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De Salon Foundation hosts a series of lectures , interviews and discussions about societal developments. De Salon is held monthly at Felix Meritis in Amsterdam. My lecture revolved around the (expected) societal commitment of art vis á vis a society in rapid transformation. What should artistic urgency be pointed at? At individual artistic development, or at (partially) serving the cultural/political/social discourse at large? As a leitmotif (with the hybrid history of Felix Meritis' as centre of the arts and sciences in mind) I chose to depart from the notion of the artwork as 'probe': as both vehicle and trigger for investigation and transformation. More information about De Salon can be found here: http://www.de-salon.net/
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DE SALON #2
PROBE(SONDE)
HET COMMUNISTISCH
EXPERIMENT(HET WOORD BIJ DE DAAD: 1848-)
PROBE
SITUAÇÃO T/ T
(ARTUR BARRIO, 1970)
THE CREMASTER
CYCLE(MATTHEW BARNEY, 1994-2002)
TILTED ARC
(RICHARD SERRA, 1981)
A SELF-ENCLOSED AESTHETIC SYSTEM??
BINNEN
BUITEN
(EEN IN-ZICHZELF GESLOTEN ESTHETISCH SYSTEEM)
NATIONAAL GASTARBEIDER
MONUMENT(HANS VAN HOUWELINGEN, 2010)
PROBE
diep bewustzi jn
verhoogd bewustzi jn
over levingover lever ing
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