Use of Participatory Design to Understand Aesthetic and Cultural Sensibilities for Reminiscing About...

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Use of Participatory Design

to understand aesthetic and cultural sensibilities for reminiscing about a dear departed

About the ProjectWhy we chose Participatory Design

Reminiscing about a dear departed

Project for

• Enhancing the experience of reminiscing

• For personal reminiscence

For Users who

• Fondly remember their parents and grandparents

• Have accepted the loss and overcome the grief

Reminiscing about a dear departed

Despite

• User Interviews

• Brainstorming

Ideas lacked

• Appropriate mood

• Sensitivity

Participatory Designa brief history

What is Participatory Design (PD)?

How was it first used?

The first independent Trade Union

in Poland during Communist rule,

and this strike marked the

beginning of organized resistance

against the Communist Party.

How is it used today?

PreparationMethodology | Recruitment | Materials

Methodology

Recruitment Orientation Ideation Discussion

Recruitment

Lost a

beloved ,

1-10 years

ago

Overcame

grief

Varied

backgrounds

1:1 gender

ratio

25-30 years

old

Materials

Sticker &

illustrations

Large sheets

of paper

Sticky notes

Drawing

material

Craft

material

The First SessionOrientation | Objections | Feedback | Discussion

Orientation

About

PD

About the

project

Theory of

the 5 senses

Discussion

on Excerpt

Pain will surely accompanies

the happiest of memories

We don’t want anything

artificial.

We don’t want to plan for

this. We prefer serendipity.

Change in strategy

Presentation of our idea Feedback and discussion

Tangible-virtual Shrine to the deceased

• “Oh no.”

• “That would take up too much space.”

• “It would be wrong.”

Creating a virtual immortal

• “This is ok. If you make sure it

doesn’t pop up before users who

don’t want it”

Creating a presence

• Nope

• “The user could loose their mental balance after using this for a prolonged period of time.”

Conjuring a beloved for conversation

• “This would work better without having

the holographic representation. That

makes it spooky.”

• “Can this be used for therapy?”

Recreating a memory

• “This reminds me of Planchette.”.

Heirloom

• “Hmm, how about having a family

tree installation?”

Smart Mementoes

• “This is alright as long as the sweater doesn’t randomly do stuff on its on.

• “The diary is a good idea.”

We don’t want to plan for this. We

prefer serendipity.

• “This is good.”

• “I’d want to use this.”

• “This would also be great for dead celebrities and great people.”

Discussion

Pain accompanies Joy

Only Positive Memories

Acceptance of the loss

Discussion

Don’t want anything artificial

No direct recreations of the

deceased

Enhancenatural course of

reminiscence

Emergent:Unobtrusive and

steady

Discussion

Serendipity

Design must constantly learn

and become more accurate

Design must have element of sweet

surprise

The Second SessionRecruitment | Ideas | Insights

Recruitment

Lost a

beloved ,

1-10 years

ago

Overcame

griefVaried

backgrounds

1:1 gender

ratio

25-30 years

old

3 repeat &

2 new

participants

Overview of the Ideas

Static, memorial installations

Interactive installations that depict what

the deceased loved or stood up for

Interactive Photo frame for the entire

family

Interactive pendant for personal use

Mobile App to simulate conversation

with the deceased

The mourning tree

(existing concept)

AnalysisSuccesses | Challenges | Insights

With respect to Reminiscence:

• Avoid direct representations of

deceased.

• Refer to natural trigger and course

of reminiscence.

With respect to PD

• Role of Moderator

• Role of the silent observer

• Many subtle points

• Clear tone of service

• Changed direction of design

• Explaining PD without influencing

them

• Limited to participants’

understanding of what could be

possible

• Not used to prototyping

Thank you!

For guiding us:Prof Pramod Khambete, Prof Anirudha Joshi

For helping with illustrations:Shyam Wanare, Anagh Saha, Snigdha Bannerji

For participating in the workshops:Bhavin Shah, Sohini Ganguly, Narendra, Abhey, DeepanwitaGhosh, Shubhanga Narsimha.