lines

! """""###

descending lines

[p < f]

! """""###

p — f

!""""""###

fragmented lines

[p < f > p]

!""""""###

descending lines

[p < f]

$ """"##

p — f

!improvise freely

% "" "5

" "& "5

" " !' (!5 )

( " ! " " ( )5

$ )p f

* "# " !" "#

p — f

" !" ! "# ! " "# " " "# "# " "+ " "# "# " "+ " "# "# "# " "+ " "# " ' )5 ) * " " "# "# " "+ " "#f

" "" "# "# " "+ " "# " , "p

" " ! , " ( )5

55 5 5

Tpt 1 !"""""#

[f > p]

polyrhythmic leaps

$08:00

"""# !"""#%

long notes

$ """# !"""#%

morse code

$ """# !"""#%

$ """"# !"""#

[f > p]

polyrhythmic leaps

$ improvise freely

" ! " ! " " " " " " " ! " " & '5 'fp

( " " ! " " " ! " ! " ! " 5 5 5 5

" ! " " " " " " ! " " " " " " )!

+# + + + + + + + + + + + + + + + + + + + + ( ! , ( +# + + + + +

!"""""

##fast repeated notes

$ % % % % % % % % % % % % % % % & ' ( %) % % % % % % % % % % % % % % % % % % % % & (! *

!"""""""##

$stuttered arpeggios

[f > p < f]

Sax !"""""##

stuttered arpeggios

[f > p < f]

%""""# !

"""#[f > p < f]

stuttered arpeggios

" " " "$ "$&

" " " "$ "$

" """$ "$

""" "$ "$

" " " "$ "$'

" " ""$ "$

""" "$ "$

5 5 5 5 5 5 5 5

%08:24

" " "# "# """(' ) (

" " "#f

"# """) '

" " "# "# ""

" "# "# """*' )

" " "# "# """()!

" "f fp

"# "# """

"# "# """()! )!

"# "# """* !'

"#$ "$

)" , "

#$ "$- '

". #$ "$

!""""""#$$

[p < f]

fragmented lines

!"""""#

$$[p < f > p]

descending lines

!""""""#$$

p — f

!""""#

long notes

!""""""#$$ fragmented lines

[p < f]

!"""""#

$$ descending lines

[p < f > p]

""""""#$$

p -— f

!""""#

long notes

% """""## !

"" long notes

!Vlnimprovise freely

" "# "&f

"$ " "$ " "# "#p

"& " " " "f p

f:p — f

" " " "#" " "# "# " "$ " "# "

3 3 3 33

" " "# " " "# " " "p

" " "# "& "$ "f

"$ " "# "# "& " " " " "# "& "$p

" "# "#(!

"$ "p f

"$ "$ " !

"$ "$ " !)

p — f

"# " " * "# " * "& "& " "# "# " "$ " "# """ "# "# (!6

6 6 6 6 66

"# !" "

" !"# ", )

"# !& !$ ! ## ! ## ## #&f

-- -# - -# $& $$ $ "#p

"# "&.(!9 )

- ! -# ! - -&f p f

-# ! - -& -# ! - ! (! )p — f

- "# -.- "# -.- -$ # ## # ! !# ! "# " "$ - -# (! )5 5 5 5

9 9 9 9

!09:00

morse code

!""""#

!"""""$$%$ polyrhythmic leaps

[f > p < f]

!09:00

morse code

!""""#

!""""$$$

polyrhythmic leaps

[f > p < f]

&09:00

"""""#$ !

morse code

&"""""#$ !

""[fp]

&"""""$ ! ""$$

[f > p < f]

polyrhythmic leaps

!improvise freely

'$ ! " " ' ! (!fp

) "$ "p

" " " " " ! " " " ! " ) (6 6

'$ "* "$3

" " "$* ' ( )fp

" " )3

"$ ! " ! " " " ! " " " ! " ! )! + )! "$ " " " " " ! "3 9 9 9 9 9

drum sticks

"""# !

$ $ $* $

"""""##$#

[f > p]

fast repeated notes

!"""""##$# stuttered arpeggios

" % % " &f p

"' " % " &f p

"' % " " &

!09:18

""""###

fast repeated notes

[f > p]

!""""###

stuttered arpeggios

(09:18

"""""# ! ""##

[f > p]

fast repeated notes

("""""# ! ""## stuttered arpeggios

("""""###

fragmented lines

"# " " """"""&f p

) ! "# """"""*+ &9

"# "# "# "$, "# "# "# "$

) ! "# "# "# "$)) ! "# "# "# "$

"# "# "$) ! "# "# "#

"$) "# )

") "# ,

9 9 9 9 9 9

" " " " " "p

" " " &pp

" " " "#% " " " "#

"- &3"#- &3

" "#% "- &

3 3 3 3 3 3 3 3

" " " " " "p

" " "%! &

%!" " " /# !# "# "$

) /# !# "# "%! /# !# "# "

% /# !#"# "

/# % # %p

/#") /# %

"% /# % %!6

improvise freely.

09:39 6 6 6

66 6 6

"# $09:51

" $ "# $p

$ " "# $p

$ " " " "% "& "#f

" " " "% "& "# " "% ""

"% "& "# " "% "% ' (5 )!

$"" "% "& " "% "& "f

" "% "& " " " "% "& " "5 5 5 5

5 5 5 5

"" "% "& "# """

"% "& "# " "% "" "%p

"& "# " "% "% * ! )p

*" "% " "% "% "

"% "% "& " "% "% "& "& " "% "% "& "" "% +)p

$ "" "% "&f

"# " "% "% "% "% "& "

!""""%% descending lines

!09:39

, improvise freely

-improvise freely

"# "$ " % &! 'p

"( " "# "$ ") "f

"# " " "# "$ ") " " "# "$p

" " "# " "5 5

5 5 5 5

" "# "$ "# "$ ") " "# "#* %!

p — f

" "# "# "# "# "# " " " "# " " " "# "# "# "# "

!"""""""##) arpeggios and ascending lines

""""""""##) arpeggios and ascending lines

"# ! $ $ " ! " ! $ %

&10:33

$$$'$$$3

$ $ $' $3

$ $ $' $ $ ( )! $ $' $ $' $ $ $ $ $' $ $' $ $' $

3 3 3 3 3 3 3 3

$$$$$##*# long notes

[f > p]

!$$$$$$$##

!$$$$$++

[f > p < f]

morse code

&10:33

$$$$$# ! $$## long notes

[f > p]

&$$$$$### fragmented long notes

10:33$$$$$##*# long notes

[f > p]

!improvise freely

,improvise freely

!11:18

" #$ %3

#$ " & 'fp

# # '3

# ! # # # # # # ! # # # # # #'! &!

!11:18

) ! # ( &!

""""+ !!

## ' &!

""""+ !!

## ' &!

""""+ !!

pp#### ' # ! # ! # # # # # # # ! # # , %

% - # # ! # # # ! # ! # ! # #. %

% - ! # # ! # !

5 5 5 5 5

*######//

stuttered arpeggios

[p < f]

#####/stuttered arpeggios

[p < f]

* improvise freely

" " " " " " "

" " " " " " "#!

" " " " " " "

" " " " " " " #!

" " " " " " "

" " " " " " "7 7 7 7 7 7 7 7 7

!11:45

"$ """""""""p f

"""""""""""%&5

"$ """""""p

""""""""""f

"""%(!5

( "$ """""p

""""""""""f

"""""%(5

5 5 5 5 5 5

" " " " " " " "p

" " " " " " " "f

" " " " " (! *f

( " " " " " " " " " "p

" " " " " " " "

Tpt 1 !

"# " "# " " $ %

% $"# " "# " " &

"# " "# " " $"# " "# " " %

"# " "# " " &

" "# " ' &sim

' " "# " & % " "# "" "# "

" " " ' ) &f

" " " " " " " "p

" " " " " " " "f

" " " "f

" " "# " "#% &

' " " "# " "#' & % " " "# " "#

' " " "# " "#'

7 7 7 7

!"""""##

[p < f > p]

polyrhythmic leaps

(""""""## polyrhythmic leaps

[p < f > p]

"""""##[p < f > p]

polyrhythmic leaps

! "# " "# " " $ %

"# " "# " " $"# " "# " " & ! %

"# " "# " " $ %

! %! " "# " % ' " "# " & % " "# "" "# " ' % " "# " %!

( ' & " " "# " "#'7

' ! ") " "# " "#%! ' " " "# " "#

& " " "# " "#* ' !

%! " " "# " "#* ' !

!"""""""###

fast repeated notes

p — f

! ""#fast repeated notes

p — f

"""""""""##

##fast repeated notes

p — f

+improvise freely 12:39

!12:39

improvise freely

"12:39

# #$ #% #&3

#& #$ #& # # # # #$ #$fp

#& # # #' # #

# #' #& # # #' #& #$ #3 3 3 3

#) #$3

# #f p

#$) #3

!12:39

#########'$$$

descendinglines

[p < f]

!#########'$$$ [p < f > p]

fragmentedlines

!#########'$$$

arpeggios andascending lines

p — f

*! long notes:

superball drag

*! fragmented long notes:

drum stick harmonics

!12:57

improvise freely

" "# "# "# "" "# "# "# "# "# "" "# "# "# "# "# "# "# "$! %p

" &" &""# '

"&" ' "#" &"

"""""""&f

"""""$p

"""$! % $!f

"""9 9 9 9 9

9 9 9 9

" + $f

", ! " ! " "p

" ! " " " ! " !$! %f

$! ", "pp

" " " " ! " " " " " " " "- %3

". %3 ". % 3

" " "p

" " " ". %3 " " "f

" " $3

9 9 9 9 9 3 3

*"""""""""#

fast repeated notes

[f > p < f]

*"""""""""#

[f > p]

stuttered arpeggios

*"""""""""#

polyrhythmic leaps

""0"0",,

morse code

[f > p < f]

fast repeated notes

[f > p]

stuttered arpeggios

polyrhythmic leaps13:21

!13:21

improvise freely

!p — f

"# ! "# " " "# " "# ! " "# "# " " " $!

"& "& " "# " "& " " " "& "& " "# " "& " " " "& "& " ' (5

( )"& "& " "# " "& "& "& " "# " "& " "& "& " "# "

" "# "* " " "# "# "* " " "# "* " " "# "# "* " " "# "*$!

""""""""##& descending lines

[p < f]

! "# " " $ %!5

& %"# "# " "' " "# " " " "# "# " "' " "# " " " "# "# " $ %

( ) % " "' "* " " "' " "' "* " " "' "' " "' "* " " "' "' "* + ,p

"' "' " "' "' " " "' "' " "' " "' " "' " "# "' " "' " ,!

(""""# fragmented lines

[p < f > p]

!""""""""'''' [p < f > p]

fragmented lines

"#[p < f > p]

fragmented lines

!13:51

!improvise freely

"13:51

improvise freely

#$ ! # % & '

! %( %( % %( %( % %( % %( %( % %( % %( %( % % % %( % %( )! %( %( % %( %( % %( % %( %( % % % %( % %( % %( %( % % )!fp

% % % ! *

% % ! % % ! % + )pp

!%%%%%%%%(($ arpeggios and ascending lines

p — f

!%%%%%$$$

long notes

!%%%%%$$$ fragmented

long notes

!%%%%%$$$

morse code

"%%%%%%%%%$

long notes

"%%%%%%%%%$

fragmentedlong notes

"%%%%%%%%%$

($,( [fp]

morse code

-%"".#.((

$ arpeggios and ascending lines

p — f

-%$%.%$$$ long notes:

tremolo

-%$%.%$$$ fragmented

long notes:tremolo

-%$%.%$$$

morse code14:15

"# $ $ "# %p

$ "# %f p

"# " "# " "# "& %

$ "# " "#p

" "# " $ %f

" "# " "# " "# $ " 'f

' "# " ' "# $ " ' "#p

" $ "# ' (5 5 5 5 5 5 5 5 5

" "* " "* " "* 'f

$ " "* " "*p f

" "* $! " "* " "* " "* " "*p

" "* " "* $f p

' " "* " "* " "* " ' "* ' " "*f

+ "' "* + " "*p

' "+$ (p f

' "* ' "+ "*

"' "' ""+"

' "+""' "+$ (f p f

' "+"' "

"* $ %f p

"* $ %p

"* $ $"

$ "* %

""""""""***# fast repeated notes

!""""""""***#

[fp < f]

stuttered arpeggios

!""""""""***#

[f > p]

polyrhythmic leaps

)14:15

"""""**

*fast repeated notes

)"""""**

*stuttered arpeggios

[fp < f]

)"""""**

*[f > p]

polyrhythmic leaps

"# " " " "f

" " " " $ %p

$ "# " " "f p — f

" " " " " " $ "# $ "& " ' "# $ "& ' " "# " "( "& "# " "( "( " "( "& "# " "( "( "& " " " "( "& '

" "( " " "( " "( " "( "& "5 5 5 5

"( " " " " " " " " $ ! *p

* ' "( " "f

" " " " " " $ %p — f

" * *"# " " " "# "# " "( "

" " " " " "

" " "* +

p — f

" * "# $ $ " "# $ "# " "( " "( " " "( " "# " " "# " "# "

"# " "( " "5 5 5 5

!14:33 """# [p < f > p]

descending lines

!""""#

[p < f]

fragmented lines

!""""# arpeggios and ascending lines

p — f

)14:33

""""""""#

((( [p < f > p]

descending lines

)"""""""""#

(((( [p < f]

fragmented lines

)"""""""""#

p — f

,14:33

"!-# [p < f > p]

descending lines

"# fragmented lines

[p < f]

"# arpeggios and ascending lines

p — f

!14:45

[p < f > p]

long notes

![p < f]

morse code 15:03

"[p < f]

morse code

" fragmented long notes

p — f

morse code

"14:45

long notes14:51

morse code

improvise freely

!14:57

" improvise freely

#14:45

#improvise freely$ 15:06

!15:06

polyrhythmic leaps

fast repeated notes

stuttered arpeggios

"15:06

polyrhythmic leaps

stuttered arpeggios

" 15:27

!15:06

stutteredarpeggios

[f > p]

!polyrhythmic leaps

![f < p > f]

fast repeated notes 15:27

"15:06

stutteredarpeggios

[f > p]

" polyrhythmic leaps

!15:06

stutteredarpeggios

[f > p]

improvise freely

!15:27

fragmented lines

[f > p]

!descending lines

[f > p < f]

!15:27

fragmented lines

[f > p]

descending lines

[f > p < f]

descending lines

[f > p < f]

![p < f > p]

descending lines

!arpeggios and ascending lines

p — f

"15:27

[p < f]

fragmented lines

"[p < f > p]

descending lines

"arpeggios and ascending lines

p — f

!15:27

fragmented lines

[p < f]

![p < f > p]

descending lines

p — f

"15:27

improvise freely

15:33 #15:42

Tpt 1 !improvise freely

"15:48

improvise freely

!improvise freely

!15:48

"15:48

long notes

"fragmented long notes

"15:54

morse code

Perc #

[f > p]

fast repeated notes

#stuttered arpeggios

polyrhythmic leaps

[f > p < f]

improvise freely

" improvise freely

!improvise freely 17:00

!long notes

"16:24

[p < f]

descending lines

" fragmented lines

[p < f > p]

"p — f

#16:24

[p < f]

descending lines

#[p < f > p]

fragmented lines

#p — f

!improvise freely 17:54

Gtr"17:36

improvise freely

!morse code

#fragmented long notes

morse code

Tpt 1improvise freely

!17:54

improvise freely

!17:54

[f > p < f]

fast repeated notes

![f > p]

stuttered arpeggios

!polyrhythmic leaps

![p < f]

desending lines

"17:54

[f > p < f]

fast repeated notes

"[f > p]

stuttered arpeggios

" polyrhythmic leaps

" descending lines

[p < f]

#17:54

[f > p < f]

fast repeated notes

#[f > p]

stuttered arpeggios

#polyrhythmic leaps

!18:21

improvise freely

!18:21

[p < f > p]

fragmented lines

p — f

!long notes

!fragmented long notes

morse code

"18:21

fragmented lines

[p < f > p]

" arpeggios and ascending lines

p — f

" long notes

morse code

#long notes

#fragmented long notes

morse code

!18:57

"18:57

#18:57

erkkiveltheim.com · 2020. 1. 17. · FLESHEATER for nine instruments Erkki Veltheim 2013...

Documents

Ww 2 salzer

Salzer Technologies Profile

Erkki Räsänen Antti Puustinen, Leif Robertsén, Hannu ... chemistry can help Brown Stock Washing operations Erkki Räsänen Antti Puustinen, Leif Robertsén, Hannu Hämäläinen,

The Salzer s

Farewell, Tom Salzer · 2020-01-07 · Farewell, Tom Salzer Tom Salzer has been a familiar face at the Hamlet meetings, sharing updates in his role as general manager of the Clackamas

Salzer F. Structural Hearing

Jesus Christ and Muslims - By Erkki Kuisma

SALZER ELECTRONICS LTD. EEIZEI

Audicion Estructural by SALZER, Felix

Governor Erkki Liikanen Bank of Finland - Suomen …...Commitment to accommodative monetary policy benefits the economic outlook 9.6.2015 Governor Erkki Liikanen 2 Suomen Pankki –

Schubert & Salzer - Your Partner for Mining and Metallurgy · Schubert & Salzer - Your Partner for Mining and Metallurgy jatuporn1979 - 123rf.de, industrieblick- Fotolia.com. Benefit

Salzer Catalogue

DB Stuff Erkki

SALZER-CABLE DUCTS 2020

Wires for Life - Salzer Group

Teemu Myllylä, Erkki Vihriälä, Hannu Sorvoja ,

Erkki Vedder erkki@ctc.ee Cooperation with Russia in the Context of the EU Enlargement

Salzer catalogue.pdf

Salzer Felix Structural Hearing

Dan Salzer, U.S.A. Silvia Benitez P., Ecuador